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The Perfect Gentleman Part 4

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I have often wondered, while 'dolling up,' as the strikingly appropriate modernism puts it, for such a function, whether there is any universal reason why a reluctant man should go to an afternoon tea. There are, of course, many individual reasons, more or less important to the individual tea-goer; but for us the impulsion comes inevitably from without. The verb 'drag,' often applied to the process by which a man is brought to a tea, indicates how valuable would be the discovery of a Universal Reason wherefore any man might hope to derive some personal good from this inescapable experience.

An excellent place for the thinker to examine this problem is in his bath-tub preparatory to dolling up. He is alone and safe from interruption, unless he has forgotten to lock the door; his memory and observation of afternoon teas past is stimulated by afternoon tea to come; and he is himself more like the Universal Man than on most other occasions. Featherless biped mammals that we are, what need have we in common that might conceivably provide a good and sufficient reason for the dolling up to which I am about to subject myself? Substantial food, less fleeting, however, than a lettuce or other sandwich and a dainty trifle of pastry; protective clothing; a house, or even a cave, to shelter us in cold or stormy weather--these, evidently, are clearly apprehended necessities, and we will march on the soles of our feet, like the plantigrade creatures we are, wherever such goods are obtainable.

If all men were hungry, naked, and homeless, and the afternoon tea provided food, clothes, and a home, any man would jump at an invitation.

But there are other necessities of living--and here, too, I in my porcelain dish am one with Christopher Columbus, Lord Chesterfield, Chang the Chinese Giant, the Editor of the _Atlantic_, and the humblest illiterate who never heard of him--of which we are not so vividly conscious. Yet we seek them instinctively, each in his own manner and degree--amus.e.m.e.nt, useful experience, friends, and his own soul. So I read and accept Tagore when he says, 'Man's history is the history of man's journey to the unknown in quest of his immortal self--his soul.'

w.i.l.l.y-nilly, even higglety-pigglety and helter-skelter, these are what the featherless biped is after.

As for useful experience, this afternoon tea reminds me of those lower social gatherings where liquor is, or used to be, sold only to be drunk on the premises. Granting that I become a finished tea-goer, easy of speech, nodding, laughing, secure in the graceful manipulation of my tea-things, never upsetting my tea, never putting my sandwich in the way of an articulating tongue, yet is all this experience of no use whatever to me except at other afternoon teas. I go to school simply to learn how to go to school. The most finished and complete tea-goer, if he behaves anywhere else as he does at an afternoon tea, creates more widely the same unfavorable impression that he creates, in his own proper sphere, on me. Can I then reasonably regard experience as useful which I observe to be useful only for doing something which I observe to be useless? The soap agrees that I cannot. Yet, says the sponge, _if_ I might hope at some afternoon tea to discover my immortal soul, the case would be different; this experience would be valuable. O foolish sponge! I am compelled to tell you that at afternoon teas it is especially difficult for a mortal gentleman to believe that he has any immortal soul to look for. It is a gathering essentially mundane and ephemeral. For it we put on our most worldly garments. For it we practise our most worldly smirks in dumb rehearsal before our mirror and an audience of one silly, attentive image, thinking that this time, this time--But it is always the same: the observant mind in the immovable body. As for the immortal soul, O sponge! it may, and doubtless does, go to strange places--but it _cannot be dragged_.

And so we come to the final question: is the afternoon tea a place where one featherless, plantigrade, biped mammal of the genus _h.o.m.o_ may meet another whom he might hope some time to call a friend? I do not mean 'my friend What's-his-name?' but rather such another biped as Tennyson had in mind when he wrote,--

Since we deserved the name of friends And thine effect so lives in me, A part of mine may live in thee And move thee on to n.o.ble ends.

I grant you, peering out of my tub at the world, that there are many to whom this thought sounds sublimated and extravagant: a poet says this sort of thing because such is his poetic business. We come nearer perhaps to the universal understanding in John Hay's definition that 'Friends are the suns.h.i.+ne of life'; for it is equally true that all men seek sunlight and that every man seeks a friend after his own kind and nature. The best and most intelligent of us admit the rarity and value of friends.h.i.+p; the worst and most ignorant of us are unwittingly the better for knowing some friendly companion. But these afternoon teas are inimical to friends.h.i.+p; and the first duty of a hostess is to separate, expeditiously and without hope of again coming together, any other two guests who appear to be getting acquainted. On this count, even were we not Automaton Tea-Goers, debarred by inherent stability from any normal human intercourse, the afternoon tea must prove more disheartening than helpful. We might at best glimpse a potential friend as the desert islander sights a pa.s.sing sail on the far horizon.

There is, alas, no Universal Reason why a man should go to an afternoon tea!

So the matter looks to me in my tub, but perhaps, like Diogenes, I am a cynic philosopher. After all, when a thing cannot be escaped, why seek for reasons not to escape it? Let us, rather, be brave if we cannot be gay; cheerful if we cannot talk; ornamental if we cannot move. As the grave-digger in Elsinore churchyard might say: 'Here lies the afternoon tea; good: here stands the gentleman; good: If the gentleman go to this afternoon tea and bore himself, it is, will he, nill he, he goes,--mark you that? But if the afternoon tea come to him and bore him, he bores not himself; argal, he that goes not willingly to the afternoon tea wearies not his own life.'

So, in effect, he that is _dragged_ to an afternoon tea does not go at all; and when he gets there, he is really somewhere else. This happy thought is a little difficult to reconcile with circ.u.mstances; but when one has become thoroughly soaked in it, it is a great help.

THE END

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The Perfect Gentleman Part 4 summary

You're reading The Perfect Gentleman. This manga has been translated by Updating. Author(s): Ralph Bergengren. Already has 1108 views.

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