A Critical History of Greek Philosophy Part 10

This may seem, at first sight, a very singular doctrine. That there can be no knowledge of sense-objects would, it might seem to us moderns, involve the denial that modern physical science, with all its exact.i.tude and acc.u.mulated knowledge, is knowledge at all. And surely, though all earthly things arise and pa.s.s away, many of them last long enough to admit of knowledge. Surely the mountains are sufficiently permanent to allow us to know something of them. They have relative, though not absolute, permanence. This criticism is partly justified.

Plato did underestimate the value of physical knowledge. But for the most part, the criticism is a misunderstanding. By the world of sense Plato means bare sensation with no rational element in it. Now physical science has not such crude sensation for its object. Its objects are rationalized sensations. {193} If, in Plato's manner, we think only of pure sensation, then it is true that it is nothing but a constant flux without stability; and knowledge of it is impossible.

The mountains are comparatively permanent. But our sensation of the mountains is perpetually changing. Every change of light, every cloud that pa.s.ses over the sun, changes the colours and the shades. Every time we move from one situation to another, the mountain appears a different shape. The permanence of the mountain itself is due to the fact that all these varying sensations are identified as sensations of one and the same object. The idea of ident.i.ty is involved here, and it is, as it were, a thread upon which these fleeting sensations are strung. But the idea of ident.i.ty cannot be obtained from the senses.

It is introduced into things by reason. Hence knowledge of this permanent mountain is only possible through the exercise of reason. In Plato's language, all we can know of the mountain is the Ideas in which it partic.i.p.ates. To revert to a previous example, even the knowledge "this paper is white" involves the activity of intellect, and is impossible through sensation alone. Bare sensation is a flow, of which no knowledge is possible.

Aristotle observes that Plato's theory of Ideas has three sources, the teachings of the Eleatics, of Heracleitus, and of Socrates. From Heracleitus, Plato took the notion of a sphere of Becoming, and it appears in his system as the world of sense. From the Eleatics he took the idea of a sphere of absolute Being. From Socrates he took the doctrine of concepts, and proceeded to identify the Eleatic Being with the Socratic concepts. This gives him his theory of Ideas.

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Sense objects, so far as they are knowable, that is so far as they are more than bare sensations, are so only because the Idea resides in them. And this yields the clue to Plato's teaching regarding the relation of sense objects to the Ideas. The Ideas are, in the first place the cause, that is to say, the ground (not the mechanical cause) of sense-objects. The Ideas are the absolute reality by which individual things must be explained. The being of things flows into them from the Ideas. They are "copies," "imitations," of the Ideas. In so far as they resemble the Idea, they are real; in so far as they differ from it, they are unreal. In general, sense objects are, in Plato's opinion, only very dim, poor and imperfect copies of the Ideas. They are mere shadows, and half-realities. Another expression frequently used by Plato to express this relations.h.i.+p is that of "partic.i.p.ation." Things partic.i.p.ate in the Ideas. White objects partic.i.p.ate in the one whiteness, beautiful objects, in the one beauty. In this way beauty itself is the cause or explanation of beautiful objects, and so of all other Ideas. The Ideas are thus both transcendent and immanent; immanent in so far as they reside in the things of sense, transcendent inasmuch as they have a reality of their own apart from the objects of sense which partic.i.p.ate in them. The Idea of man would still be real even if all men were destroyed, and it was real before any man existed, if there ever was such a time. For the Ideas, being timeless, cannot be real now and not then.

Of what kinds of things are there Ideas? That there are moral Ideas, such as Justice, Goodness, and Beauty, Ideas of corporeal things, such as horse, man, tree, star, river, and Ideas of qualities, such as whiteness, heaviness, {195} sweetness, we have already seen. But there are Ideas not only of natural corporeal objects, but likewise of manufactured articles; there are Ideas of beds, tables, clothes. And there are Ideas not only of exalted moral ent.i.ties, such as Beauty and Justice. There are also the Ideal Ugliness, and the Ideal Injustice.

