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The Crime and the Criminal Part 66

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He was off, catching up the portraits from the table as he went.

As soon as her uncle had gone Miss Johnson turned to Mr. Haines.

"If you want to see those letters, you'll have to come now. I have to be at the theatre soon after eight."

The young girl and the old man went away together. Miss Johnson led the way through Coventry Street. Suddenly stopping, she caught Mr. Haines by the arm.

"Oh! There he is!"

"Who?"

"Milly's sweetheart."

"Where?"

Miss Johnson pointed to a tall man who was standing on the pavement talking to the driver of a hansom cab. Mr. Haines started. His companion felt that he was trembling. He spoke as if he were short of breath.

"Are you sure?"

"Quite sure--certain."

Mr. Haines went forward without a word. Miss Johnson stood still and watched, fearing she knew not what.

But she need have feared nothing, for nothing happened.

By the time that Mr. Haines had reached the cab the man in question had seated himself inside. Mr. Haines had a good look at him before the cab moved off.

"It's he! Her aristocrat! I knew that he smelt of blood first time I saw him, but if I'd known that the blood was hers----"

He raised his hands above his head, as if by way of a wind-up to his unfinished sentence.

The pa.s.sers-by stared at the old man talking to himself and gesticulating on the pavement, wondering, perhaps, if he was drunk or if he was merely mad.

CHAPTER x.x.xVI.

THE VARIOUS MOODS OF A GENTLEMAN OF FAs.h.i.+ON.

Mr. Townsend was shaving himself. Advancing his face an inch or two nearer his shaving-gla.s.s, with his fingers he smoothed his chin.

"Very awkward," he said. "Very!"

The allusion could scarcely have been to the process in which he was engaged. Everything had gone with smoothness. Not even a scratch had marred the perfect peace.

Mr. Townsend concluded that his chin was as clean shaven as it possibly could be. He put his razor down. He took up a cigarette. He lighted it.

"Exceedingly awkward!"

As he murmured the iteration, seating himself in an armchair, he selected an open letter from among a heap of others which lay on a little table at his side. The letter he had selected was unmistakably a feminine production. It was written in a large, bold, running hand, on paper which was as stiff as cardboard.

"MY DEAREST REGGIE,--You must come and see me! At once! I shall expect you this morning!

"_Whatever you have done, it it quite impossible that I shall let you go--you are mine!_

"You understand that I am waiting for you, and that you are to come to me as soon as you possibly can.

"You are to tell the bearer when I shall see you!

"YOUR DORA."

That was what the letter said. The italics and the notes of exclamation were the lady's own. As he puffed his cigarette Mr. Townsend read the letter carefully through and smiled. Removing his cigarette, he pressed the letter to his lips. Then, carefully folding the letter between his fingers, he laid it down.

"As I said I would go, I shall have to go--it's uncommonly awkward. Had she been wise, she would have taken what I wrote as the final word, and left it so."

Rising, he continued his toilet, humming to himself, now and then, s.n.a.t.c.hes of a popular comic song. Going to the fireplace, he began pus.h.i.+ng about, with the toe of his shoes, the pieces of burning coal.

"It's odd how I love her--very! After my experience. And this time, as the man says in the play, it is love. Well, she has called the stakes.

It is for me to win. If I don't, I can but lose."

He returned to the table on which the letters were. He picked up another, also unmistakably the production of a feminine hand. It contained but a line or two. It was without prefix or signature. And this time the writing was small and fine and clear:--

"I have heard nothing from you. The eight-and-forty hours will be up this afternoon at five. After that time I shall feel it my duty to do my utmost at once to save the life of an innocent man. I shall be at home to you till five."

Mr. Townsend read this epistle also with a smile, but he did not press it to his lips when read. Instead, he commented on it with a curious sort of humour.

"You pretty dear! You are the dangerous sort that always smiles. I have heard and read a good deal about women being cleverer than men, but till I met you I never met my match."

Tearing the letter into pieces, he dropped the fragments among the burning coals. As he adjusted his necktie before a looking-gla.s.s he indulged himself with further s.n.a.t.c.hes of that comic song. Having completed his toilet, he went into the adjoining room. In response to his ring breakfast was brought in. And, with every appearance of the satisfaction of the man whose conscience is perfectly at ease, Mr.

Townsend sat down to the discussion of his morning meal.

As he was finis.h.i.+ng, a manservant opened the door.

"Lord Archibald Beaupre, sir, wishes to see you."

"Show him in here."

Presently there entered a tall, thin, and rather weedy-looking young man. His scanty hair was of that colourless fairness which is almost peculiar to a certain type of Scotchman. He would not have been bad-looking, in spite of his being slightly freckled, if it had not been for three things: first, he had obviously at least his share of the pride for which his countrymen are proverbial; second, he was obviously more than sufficiently weak; and third, he was equally obviously bad tempered.

On this occasion he did not seem to be by any means in the most agreeable frame of mind. Taking no sort of notice of Mr. Townsend's nodded greeting, he marched straight to an easy-chair, and, sitting down on it, he rested his hands on the handle of his stick, and his chin on his hands. He looked straight in front of him with about as sour a visage as he could well have worn. Mr. Townsend continued his breakfast as if there was nothing at all peculiar in his visitor's demeanour, and as he ate he smiled.

After a while he leaned back on his chair.

"Well, Archie, any news?"

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The Crime and the Criminal Part 66 summary

You're reading The Crime and the Criminal. This manga has been translated by Updating. Author(s): Richard Marsh. Already has 621 views.

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