The Wonderful Visit Part 22

"I am putting you to terrible inconvenience, I am afraid. My appalling unworldliness--"

"It's not you," said the Vicar. "It's not you. I perceive you have brought something strange and beautiful into my life. It's not you.

It's myself. If I had more faith either way. If I could believe entirely in this world, and call you an Abnormal Phenomenon, as Crump does. But no. Terrestrial Angelic, Angelic Terrestrial.... See-Saw."

"Still, Gotch is certain to be disagreeable, _most_ disagreeable. He always is. It puts me into his hands. He is a bad moral influence, I know. Drinking. Gambling. Worse. Still, one must render unto Caesar the things that are Caesar's. And he is against Disestablishment...."

Then the Vicar would revert to the social collapse of the afternoon.

"You are so very fundamental, you know," he said--several times.

The Angel went to his own room puzzled but very depressed. Every day the world had frowned darker upon him and his angelic ways. He could see how the trouble affected the Vicar, yet he could not imagine how he could avert it. It was all so strange and unreasonable. Twice again, too, he had been pelted out of the village.

He found the violin lying on his bed where he had laid it before dinner. And taking it up he began to play to comfort himself. But now he played no delicious vision of the Angelic Land. The iron of the world was entering into his soul. For a week now he had known pain and rejection, suspicion and hatred; a strange new spirit of revolt was growing up in his heart. He played a melody, still sweet and tender as those of the Angelic Land, but charged with a new note, the note of human sorrow and effort, now swelling into something like defiance, dying now into a plaintive sadness. He played softly, playing to himself to comfort himself, but the Vicar heard, and all his finite bothers were swallowed up in a hazy melancholy, a melancholy that was quite remote from sorrow. And besides the Vicar, the Angel had another hearer of whom neither Angel nor Vicar was thinking.

DELIA.

XL.

She was only four or five yards away from the Angel in the westward gable. The diamond-paned window of her little white room was open. She knelt on her box of j.a.panned tin, and rested her chin on her hands, her elbows on the window-sill. The young moon hung over the pine trees, and its light, cool and colourless, lay softly upon the silent-sleeping world. Its light fell upon her white face, and discovered new depths in her dreaming eyes. Her soft lips fell apart and showed the little white teeth.

Delia was thinking, vaguely, wonderfully, as girls will think. It was feeling rather than thinking; clouds of beautiful translucent emotion drove across the clear sky of her mind, taking shape that changed and vanished. She had all that wonderful emotional tenderness, that subtle exquisite desire for self-sacrifice, which exists so inexplicably in a girl's heart, exists it seems only to be presently trampled under foot by the grim and gross humours of daily life, to be ploughed in again roughly and remorselessly, as the farmer ploughs in the clover that has sprung up in the soil. She had been looking out at the tranquillity of the moonlight long before the Angel began to play,--waiting; then suddenly the quiet, motionless beauty of silver and shadow was suffused with tender music.

She did not move, but her lips closed and her eyes grew even softer. She had been thinking before of the strange glory that had suddenly flashed out about the stooping hunchback when he spoke to her in the sunset; of that and of a dozen other glances, chance turns, even once the touching of her hand. That afternoon he had spoken to her, asking strange questions. Now the music seemed to bring his very face before her, his look of half curious solicitude, peering into her face, into her eyes, into her and through her, deep down into her soul. He seemed now to be speaking directly to her, telling her of his solitude and trouble. Oh!

that regret, that longing! For he was in trouble. And how could a servant-girl help him, this soft-spoken gentleman who carried himself so kindly, who played so sweetly. The music was so sweet and keen, it came so near to the thought of her heart, that presently one hand tightened on the other, and the tears came streaming down her face.

As Crump would tell you, people do not do that kind of thing unless there is something wrong with the nervous system. But then, from the scientific point of view, being in love is a pathological condition.

I am painfully aware of the objectionable nature of my story here. I have even thought of wilfully perverting the truth to propitiate the Lady Reader. But I could not. The story has been too much for me. I do the thing with my eyes open. Delia must remain what she really was--a servant girl. I know that to give a mere servant girl, or at least an English servant girl, the refined feelings of a human being, to present her as speaking with anything but an intolerable confusion of aspirates, places me outside the pale of respectable writers. a.s.sociation with servants, even in thought, is dangerous in these days. I can only plead (pleading vainly, I know), that Delia was a very exceptional servant girl. Possibly, if one enquired, it might be found that her parentage was upper middle-cla.s.s--that she was made of the finer upper middle-cla.s.s clay. And (this perhaps may avail me better) I will promise that in some future work I will redress the balance, and the patient reader shall have the recognised article, enormous feet and hands, systematic aspiration of vowels and elimination of aspirates, no figure (only middle-cla.s.s girls have figures--the thing is beyond a servant-girl's means), a fringe (by agreement), and a cheerful readiness to dispose of her self-respect for half-a-crown. That is the accepted English servant, the typical English woman (when stripped of money and accomplishments) as she appears in the works of contemporary writers.