There are even Ideas of the positively nauseating, such as hair, filth, and dirt. This is a.s.serted in the "Parmenides." In that dialogue Plato's teaching is put into the mouth of Parmenides. He questions the young Socrates whether there are Ideas of hair, filth, and dirt. Socrates denies that there can be Ideas of such base things.

But Parmenides corrects him, and tells him that, when he has attained the highest philosophy, he will no longer despise such things.

Moreover, these Ideas of base things are just as much perfection in their kind as Beauty and Goodness are in theirs. In general, the principle is that there must be an Idea wherever a concept can be formed; that is, wherever there is a cla.s.s of many things called by one name.

We saw, in treating of the Eleatics, that for them the absolute Being contained no not-being, and the absolute One no multiplicity. And it was just because they denied all not-being and multiplicity of the absolute reality that they were unable to explain the world of existence, and were forced to deny it altogether. The same problem arises for Plato. Is Being absolutely excludent of not-being? Is the Absolute an abstract One, utterly exclusive of the many? Is his philosophy a pure monism? Is it a pluralism? Or is it a combination of the two? These questions are discussed in the "Sophist" and the "Parmenides."

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Plato investigates the relations of the One and the many, Being and not-being, quite in the abstract. He decides the principles involved, and leaves it to the reader to apply them to the theory of Ideas.

Whether the Absolute is one or many, Being or not-being, can be decided independently of any particular theory of the nature of the Absolute, and therefore independently of Plato's own theory, which was that the Absolute consists of Ideas. Plato does not accept the Eleatic abstraction. The One cannot be simply one, for every unity must necessarily be a multiplicity. The many and the One are correlative ideas which involve each other. Neither is thinkable without the other. A One which is not many is as absurd an abstraction as a whole which has no parts. For the One can only be defined as that which is not many, and the many can only be defined as the not-one. The One is unthinkable except as standing out against a background of the many.

The idea of the One therefore involves the idea of the many, and cannot be thought without it. Moreover, an abstract One is unthinkable and unknowable, because all thought and knowledge consist in applying predicates to subjects, and all predication involves the duality of its subject.

Consider the simplest affirmation that can be made about the One, namely, "The One is." Here we have two things, "the One," and "is,"

that is to say, being. The proposition means that the One is Being.

Hence the One is two. Firstly, it is itself, "One." Secondly, it is "Being," and the proposition affirms that these two things are one.

Similarly with any other predicate we apply to the One. Whatever we say of it involves its duality. Thus we find that all systems of thought which {197} postulate an abstract unity as ultimate reality, such as Eleaticism, Hinduism, and the system of Spinoza, attempt to avoid the difficulty by saying nothing positive about the One. They apply to it only negative predicates, which tell us not what it is, but what it is not. Thus the Hindus speak of Brahman as form_less_, _im_mutable, _im_perishable, _un_moved, _un_created. But this, of course, is a futile expedient. In the first place, even a negative predicate involves the duality of the subject. And, in the second place, a negative predicate is always, by implication, a positive one. You cannot have a negative without a positive. To deny one thing is to affirm its opposite. To deny motion of the One, by calling it the unmoved, is to affirm rest of it. Thus a One which is not also a many is unthinkable. Similarly, the idea of the many is inconceivable without the idea of the One. For the many is many ones. Hence the One and the many cannot be separated in the Eleatic manner. Every unity must be a unity of the many. And every many is _ipso facto_ a unity, since we think the many in one idea, and, if we did not, we should not even know that it is a many. The Absolute must therefore be neither an abstract One, nor an abstract many. It must be a many in one.

Similarly, Being cannot totally exclude not-being. They are, just as much as the One and the many, correlatives, which mutually involve each other. The being of anything is the not-being of its opposite.

The being of light is the not-being of darkness. All being, therefore, has not-being in it.

