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The Land of Long Ago Part 8

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"Emmeline thought a minute, and finally she says, 'Well, I'll go for your mother's sake, but not for yours.' So Henry, he went back home to git somebody to look after his stock while he was gone, and the next day he come for Emmeline, and they started to his mother's. It was pretty near a day's journey, and there couldn't 'a' been a nicer trip for a bride and groom, ridin' through the woods and over the hills about the middle of October, the leaves jest turnin' and the weather neither hot nor cold. I reckon, child, you don't know what it is to make a journey that way. That's one o' the things folks miss by bein'

born nowadays instead of in the old times before there was any railroads. I ricollect when they begun puttin' down the track for the first railroad in this county. Uncle Jimmy Judson went to town on purpose to see what it was like, and some o' the town folks explained all about layin' the ties and the rails and showed him a picture o'

the cyars and the locomotive, and Uncle Jimmy looked at it a minute or two, and then he shook his head and says he, 'None o' that sort o'

travelin' for me--shut up in a wooden box with a steam-engine in front liable to blow up any minute, and nothin' but the mercy o' G.o.d to keep them wheels from runnin' off this here narrer railin'.' Says he, 'Give me a clear sky overhead, a good road underfoot, good company by my side, and my old buggy and my old mare, and I can travel from sunup to sundown and ask no odds o' the railroad.' And I reckon most old people feel pretty much like Uncle Jimmy.

"I ricollect Parson Page sayin' once that the Christian's life was a journey to heaven, and Sam Amos says, 'Yes, and generally when I start out to go to a place, I want to get there as soon as possible; but here's one time,' says he, 'when I wouldn't care if I never got to my journey's end.' And that's the way it was with me when me and Abram'd start out in our old rockaway for a day's travel through the country, goin' to see his mother or mine. No matter how much I wanted to see the folks I was goin' to, I'd feel as if I could keep on forever ridin' through the thick woods or along the open road, the wind blowin' in my face and the sun gittin' higher and higher towards noon and then night comin' on before we'd be at our journey's end.

"I've heard Emmeline laugh many a time about that ride. Her mother come out to the gate and put a basket o' lunch under the seat, and says she, 'Now, Emmeline, you be a good gyirl and don't give Henry any more trouble, and, Henry, when you two come back you take Emmeline right home with you; don't you bring her here.' And old man Amos give a big laugh and says he, 'Come back home if you want to, Emmeline. My door's always open to my own children; but if you come, Henry's got to come, too, so either way you fix it there won't be any partin'.'

Emmeline said she wouldn't let Henry help her in the buggy. She got in on one side, and he got in on the other, and she set as far off from him as she could, and they started off, old lady Amos callin' after 'em: 'You jest remember, Emmeline, as long as Henry's above the sod you're Henry's wife. There's only one thing that can part you, and that's death.'

"Well, Emmeline said Henry was as nice and polite as you please all that day. He talked about the weather and the birds and the trees and the flowers, and p'inted out things along the way, but she never opened her mouth till dinner-time. They stopped by a spring to eat their dinner, and Henry watered the horse and fixed the check-rein so's he could graze, and then he set down some little distance away from her, and she opened the basket. She said of course she couldn't be mean enough to sit there and eat by herself, so she told him to come and have some dinner. And he come over and set down beside her, and she waited on him, and they drank out o' the same cup, and Emmeline said you could hear the spring drippin' and the birds and the squirrels chirpin' and chatterin' in the trees; and every now and then a pretty leaf'd come flutterin' down and fall in the spring or on her lap, and Henry talked so kind and pleasant that Emmeline said she got to thinkin' how happy she'd be if it wasn't for that little silk s.h.i.+rt, and she'd 'a' give anything she had if she'd jest kept out o'

Henry's trunk. And when they'd got through eatin', Henry took hold of her hand and says he, 'Emmeline, can't you trust me a little bit?' And she jerked away from him and begun getherin' up the provisions and foldin' the napkins. And Henry says, 'Well, pretty soon we'll be at mother's. Maybe she can set matters right.' And they got in the buggy and started again, and Emmeline said the nearer they got to Henry's home the worse she felt, and finally she broke down and begun to cry, and she cried for three miles right straight along.

