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Mercy Philbrick's Choice Part 18

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Docile from her long habit and from her great love, Mercy looked up, with the tears streaming. As soon as she saw Parson Dorrance's face, she burst again into more violent crying, and sobbed out incoherently,--

"Oh! I never knew it. It wouldn't be right."

"Hush, dear! Hus.h.!.+" said the Parson, in a voice of tender authority. "I have done wrong; and you must forgive me, and forget it. You are not in the least to blame. It is I who ought to have known that you could never think of me as any thing but a father."

"Oh! it is not that," sobbed Mercy, vehemently,--"it is not that at all!

But it wouldn't be right."

Parson Dorrance would not have been human if Mercy's vehement "It is not that,--it is not that!" had not fallen on his ear gratefully, and made hope stir in his heart again. But her evident grief was too great for the hope to last a moment.

"You may not know why it seems so wrong to you, dear child," he continued; "but that is the real reason. There could be no other." He paused. Mercy shuddered, and opened her lips to speak again; but the words refused to be uttered. This was the supreme moment of pain. If she could but have said,--

"I loved some one else long before I saw you. I was not my own. If it had not been for that, I should have loved you, I know I should!" Even in her tumult of suffering, she was distinctly conscious of all this. The words "I could have loved him, I know I could! I can't bear to have him think it is because he is so old," went clamoring in her heart, pleading to be said; but she dared not say them.

Tenderly and patiently Parson Dorrance endeavored to soothe her, to convince her that his words sprung from a hasty impulse which he would be able wholly to put aside and forget. The one thing that he longed now to do, the only reparation that he felt was left for him to make to her, was to enable her, if possible, to look on him as she had done before. But Mercy herself made this more difficult. Suddenly wiping her tears, she looked very steadily into his face, and said slowly,--"It is not of the least use, Mr. Dorrance, for you to say this sort of thing to me. You can't deceive me. I know exactly how you love me, and how you always will love me. And, oh, I wish I were dead! It can never be any thing but pain to you to see me,--never," and she wept more bitterly than before.

"You do not know me, Mercy," replied the Parson, speaking as slowly as she had done. "All my life has been one long sacrifice of my own chief preferences. It is not hard for me to do it."

Mercy clasped her hands tighter, and groaned,--

"Oh, I know it! I know it! and I said you were on a plane above all thought of personal happiness."

The Parson looked bewildered, but went on,--

"You do love me, my child, very dearly, do you not?"

"Oh, you know I do!" cried Mercy. "You know I do!"

"Yes, I know you do, or I should not have said that. You know I am all alone in the world, do you not?"

"Yes," moaned Mercy.

"Very well. Now remember that you and Lizzy are my two children, and that the greatest happiness I can have, the greatest help in my loneliness, is the love of my two daughters. You will not refuse me this help, will you?

You will let me be just as I was before, will you not?"

Mercy did not answer.

"Will you try, Mercy?" he said in a tone almost of the old affectionate authority; and Mercy again moaned rather than said,--

"Yes."

Then Parson Dorrance kissed her hair where his hand had lain a few moments before, and said,--

"Now I must go. Good-by, my child."

But Mercy did not look up; and he closed the door gently, leaving her sitting there bowed and heart-stricken, in the little room so gay with the bright flowers she had gathered on her "sweet yesterday."

Chapter X.

The winter set in before its time, and with almost unprecedented severity.

Early in the last week in November, the whole country was white with snow, the streams were frozen solid, and the cold was intense. Week after week the mercury ranged from zero to ten, fifteen, and even twenty below, and fierce winds howled night and day. It was a terrible winter for old people. They dropped on all sides, like leaves swept off of trees in autumn gales. It was startling to read the death records in the newspapers, so large a proportion of them were of men and women past sixty. Mrs. Carr had been steadily growing feebler all summer; but the change had seemed to Mercy to be more mental than physical, and she had been in a measure blinded to her mother's real condition. With the increase of childishness and loss of memory had come an increased gentleness and love of quiet, which partially disguised the loss of strength. She would sit in her chair from morning till night, looking out of the window or watching the movements of those around her, with an expression of perfect placidity on her face. When she was spoken to, she smiled, but did not often speak. The smile was meaningless and yet infinitely pathetic: it was an infant's smile on an aged face; the infant's heart and infant's brain had come back. All the weariness, all the perplexity, all the sorrow, had gone from life, had slipped away from memory. This state had come on so gradually that even Mercy hardly realized the extent of it. The silent smile or the gentle, simple e.j.a.c.u.l.a.t.i.o.ns with which her mother habitually replied meant more to her than they did to others. She did not comprehend how little they really proved a full consciousness on her mother's part; and she was unutterably shocked, when, on going to her bedside one morning, she found her unable to move, and evidently without clear recognition of any one's face. The end had begun; the paralysis which had so slowly been putting the mind to rest had prostrated the body also. It was now only a question of length of siege, of how much vital force the system had h.o.a.rded up. Lying helpless in bed, the poor old woman was as placid and gentle as before. She never murmured nor even stirred impatiently. She seemed unconscious of any weariness. The only emotion she showed was when Mercy left the room; then she would cry silently till Mercy returned. Her eyes followed Mercy constantly, as a little babe's follow its mother; and she would not take a mouthful of food from any other hand.

