The Innocence of Father Brown Part 24

"I scarcely understand you," remarked Bohun indistinctly.

"Look at that blacksmith, for instance," went on Father Brown calmly; "a good man, but not a Christian--hard, imperious, unforgiving. Well, his Scotch religion was made up by men who prayed on hills and high crags, and learnt to look down on the world more than to look up at heaven.

Humility is the mother of giants. One sees great things from the valley; only small things from the peak."

"But he--he didn't do it," said Bohun tremulously.

"No," said the other in an odd voice; "we know he didn't do it."

After a moment he resumed, looking tranquilly out over the plain with his pale grey eyes. "I knew a man," he said, "who began by wors.h.i.+pping with others before the altar, but who grew fond of high and lonely places to pray from, corners or niches in the belfry or the spire. And once in one of those dizzy places, where the whole world seemed to turn under him like a wheel, his brain turned also, and he fancied he was G.o.d. So that, though he was a good man, he committed a great crime."

Wilfred's face was turned away, but his bony hands turned blue and white as they tightened on the parapet of stone.

"He thought it was given to him to judge the world and strike down the sinner. He would never have had such a thought if he had been kneeling with other men upon a floor. But he saw all men walking about like insects. He saw one especially strutting just below him, insolent and evident by a bright green hat--a poisonous insect."

Rooks cawed round the corners of the belfry; but there was no other sound till Father Brown went on.

"This also tempted him, that he had in his hand one of the most awful engines of nature; I mean gravitation, that mad and quickening rush by which all earth's creatures fly back to her heart when released. See, the inspector is strutting just below us in the smithy. If I were to toss a pebble over this parapet it would be something like a bullet by the time it struck him. If I were to drop a hammer--even a small hammer--"

Wilfred Bohun threw one leg over the parapet, and Father Brown had him in a minute by the collar.

"Not by that door," he said quite gently; "that door leads to h.e.l.l."

Bohun staggered back against the wall, and stared at him with frightful eyes.

"How do you know all this?" he cried. "Are you a devil?"

"I am a man," answered Father Brown gravely; "and therefore have all devils in my heart. Listen to me," he said after a short pause. "I know what you did--at least, I can guess the great part of it. When you left your brother you were racked with no unrighteous rage, to the extent even that you s.n.a.t.c.hed up a small hammer, half inclined to kill him with his foulness on his mouth. Recoiling, you thrust it under your b.u.t.toned coat instead, and rushed into the church. You pray wildly in many places, under the angel window, upon the platform above, and a higher platform still, from which you could see the colonel's Eastern hat like the back of a green beetle crawling about. Then something snapped in your soul, and you let G.o.d's thunderbolt fall."

Wilfred put a weak hand to his head, and asked in a low voice: "How did you know that his hat looked like a green beetle?"

"Oh, that," said the other with the shadow of a smile, "that was common sense. But hear me further. I say I know all this; but no one else shall know it. The next step is for you; I shall take no more steps; I will seal this with the seal of confession. If you ask me why, there are many reasons, and only one that concerns you. I leave things to you because you have not yet gone very far wrong, as a.s.sa.s.sins go. You did not help to fix the crime on the smith when it was easy; or on his wife, when that was easy. You tried to fix it on the imbecile because you knew that he could not suffer. That was one of the gleams that it is my business to find in a.s.sa.s.sins. And now come down into the village, and go your own way as free as the wind; for I have said my last word."

They went down the winding stairs in utter silence, and came out into the sunlight by the smithy. Wilfred Bohun carefully unlatched the wooden gate of the yard, and going up to the inspector, said: "I wish to give myself up; I have killed my brother."

The Eye of Apollo

That singular smoky sparkle, at once a confusion and a transparency, which is the strange secret of the Thames, was changing more and more from its grey to its glittering extreme as the sun climbed to the zenith over Westminster, and two men crossed Westminster Bridge. One man was very tall and the other very short; they might even have been fantastically compared to the arrogant clock-tower of Parliament and the humbler humped shoulders of the Abbey, for the short man was in clerical dress. The official description of the tall man was M. Hercule Flambeau, private detective, and he was going to his new offices in a new pile of flats facing the Abbey entrance. The official description of the short man was the Reverend J. Brown, attached to St. Francis Xavier's Church, Camberwell, and he was coming from a Camberwell deathbed to see the new offices of his friend.

The building was American in its sky-sc.r.a.ping alt.i.tude, and American also in the oiled elaboration of its machinery of telephones and lifts.