"It was about sunset, and Henry kept tellin' her to cheer up and look at the pretty clouds and the light comin' through the red-and-yeller sugar-maples and the beech-trees. She said he was mighty cheerful himself, and it made her mad to see how easy he was takin' it. When they got within sight o' the house Henry says, 'Now dry your eyes, Emmeline, or mother'll think you ain't glad to see her. She goin' to be mighty glad to see you.' Old man Sanford and his wife, honey, was a couple that thought more o' their daughters-in-law than they did o'

their own children. They'd had nine sons and never had a gyirl-child, and they'd always wanted one, and the old man used to look at the boys and say, 'Well, your mother and me didn't want this many boys, but you children would be boys, and now you've got to make up for the disapp'intment you've been to your parents by bringin' us in some nice, pretty daughters-in-law.' And every time one o' the boys got married the old man, he'd say, 'Well, my daughters are comin' at last,' and the old lady used to say that her daughters-in-law paid her for all the trouble her sons had been to her.

"It was milkin'-time when they drove in at the big gate, and the old lady was jest startin' out with her quart cup and her bucket. Henry hollered, 'Howdy, mother!' and she dropped the milk things and run to meet 'em, and Emmeline said she never had such a welcome in her life.

The old lady didn't take any notice o' Henry. She jest hugged and kissed Emmeline and pretty near carried her into the house. Then she took notice of how Emmeline had been cryin', and she turned around to Henry and says she, 'Henry Sanford, what have you been doin' to this poor child to make her cry? It speaks mighty poorly of you to have your wife cryin' this soon in your married life.' And Henry put his hand in his coat pocket and pulled out a little bundle and handed it to his mother and says he, 'Mother, I want you to tell Emmeline whose this is.' And the old lady opened the bundle and says she, 'Henry Sanford, what do you mean by pokin' this old s.h.i.+rt at me when I want to be makin' the acquaintance o' my new daughter-in-law?' And Henry says, 'If you'll tell Emmeline all about this s.h.i.+rt, mother, it'll stop her cryin'.' Emmeline said the old lady put on her specs and looked at 'em both as if she thought they might be losin' their senses and says she, 'Well, honey, I don't see what this old s.h.i.+rt has to do with your cryin', but I can mighty soon tell you about it. It's one of a half a dozen that Henry's father didn't have any better sense than to buy five or six years ago when he was layin' in a stock o' summer goods. ("Old man Sanford run a country store, child, along with his farmin'," interpolated Aunt Jane.) And,' says she, 'after they'd stayed in the store three or four seasons I took 'em and wore 'em to keep 'em from bein' a dead loss. And when Henry come out o' the army he was half naked and more'n half dead, betwixt the Yankees and the chills and fever, and I put these s.h.i.+rts on him to protect his chest.'

"Well, Emmeline said as soon as the old lady begun talkin', her heart got as light as a feather, and she felt like a thousand pounds had been lifted off of her mind. But she said she looked around at Henry, and he was watchin' to see how she'd take it, and all at once he burst out laughin', and that made her mad again, and she thought about all the trouble she'd been through, and she begun cry in' again and says she, 'Oh! why didn't you tell me that? Why didn't you tell me?'

Emmeline said Henry's mother come over and put her arms around her and says she, 'Henry Sanford, what prank have you been playin' on your wife? Tell me this minute.' And Henry begun explainin' things and tryin' to smooth it over, and I reckon he thought his mother'd see the joke jest like he did, but she didn't. She looked at Henry over her spectacles mighty stern and says she, 'Henry, I've always been afeard you didn't have your full share o' punishment whilst you were growin'

up, bein' the youngest child, and if it wasn't that you're a married man I'd certainly give you one o' the whippin's you missed when you were a boy.' And Henry says, 'Well, maybe I ought to be punished for not tellin' Emmeline, but I jest thought I'd play a joke on her, and if Emmeline had only had a little confidence in me it wouldn't 'a'

worried her the way it did.' And old lady Sanford, she says, 'Confidence! Confidence! There's jest one person I put my confidence in, and that's Almighty G.o.d.' Says she, 'If a man's crippled in both feet, and the front door and the back door's locked, and I've got both my eyes on him, I may make out to trust him a minute or two, but that's about all.' Says she, 'Of course a woman ought to trust her husband; but that don't mean that she's got to shut her eyes and her ears and throw away her common sense.' Says she, 'Emmeline don't know as much about you as your father knows about that old roan mare he bought day before yesterday. A man's jest like a horse,' says she; 'you've got to break him in and learn all his gaits and tricks before there's any safety or pleasure travelin' with him. Here you ain't been married to Emmeline a month yet, and you talk about her havin'

confidence in you!' Says she, 'I've been married to your father forty-five years this comin' January, and I've never seen cause to doubt him, but if I was to find another woman's gyarment amongst his clothes I'd leave him that quick.'

"And about this time old man Sanford come in, and when he'd shook hands with Henry and hugged and kissed Emmeline he begun to take notice of how she'd been cryin', and the old lady she told him the whole story, and, bless your life, the old man was madder'n she was.

