The Influence of the Organ in History Part 14

=ENGLISH MUSIC= (1604-1904). Seventeen Lectures delivered at the Music Loan Exhibition of the Wors.h.i.+pful Company of Musicians. By T. L.

SOUTHGATE, W. H. c.u.mMINGS, H. WATSON, E. MARKHAM LEE, J. FINN, SIR F.

BRIDGE, A. S. ROSE, A. H. D. PRENDERGAST, F. J. SAWYER, G. F. HUNTLY, D.

J. BLAIKLEY, REV. F. W. GALPIN, W. W. COBBETT, J. E. BORLAND, A. H.

LITTLETON and SIR E. CLARKE. Frontispiece and 115 Ill.u.s.trations (Portraits, Instruments, t.i.tle Pages, etc.). Musical Examples. 16s.

_net_.

=MINSTRELSY.= By EDMONDSTOUNE DUNCAN. The whole body of Secular Music that has stood the test of time and which can be called national. Early Gleemen, the Minstrels (church and social), Troubadours, the Tudor period, the great Elizabethanists, etc. Pp. xvi, 337, 16s. _net_.

=MUSICAL FORM.= By C. LUCAS. The General Principles of the Art of Composition and how they have been arrived at; explaining the development of the scale, of tonic and dominant, cadences, phrases and motives, counterpoint, canon and fugue, harmony, style, song form, variations, sonata form. Pp. xvi, 226, 16s. _net_.

=BAGPIPE.= By W. H. GRATTAN FLOOD. Its History, Origin of Reed Pipes, the Pipes of ancient Celtic Ireland and Wales, the Scottish scene and Scottish melodies, changes from 16th to 19th centuries. 26 ill.u.s.trations, glossary, bibliography, list of players, index. Pp. xx, 237, 15s. _net_.

WILLIAM REEVES

Bookseller Ltd.

SPECIALISTS IN MUSIC AND BOOKS ON MUSIC

In addition to our valuable series of publications listed in this Catalogue, we hold an extensive stock of secondhand and out-of-print books on music, especially on the Violin, Organ, and other Musical Instruments, Lives of Composers and Criticisms of their Works, National, Oriental and Primitive Music, Orchestration, Composition, and Technique, etc., Orchestral Scores, Operas, Chamber Music, Miniature Scores, Librettos, Facsimiles of Composers' MSS, Orchestral Material, Musical Comedies, etc.

Librarians and Amateurs are invited to send us their lists of wants, as we may have in stock just the items required.

Catalogues regularly issued, and sent on request, post free.

WILLIAM REEVES BOOKSELLER LTD, 1a Norbury Crescent, London, S.W.16.

MISCELLANEOUS.

=THE BIRTH OF ARTHUR= (Uther and Igraine), Choral Drama. The Libretto by R. R. BUCKLEY and RUTLAND BOUGHTON. This work was performed at Glas...o...b..ry, August, 1925, to the Music of RUTLAND BOUGHTON. 1s. 6d.

_net_.

=JOHN GAY'S "BEGGAR'S OPERA."= Piano Selection arranged by H. R. HOOD from the original Music by DR. PEPUSCH. Performed at Drury Lane and Covent Garden. Folio, 1s. _net_.

Ditto, arranged for Violin and Piano. By H. R. HOOD. 2s. _net_.

=BLEST BE THAT AGE.= Vocal Trio for Tenor, Baritone and Ba.s.s. Words from Masonic Ritual. Music with Piano Accompaniment. By H. BOND. Folio, 2s.

_net_.

=MASONIC MUSICAL SERVICE BOOK FOR THE THREE DEGREES OF CRAFT MASONRY.= The Whole Compiled and Edited by T. J. LINEKAR (_of St. Trillo, 2569_).

Royal 8vo, blue cloth, 7s. 6d. _net_ (or paper covers, 5s. _net_).

_The Freemason_ says: "It contains all that is necessary for the degrees in the way of Psalms, Hymns, Kyries, etc."

=TRIO FOR PF., VN. AND 'CELLO.=--Beethoven's Celebrated Minuet in G, No.

2, Score and Parts. Folio, 2s. _net_. Also arranged for Vn. and Pf., 2s.

_net_, and Pf. Solo, 1s. 6d. _net_.

=EASY TRIOS.= Arranged from Cla.s.sical Composers. By S. O. GOLDSMITH, for Piano, Violin and Violoncello. Score and Parts. Two books, each 3s.

_net_.

Book I: 1. Minuet (Beethoven); 2. Moment Musical (Schubert); 3.

Largo (Tartini); 4. Chiarina (Schumann); 5. Minuet (Pugnani). Book II: 6. Bourree (Martini); 7. Chanson Triste (Tchakovsky); 8.

Scherzino (Schumann); 9. Song without Words, No. 3 (Mendelssohn).

=THE CREATION.= By HAYDN. Performing Edition. Edited by G. A. MACFARREN.

Paper, 3s. _net_, boards, 4s. _net_.

The edition as conducted by Sir Henry Wood in 1926, etc.

=CHOIR ATTENDANCE REGISTER.=

Ruled for a Choir of 60 or less, for One Year, beginning at any date, 4s. _net_.

Ruled for a Choir of 20 or less, for One Year, beginning at any date, 3s. _net_.

=TWO SETS OF UNACCOMPANIED CHORAL VARIATIONS UPON ENGLISH FOLK SONGS=, by RUTLAND BOUGHTON (with Piano Acomp. for practice only). 1s. 8d.

(a) The Barks.h.i.+re Tragedy.

(b) King Arthur had Three Sons.

A Second Series by RUTLAND BOUGHTON. 1s. 8d.

(a) William and Margaret.

(b) Widdecombe Fair.

King Arthur, separately from the First Set, 9d.

=RATIONAL ACCOMPANIMENT TO THE PSALMS.= By F. GILBERT WEBBE. Post 8vo, 1s. _net_.

=MODEST IDYLLS FOR MUSICAL SETTING.= By ERNEST ALFIERI. Crown 8vo, sewed, 2s. 6d. _net_.

=SONGS FROM THE RAVEL.= (Words for Musical Setting.) A Book of Prose-Lyrics from Life and Nature. By ERNEST AUSTIN. Op. 30. Crown 8vo, sewed, 2s. 6d. net.

=PARTHENIA.= 21 Compositions by Three Famous Sixteenth and Seventeenth Century Masters, William Byrd, Dr. John Bull and Orlando Gibbons, being Parthenia, or the First Musick ever printed for the Virginals. Arranged for the Piano and freed from the errors of Dr. Rimbault's edition by accurate comparison with the original text by MARGARET H. GLYN (_author of_ "Elizabethan Virginal Music and Composers"). Folio, 12s. 6d. _net_.

This edition has been entirely re-engraved. The work contains eight compositions by Byrd, seven by Bull, and six by Gibbons.

=50 MUSICAL HINTS TO CLERGYMEN.= Management of Breath, Cla.s.sification of Male Voices, Management of the Voice, The Service. With Twenty specially written Exercises. By GEO. F. GROVER. Cr. 8vo, paper, 1s. _net_.

=HOW TO MANAGE A CHORAL SOCIETY.= By N. KILBURN, Mus.Bac. Third Edition Revised. Crown 8vo, paper, 1s. _net_.

=A CHAT WITH CHORAL SINGERS.= By H. W. SPARROW, A.R.C.O. 8vo, paper cover, 1s. _net_.