Fate Knocks at the Door Part 41

"But I must tell you that the thought was not mine first of all, Vina,"

Cairns was saying an hour afterward. "You used to talk to me a great deal about Nantucket--about the houses in Lily Lane, the little heads about the table, and how you walked by, watching hungrily like a night-bird--peering in at simple happiness. I couldn't forget that, and I told Bedient--how you loved Nantucket. One night at the club, he said: 'Buy one of those houses, David, and let her find out some summer morning slowly--that it is hers--and watch her face.' Then he suggested that we both come over here to see about it. That's what took us away a month ago."

There was a soft light about her face, not of the room. Cairns saw it as she regarded him steadily for a moment. "I love your telling me that, David," she said.

"I could hardly hold the happiness of it so long," he added. "Last night it was hard, too.... So Bedient and I came over and met the maiden-aunts. Such a rare time we had together--and yet, deep within, he was suffering."

"He went away almost immediately afterward, didn't he?"

"Yes.... Vina, do you think he couldn't make Beth forget the Other?"

"No, David."

Her unqualified answer aroused him. "I haven't seen Beth for weeks," he said. "She has been out of town mostly. I must see her now."

"Yes?"

"Vina, what a crude boy, I was--not to have known you--all these years.

It seems as if I had to know Bedient first."

"Perhaps, I did too, David."

"And Vina, it was a word of Beth's that started me thinking about you--that made me realize you were in the world.... This moment I would give her my arms, my eyes--for that word of hers."

"She is the truest woman I have ever known," Vina said.

... "The Other is back in New York," Cairns told her a moment later. "I saw him an hour before leaving, but not to speak to.... How strange it would be----"

Vina shook her head.

"Come back to New York with me to-day!" he said suddenly. "Our friends are there. You wouldn't trust anyone to pack the panels you'll need for work here.... Then we'll come back together for the long summer's work--will you?"

"Yes."

There was a quick step below--not the step of the man of flowers. Vina glanced at Cairns, who was smiling.

"I've arranged for servants, of course," he said. "I think dinner is nearly ready.... The table wasn't set for maiden-aunts----"

"The long summer's work together----" she said, in an awed voice.

"But first, our dinner together--you and I--here--oh, Vina!"

"... But, David,... you said--dinner first!"

THIRTY-SEVENTH CHAPTER

BETH AND ADITH MALLORY

Beth Truba dreamed:

She had been traveling for days and years, over plains, through the rifts of high mountains, across rivers and through great lonely silences, with just a dog for a companion. A white dog with small black spots, very playful and enduring, and though not large, he was very brave to contend with all that was fearful. At night he curled up close to her and licked her hand, and in the morning before the weary hours, he played about and made her laugh.

They came at last to a great desert. There was no other way, but to cross, if she hoped ever to reach her journey's end.... On and on, through the burning brightness they went, forgetting their hunger in the greater thirst. The nights were dreadful with a drying, dust-laden wind, and the days with destroying brilliance. At length one mid-day, the dog could go no further.

He sat down upon his haunches and looked at her, his tail brus.h.i.+ng the sand--eyes melting with love for her. She put her hand upon his head, and the dry tongue touched her fingers.... She must leave him. He seemed to understand that she must go on; his eyes told her his sufferings--in that he could not be with her. And so she went on alone.

When she turned he was watching, but he had sunk down upon the sand.

Only his head was raised a little. Still she saw the softness of the eyes; and his ears, that had been so sharp in the happy days, had dropped close about his head.

On she went, looking back, until the spot on the sand where he lay was gone from her eyes. And she knew what it meant to be alone. The days were blazing, and the nights filled with anguish to die. At last her hour came.... So glad she was to sink down a last time and let the night cover her.... But the sound of running water--water splas.h.i.+ng musically upon the stones, and the breath of flowers--awoke her after many hours. A cooling dawn was abroad, and in the lovely light she saw low trees ahead--green palms around a fountain--fruits and shade and flowers.... She arose, and from her limbs all weariness was gone. There was a quick bark, and her dog came bounding up--and Beth awoke, thinking it was her soul that had returned to her, restored.

Beth realized that she had half-expected Bedient to re-enter that open door.... Reflecting upon the days, she found that he had done none of the things she had half-expected. Only, while she had believed herself comparatively unresponsive, he had filled her with a deep, silent inrus.h.i.+ng. One by one he had swept away the ramparts which the world had builded before her heart. So softly and perfectly had he fitted his nature to her inner conception that she had not been roused in time.

But the Shadowy Sister had known him for her prince of playmates....

She wondered how she could have been so wilful and so blind with her painter's strong eyes. Even her pride had betrayed her. Wordling and the ocean could not continue to stand against all the good he had shown her.