But Delia somehow was different. I can only regret the circ.u.mstance--it was altogether beyond my control.

DOCTOR CRUMP ACTS.

XLI.

Early the next morning the Angel went down through the village, and climbing the fence, waded through the waist-high reeds that fringe the Sidder. He was going to Bandram Bay to take a nearer view of the sea, which one could just see on a clear day from the higher parts of Siddermorton Park. And suddenly he came upon Crump sitting on a log and smoking. (Crump always smoked exactly two ounces per week--and he always smoked it in the open air.)

"Hullo!" said Crump, in his healthiest tone. "How's the wing?"

"Very well," said the Angel. "The pain's gone."

"I suppose you know you are trespa.s.sing?"

"Trespa.s.sing!" said the Angel.

"I suppose you don't know what that means," said Crump.

"I don't," said the Angel.

"I must congratulate you. I don't know how long you will last, but you are keeping it up remarkably well. I thought at first you were a mattoid, but you're so amazingly consistent. Your att.i.tude of entire ignorance of the elementary facts of Life is really a very amusing pose.

You make slips of course, but very few. But surely we two understand one another."

He smiled at the Angel. "You would beat Sherlock Holmes. I wonder who you really are."

The Angel smiled back, with eyebrows raised and hands extended. "It's impossible for you to know who I am. Your eyes are blind, your ears deaf, your soul dark, to all that is wonderful about me. It's no good my telling that I fell into your world."

The Doctor waved his pipe. "Not that, please. I don't want to pry if you have your reasons for keeping quiet. Only I would like you to think of Hilyer's mental health. He really believes this story."

The Angel shrugged his dwindling wings.

"You did not know him before this affair. He's changed tremendously. He used to be neat and comfortable. For the last fortnight he's been hazy, with a far-away look in his eyes. He preached last Sunday without his cuff links, and something wrong with his tie, and he took for his text, 'Eye hath not seen nor ear heard.' He really believes all this nonsense about the Angel-land. The man is verging on monomania!"

"You _will_ see things from your own standpoint," said the Angel.

"Everyone must. At any rate, I think it jolly regrettable to see this poor old fellow hypnotized, as you certainly have hypnotized him. I don't know where you come from nor who you are, but I warn you I'm not going to see the old boy made a fool of much longer."

"But he's not being made a fool of. He's simply beginning to dream of a world outside his knowledge----"

"It won't do," said Crump. "I'm not one of the dupe cla.s.s. You are either of two things--a lunatic at large (which I don't believe), or a knave. Nothing else is possible. I think I know a little of this world, whatever I do of yours. Very well. If you don't leave Hilyer alone I shall communicate with the police, and either clap you into a prison, if you go back on your story, or into a madhouse if you don't. It's stretching a point, but I swear I'd certify you insane to-morrow to get you out of the village. It's not only the Vicar. As you know. I hope that's plain. Now what have you to say?"

With an affectation of great calm, the Doctor took out his penknife and began to dig the blade into his pipe bowl. His pipe had gone out during this last speech.

For a moment neither spoke. The Angel looked about him with a face that grew pale. The Doctor extracted a plug of tobacco from his pipe and flung it away, shut his penknife and put it in his waistcoat pocket. He had not meant to speak quite so emphatically, but speech always warmed him.

"Prison," said the Angel. "Madhouse! Let me see." Then he remembered the Vicar's explanation. "Not that!" he said. He approached Crump with eyes dilated and hands outstretched.

"I knew _you_ would know what those things meant--at any rate. Sit down," said Crump, indicating the tree trunk beside him by a movement of the head.

The Angel, s.h.i.+vering, sat down on the tree trunk and stared at the Doctor.

Crump was getting out his pouch. "You are a strange man," said the Angel. "Your beliefs are like--a steel trap."

"They are," said Crump--flattered.

"But I tell you--I a.s.sure you the thing is so--I know nothing, or at least remember nothing of anything I knew of this world before I found myself in the darkness of night on the moorland above Sidderford."

"Where did you learn the language then?"

"I don't know. Only I tell you--But I haven't an atom of the sort of proof that would convince you."

"And you really," said Crump, suddenly coming round upon him and looking into his eyes; "You really believe you were eternally in a kind of glorious heaven before then?"