But it was barely finished and still understaffed; only three tenants had moved in; the office just above Flambeau was occupied, as also was the office just below him; the two floors above that and the three floors below were entirely bare. But the first glance at the new tower of flats caught something much more arresting. Save for a few relics of scaffolding, the one glaring object was erected outside the office just above Flambeau's. It was an enormous gilt effigy of the human eye, surrounded with rays of gold, and taking up as much room as two or three of the office windows.

"What on earth is that?" asked Father Brown, and stood still. "Oh, a new religion," said Flambeau, laughing; "one of those new religions that forgive your sins by saying you never had any. Rather like Christian Science, I should think. The fact is that a fellow calling himself Kalon (I don't know what his name is, except that it can't be that) has taken the flat just above me. I have two lady typewriters underneath me, and this enthusiastic old humbug on top. He calls himself the New Priest of Apollo, and he wors.h.i.+ps the sun."

"Let him look out," said Father Brown. "The sun was the cruellest of all the G.o.ds. But what does that monstrous eye mean?"

"As I understand it, it is a theory of theirs," answered Flambeau, "that a man can endure anything if his mind is quite steady. Their two great symbols are the sun and the open eye; for they say that if a man were really healthy he could stare at the sun."

"If a man were really healthy," said Father Brown, "he would not bother to stare at it."

"Well, that's all I can tell you about the new religion," went on Flambeau carelessly. "It claims, of course, that it can cure all physical diseases."

"Can it cure the one spiritual disease?" asked Father Brown, with a serious curiosity.

"And what is the one spiritual disease?" asked Flambeau, smiling.

"Oh, thinking one is quite well," said his friend.

Flambeau was more interested in the quiet little office below him than in the flamboyant temple above. He was a lucid Southerner, incapable of conceiving himself as anything but a Catholic or an atheist; and new religions of a bright and pallid sort were not much in his line. But humanity was always in his line, especially when it was good-looking; moreover, the ladies downstairs were characters in their way. The office was kept by two sisters, both slight and dark, one of them tall and striking. She had a dark, eager and aquiline profile, and was one of those women whom one always thinks of in profile, as of the clean-cut edge of some weapon. She seemed to cleave her way through life. She had eyes of startling brilliancy, but it was the brilliancy of steel rather than of diamonds; and her straight, slim figure was a shade too stiff for its grace. Her younger sister was like her shortened shadow, a little greyer, paler, and more insignificant. They both wore a business-like black, with little masculine cuffs and collars. There are thousands of such curt, strenuous ladies in the offices of London, but the interest of these lay rather in their real than their apparent position.

For Pauline Stacey, the elder, was actually the heiress of a crest and half a county, as well as great wealth; she had been brought up in castles and gardens, before a frigid fierceness (peculiar to the modern woman) had driven her to what she considered a harsher and a higher existence. She had not, indeed, surrendered her money; in that there would have been a romantic or monkish abandon quite alien to her masterful utilitarianism. She held her wealth, she would say, for use upon practical social objects. Part of it she had put into her business, the nucleus of a model typewriting emporium; part of it was distributed in various leagues and causes for the advancement of such work among women. How far Joan, her sister and partner, shared this slightly prosaic idealism no one could be very sure. But she followed her leader with a dog-like affection which was somehow more attractive, with its touch of tragedy, than the hard, high spirits of the elder. For Pauline Stacey had nothing to say to tragedy; she was understood to deny its existence.

Her rigid rapidity and cold impatience had amused Flambeau very much on the first occasion of his entering the flats. He had lingered outside the lift in the entrance hall waiting for the lift-boy, who generally conducts strangers to the various floors. But this bright-eyed falcon of a girl had openly refused to endure such official delay. She said sharply that she knew all about the lift, and was not dependent on boys--or men either. Though her flat was only three floors above, she managed in the few seconds of ascent to give Flambeau a great many of her fundamental views in an off-hand manner; they were to the general effect that she was a modern working woman and loved modern working machinery. Her bright black eyes blazed with abstract anger against those who rebuke mechanic science and ask for the return of romance.

Everyone, she said, ought to be able to manage machines, just as she could manage the lift. She seemed almost to resent the fact of Flambeau opening the lift-door for her; and that gentleman went up to his own apartments smiling with somewhat mingled feelings at the memory of such spit-fire self-dependence.

She certainly had a temper, of a snappy, practical sort; the gestures of her thin, elegant hands were abrupt or even destructive.