Let us apply these principles to the theory of Ideas. The absolute reality, the world of Ideas, is many, since {198} there are many Ideas, but it is one, because the Ideas are not isolated units, but members of a single organized system. There is, in fact, a hierarchy of Ideas. Just as the one Idea presides over many individual things of which it is the common element, so one higher Idea presides over many lower Ideas, and is the common element in them. And over this higher Idea, together with many others, a still higher Idea will rule. For example, the Ideas of whiteness, redness, blueness, are all subsumed under the one Idea of colour. The Ideas of sweetness and bitterness come under the one Idea of taste. But the Ideas of colour and taste themselves stand under the still higher Idea of quality. In this way, the Ideas form, as it were, a pyramid, and to this pyramid there must be an apex. There must be one highest Idea, which is supreme over all the others. This Idea will be the one final and absolutely real Being which is the ultimate ground, of itself, of the other Ideas, and of the entire universe. This Idea is, Plato tells us, the Idea of the Good. We have seen that the world of Ideas is many, and we now see that it is one. For it is one single system culminating in one supreme Idea, which is the highest expression of its unity. Moreover, each separate Idea is, in the same way, a many in one. It is one in regard to itself. That is to say, if we ignore its relations to other Ideas, it is, in itself, single. But as it has also many relations to other Ideas, it is, in this way, a multiplicity.

Every Idea is likewise a Being which contains not-being. For each Idea combines with some Ideas and not with others. Thus the Idea of corporeal body combines both with the Idea of rest and that of motion.

{199} But the Ideas of rest and motion will not combine with each other. The Idea of rest, therefore, is Being in regard to itself, not-being in regard to the Idea of motion, for the being of rest is the not-being of motion. All Ideas are Being in regard to themselves, and not-being in regard to all those other Ideas with which they do not combine.

In this way there arises a science of Ideas which is called dialectic.

This word is sometimes used as identical with the phrase, "theory of Ideas." But it is also used, in a narrower sense, to mean the science which has to do with the knowledge of which Ideas will combine and which not. Dialectic is the correct joining and disjoining of Ideas.

It is the knowledge of the relations of all the Ideas to each other.

The attainment of this knowledge is, in Plato's opinion, the chief problem of philosophy. To know all the Ideas, each in itself and in its relations to other Ideas, is the supreme task. This involves two steps. The first is the formation of concepts. Its object is to know each Idea separately, and its procedure is by inductive reason to find the common element in which the many individual objects partic.i.p.ate.

The second step consists in the knowledge of the inter-relation of Ideas, and involves the two processes of cla.s.sification and division.

Cla.s.sification and division both have for their object to arrange the lower Ideas under the proper higher Ideas, but they do this in opposite ways. One may begin with the lower Ideas, such as redness, whiteness, etc., and range them under their higher Idea, that of colour. This is cla.s.sification. Or one may begin with the higher Idea, colour, and divide it into the lower Ideas, red, white, {200} etc.

Cla.s.sification proceeds from below upwards. Division proceeds from above downwards. Most of the examples of division which Plato gives are divisions by dichotomy. We may either divide colour straight away into red, blue, white, etc.; or we may divide each cla.s.s into two sub-cla.s.ses. Thus colour will be divided into red and not-red, not-red into white and not-white, not-white into blue and not-blue, and so on.

This latter process is division by dichotomy, and Plato prefers it because, though it is tedious, it is very exhaustive and systematic.

Plato's actual performance of the supreme task of dialectic, the cla.s.sification and arrangement of all Ideas, is not great. He has made no attempt to complete it. All he has done is to give us numerous examples. And this is, in reality, all that can be expected, for the number of Ideas is obviously infinite, and therefore the task of arranging them cannot be completed. There is, however, one important defect in the dialectic, which Plato ought certainly to have remedied.