Beth had run away for a few days. She could not bear her mother's eyes, nor the studio where he had been. Better the house of strangers, two hours from New York up the Hudson.... She heard he had gone back to his Island.... The June days drowsed. The mid-days were slow to come to as far hills; and endless to pa.s.s as hills that turn into ranges. The sloping afternoons were aeon-long; and centuries of toil were told in the hum of the bees about her window, toil to be done over and over again; and sometimes from the murmur of the bees, would appear to her like a swiftly-flung scroll, glimpses of her other lives, filled like this with endless waiting--for she was always a woman. And for what was she waiting?...

Often she thought of what Bedient had said about the women who refuse the bowl of porridge, and who therefore do not leave their children to brighten the race. These he had called the centres of new and radiant energy, the spiritual mothers of the race. And one night she cried aloud: "Would one be less a spiritual help, because she had a little of her own heart's desire? Because she held the highest office of woman, would her outer radiance be dimmed? To be a spiritual mother, why must she be just a pa.s.sing influence or inspiration--a cheer for those who stop a moment to refresh themselves from her little cup, and hurry on about their own near and dear affairs, in which she has no share?... He stands in a big, bright garden and commands the spiritual mother to remain a waif out on the dusty highway. 'How much better off you are out there!' he says. 'You can show people the Gate, and keep them from going the wrong way, on the long empty road. Nothing can hurt you, but yourself. It is very foolish of _you_ to want to come in!'"...

She remembered that some fine thing had lit his eyes like stars at the parting. Time came when she wished she had seen him at the studio, or at her mother's house, when he called before going away.... The sharp irony of her success brought tears--and Beth Truba was rather choice of her tears. The portrait had made a stir at the Club, and the papers were discussing it gravely.

It brought back the days in which he had come to the studio, and what it had meant to her for him to move in and out. How dependent she had become upon his giving! The imperishable memories of her life had arisen from those days, while she painted his portrait. Beth realized this now--days of strange achievement under his eyes--errant glimpses of life's inner beauty--moments in which she had felt the power to paint even that delicate and fleeting s.h.i.+mmer of sunlight about a humming-bird's wing, so intense was her vision--their talks, and the ride--well she knew that these would be the lights of her flagging eyes--treasures of the old Beth, whose pictures all were painted.

It was hard to have known the joy of communion with his warm heart, and deeply seeing mind--and now to accept the solitude again. She felt that his going marked the end of her growth; that now it was a steady downgrade, body and mind.... Some time, long hence, she would meet him again.... She would be "Beth-who-used-to-paint-so-well." They would talk together. The moment would come to speak of what they might have been to each other, save for the Wordlings of this world. She would weep--no, she would burst into laughing, and never be able to stop! It would be too late. A woman must not be drained by the years if she would please a man of flesh. She could not keep her freshness after this; she had not the heart to try.... Thus at times her brain kept up a hideous grinding.... She could feel the years!... Jim Framtree saw them.

She had found a note from him two days old under her studio-door. He had telephoned repeatedly, and taken the trip over to Dunstan to see her.... Would she not allow him to call? And now Beth discovered an amazing fact:

She had been unable to keep her mind upon him, even during the moment required to read his single page of writing. She wrote that he might come....

She heard his voice in the hall. The old janitor of the building had remembered him. Beth's hands, which had lain idle, began leaping strangely from the inner turmoil. She wished now she had met him somewhere apart from the studio. His tone brought back thoughts too fast to be tabulated, and his accent was slightly English. She divined from this he had been out of the country--possibly had returned to New York on a British s.h.i.+p. How well she knew his plastic intelligence! It was so characteristic and easy for him--this little affectation.... She was quite cold to him. Bedient had put him away upon the far-effacing surfaces of her mind.

The knocker fell. Rising, she learned her weakness. As she crossed the room the mirror showed her a woman who has met many deaths.

He greeted her with excited enthusiasm, but the tension which her change in appearance caused, was imperfectly concealed by his words and manner.... She knew his every movement, his every thought before it was half-uttered, as a mother without illusions knows her grown son, who has failed to become the man she hoped. They talked with effort about earlier days. He treated her with a consideration he had never shown before. The challenge of s.e.x was missing. Duty, and an old and deep regard--these Beth felt from him. She attributed it to the havoc of a few weeks upon her face. She wished he would not come again; but he did.

It was the next morning--and she was painting. Again the knocker and his cheery greeting. Beth sat down to work--and then thoughts of the two men came to her. She should not have tried to paint, with Framtree in the room.... Thoughts arose, until she could not have borne another.

The colors of her canvas flicked out, leaving a sort of welted gray of flesh, from which life is beaten. She rubbed her eyes.

"Jim," she said at last, "why did you come back?"

He came forward, and stood over her. "I wanted to see if there was any change, Beth,--any chance."