The Lion's Share Part 38

Captain Wyatt bent down and looked at the binnacle. He was contentedly aware that the compa.s.s of a yacht hard aground cannot lie and cannot be made to lie. The camera can lie; the speedometer of an automobile after an accident can lie--or can conceal the truth and often does, but the compa.s.s of a yacht aground is insusceptible to any blandishment; it shows the course at the moment of striking and nothing will persuade it to alter its evidence.

"What course did I give you, sir?" asked Captain Wyatt.

And as Mr. Gilman hesitated in his reply, the skipper pointed silently to the compa.s.s.

"Where's the chart? Let me see the chart," said Mr. Gilman with sudden majesty.

The chart in its little bra.s.s frame was handy. Mr. Gilman examined it in a hostile manner; one might say that he cross-examined it, and with it the horizon. "Ah!" he muttered at length, peering at the print under the chart, "'Corrected 1906.' Out of date. Pity they don't re-issue these charts oftener."

His observations had no relation whatever to the matter in hand; considered as a contribution to the unravelling of the matter in hand they were merely idiotic. Nevertheless, such were the exact words he uttered, and he appeared to get great benefit and solace from them. They somehow enabled him to meet, quite satisfactorily, the gaze of his guests who had now gathered in the vicinity of the wheel.

Audrey alone showed a desire to move away from the wheel. The fact was that the skipper had glanced at her in a peculiar way and his eyes had seemed to say, with disdain: "Women! Women again!" Nothing but that! The implications, however, were plain. Audrey may have been discountenanced by the look in the captain's eyes, but at the same time she had an inward pride, because it was undeniable that Mr. Gilman, owing to his extreme and agitated interest in herself, had put the yacht off the course and was thereby imperilling numerous lives. Audrey liked that. And she exonerated Mr. Gilman, and she hated the captain for daring to accuse him, and she mysteriously nursed the wounded dignity of Mr. Gilman far better than he could nurse it himself.

Her feelings were a.s.suredly complex, and they grew more complex when the sense of danger began to dominate them. The sense of danger came to her out of the demeanour of her companions and out of the swift appearance on deck of every member of the crew, including the parlourmaid, and including three men who were incompletely clothed. The yacht was no longer a floating hotel, automobile and dancing-saloon; it was a stranded wreck. Not a pa.s.senger on board knew whether the tide was making or ebbing, but, secretly, all were convinced that it was ebbing and that they would be left on the treacherous sand and ultimately swallowed up therein, even if a storm did not supervene and smash the craft to bits in the cla.s.sical manner. The skipper's words about the bones of many a good yacht had escaped no ear.

Further, not a pa.s.senger knew where the yacht was or whither, exactly, she was bound or whether the gla.s.s was rising or falling, for guests on yachts seldom concern themselves about details. Of course, signals might be made to pa.s.sing s.h.i.+ps, but signals were often, according to maritime history, unheeded, and the ocean was very large and empty, though it was only the German Ocean.... Musa was nervous and angry. Audrey knew from her intimate knowledge of him that he was angry and she wondered why he should be angry.

Madame Piriac, on the other hand, was entirely calm. Her calmness seemed to say to those responsible, and even to the not-responsible pa.s.senger: "You got me into this and it is inconceivable that you should not get me out of it. I have always been looked after and protected, and I must be looked after and protected now. I absolutely decline to be worried." But Miss Thompkins was worried, she was very seriously alarmed; fear was in her face.

"I do think it's a shame!" she broke out almost loudly, in a trembling voice, to Audrey. "I do think it's a shame you should go flirting with poor Mr. Gilman when he's steering." And she meant all she said.

"Me flirting!" Audrey exclaimed, pa.s.sionately resentful.

Withal, the sense of danger continued to increase. Still there were the boats. There were the motor-launch, the cutter and the dinghy. The sea was--for the present--calm and the moon encouraging.

"Lower the dinghy there and look lively now!" cried the captain.

