The Influence of the Organ in History Part 9

*=IL TANCREDI= (Rossini).

=LIGHT CAVALRY= (Suppe).

=MAGIC FLUTE= (Zauberflote), (Mozart).

=MARITANA= (Wallace).

=MASANIELLO= (Auber).

*=MERRY WIVES OF WINDSOR= (Nicolai).

=MIGNON OVERTURE= (A. Thomas).

=NOZZE DE FIGARO= (Mozart).

*=POET AND PEASANT= (Suppe).

=RAYMOND= (Thomas).

=SEMIRAMIDE= (Rossini).

=WILLIAM TELL= (Rossini).

*=ZAMPA= (Herold).

* Also arranged as Duet (piano, 4 hands), price 2/6 _net_.

PIANOFORTE.

=THE PIANO WORKS OF BRAHMS.= By EDWIN EVANS, _Senior_. Historical, Descriptive and a.n.a.lytical Account of each Work treated in the Order of the Opus number, and preceded by a Didactic Section. 8vo, cloth, 30s.

_net_.

The above volume is a complete technical account of the piano works. It forms a part of the Historical, Descriptive and a.n.a.lytical Account of the Entire Works of Brahms advertised on page 2.

=HOW TO PLAY BACH'S 48 PRELUDES AND FUGUES.= A Guide Book for the use of Piano Students as an aid to the Unravelling and Interpretation of these Masterpieces, ensuring a more Intelligent Keyboard Rendering. By C. W.

WILKINSON. Crown 8vo, cloth, 10s. _net_.

=NATURAL TECHNICS IN PIANO MASTERY.= A Complete and Authoritative Manual, covering every phase of Piano Playing and Study. Many Diagrams of Hand and Finger Technique and some Music Examples. By JACOB EISENBERG. Crown 8vo, cloth, 12s. 6d. _net_.

=PARTHENIA=, or the First Musick ever printed for the Virginals. 21 Compositions by three Famous 16th and 17th century Masters, William Byrd, Dr. John Bull and Orlando Gibbons. Arranged for the Piano and freed from the errors of Dr. Rimbault's edition by accurate comparison with the original text by MARGARET H. GLYN. Folio, 12s. 6d. _net_.

This edition of "Parthenia" has been entirely re-engraved.

=THE APPROACH TO LISZT.= A Course of Modern Tonal-Technique for the Piano, in the form of Graded Studies from the Moderately Difficult to the Master Stage. By HERBERT WESTERBY, _Mus.Bac. Lond., F.R.C.O., etc._ Folio, 5s. 6d. _net_.

Preliminary Studies in Touch and Phrasing in all Keys. Based on the Scales and Broken Chords.

Intermediate Studies in Sequential, Wrist and Preparatory Arpeggio Work in the Black and White Key Positions.

Advanced Sequential Studies on the Black Keys, with Sixteen Excerpts from Liszt's Piano Works. The Master Works: Fifty-eight Excerpts from Liszt.

=THE ART OF TUNING THE PIANOFORTE.= A New Comprehensive Treatise to enable the Musician to Tune his Piano upon the System founded on the Theory of Equal Temperament. By HERMANN SMITH. New Edition, thoroughly Revised. Crown 8vo, limp cloth, 6s. _net_.

=ESSENTIALS IN PIANO-PLAYING=, and other Musical Studies. By J. ALFRED JOHNSTONE, Hon. L.Mus., T.C.L. Portrait, 243 pages. Crown 8vo, cloth, 10s. _net_.

=EXTEMPORISING AT THE PIANO MADE EASY.= A Manual for Beginners in Musical Composition. Hints and Aids for the "From Brain to Keyboard"

Composer. By REV. E. H. MELLING, _F.R.C.O._ 8vo, limp cloth, 3s. 6d.

_net_ (paper 2s. _net_).

=INDIVIDUALITY IN PIANO TOUCH.= By ALGERNON H. LINDO and J. ALFRED JOHNSTONE. Crown 8vo, 2s. 6d. _net_.

=THE ARTIST AT THE PIANO.= Essays on the Art of Musical Interpretation.

By GEORGE WOODHOUSE. New and Revised Edition. Portrait of Paderewski.

8vo, cloth, 5s. 6d. _net_.

The celebrated pianist, Paderewski, after reading the ma.n.u.script of this stimulating volume, wrote: "The booklet is quite a remarkable work and a really valuable contribution to the philosophy of pianistic art."

=THE STUDENT'S GUIDE TO THE ART OF TEACHING THE PIANOFORTE.= By CYRIL R.

H. HORROCKS, L.R.A.M., L.T.C.L., A.R.C.M. With an Extensive and Carefully Graded List of Studies and Course of the Great Masters.

