The Crime and the Criminal Part 65

"They shan't hang him?"

"It looks uncommonly as if they would."

"I say they shan't. Not if I have to tear down the prison walls with my hands and nails to get at him. Do you think I've come all these thousands of miles to let them strangers pay the man that killed my girl? You bet I've not!"

Mr. Haines glanced at the detective as if he defied his contradiction.

The detective looked at him, in return, as if he doubted what to make of him.

While the two men were thus, as it were, taking each other's measure, Miss Hetty Johnson advanced to the table on which Mr. Haines had, perhaps unconsciously, replaced the photographs. She picked them up.

"Is this the poor girl who was murdered?" She glanced at them. As she did so she uttered a startled exclamation, "Why, it--it's Milly!" She turned to Mr. Holman all in a tremor of excitement. "Uncle, this is Milly!"

Her uncle turned to her with what almost amounted to a savage start.

"Who do you say it is? You don't mean to say that you know the original? Hanged if I don't believe everybody does except me. And here, all this time, we've been hunting the whole world to find out."

Miss Johnson was not at all affected by her uncle's display of temper.

She repeated her previous a.s.sertion, and that with more emphasis than before.

"This is Milly Carroll who was with me at the theatre. I am sure of it.

Aunt, you've heard me talk of Milly Carroll?"

"Often," said her aunt. "Now, Hetty, don't you let your fancy run away with you. It may be like her, and yet it mayn't be her. Remember the mischief you might do. You think before you speak."

"My dear aunt, there is not the slightest necessity for you to talk to me like that. I am sure that this is Milly Carroll. Heaps of girls at the theatre will tell you so if you ask them. It doesn't do her justice, and she looks as if she were dead, but it's her." She dropped her hand to her side, as if a startling reflection had all at once occurred to her. "I wonder if that explains it?"

"Explains what?"

"Her silence. I wondered why she had never replied to my last letter.

All the time, perhaps, she was dead. And I was telling every one how unkind she was. To think of it!"

"Do you know where she lived?"

"When I last heard from her she was living at Brighton."

"Brighton? Then he did do it. What an artistic liar that man must be!"

"She left the stage for good. She was going to be married."

"Going to be married, was she? Then it's her. What was her future husband's name?"

"I never heard his name. We always took him for some big swell, she kept his name so close. She used to call him Reggie."

"Reggie? Oh! Not Tommy?"

"No, Reggie. I knew him very well by sight."

"What do you mean--you knew him very well by sight?"

"Well, I spoke to him two or three times, and, of course, he spoke to me. And I used often to see her with him. And then he was always at the theatre. He used to give her everything she wanted, and made no end of a fuss of her. The girls all envied her good luck."

"It looks as if they had cause to. What sort of party was this swell of hers to look at?"

"He was tall, and dark, and very handsome, and he had most beautiful hands, and one of the nicest-speaking voices I ever heard--and such a smile! And he dressed awfully well--he was an awful swell. Milly told me he was awfully rich, but I could see that without her telling me."

Mr. Holman had listened to the girl's description with some appearance of surprise.

"Of course you could. You girls can see anything. That's how it is so many of you come to grief--you think you see so much. You're sure you haven't made a mistake about this swell of hers? You're sure he wasn't short, and plump, and rosy?"

"He wasn't a sc.r.a.p like that. He was exactly as I've told you. Short, and plump, and rosy? Indeed! I should think he wasn't."

"Would you recognise him if you saw him again?"

"Rather! I should think I should. I should know him anywhere. If you saw him once, you would never be likely to forget him, he was too good-looking."

"Was he indeed? You seem to have been more than half in love with him yourself. You girls always do fall in love with the right sort of men.

Have you any of this young woman's writing?"

"I've some of her letters which she sent me."

Mr. Haines, advancing, laid his hand gently on Miss Johnson's arm.

"Will you let me see her letters--my girl's, my Loo's?"

"Of course I will. You can come round and look at them now if you like.

There's time before I'm due at the theatre." The young girl looked up at the old man with a curious interest. "She was an American. She used to talk to me about a place called Colorado."

"She was raised in Colorado. And that is where she left me. So you were her friend--my girl's friend?"

"Well, we were pals."

"Pals? Yes. You were pals."

Mr. Haines looked at Miss Johnson inquiringly, searchingly, as if he was endeavouring to ascertain, by force of visual inspection, what sort of girl she was.

Mr. Holman interposed.

"When you two have done palavering, perhaps Miss Hetty Johnson will be good enough to tell me what was this young woman's address at Brighton--that is, if she happens to remember it."

"I remember it perfectly."

Miss Hetty proved that she did by unhesitatingly furnis.h.i.+ng her uncle with the information required. Her uncle entered the address she gave him in his pocket-book. He looked at his watch.

"It's twenty minutes past seven. There's a train from Victoria to Brighton at 7.50. If I got a decent cab I ought to have time to catch it, and to spare. If I do catch it, I ought to be able to get all the information I want in time to catch the last train back to town. If I don't, I'll wire." This was to his wife. He turned to his niece. "You keep a still tongue in your head, if you can, and don't go chattering at the theatre. And don't let anything that was that young woman's pa.s.s out of your hands to any one--do you hear?"

"I hear. But, uncle, I don't, and I can't, believe that Milly's sweetheart had anything to do with killing her."

"No one asks you for what you believe. I've been asking you for what you know. And that's all I'm likely to ask you for. You mark what I say, and don't you give a sc.r.a.p of her writing to any one. I'm off."