This command more than ever frightened all the pa.s.sengers who, in their nervousness and alarm, had tried to pretend to themselves that nervousness and alarm were absurd, and that first-cla.s.s yachts never did, and could not, get wrecked. The command was a thunderstroke. It proved that the danger was immediate and intense. And the thought of all the beautiful food and drink on board, and all the soft cus.h.i.+ons and the electric hair-curlers and the hot-water supply and the ice gave no consolation whatever. The idea of the futility and wickedness of luxury desolated the guests and made them austere, and yet even in that moment they speculated upon what goods they might take with them.

And why the dinghy, though it was a dinghy of large size? Why not the launch?

After the dinghy had been dropped into the sea an old sail was carefully spread amids.h.i.+ps over her bottom and she was lugged, by her painter, towards the bow of the yacht where, with much grating of windla.s.ses and of temperaments and voices, an anchor was very gently lowered into her and rested on the old sail. The anchor was so immense that it sank the dinghy up to Her gunwale, and then she was rowed away to a considerable distance, a chain grinding after her, and in due time the anchor was pitched with a great splash into the water. The sound of orders and of replies vibrated romantically over the surface of the water. Then a windla.s.s was connected with the engine, and the pa.s.sengers comprehended that the intention was to drag the yacht off the sand by main force. The chain clacked and strained horribly. The shouting multiplied, as though the vessel had been a great beast that could be bullied into obedience. The muscles of all pa.s.sengers were drawn taut in sympathy with the chain, and at length there was a lurch and the chain gradually slackened.

"She's off!" breathed the captain. "We've saved a good half-hour."

"She'd have floated off by herself," said Mr. Gilman grandly.

"Yes, sir," said the captain. "But if it had happened to be the ebb, sir--"

He left it at that and began on a new series of orders, embracing the dinghy, the engines, the anchor and another anchor.

And all the pa.s.sengers resumed their courage and their ancient notions about the excellence of luxury, and came to the conclusion that navigation was a very simple affair, and in less than five minutes were sincerely convinced that they had never known fear.

Later, the impressive sight was witnessed of Madame Piriac, on her shoulders such a cloak as certainly had never been seen on a yacht before, bearing Mr. Gilman's valuable violin like a jewel casket. She had found it below and brought it up on deck.

The _Ariadne_, was now pa.s.sing to port those twinkling cities of delight, Clacton and Frinton, and the long pier of Walton stretched out towards it, a string of topazes. The moon was higher and brighter than ever, but clouds had heaped themselves up to windward, and the surface of the water was rippled. Moreover, the yacht was now working over a strong, foul tide. The company, with the exception of Mr. Gilman, who had gone below--apparently in order to avoid being on the same deck with Captain Wyatt--had decided that Musa should be asked to play. Although the sound of his practising had escaped occasionally through the porthole of a locked cabin, he had not once during the cruise performed for the public benefit. Dancing was finished. Why should not the yacht profit by the presence of a great genius on board? The doctor and the secretary were of one mind with the women that there was no good answer to this question, and even the crew obviously felt that the genius ought to show what he was made of.

"Dare we ask you?" said Madame Piriac to the youth, offering him the violin case. Her supplicatory tone and att.i.tude, though they were somewhat a.s.sumed, proved to what a height Musa had recently risen as a personage.

He hesitated, leaning against the rail and nervously fingering it.

"I know it is a great deal to ask. But you would give us so much pleasure,"

said Madame Piriac.

Musa replied in a dry, curt voice:

"I should prefer not to play."

"Oh! But Musa--" There was a general protest.

"I cannot play," Musa exclaimed with impatience, and moved almost savagely away.

The experience was novel for Madame Piriac, left standing there, as it were, respectfully presenting the violin case to the rail. This beautiful and not unpampered lady was accustomed to see her commands received as an honour; and when she condescended to implore, the effect usually was to produce a blissful and deprecatory confusion in the person besought. Her husband and Mr. Gilman had for a number of years been teaching her that whatever she desired was the highest good and the most complete felicity to everybody concerned in the fulfilment of the desire. She bore the blow from Musa admirably, keeping both her smile and her dignity, and with one gesture excusing Musa to all beholders as a capricious and a sensitive artist in whom moodiness was lawful. It was exquisitely done. It could not have been better done. But not even Madame Piriac's extreme skill could save the episode from having the air of a social disaster. The gaiety which had been too feverishly resumed after the salvage of the yacht from the sandbank expired like a p.r.i.c.ked balloon. People silently vanished, and only Audrey was left on the after deck.