The supreme Idea, he tells us, is the Good. This, as being the ultimate reality, is the ground of all other Ideas. Plato ought therefore to have derived all other Ideas from it, but this he has not done. He merely a.s.serts, in a more or less dogmatic way, that the Idea of the Good is the highest, but does nothing to connect it with the other Ideas. It is easy to see, however, why he made this a.s.sertion.

It is, in fact, a necessary logical outcome of his system. For every Idea is perfection in its kind. All the Ideas have perfection in common. And just as the one beauty is the Idea which presides over all beautiful things, so the one perfection must be the supreme Idea which presides {201} over all the perfect Ideas. The supreme Idea, therefore, must be perfection itself, that is to say, the Idea of the Good. On the other hand it might, with equal force, be argued that since all the Ideas are substances, therefore the highest Idea is the Idea of substance. All that can be said is that Plato has left these matters in obscurity, and has merely a.s.serted that the highest Idea is the Good.

Consideration of the Idea of the Good leads us naturally to enquire how far Plato's system is teleological in character. A little consideration will show that it is out and out teleological. We can see this both by studying the many lower Ideas, and the one supreme Idea. Each Idea is perfection of its kind. And each Idea is the ground of the existence of the individual objects which come under it. Thus the explanation of white objects is the perfect whiteness, of beautiful objects the perfect beauty. Or we may take as our example the Idea of the State which Plato describes in the "Republic." The ordinary view is that Plato was describing a State which was the invention of his own fancy, and is therefore to be regarded as entirely unreal. This is completely to misunderstand Plato. So far was he from thinking the ideal State unreal, that he regarded it, on the contrary, as the only real State. All existent States, such as the Athenian or the Spartan, are unreal in so far as they differ from the ideal State. And moreover, this one reality, the ideal State, is the ground of the existence of all actual States. They owe their existence to its reality. Their existence can only be explained by it. Now since the ideal State is not yet reached in fact, but is the perfect State towards which all actual States tend, it is clear that we have here {202} a teleological principle. The real explanation of the State is not to be found in its beginnings in history, in an original contract, or in biological necessities, but in its end, the final or perfect State. Or, if we prefer to put it so; the true beginning is the end.

The end must be in the beginning, potentially and ideally, otherwise it could never begin: It is the same with all other things. Man is explained by the ideal man, the perfect man; white things by the perfect whiteness, and so on. Everything is explained by its end, and not by its beginning. Things are not explained by mechanical causes, but by reasons.

And the teleology of Plato culminates in the Idea of the Good. That Idea is the final explanation of all other Ideas, and of the entire universe. And to place the final ground of all things in perfection itself means that the universe arises out of that perfect end towards which all things move.

Another matter which requires elucidation here is the place which the conception of G.o.d holds in Plato's system. He frequently uses the word G.o.d both in the singular and the plural, and seems to slip with remarkable ease from the monotheistic to the polytheistic manner of speaking. In addition to the many G.o.ds, we have frequent reference to the one supreme Creator, controller, and ruler of the world, who is further conceived as a Being providentially watching over the lives of men. But in what relation does this supreme G.o.d stand to the Ideas, and especially to the Idea of the Good? If G.o.d is separate from the highest Idea, then, as Zeller points out, [Footnote 13] only three relations are possible, all of which are {203} equally objectionable.

