Emmy Lou Part 11

But at the church with unexpected abruptness the band halted, turned, it fell apart, and the procession came through; it came right on through and up the steps, a line of uniforms and swords on either side from curb to pillar, and halted.

Aghast, between two glittering files, the orphaned children shrank into the shadow behind a pillar, while upstreamed from the carriages below an unending line--bare-headed men, and ladies bearing flowers. Behind, below, about, closing in on every side, crowded people, a sea of people.

The orphaned children found themselves swept from their hiding by the crowd and unwillingly jostled forward into prominence.

A frowning man with a sword in his hand seemed to be threatening everybody; his face was red and his voice was big, and he glittered with many b.u.t.tons. All at once he caught sight of the orphaned children and threatened them vehemently.

"Here," said the frowning man, "right in here," and he placed them in line.

The orphaned children were appalled, and even in the face of the man cried out in protest. But the man of the sword did not hear, for the reason that he did not listen. Instead he was addressing a large and stout lady immediately behind them.

"Separated from the family in the confusion, the grandchildren evidently--just see them in, please."

And suddenly the orphaned children found themselves a part of the procession as grandchildren. The nature of a procession is to proceed.

And the grandchildren proceeded with it. They could not help themselves.

There was no time for protest, for, pushed by the crowd which closed and swayed above their heads, and piloted by the stout lady close behind, they were swept into the church and up the aisle, and when they came again to themselves were in the inner corner of a pew near the front.

The church was decked with flags.

So was the Third Reader room. It was hung with flags for The Exhibition.

Hattie in the corner nudged Sadie. Sadie urged Emmy Lou, who, next to the stout lady, touched her timidly. "We have to get out," said Emmy Lou, "we've got to say our parts."

"Not now," said the lady, rea.s.suringly, "the programme is at the cemetery."

Emmy Lou did not understand, and she tried to tell the lady.

"S'h'h," said that person, engaged with the spectacle and the crowd, "sh-h-"

Abashed, Emmy Lou sat, sh-h-ed.

Hattie arose. It was terrible to rise in church, and at a funeral, and the church was filled, the aisles were crowded, but Hattie rose. Hattie was a St. George and A Dragon stood between her and The Exhibition.

She pushed by Sadie, and past Emmy Lou. Hattie was as slim as she was strenuous, or perhaps she was slim because she was strenuous, but not even so slim a little girl as Hattie could push by the stout lady, for she filled the s.p.a.ce.

At Hattie's touch she turned. Although she looked good-natured, the size and ponderance of the lady were intimidating. She stared at Hattie; people were looking; it was in church; Hattie's face was red.

"You can't get to the family," said the lady, "you couldn't move in the crowd. Besides I promised to see to you. Now be quiet," she added crossly, when Hattie would have spoken. She turned away. Hattie crept back vanquished by this Dragon.

"So suitably dressed," the stout lady was saying to a lady beyond; "grandchildren, you know."

"She says they are grandchildren," echoed the whispers around.

"Even their little handkerchiefs have black borders," somebody beyond replied.

Emmy Lou wondered if she was in some dreadful dream. Was she a grandchild or was she an orphan? Her head swam.

The service began and there fell on the unwilling grandchildren the submission of awe. The stout lady cried, she also punched Emmy Lou with her elbow whenever that little person moved, but finally she found courage to turn her head so she could see Sadie.

Sadie was weeping into her black-bordered handkerchief, nor were they the tears of histrionic talent. They were real tears. People all about were looking at her sympathetically. Such grief in a grandchild was very moving.

It may have been minutes, it seemed to Emmy Lou hours, before there came a general up-rising. Hattie stood up. So did Sadie and Emmy Lou. Their skirts no longer stood out jauntily; they were quite crushed and subdued.

There was a wild, hunted look in Hattie's eyes. "Watch the chance," she whispered, "and run."

But it did not come. As the pews emptied, the stout lady pa.s.sed Emmy Lou on, addressing some one beyond. "Hold to this one," she said, "and I'll take the other two, or they'll get tramped in the crowd."

Emmy Lou felt herself grasped, she could not see up to find by whom. The crowd in the aisle had closed above her head, but she heard the stout lady behind saying, "Did you ever see such an ill-mannered child!" and Emmy Lou judged that Hattie was struggling against Fate.

Slowly the crowd moved, and, being a part of it however unwillingly, Emmy Lou moved too, out of the church and down the steps. Then came the cras.h.i.+ng of the band and the roll of carriages, and she found herself in the front row on the curb.

The man with the brandis.h.i.+ng sword was threatening violently. "One more carriage is here for the family," called the man with the sword. His face was red and his voice was hoa.r.s.e. His glance in search for the family suddenly fell on Emmy Lou. She felt it fall.

The problem solved itself for the man with the sword, and his brow cleared. "Grandchildren next," roared the threatening man.

"Grandchildren," echoed the crowd.

Hattie and Sadie were pushed forward from somewhere, Hattie lifting her voice. But what was the cry of a Hattie before the brazen utterance of the band? Sadie was weeping wildly.

Emmy Lou with the courage of despair cried out in the grasp of the threatening man, but the man lifting her into the carriage, was speaking himself, and to the driver. "Keep an eye on them--separated from the family," he was explaining, and a moment later Hattie and Sadie were lifted after Emmy Lou into the carriage, and as the door banged, their carriage moved with the rest up the street.

"Now," said Hattie, and Hattie sprang to the farther door.

It would not open. Things never will in dreadful dreams.

Through the carriage windows the school, with its arched doorways and windows, gazed frowningly, reproachfully. A gentleman entered the gate and went in the doorway.

"It's our minister," said Sadie, weeping afresh.

Hattie beat upon the window, and called to the driver, but no mortal ear could have heard above that band.

"An' my grown-up brother, an' gran'ma an' the rest," said Hattie. And Hattie wept.

"And the visiting lady next door," said Emmy Lou. She did not mean to weep, tears did not come readily to Emmy Lou, but just then her eyes fell upon the handkerchief still held by its exact centre in her hand.

What would The Exhibition do without them?

Then Emmy Lou wept.

Late that afternoon a carriage stopped at a corner upon which a school building stood. Since his charges were but infantile affairs, the coloured gentleman on the box thought to expedite matters and drop them at the corner nearest their homes.

Descending, the coloured gentleman flung open the door, and three little girls crept forth, three crushed little girls, three limp little girls, three little girls in a mild kind of mourning.

They came forth timidly. They looked around. They hoped they might reach their homes un.o.bserved.

There was a crowd up the street. A gathering of people--many people. It seemed to be at Emmy Lou's gate. Hattie and Sadie lived farther on.

"It must be a fire," said Hattie.

But it wasn't. It was The Exhibition, the Princ.i.p.al, and Miss Carrie, and teachers and pupils, and mammas and aunties and Uncle Charlie.