It was after a long interval that she became aware of the reappearance of Musa. Seemingly, he had been in the engine-room; since the beginning of the cruise he had shown a fancy for both the engine-room and the engineer. To her surprise, he marched straight towards her deckchair.

"I must speak to you," he said with emotion.

"Must you?" Audrey replied, full of hot resentment. "I think you've been horrid, Musa. Perfectly horrid! But I suppose you have your own notions of politeness now. Everything has been done for you, and--"

"What is that?" he stopped her. "Everything has been done for me. What is it that has been done for me? I play for years, I am ignored. Then I succeed. I am noticed. Men of affairs offer me immense sums. But am I surprised? Not the least in the world. It is the contrary which would have surprised me. It was inevitable that I should succeed. But note well--it is I myself who succeed. It is not my friends. It is not the concert agent. Do I regard the concert agent as a benefactor? Again, not the least in the world. You say everything has been done for me. Nothing has been done for me, Madame."

"Yes, yes," faltered Audrey, who was in a dilemma, and therefore more resentful than ever. "I--I only mean your friends have always stood by you." She gathered courage, sat up erect in her deck-chair, and finished haughtily: "And now you're conceited. You're insufferably conceited."

"Because I refused to play?" He laughed stridently and grimly. "No. I refused to play because I could not, because I was outside myself with jealousy. Yes, jealousy. You do not know jealousy. Perhaps you are incapable of it. But permit me to tell you, Madame, that jealousy is one of the finest and most terrible emotions. And that is why I must speak to you. I cannot live and see you flirt so seriously with that old idiot. I cannot live."

Audrey jumped up from the chair.

"Musa! I shall never speak to you again.... Me ... flirt.... And you call Mr. Gilman an old idiot!"

"What words would you employ, Madame? He was so agitated by your intimate conversation that he brought us all near to death, in any case. Moreover, it jumps to the eyes that the decrepit satyr is mad about you. Mad!"

And Musa's voice broke. In the midst of all her fury Audrey was relieved that it did break, for the reason that it was getting very loud, and the wheel, with Captain Wyatt thereat, was not far off.

There was one thing to do, and Audrey did it. She walked away rapidly. And, as she did so, she was startled to discover a sob in her throat. The drawn, highly emotionalised face of Musa remained with her. She was angry, indignant, infuriated, and yet her feelings were not utterly unpleasant, though she wanted them to be so. In the first place, they were exciting.

And in the second place--what was it?--well, she had the strange, sweet sensation of being, somehow, the mainspring of the universe, of being immensely important in the scheme of things.

She thought her cup was full. It was not. Staring blankly over the side of the s.h.i.+p she saw a buoy float slowly by. She saw it with the utmost clearness, and on its round black surface was painted in white letters the word "Flank." There could not be two Flank buoys. It was the Flank buoy of the Mozewater navigable channel. ... She glanced around. The well-remembered sh.o.r.es of Mozewater were plainly visible under the moon. In the distance, over the bowsprit, she could discern the ma.s.s of the tower of Mozewater church. She could not distinguish Flank Hall, but she knew it was there. Why were they threading the Mozewater channel? It had been distinctly given out that the yacht would make Harwich harbour. Almost unconsciously she turned in the direction of the wheel, where Captain Wyatt was. Then, controlling herself, she moved away. She knew that she could not speak to the captain. She went below, and, before she could escape, found the saloon populated.

"Oh! Mrs. Moncreiff!" cried Madame Piriac. "It is a miraculous coincidence.

You will never guess. One tells me we are going to the village of Moze for the night; it is because of the tide. You remember, I told you. It is where lives my little friend, Audrey Moze. To-morrow I visit her, and you must come with me. I insist that you come with me. I have never seen her. It will be all that is most palpitating."

CHAPTER x.x.xIII

AGUILAR'S DOUBLE LIFE