Firstly, G.o.d may be the cause or ground of the Idea of the Good. But this destroys the substantiality of the Idea, and indeed, destroys Plato's whole system. The very essence of his philosophy is that the Idea is the ultimate reality, which is self-existent, and owes its being to nothing else. But this theory makes it a mere creature of G.o.d, dependent on Him for its existence. Secondly, G.o.d may owe His being to the Idea. The Idea may be the ground of G.o.d's existence as it is the ground of all else in the universe. But this theory does violence to the idea of G.o.d, turning Him into a mere derivative existence, and, in fact, into an appearance. Thirdly, G.o.d and the Idea may be co-ordinate in the system as equally primordial independent ultimate realities. But this means that Plato has given two mutually inconsistent accounts of the ultimate reality, or, if not, that his system is a hopeless dualism. As none of these theories can be maintained, it must be supposed that G.o.d is identical with the Idea of the Good, and we find certain expressions in the "Philebus" which seem clearly to a.s.sert this. But in that case G.o.d is not a personal G.o.d at all, since the Idea is not a person. The word G.o.d, if used in this way, is merely a figurative term for the Idea. And this is the most probable theory, if we reflect that there is in fact no room for a personal G.o.d in a system which places all reality in the Idea, and that to introduce such a conception threatens to break up the whole system. Plato probably found it useful to take the popular conceptions about the personality of G.o.d or the G.o.ds and use them, in mythical fas.h.i.+on, to express his Ideas. Those parts of Plato which speak of G.o.d, and the governance of G.o.d, {204} are to be interpreted on the same principles as the other Platonic myths.

[Footnote 13: _Plato and the Older Academy_, chap. vi.]

Before closing our discussion of dialectic, it may be well to consider what place it occupies in the life of man, and what importance is attached to it. Here Plato's answer is emphatic. Dialectic is the crown of knowledge, and knowledge is the crown of life. All other spiritual activities have value only in so far as they lead up to the knowledge of the Idea. All other subjects of intellectual study are merely preparatory to the study of philosophy. The special sciences have no value in themselves, but they have value inasmuch as their definitions and cla.s.sifications form a preparation for the knowledge of Ideas. Mathematics is important because it is a stepping-stone from the world of sense to the Ideas. Its objects, namely, numbers and geometrical figures, resemble the Ideas in so far as they are immutable, and they resemble sense-objects in so far as they are in s.p.a.ce or time. In the educational curriculum of Plato, philosophy comes last. Not everyone may study it. And none may study it till he has been through all the preparatory stages of education, which form a rigorous discipline of the mind before it finally enters upon dialectic. Thus all knowledge ends in dialectic, and that life has not attained its end which falls short of philosophy.

Perhaps the most striking ill.u.s.tration of the subordination of all spiritual activities to philosophy is to be found in the doctrine of Eros, or Love. The phrase "platonic love" is on the lips of many, but, as a rule, something very different from Plato's own doctrine is meant. According to him, love is always concerned with beauty, and his teaching on the subject is expounded {205} chiefly in the "Symposium,"

He believed that before birth the soul dwelt disembodied in the pure contemplation of the world of Ideas. Sinking down into a body, becoming immersed in the world of sense, it forgets the Ideas. The sight of a beautiful object reminds it of that one Idea of beauty of which the object is a copy. This accounts for the mystic rapture, the emotion, the joy, with which we greet the sight of the beautiful.

Since Plato had expressly declared that there are Ideas of the ugly as well as of the beautiful, that there are Ideas, for example, of hair, filth, and dirt, and since these Ideas are just as divine and perfect as the Idea of the beautiful, we ought, on this theory, to greet the ugly, the filthy, and the nauseating, with a ravishment of joy similar to that which we experience in the presence of beauty. Why this is not the case Plato omitted to explain. However, having learned to love the one beautiful object, the soul pa.s.ses on to the love of others. Then it perceives that it is the same beauty which reveals itself in all these. It pa.s.ses from the love of beautiful forms to the love of beautiful souls, and from that to the love of beautiful sciences. It ceases to be attached to the many objects, as such, that is to say, to the sensuous envelopes of the Idea of beauty. Love pa.s.ses into the knowledge of the Idea of beauty itself, and from this to the knowledge of the world of Ideas in general. It pa.s.ses in fact into philosophy.

In this development there are two points which we cannot fail to note.