Numerous Musical Examples. Second edition, Revised. Crown 8vo, cloth, 10s. _net_.

Until quite recently it was thought impossible to give practical instructions on the art of teaching, but the error of this idea has been proved by the great success of the teachers' cla.s.s at the various musical inst.i.tutions. The author's aim is to supply a guide-book expressly for beginners and those with limited experience in the art.

=PIANOFORTE TEACHER'S GUIDE.= By L. PLAIDY. Translated by f.a.n.n.y RAYMOND RITTER. Crown 8vo, boards, 3s. _net_ (paper, 2s. _net_).

"Some of the finest pianists of the day owe much of their technical facility to Plaidy's excellent method."--_Bazaar._

=CANDIDATE'S SCALE AND ARPEGGIO TESTS= for the Piano. In the Primary, Elementary and Junior Grades of all Local Examinations in Music, and the Higher and Lower Divisions of the a.s.sociated Board of the R.A.M. and R.C.M. By WILSON MANHIRE. 1s. _net_.

=TECHNICAL STUDY IN THE ART OF PIANOFORTE PLAYING= (Deppe's Principles).

By C. A. EHRENFECHTER. With numerous Ill.u.s.trations. Fourth Edition.

Crown 8vo, cloth, 6s. _net_.

CONTENTS: Position--Arm--Wrist--Fingers; Touch (Tone Production); Legato; Equality of Tone; Tension and Contraction; Five Finger Exercises; Skips; The Scale; Arpeggio Chords; Firm Chords; High Raising of the Arm; Melody and its Accompaniment; Connection of Firm Chords; The Tremolo: The Shake (Trill); The Pedal; Fingering.

=HOW TO ACCOMPANY AT THE PIANO.= By EDWIN EVANS. (Plain Accompaniment, Figurated Accompaniment, Practical Harmony for Accompanists). 172 Music Examples which are made Clear by the Explanatory Text. Crown 8vo, cloth, 10s. _net_.

=GRADUATED SCALE AND ARPEGGIO MANUAL.= Compiled for the various Exams.

By HENRY SAINT-GEORGE. 3s. _net_.

=A SYSTEM OF STUDY OF SCALES AND CHORDS.= Being Chapters on the Elements of Pianoforte Technique. By B. VINE WESTBROOK, F.R.C.O. Numerous Examples. New and Revised edition. 8vo, 3s. _net_.

The author outlines a scheme which abolishes the drudgery and inspires the pupil with an enthusiasm for practice and formulates a method or system in which that practice may be carried out.

=PIANO CLa.s.sES IN ELEMENTARY SCHOOLS.= By AUDREY KING. With Music Examples. Crown 8vo, 1s. _net_.

=HOW TO PLAY 110 FAVOURITE PIANO SOLOS.= Being the 4 Series complete in 1 vol. of "Well-Known Piano Solos: How to Play them with Understanding, Expression and Effect." By CHARLES W. WILKINSON. Crown 8vo, cloth, 12s.

6d. _net_.

=WELL-KNOWN PIANO SOLOS.= How to Play them with Understanding, Expression and Effect. By C. W. WILKINSON. Four Series, 2s. each (each series containing about 26 articles), or four in one vol. as above.

Contents of the First Series:--SINDING, Rustle of Spring.

SCARLATTI, Pastorale le Capriccio. PADEREWSKI, Minuet in G. HANDEL, Harmonious Blacksmith. RUBINSTEIN, Melody in F. SCHARWENKA, Polish Dance. SCHUMANN, Nachtstucke. G.o.dARD, Mazurka. DELIBES, Pizzicati from Sylvia. GRIEG, Wedding Day at Troldhangen. ELGAR, Salut d'Amour. PADEREWSKI, Melodie. RAFF, La Fileuse. TCHAKOVSKY, Troika. G.o.dARD, Berger et Bergeres. CHAMINADE, Pierrette.

MOSZKOWSKI, Etincelles. PADEREWSKI, Minuet in A major. GRIEG, Norwegian Bridal Procession. LISZT, Regata Veneziana. CHAMINADE, Automne. MOSZKOWSKI, Serenata. LACK, Valse Arabesque. SCHUMANN, Arabeske. CHOPIN, Etude in G flat. DURAND, First Valse.

Draws one's attention to the beauties in a piece, explains difficulties here and there, draws attention to a pedal effect and any peculiarity of fingering, and generally gives all the information a professor is expected to give to his pupils.

=DELIVERY IN THE ART OF PIANOFORTE PLAYING=, On Rhythm, Measure, Phrasing, Tempo. By C. A. EHRENFECHTER. Second Edition. Crown 8vo, cloth, 6s. _net_.