He turned around to Henry and says he, mighty stern and solemn, 'Son, I feel that you've disgraced your raisin'.' Says he, 'A man that'll cause a woman to shed an unnecessary tear is worse'n a brute, and here you've let Emmeline cry her pretty eyes out over nothin' right at the beginnin' of her married life. If you treat her this way now, how'll it be ten years from now?' And then he patted Emmeline on the shoulder and says he, 'Never mind, daughter, if Henry don't treat you right, you stay here with pappy and mammy and be their little gyirl. Henry always was the black sheep o' the flock, anyhow.'

"And at that Emmeline jumped up and run over to Henry and threw her arms around his neck and says she, 'You sha'n't talk that way about Henry. He's not a black sheep, either. He's the best man in the world, and it's all my fault and I'll never mistrust him again as long as I live.' And then Henry broke down and cried, and the old man and the old lady they cried, and they all hugged and kissed each other, and such a makin' up you never did see. And in two or three days here Henry and Emmeline come ridin' back home and lookin' like a sure-enough bride and groom. Emmeline said they went over the same road, but everything seemed different; the birds sung sweeter, the sun shone brighter, and the leaves were prettier, for you know, honey, the way a thing looks depends more on people's minds than it does on their eyes. They stopped at the same spring to eat their dinner, and Emmeline said she promised Henry she'd never mistrust him again, and he promised her he'd never play any more jokes on her. I reckon they both must 'a' kept their promise, for from that time on there never was a more peaceable, well-contented married couple than Emmeline and Henry. Emmeline used to say that she did all her cryin' durin' her honeymoon and Henry'd never caused her to shed a tear since.

"n.o.body ever would 'a' known about her findin' the s.h.i.+rt and leavin'

her husband if she hadn't told it herself, for the old folks on both sides felt so ashamed o' Henry and Emmeline for the way they'd acted that they never would 'a' told it. But Emmeline told Milly Amos and Milly told Sam, and the first thing you knew everybody in Goshen was laughin' over Emmeline leavin' her husband, and everybody was disputin' about which was in the right and which was in the wrong. I ricollect Sam Amos sayin' that any woman that went rummagin' around in a man's trunk deserved to find trouble, and his sympathies was all with Henry; and Milly said Henry ought to 'a' told Emmeline whose s.h.i.+rt it was and not kept her grievin' and worryin' all that time. And Sam says, 'Yes, he ought to 'a' told her, but if he had 'a' told her it wouldn't 'a' helped matters, for she wasn't in a frame o' mind to believe him.' Says he, 'You women are always suspicionin' a man, and if you come across a piece of circ.u.mstantial evidence you'll convict him on that and hang him in spite of all he can say for himself.'

"I ricollect our Mite Society got to talkin' one day about husbands and wives leavin' each other, and whether it was ever right or lawful for married folks to part and marry again. Maria Petty says, says she, 'There's some things that every woman's called on to stand, and there's some things that no woman ought to stand.' And Sally Ann says, 'Yes, and as long as you women think you have to stand things, you'll have things to stand.' And Milly Amos says, 'A husband and a wife can part when there's no children, but,' says she, 'if they've had children, you might put the husband on one side o' the world and the wife on the other and they're husband and wife still, for there's the children holdin' 'em together.' I ricollect everybody had a different opinion, and the longer we talked the further we got from any sort of agreement about it."

And as it was in Goshen so was it in Athens when Plato wrote and taught, and so it is to-day wherever human wisdom offers its varying solutions to this problem of the ages.

"What do you think about it, Aunt Jane?" I asked.

Aunt Jane was silent. Intuitively she felt the magnitude of the question. We had laughed over the comedy of her story, but its rustic scenery had s.h.i.+fted, and we were standing now in the tragic presence of a social sphinx, whose mystery calls for baffled silence rather than confident speech.

"Well, honey," she said at last, thoughtfully and hesitatingly, "if folks could only love each other the way me and Abram did, they'll never want to part; and of course if they love each other they'll trust each other; and if the love and the trust runs short, why, then they ought to be patient and try to bear with each other's failin's.

