Tom Ossington's Ghost Part 30

With these the woman was fumbling with hesitating, awkward fingers.

"Cat--dog? I don't--I don't understand, Tom--I see, Tom,--these are the pictures of cats and dogs. I'm blind, and stupid, and slow. I ought to have seen at once what they were?--I know I ought. But--be patient with me, Tom. Which one?--This one? Yes, I see--this one.

It's--it's--yes, Tom, it's a dog's head, I see it is.--What am I to do with it? Press?--Yes, Tom, I am pressing.--Press harder? Yes, I'll--I'll try; but I'm--I'm not very strong, and I can't press much harder. Have mercy!--have mercy, Tom! Say--say you forgive me--forgive me! but I--I can't press harder, Tom--I can't!"

She could not--so much was plain. Even as the words were pa.s.sing from her lips, she relinquished pressing altogether. Uttering a little throbbing cry, she turned away from the wall, throwing up her arms with a gesture of entreaty, and sinking on to the floor, she lay there still. As she dropped, that gentle, mocking laugh rang through the startled room.

CHAPTER XVIII

MADGE APPLIES MORE STRENGTH

Was it imagination? Or was it fact? Did some one or something really pa.s.s from the room, causing in going a little current of air? With startled faces each put to the other an unspoken query.

Which none answered.

The woman lay there, motionless, her exceeding stillness seeming accentuated by the sudden silence which filled the room. Bruce Graham, moving forward, took her up in his arms, as if she were but a feather's weight. His knife fell from her nerveless fingers, tumbling to the floor with startling clatter. Madge picked it up. Her voice rang out with clarion clearness--the voice of a woman whose nerves were tense as fiddle-strings.

"I'll see if I cannot press harder. This mystery must be solved to-night--before some of us go mad; if pressing will do it, it shall soon be done--if there's strength in me at all."

There was strength in her--and not a little.

She went on her knees where the woman had been; and, as she had done, fumbled with her fingers where the paper had been sc.r.a.ped from the wall, peering closely at it, as she did so.

"A dog's head, is it?--it doesn't look as if it were a dog's head to me, and that's not because I'm stupid. It's to be pressed, is it?--Well, if pressing will do it, here's for pressing!"

She exerted all her force against the point to which the woman had been directed.

"It gives! It gives!--something gives beneath my thumb: it's the k.n.o.b of a spring or something--I'm sure of it."

Turning, she looked up at Graham with flaming cheeks and flas.h.i.+ng eyes.

"The spring is sure to be rusty. It will need all your strength. Try it again."

She tried again.

"It does give--it does! But whatever it is supposed to open is not likely to act now that the wall has been repapered. Some one go and fetch the hammer and the chisel from downstairs--we'll try another way."

She glanced at Jack, as if intending the suggestion to apply to him.

But Ella clung to his arm, which perhaps prevented him from moving with the speed which might have been expected.

"Will no one go?" cried Madge. "Why, then, I'll go myself."

But that Bruce Graham would not permit. Swiftly depositing his still unconscious burden on Ella's bed, he went in search of the required tools, returning almost as soon as he had gone.

"I think, Miss Brodie, that perhaps you had better allow me to try my hand. I am stronger than you."

She gave way to him unhesitatingly.

"Drive the chisel into the wall and see if it is hollow."

He did as she bade him. A couple of blows put the thing beyond a doubt. The chisel disappeared up to the hilt through what was evidently but an outer sh.e.l.l. Madge continued to issue her instructions.

"Break the wall in! It's no use fumbling with dogs' head in search of hidden springs--with us it's a case of the shortest road's the best.

Whatever's inside that wall has been there long enough to excuse us if we're a little neglectful of ceremonious observances."

In a few minutes the wall was broken in, the ancient woodwork offering no resistance to Bruce Graham's vigorous onslaught. A cavity was made large enough to thrust one's head in. Madge stopped him.

"That'll do--for the present! Now let's see what there is inside!"

She went down on her knees the better to enable her to see, Graham moving aside to give her room. She thrust her fair young face as far into the opening as she could get it--only to discover that she was obscuring her own light. Out it came again.

"Give me a light--a match, or something. It's as dark as pitch in there."

Graham gave her a box of matches. Striking one, she introduced it into what was as the heart of the wall.

"There is something in there!"

She dropped the match. Fortunately it went out as it fell.

"It's the hidden fortune!"

She gave a gasp. Then in an instant she was on her feet and was hastening towards the rec.u.mbent figure on the bed.

The woman still lay motionless. Madge, bending down, caught her by the shoulder, forgetful of all in her desire to impart the amazing news.

"Your husband's fortune's in the wall--we've found it there."

Something on the woman's face, in her utter stillness, seemed to fill her with new alarm. She called to the others.

"Ella!--Mr. Graham! Jack!" Her voice sank to a whisper; there was a catching of her breath. "Is she dead?"

They came hastening towards her. Jack Martyn, stopping halfway, looking round, startled them with a fresh inquiry, to which he himself supplied the answer.

"By George!--I say!--where's Ballingall?--Why, he's gone!"

CHAPTER XIX

THE WOMAN AND THE MAN

Yes--the woman was dead. Ballingall had gone--and the fortune was found.

Put in that way, it was a curious sequence of events.