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"We must be kind, we must be humane. To do good without hope of reward!--that is the secret."
Constance laughed, in spite of herself, till the tears ran down her cheeks, the resemblance was so perfect.
"Never mind, you were too harsh--you will end by driving him away."
"Oh! indeed!" said a shake of the girl's head.
In truth, he continued to come to the house, always affable and sweet, dissembling his pa.s.sion, which was visible only when he became jealous of new-comers, overwhelming with attentions the ex-ballet-dancer, to whom his pleasant manners were gratifying in spite of everything, and who recognized in him a man of her own time, of the time when men paid their respects to women by kissing their hand, with a complimentary remark as to their appearance.
One morning, Jenkins, having looked in during his round of visits, found Constance alone and unoccupied in the reception room.
"I am mounting guard, Doctor, as you see," she said calmly.
"How does that happen?"
"Why, Felicia's at work. She doesn't want to be disturbed and the servants are so stupid. I am carrying out her orders myself."
Then, as she saw the Irishman walk toward the studio, she added:
"No, no, don't go there. She gave me strict orders not to let any one go in."
"Very good, but I--"
"I beg you not--you will get me a scolding."
Jenkins was about to withdraw, when a peal of laughter from Felicia reached their ears through the portiere and made him raise his head.
"So she isn't alone?"
"No. The Nabob is with her. They are having a sitting--for the bust."
"But why this mystery? It's very strange."
He strode back and forth, raging inwardly, but holding himself back.
At last he broke out.
It was improper beyond expression to allow a girl to be closeted in that way with a man.
He was astonished that so serious-minded, so devout a person as Constance--What did it look like?
The old lady gazed at him in stupefaction. As if Felicia were like other girls! And then, what danger could there be with the Nabob, such a serious man and so ugly? Moreover, Jenkins ought to know well enough that Felicia never consulted anybody, that she did only what she chose.
"No, no, it's impossible; I cannot allow this," exclaimed the Irishman.
And, paying no further heed to the dancer, who threw up her arms to call heaven to witness what was taking place, he walked toward the studio; but, instead of entering at once, he opened the door gently and raised a corner of the hanging, so that a part of the room, just that part where the Nabob was posing, was visible to him, although at a considerable distance.
Jansoulet was seated, without a cravat, with his waistcoat thrown open, talking excitedly, in an undertone. Felicia answered in laughing whispers. The sitting was very animated. Then there was a pause, a rustling of skirts, and the artist, going up to her model, turned his linen collar back all the way around, with a familiar gesture, letting her hand run lightly over the tanned skin.
That Ethiopian face, in which the muscles quivered with the intoxication of supreme content, with its great eyelids lowered like those of a sleeping beast being tickled with a straw, the bold outline of the girl as she leaned over that outlandish face to verify its proportions, and then a violent, irresistible gesture, seizing the slender hand as it pa.s.sed and pressing it to two thick, trembling lips,--Jenkins saw all this in a red glare.
The noise that he made in entering caused the two to resume their respective positions, and in the bright light which dazzled his prying, catlike eyes, he saw the girl standing before him, indignant, dumfounded: "What is this? Who has dared?" and the Nabob on his platform, with his collar turned back, petrified, monumental.
Jenkins, somewhat abashed, dismayed by his own audacity, stammered some words of apology. He had something very urgent to say to M. Jansoulet, very important information which could not be delayed. He knew from a reliable source that there would be a distribution of crosses on March 16th. The Nabob's face, momentarily contracted, at once relaxed.
"Ah! really?"
He abandoned his pose. The matter was well worth considering, deuce take it! M. de La Perriere, one of the Empress's secretaries, had been directed by her to visit the shelter of Bethlehem. Jenkins had come to take the Nabob to the secretary's office at the Tuileries and make inquiries. That visit to Bethlehem meant a cross for him.
"Come, let us be off; I am with you, my dear doctor."
He bore Jenkins no ill-will for disturbing him, and he feverishly tied his cravat, forgetting under the stress of his new emotion the agitation of a moment before, for with him ambition took precedence of everything.
While the two men talked together in undertones, Felicia, standing before them, with quivering nostrils and lip curling in scorn, watched them as if to say: "Well! I am waiting."
Jansoulet apologized for being obliged to interrupt the sitting; but a visit of the utmost importance--She smiled pityingly.
"Go, go. At the point where we are now, I can work without you."
"Oh! yes," said the doctor, "the bust is almost finished. It's a fine piece of work," he added, with the air of a connoisseur.
And, relying on the compliment to cover his retreat, he was slinking away, crestfallen; but Felicia fiercely called him back:
"Stay, you. I have something to say to you."
He saw by her expression that he must comply, under pain of an outbreak.
"With your permission, my friend? Mademoiselle has a word to say to me.
My coupe is at the door. Get in, I will be with you in a moment."
When the studio door closed upon those heavy departing footsteps, they looked each other in the face.
"You must be either drunk or mad to venture to do such a thing. What!
you presume to enter my studio when I do not choose to receive? Why this violence? By what right?"
"By the right that desperate, unconquerable pa.s.sion gives."
"Be quiet, Jenkins; those are words that I do not wish to hear. I let you come here through pity, through habit, because my father was fond of you. But never speak to me again of your--love"--she said the word very low, as if it were a disgrace--"or you will see me no more, even though I should be driven to die in order to escape you for good and all."
A child taken in fault does not bend his head more humbly than Jenkins as he replied:
"True--I was wrong. A moment of madness, of blindness. But why do you take pleasure in tearing my heart as you do?"
"As if I were thinking of you!"
"Whether you are thinking of me or not, I am here, I see what is going on, and your coquetry pains me terribly."