It was the very hardest form of illness for Mercy to bear. A violent and distressing disease, taxing her strength, her ingenuity to their utmost every moment, would have been comparatively nothing to her. To sit day after day, night after night, gazing into the senseless yet appealing eyes of this motionless being, who had literally no needs except a helpless animal's needs of food and drink; who clung to her with the irrational clinging of an infant, yet would never know even her name again,--it was worse than the chaining of life to death. As the days wore on, a species of terror took possession of Mercy. It seemed to her that this silent watchful, motionless creature never had been her mother,--never had been a human being like other human beings. As the old face grew more and more haggard, and the old hands more and more skinny and claw-like, and the traces of intellect and thought more and more faded away from the features, the horror deepened, until Mercy feared that her own brain must be giving way. She revolted from the very thought of herself for having such a feeling towards her mother. Every instinct of loyalty in her deeply loyal nature rose up indignantly against her. She would reiterate to herself the word, "Mother! mother! mother!" as she sat gazing with a species of horror-stricken fascination into the meaningless face. But she could not shake off the feeling. Her nerves were fast giving way under the strain, and no one could help her. If she left the room or the house, the consciousness that the helpless creature was lying silently weeping for lack of the sight of her pursued her like a presence. She saw the piteous old face on the pillow, and the slow tears trickling down the cheeks, just as distinctly as if she were sitting by the bed. On the whole, the torture of staying was less than the torture of being away; and for weeks together she did not leave the house. Sometimes a dull sense of relief came to her in the thought that by this strange confinement she was escaping many things which would have been hard. She rarely saw Stephen except for a few moments late in the evening. He had ventured into Mrs.

Carr's room once or twice; but his presence seemed to disturb her, the only presence that had done so. She looked distressed, made agonizing efforts to speak, and with the hand she could lift made a gesture to repel him when he drew near the bed. In Mercy's overwrought state, this seemed to her like an omen. She shuddered, and drew Stephen away.

"O Stephen," she said, "she knows now that I have deceived her about you.

Don't come near her again."

"You never deceived her, darling. Do not distress yourself so," whispered Stephen. They were standing on the threshold of the room. A slight rustling in the bed made them turn: Mrs. Carr had half-lifted her head from the pillow, her lower jaw had fallen to its utmost extent in her effort to articulate, and she was pointing the forefinger of her left hand at the door. It was a frightful sight. Even Stephen turned pale, and sprang hastily away.

"You see," said Mercy, in a ghastly whisper, "sometimes she certainly does know things; but she never looks like that except at you. You must never come in again."

"No," said Stephen, almost as horror-stricken as Mercy. "It is very strange though, for she always used to seem so fond of me."

"She was very childish and patient," said Mercy. "And I think she thought that you were slowly getting to care about me; but now, wherever her soul is,--I think it has left her body,--she knows that we deceived her."

Stephen made no answer, but turned to go. The expression of resolved endurance on his face pierced Mercy to the quick, as it always did. She sprang after him, and clasped both her hands on his arm. "O Stephen, darling,--precious, brave, strong darling! do forgive me. I ought to be killed for even saying one word to give you pain. How I can, I don't see, when I long so to make you happy always."

"You do give me great, unutterable happiness, Mercy," he replied. "I never think of the pain: I only think of the joy," and he laid her hand on his lips. "All the pain that you could possibly give me in a lifetime could not outweigh the joy of one such moment as this, when you say that you love me."

These days were unspeakably hard for Stephen. He had grown during the past year to so live on the sight and in the blessedness of Mercy that to be shut away from them was simply a sort of dying. There was no going back for him to the calm routine of the old life before she came. He was restless and wretched: he walked up and down in front of the house every night, watching the shadow of her figure on the curtains of her mother's room. He made all manner of excuses, true and false, reasonable and unreasonable, to speak to her for a moment at the door in the morning. He carried the few verses in his pocket-book she had given him; and, although he knew them nearly by heart, he spent long hours in his office turning the little papers over and over. Some of them were so joyous that they stirred in him almost a bitter incredulity as he read them in these days of loss and pain. One was a sonnet which she had written during a two days' absence of his,--his only absence from his mother's house for six years. Mercy had been astonished at her sense of loneliness in these two days. "O Stephen," she had said, when he came back, "I am honestly ashamed of having missed you so much. Just the knowing that you wouldn't be here to come in, in the evenings, made the days seem a thousand years long, and this is what came of it."

And she gave him this sonnet:--

TO AN ABSENT LOVER.

That so much change should come when them dost go, Is mystery that I cannot ravel quite.

The very house seems dark as when the light Of lamps goes out. Each wonted thing doth grow So altered, that I wander to and fro, Bewildered by the most familiar sight, And feel like one who rouses in the night From dream of ecstasy, and cannot know At first if he be sleeping or awake, My foolish heart so foolish for thy sake Hath grown, dear one!

Teach me to be more wise.

I blush for all my foolishness doth lack; I fear to seem a coward in thine eyes.

Teach me, dear one,--but first thou must come back!

Another was a little poem, which she laughingly called his and not hers.

One morning, when they had bade each other "good-by," and she had kissed him,--a rare thing for Mercy to do, he had exclaimed, "That kiss will go floating before me all day in the air, Mercy. I shall see every thing in a light as rosy as your lips."

At night she gave him this little poem, saying,--

"This is your poem, not mine, darling. I should never have thought of any thing so absurd myself."

"COULEUR DE ROSE."

All things to-day "Couleur de rose,"

I see,--oh, why?

I know, and my dear love she knows, Why, oh, why!

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Mercy Philbrick's Choice Part 18 summary

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