In the first place, emotional love is explained as being simply the blind groping of reason towards the Idea. It is reason which has not yet recognized itself as such. It appears, therefore, in the {206} guise of feeling. Secondly, the later progress of the soul's love is simply the gradual recognition of itself by reason. When the soul perceives that the beauty in all objects is the same, that it is the common element amid the many, this is nothing but the process of inductive reasoning. And this development ends at last in the complete rational cognition of the world of Ideas, in a word, philosophy. Love is but an instinctive reason. The animal has no feeling of the beautiful, just because it has no reason. Love of the beautiful is founded upon the nature of man, not as a percipient or feeling being, but as a rational being. And it must end in the complete recognition of reason by itself, not in the feeling and intuition, but in the rational comprehension, of the Idea.

One can imagine what Plato's answer would be to the sort of vulgarians and philistines who want to know what the use of philosophy is, and in what way it is "practical." To answer such a question is for Plato impossible, because the question itself is illegitimate. For a thing to have a use involves that it is a means towards an end. Fire has use, because it may be made a means towards the cooking of food. Money is useful, because it is a means to the acquisition of goods. That which is an end in itself, and not a means towards any further end, cannot possibly have any use. To suggest that philosophy ought to have use is, therefore, to put the cart before the horse, to invert the whole scale of values. It suggests that philosophy is a means towards some further end, instead of being the absolute end to which all other things are means. Philosophy is not _for_ anything. Everything else is _for_ it. And, if this seems an exaggerated or unpractical view, we may at least {207} remember that this is the view taken by the religious consciousness of man. Religion makes the supreme end of life the knowledge of, and communion with, G.o.d. G.o.d is for religion what the Idea is for philosophy. G.o.d is a figurative name for the Idea. To place the end of life in the knowledge of the Absolute, or the Idea, is therefore the teaching both of philosophy and religion.

4. Physics, or the Theory of Existence.

Dialectic is the theory of reality, physics the theory of existence, dialectic of that which lies behind things as their ground, physics of the things which are thus grounded. That is to say, physics is concerned with phenomena and appearances, things which exist in s.p.a.ce and time, as opposed to the timeless and non-spatial Ideas. Things of this kind are both corporeal and incorporeal. Physics falls therefore into two parts, the doctrine of the outward corporeality, the world, with its incorporeal essence, the World-Soul, and the doctrine of the incorporeal soul of man.

_(a) The Doctrine of the World_.

If, in the dialectic, Plato has given an account of the nature of the first principle and ground of all things, the problem now arises of explaining how the actual universe of things arises out of that ground, how it is derived from the first principle. In other words, the Ideas being the absolute reality, how does the world of sense, and, in general, the existent universe, arise out of the Ideas? Faced with this problem, the system of Plato broke down. The things of sense are, we are told, "copies" or "imitations" of the Ideas. {208} They "partic.i.p.ate" in the Ideas. So far, so good. But why should there be any copies of the Ideas? Why should the Ideas give rise to copies of themselves, and how is the production of these copies effected? To these questions Plato has no answer, and he therefore has recourse to the use of myths. Poetic description here takes the place of scientific explanation.

This poetic description of the origin of the world is to be found in the "Timaeus." We have seen that the Ideas are absolute Being, and that things of sense are half real and half unreal. They are partly real because they partic.i.p.ate in Being. They are partly unreal because they partic.i.p.ate in not-being. There must be, therefore, a principle of absolute not-being. This, in Plato's opinion, is matter. Things of sense are copies of the Ideas fas.h.i.+oned out of, or stamped upon, matter. But Plato does not understand by matter what we, in modern times, understand by it. Matter, in our sense, is always some particular kind of matter. It is bra.s.s, or wood, or iron, or stone. It is matter which has determinate character and quality. But the possession of specific character means that it is matter with the copy of Ideas already stamped upon it. Since iron exists in great quant.i.ties in the world, and there is a common element in all the various pieces of iron, by virtue of which all are cla.s.sed together, there must be a concept of iron. There is, therefore, an Idea of iron in the world of Ideas. And the iron which we find in the earth must be matter which is already formed into a copy of this Idea. It partic.i.p.ates in the Idea of iron. The same remarks apply to any other particular kind of matter. In fact, all form, all the specific characters and {209} features of matter, as we know it, are due to the operation of the Ideas. Hence matter as it is in itself, before the image of the Ideas is stamped upon it, must be absolutely without quality, featureless, formless. But to be absolutely without any quality is to be simply nothing at all. This matter is, therefore, as Plato says, absolute not-being. Zeller conjectures, probably rightly, that what Plato meant was simply empty s.p.a.ce. [Footnote 14] Empty s.p.a.ce is an existent not-being, and it is totally indeterminate and formless. It accords with this view that Plato adopted the Pythagorean tenet that the differential qualities of material substances are due to their smallest particles being regular geometrical figures limited out of the unlimited, that is, out of s.p.a.ce. Thus earth is composed of cubes. That is to say, empty s.p.a.ce when bound into cubes (the limiting of the unlimited) becomes earth. The smallest particles of fire are _tetrahedra_, of air _octahedra_, of water _icosahedra_.