But, as Maria Petty used to say, there's some things that no woman is called on to bear, and no man, either, for that matter, and if married folks feel that they can't stand livin' together I ain't the one to judge 'em, for I never had anything to stand, and happy folks oughtn't to judge the folks that's unhappy. It does look like to me that if the husbands and wives in Goshen could stay married anybody could, but maybe I don't know. And when a person gits all twisted and turned so's they can't tell what's right and what's wrong, why, it ain't time for pa.s.sin' judgment and givin' opinions, and I reckon I'll jest have to fall back on that text o' Scripture that says all things are workin'

together for good. Not some things, honey, but 'all things.' Did you ever think o' that? The things you want and the things you don't want; the things you complain about and the things you rejoice about; the things you laugh over and the things you cry over--all of 'em workin', not against each other, but together, and all workin' for good. I ricollect hearin' a sermon once on that very pa.s.sage o' Scripture.

The preacher said that that text was like a sea without a sh.o.r.e; its meanin' was as wide and as deep as the love of G.o.d, and if we could only take it in and believe it, we'd never have any fears or any misgivin's again. And then, there's that verse o' Brownin's that says G.o.d's in his heaven and everything's right with the world. So I reckon, in spite of all this marryin' and partin' and marryin' again, the world's in safe hands and movin' on in the right way."

Aunt Jane was smiling now, for on these winged words of apostle and poet her soul had risen into its native atmosphere of serene faith, casting upon the shoulders of Omnipotence the burden of world-sorrow and world-sin that only Omnipotence can lift and bear.

VI

AN EYE FOR AN EYE

[Ill.u.s.tration]

VI

AN EYE FOR AN EYE

It was the time of the blooming of the wistaria. Over in fair j.a.pan the imperial purple cl.u.s.ters were drooping over the roofs of the tea-gardens and the walls of the Emperor's palace, and here in Aunt Jane's garden they hung from the rickety trellis that barely supported the weight of the royal flowers.

Aunt Jane gazed at them with wors.h.i.+pful eyes.

"It's been fifty years this spring," she said, "since I planted that vine. It took it five years to come into bloomin', so I've seen it bloom forty-five times; and every time I see it, it looks prettier to me. I took a root of it along with me when I went to Lexin'ton to visit Henrietta, and the gyardener planted it by the front porch so's it could run up the big pillars--that's the difference betwixt my gyarden and Henrietta's. She has a gyardener to plant her flowers, and I do my own plantin'. I can't help believin' that I have more pleasure out o' my old-fas.h.i.+oned gyarden than she has out o' her fine new one.

Flowers that somebody else plants and 'tends to are jest like children that somebody else nurses and raises. I raise my flowers like I raised my children, and I reckon that that's why I love 'em so. It's a curious thing, child, the hold that flowers and trees has on human bein's. You can move into a house and set up your furniture and live there twenty years, and as long as you don't do any plantin', you won't mind changin' your house any more'n you'd mind changin' your dress. But you jest plant a rose-bush or a honey-suckle and then start to move, and it'll look like every root o' that bush is holdin' you to the place, and if you go, you'll want to take your flowers with you jest like grandmother took her rose when she moved from old Virginia to new Kentucky."

[Ill.u.s.tration: "IT WAS THE TIME OF THE BLOOMING OF THE WISTARIA."

_Page 173._]

She paused to look again at the splendor of grace and color that spring had brought to the old garden. No wonder we have patience to tread the ice-bound path through the winter when we know that things like this lie at the end. A delicate, reverent wind arose, the long, rich ta.s.sels of bloom yielded themselves to its touch and swayed to and fro like majesty acknowledging homage, while, bolder than the wind, a mob of democratic bees hummed nonchalantly in the august presence and gathered honey as if a wistaria were no more than a country clover field.

"Henrietta was tellin' me," continued Aunt Jane, "that over yonder in j.a.pan when the cherry trees and this vine blooms, everybody takes a holiday and turns out and enjoys the flowers and the suns.h.i.+ne, and I says to Henrietta, 'That's no new thing to me, honey, I've been doin'

that all my life.' I like housekeepin' as well as anybody, but when spring comes and the flowers begin bloomin', a house can't hold me.

There's one time o' the year about the middle o' May, when it's all I can do to keep myself inside the house long enough to do the cookin'

and wash the dishes. I ricollect the first spring after I was married there was one day when Abram said that he had bread and b.u.t.ter and pinks for breakfast, and bread and b.u.t.ter and roses for dinner, and bread and b.u.t.ter and honeysuckles for supper. You know the Bible says, 'Let your moderation be known unto all men,' and I always tried to be moderate about housekeepin'. Sam Amos used to say that women kept house for two reasons: one was to please themselves and the other was to displease the men. Says he, 'The Bible says we come from the dirt and we're goin' back to the dirt, so why can't we live in the dirt and say nothin' about it?' Says he, 'Give me three meals a day and a comfortable place to sleep in, and let me be able to lay my hands on my clothes when I want 'em, and that's housekeepin' enough for me.' I reckon most men's pretty much like Sam; and seein' how little a man cares about havin' a house kept, it looks like it's foolish for women to spend so much o' their time sweepin' and keepin' things in order.

