The New Book of Martyrs Part 20

"Oh, for me, now..."

Then I told him something I knew: I know young girls who have sworn to marry only a mutilated man. Well, we must believe in the vows of these young girls. France is a country richer in warmth of heart than in any other virtue. It is a blessed duty to give happiness to those who have sacrificed so much. And a thousand hearts, the generous hearts of women, applaud me at this moment.

Leglise listens, shaking his head. He does not venture to say "No."

Leglise has not only the Military Medal, but also the War Cross. The notice has just come. He reads it with blushes.

"I shall never dare to show this," he says; "it is a good deal exaggerated."

He hands me the paper, which states, in substance, that Corporal Leglise behaved with great gallantry under a hail of bombs, and that his left leg has been amputated.

"I didn't behave with great gallantry," he says; "I was at my post, that's all. As to the bombs, I only got one."

I reject this point of view summarily.

"Wasn't it a gallant act to go to that advanced post, so near the enemy, all alone, at the head of all the Frenchmen? Weren't they all behind you, to the very end of the country, right away to the Pyrenees? Did they not all rely on your coolness, your keen sight, your vigilance? You were only hit by one bomb, but I think you might have had several, and still be with us. And besides, the notice, far from being exaggerated, is really insufficient; it says you have lost a leg, whereas you have lost two! It seems to me that this fully compensates for anything excessive with regard to the bombs."

"That's true!" agrees Leglise, laughing. "But I don't want to be made out a hero."

"My good lad, people won't ask what you think before they appreciate and honour you. It will be quite enough to look at your body."

Then we had to part, for the war goes on, and every day there are fresh wounded.

Leglise left us nearly cured. He left with some comrades, and he was not the least lively of the group.

"I was the most severely wounded man in the train," he wrote to me, not without a certain pride.

Since then, Leglise has written to me often. His letters breathe a contented calm. I receive them among the vicissitudes of the campaign; on the highways, in wards where other wounded men are moaning, in fields scoured by the gallop of the cannonade.

And always something beside me murmurs, mutely:

"You see, you see, he was wrong when he said he would rather die."

I am convinced of it, and this is why I have told your story. You will forgive me, won't you, Leglise, my friend?

THE THIRD SYMPHONY

Every morning the stretcher-bearers brought Vize-Feldwebel Spat down to the dressing ward, and his appearance always introduced a certain chill in the atmosphere.

There are some German wounded whom kind treatment, suffering, or some more obscure agency move to composition with the enemy, and who receive what we do for them with a certain amount of grat.i.tude. Spat was not one of these. For weeks we had made strenuous efforts to s.n.a.t.c.h him from death, and then to alleviate his sufferings, without eliciting the slightest sign of satisfaction from him, or receiving the least word of thanks.

He could speak a little French, which he utilised strictly for his material wants, to say, for instance, "A little more cotton-wool under the foot, Monsieur," or, "Have I any fever to-day?"

Apart from this, he always showed us the same icy face, the same pale, hard eyes, enframed by colourless lashes. We gathered, from certain indications, that the man was intelligent and well educated; but he was obviously under the domination of a lively hatred, and a strict sense of his own dignity.

He bore pain bravely, and like one who makes it a point of honour to repress the most excusable reactions of the martyred flesh. I do not remember ever hearing him cry out, though this would have seemed to me natural enough, and would by no means have lowered Monsieur Spat in my opinion. All I ever heard from him was a stifled moan, the dull panting of the woodman as he swings his axe.

One day we were obliged to give him an anaesthetic in order to make incisions in the wounds in his leg; he turned very red and said, in a tone that was almost imploring: "You won't cut it off, gentlemen, will you?" But no sooner did he regain consciousness than he at once resumed his att.i.tude of stiff hostility.

After a time, I ceased to believe mat his features could ever express anything but this repressed animosity. I was undeceived by an unforeseen incident.

The habit of whistling between one's teeth is a token, with me as with many other persons, of a certain absorption. It is perhaps rather a vulgar habit, but I often feel impelled to whistle, especially when I have a serious piece of work in hand.

One morning accordingly, I was finis.h.i.+ng Vize-Feldwebel Spat's dressing, and whistling something at random. I was looking at his leg, and was paying no attention to his face, when I suddenly became curiously aware that the look he had fixed upon me had changed in quality, and I raised my eyes.

Certainly, something very extraordinary had taken place: the German's face glowed with a kind of warmth and contentment, and was so smiling and radiant that I hardly recognised it. I could scarcely believe that he had been able to improvise this face, which was sensitive and trustful, out of the features he generally showed us.

"Tell me, Monsieur," he murmured, "it's the Third Symphony, isn't it, that you are... what do you call it?--yes... whistling."

First, I stopped whistling. Then I answered: "Yes, I believe it is the Third Symphony"; then I remained silent and confused.

A slender bridge had just been flung across the abyss.

The thing lasted for a few seconds, and I was still dreaming of it when once more I felt an icy, irrevocable shadow falling upon me--the hostile glance of Herr Spat.

GRACE

It is a common saying that all men are equal in the presence of suffering, but I know very well that this is not true.

Auger! Auger! humble basket-maker of La Charente, who are you, you who seem able to suffer without being unhappy? Why are you touched with grace, whereas Gregoire is not? Why are you the prince of a world in which Gregoire is merely a pariah?

Kind ladies who pa.s.s through the wards where the wounded lie, and give them cigarettes and sweet-meats, come with me.

We will go through the large ward on the first floor, where the windows are caressed by the boughs of chestnut-trees. I will not point out Auger, you will give him the lion's share of the cigarettes and sweets of your own accord; but if I don't point out Gregoire, you will leave without, noticing him, and he will get no sweets, and will have nothing to smoke.

It is not because of this that I call Gregoire a pariah. It is because of a much sadder and more intimate thing... Gregoire lacks endurance, he is not what we call a good patient.

In a general way those who tend the wounded call the men who do not give them much trouble "good patients." Judged by this standard, every one in the hospital will tell you that Gregoire is not a good patient.

All day long, he lies on his left side, because of his wound, and stares at the wall. I said to him a day or two after he came:

"I am going to move you and put you over in the other corner; there you will be able to see your comrades."

He answered, in his dull, surly voice:

"It's not worth while. I'm all right here."

"But you can see nothing but the wall."