The Dominant Strain Part 30

Arlt's overture was to have its first hearing, the week before Thanksgiving. The matter had been arranged through the influence of his teacher, and Arlt had been invited to conduct the orchestra for the event. However, in spite of his added ease, Arlt had judged such an ordeal too great for his courage. Accordingly, the teacher and Thayer had taken council together, with the result that Thayer was engaged as soloist for the evening, and that Thayer insisted upon singing one group of songs with a piano accompaniment. To this minor detail, Arlt had been forced to submit, although he was shrewd enough to see that it was merely a ruse on the part of his teacher to bring him in person before his audience.

The arrangement of these details, the orchestral rehearsals of the overture and his own rehearsals with Arlt were engrossing Thayer completely. Heart and soul, he was working for the boy's success, for he realized that into this simple overture Arlt had put the very best of himself, that the young composer's happiness was bound up in the success or failure of his maiden effort. The creative power had come upon him; he had worked to the utmost limit with the material ready to his brain.

Now he was waiting to have the world pa.s.s judgment whether his work was worth the doing, whether he should keep on, or turn his back upon his chosen path. Thayer's own plans, too, were maturing. In the watching them develop, in the helping Arlt to pa.s.s the time of waiting, he almost succeeded in forgetting the Lorimers. Almost; but not quite. The forgetting was a little too intentional to be entirely complete. He met them rarely. Society had not yet organized its winter campaign, and it was still possible for a man to go his own individual way. Just now, Thayer's own individual way led him almost daily in the direction of Was.h.i.+ngton Square.

He was in Arlt's room, one evening, less than a week before the concert.

He had been dining with Miss Gannion; but he had left her early, in order to impress upon Arlt that he must accept his bidding to the supper which the Lorimers were to give after the concert. The invitations had been noncommittal, and Arlt had announced his intention of declining his own, on the plea of being too tired with his overture to care to do anything more, that night. Miss Gannion had told Thayer what he already half suspected, that Beatrix was really giving this supper in Arlt's honor and that it was to be the first large affair of the season, in the hope of focussing public attention upon the boy at the very moment of his having proved his real genius as composer. Thayer appreciated to the full the gracious kindliness of the plan, and he had excused himself to Miss Gannion and hurried away in search of Arlt, devoutly praying, as he went, that the note of regret might not be already on its way.

He was but just in time. The sealed note lay on the table, and Arlt was shrugging himself into his overcoat, when Thayer entered the room. Ten minutes later, they were still arguing the matter, when they heard an unfamiliar step coming up the stairs.

"Mr. Arlt?" A strange voice followed the knock.

Arlt opened the door hospitably. The dim light in the hallway showed him a figure known to every opera singer in America and half of Europe.

"Will you come in?" he asked, in some surprise.

"Is Mr. Thayer here?"

"I am." Thayer stepped into the lighted doorway. "You wished me?"

"Yes. What is more, I need you. We know each other well by sight, so I suppose there is no call for us to waste time on introductions. Mr.

Thayer, Princ.i.p.ali, one of my best baritones, is ill and is forced to cancel his engagements. Will you take his place?"

Thayer meditated swiftly, during a moment of silence.

"What are the operas?"

"Wagner, _Faust_ of course, and--oh, the usual run of extras."

"What reason have you to think that I am fitted for your vacancy?"

Thayer asked directly.

The impresario smiled.

"Your old master in Berlin is one of my most intimate friends. He gave you a letter of introduction to me, I think?" The accent was interrogative, although it was plain that only one answer was expected.

"He did," Thayer a.s.sented quietly.

"Yes, and I have been waiting for more than a year in the hope that you would present it. Since you will not come to me, I am at last driven to go in search of you."

Thayer bowed gravely in recognition of the implied compliment. He realized that he was suddenly facing a question which might affect his whole after life, and he was too much in earnest to waste words on mere conventional phrases. He liked the old man, and he felt a swift, burning longing to accept his offer. It had come unsought, unexpected. Was not fate in it; and was not a man always justified in following out his fate? To accept it would be in a great measure to cut himself off from his present social life. An operatic engagement would engross him completely. All in all, it might be better so. And yet, there was something to be said upon the other side. Was he justified in working out his own professional salvation at the certain cost of the d.a.m.nation of another soul? That was what it amounted to in the long run. If he went into opera, he must separate himself from all connection with Sidney Lorimer. He could not take the time to visit Lorimer's world; it would be sure and swift destruction to Lorimer, if he were to set foot within the new world which Thayer was preparing to enter. Thayer realized that the horns of his dilemma were long and curving. The offer tempted him sorely; yet, for some unaccountable reason, he shrank from turning his back upon Lorimer. And, besides, if Beatrix--

"How long would you need me?"

"The entire season."

"How soon?"

"In _Faust_, on the tenth of next month."

"In _Faust_?"

The impresario saw that Thayer was hesitating. The idea of Faust plainly attracted him, and the impresario hastily followed up the advantage.

"Yes, we want you for _Valentine_."

"My favorite part," Thayer said, half to himself.

The impresario smiled serenely. He felt no question now as to the outcome of his errand.

"Calve will sing _Marguerite_; it will be a good cast. After that, we shall need you, two or three times a week, and the salary--"

Impatiently Thayer brushed his words aside.

"How soon must you have my answer?"

"To-night."

"Very well. Then, no."

The impresario straightened up in his chair.

"Mr. Thayer!" he remonstrated.

"It is impossible for me to bind myself for an entire season, without more time to think the matter over," Thayer said quietly.

"But it is important that I should know, in order to make my other arrangements."

"Then you would better consider it settled in the negative," Thayer returned.

The impresario wavered.

"How much time do you need?" he asked a little impatiently.

"I must have a week."

"Impossible."

"Very well, then. But I thank you for the honor you have done me in asking me to fill the place."

Thayer rose with an air of decision, and the impresario could do nothing else than follow his example. At the door, he turned back.

"Mr. Thayer, there is no use in my trying to conceal the fact that I want you badly. If I will wait until a week from to-night, will you give me your answer then?"

"I will," Thayer replied imperturbably.

"And sign the contracts on the spot?"

"I will," Thayer repeated; "but remember this: in the meantime, I am binding myself to nothing. Good-night."