Mother used to think I took housekeepin' too easy. I ricollect once she was spendin' the day with me and I let a dish fall, a mighty pretty china bowl with pink roses on it, and she begun sayin' what a pity it was, and how keerless I must 'a' been to let it slip out o'

my hands, and I jest laughed and picked up the pieces and says I, 'Dishes and promises are made to break. There's a time app'inted for every dish to break, jest as there is for every person to die, and this bowl's time had come.' And Mother, she laughed, and says she, 'Well, Jane, you'll never die of the housekeepin' disease.' And I wouldn't be surprised, child, if my gyardenin' and my easy goin' ways wasn't the reason why I'm here to-day watchin' my flowers grow instead o' bein' out yonder in the old buryin' ground with Hannah Crawford and the rest o' the Goshen women. Hannah took her housekeepin' like Amos Matthews took his religion, and that was what broke her down and carried her off before her time."

Clouds were floating across the sun and a delicate shadow lay over the flower-beds around us. Aunt Jane's eyes were on the distant hills beyond the budding orchard trees, and I saw with delight that she was in the garden but not of it. A few moments ago the present beauty of the wistaria had possessed her, but now she was living in another spring.

"Dr. Pendleton used to tell Hannah that her name ought to 'a' been Martha, because she was troubled about many things," continued Aunt Jane; "and it was her takin' trouble over things that come near throwin' her off her balance, back yonder in '54, the year we had the big drouth. Maybe you've heard your grandmother tell about it, child.

Parson Page used to say there was nothin' like a drouth for makin'

people feel their dependence on a higher power, and I reckon more prayers went up to heaven that summer than'd gone up for many a year, and folks prayed then that never had prayed before. A time like that is mighty hard on man and beast. The heavens were bra.s.s and the earth cast iron jest like the Bible says. Every livin' thing was parched up and I ricollect Sam Amos sayin' that, with the cistern and the spring dry and the river a mile and a half away, for once in his life he found it easier to be G.o.dly than to be clean.

"Well, about the time when everything was at its worst, we had a strange preacher to fill the pulpit o' Goshen church, and he preached a sermon that none of us ever forgot. There's two kinds of preachers, child, the New Testament preachers and the Old Testament preachers.

Parson Page was the New Testament kind. Sam Amos used to say that Parson Page's sermons never interfered with anybody's Sunday evenin'

nap. But the minute I laid eyes on the new preacher, I says to myself, 'We're goin' to have an Old Testament sermon, this day,' and sure enough we did. He was a tall, thin man, with the blackest eyes and hair you ever saw and a mouth that looked like he'd never smiled in his life, and when he walked up into the pulpit you'd 'a' thought he was one o' the old prophets come to warn men of judgment to come. He read the twenty-first chapter of Exodus, that chapter that's all about judgments and punishments; and then he turned over to Leviticus and read a chapter there about the same things, and then he picked out two texts from these chapters. One was, 'Thou shalt give life for life, eye for eye, tooth for tooth, hand for hand, foot for foot, burning for burning, wound for wound, stripe for stripe.' And the other one was, 'And if a man cause a blemish in his neighbor, as he hath done, so shall it be done to him. Breach for breach, eye for eye, tooth for tooth.'

"Well, honey, the sermon he preached from them two texts was somethin'

terrible. He begun by sayin' that the kingdom of G.o.d was a kingdom of justice; that every sin brought its own punishment with it, and there was no escapin' it. He said G.o.d had fixed the penalty for every sin committed by every sinner; we couldn't always tell what the punishment would be, one sinner would be punished one way and another sinner another way, and one would have his punishment right at once, and the other might not have his for a good many years, but it was sure to come at last. He never said a word about the blood of Christ, and the only time he brought up the New Testament was when he told about Christ sayin' that we had to pay the uttermost farthing.

"Now, of course, child, all o' this is in the Bible, and it must be true. But then, there's other texts that's jest as true and a heap more comfortin', and if Parson Page had been preachin' that day, he'd 'a' taken a text about forgiveness and atonement, but maybe we wouldn't 'a' remembered that as long as we remembered the other preacher's sermon. I ricollect when meetin' broke everybody appeared to be laborin' under a sense o' sin, and instead o' shakin' hands and talkin' awhile as we generally did, we all went home as quick as we could. Uncle Jim Mathews said it took him a week to git over the effects o' that sermon, and Sam Amos says, 'I thought I was doin'

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The Land of Long Ago Part 8 summary

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