[Footnote 14: _Plato and the Older Academy_, chap. vii. ]

We have, then, on the one hand, the world of Ideas, on the other, matter, an absolutely formless, chaotic, ma.s.s. By impressing the images of the Ideas upon this ma.s.s, "things" arise, that is to say, the specific objects of sense. They thus partic.i.p.ate both in Being and in not-being. But how is this mixing of Being and not-being brought about? How do the Ideas come to have their images stamped upon matter?

It is at this point that we enter upon the region of myth. Up to this point Plato is certainly to be taken literally. He of course believed in the reality of the world of Ideas, and he no doubt also believed in his principle of matter. And he thought that the objects of sense are to be {210} explained as copies of the Ideas impressed upon matter.

But now, with the problem how this copying is brought about, Plato leaves the method of scientific explanation behind. If the Ideas are the absolute ground of all things, then the copying process must be done by the Ideas themselves. They must themselves be made the principles for the production of things. But this is, for Plato, impossible. For production involves change. If the Ideas produce things out of themselves, the Ideas must in the process undergo change. But Plato has declared them to be absolutely unchangeable, and to be thus immutable is to be sterile. Hence the Ideas have within themselves no principle for the production of things, and the scientific explanation of things by this means becomes impossible.

Hence there is nothing for it but to have recourse to myth. Plato can only imagine that things are produced by a world-former, or designer, who, like a human artist, fas.h.i.+ons the plastic matter into images of the Ideas.

G.o.d, the Creator, the world-designer, finds beside him, on the one hand, the Ideas, on the other, formless matter. First, he creates the World-Soul. This is incorporeal, but occupies s.p.a.ce. He spreads it out like a huge net in empty s.p.a.ce. He bisects it, and bends the two halves into an inner and an outer circle, these circles being destined to become the spheres of the planets and the stars respectively. He takes matter and binds it into the four elements, and these elements he builds into the empty framework of the World-Soul. When this is done, the creation of the universe is complete. The rest of the "Timaeus" is occupied with the details of Plato's ideas of astronomy and physical {211} science. These are mostly worthless and tedious, and we need not pursue them here. But we may mention that Plato, of course, regarded the earth as the centre of the world. The stars, which are divine beings, revolve around it. They necessarily move in circles, because the circle is the perfect figure. The stars, being divine, are governed solely by reason, and their movement must therefore be circular, because a circular motion is the motion of reason.

The above account of the origin of the world is merely myth, and Plato knows that it is myth. What he apparently did believe in, however, was the existence of the World-Soul, and a few words upon this subject are necessary. The soul, in Plato's system, is the mediator between the world of Ideas and the world of sense. Like the former, it is incorporeal and immortal. Like the latter, it occupies s.p.a.ce. Plato thought that there must be a soul in the world to account for the rational behaviour of things, and to explain motion. The reason which governs and directs the world dwells in the World-Soul. And the World-Soul is the cause of motion in the outer universe, just as the human soul is the cause of the motions of the human body. The cosmos is a living being.