Once Flambeau entered her office on some typewriting business, and found she had just flung a pair of spectacles belonging to her sister into the middle of the floor and stamped on them. She was already in the rapids of an ethical tirade about the "sickly medical notions" and the morbid admission of weakness implied in such an apparatus. She dared her sister to bring such artificial, unhealthy rubbish into the place again. She asked if she was expected to wear wooden legs or false hair or gla.s.s eyes; and as she spoke her eyes sparkled like the terrible crystal.

Flambeau, quite bewildered with this fanaticism, could not refrain from asking Miss Pauline (with direct French logic) why a pair of spectacles was a more morbid sign of weakness than a lift, and why, if science might help us in the one effort, it might not help us in the other.

"That is so different," said Pauline Stacey, loftily. "Batteries and motors and all those things are marks of the force of man--yes, Mr.

Flambeau, and the force of woman, too! We shall take our turn at these great engines that devour distance and defy time. That is high and splendid--that is really science. But these nasty props and plasters the doctors sell--why, they are just badges of poltroonery. Doctors stick on legs and arms as if we were born cripples and sick slaves. But I was free-born, Mr. Flambeau! People only think they need these things because they have been trained in fear instead of being trained in power and courage, just as the silly nurses tell children not to stare at the sun, and so they can't do it without blinking. But why among the stars should there be one star I may not see? The sun is not my master, and I will open my eyes and stare at him whenever I choose."

"Your eyes," said Flambeau, with a foreign bow, "will dazzle the sun."

He took pleasure in complimenting this strange stiff beauty, partly because it threw her a little off her balance. But as he went upstairs to his floor he drew a deep breath and whistled, saying to himself: "So she has got into the hands of that conjurer upstairs with his golden eye." For, little as he knew or cared about the new religion of Kalon, he had heard of his special notion about sun-gazing.

He soon discovered that the spiritual bond between the floors above and below him was close and increasing. The man who called himself Kalon was a magnificent creature, worthy, in a physical sense, to be the pontiff of Apollo. He was nearly as tall even as Flambeau, and very much better looking, with a golden beard, strong blue eyes, and a mane flung back like a lion's. In structure he was the blonde beast of Nietzsche, but all this animal beauty was heightened, brightened and softened by genuine intellect and spirituality. If he looked like one of the great Saxon kings, he looked like one of the kings that were also saints. And this despite the c.o.c.kney incongruity of his surroundings; the fact that he had an office half-way up a building in Victoria Street; that the clerk (a commonplace youth in cuffs and collars) sat in the outer room, between him and the corridor; that his name was on a bra.s.s plate, and the gilt emblem of his creed hung above his street, like the advertis.e.m.e.nt of an oculist. All this vulgarity could not take away from the man called Kalon the vivid oppression and inspiration that came from his soul and body. When all was said, a man in the presence of this quack did feel in the presence of a great man. Even in the loose jacket-suit of linen that he wore as a workshop dress in his office he was a fascinating and formidable figure; and when robed in the white vestments and crowned with the golden circlet, in which he daily saluted the sun, he really looked so splendid that the laughter of the street people sometimes died suddenly on their lips. For three times in the day the new sun-wors.h.i.+pper went out on his little balcony, in the face of all Westminster, to say some litany to his s.h.i.+ning lord: once at daybreak, once at sunset, and once at the shock of noon. And it was while the shock of noon still shook faintly from the towers of Parliament and parish church that Father Brown, the friend of Flambeau, first looked up and saw the white priest of Apollo.

Flambeau had seen quite enough of these daily salutations of Phoebus, and plunged into the porch of the tall building without even looking for his clerical friend to follow. But Father Brown, whether from a professional interest in ritual or a strong individual interest in tomfoolery, stopped and stared up at the balcony of the sun-wors.h.i.+pper, just as he might have stopped and stared up at a Punch and Judy. Kalon the Prophet was already erect, with argent garments and uplifted hands, and the sound of his strangely penetrating voice could be heard all the way down the busy street uttering his solar litany. He was already in the middle of it; his eyes were fixed upon the flaming disc. It is doubtful if he saw anything or anyone on this earth; it is substantially certain that he did not see a stunted, round-faced priest who, in the crowd below, looked up at him with blinking eyes. That was perhaps the most startling difference between even these two far divided men. Father Brown could not look at anything without blinking; but the priest of Apollo could look on the blaze at noon without a quiver of the eyelid.

"O sun," cried the prophet, "O star that art too great to be allowed among the stars! O fountain that flowest quietly in that secret spot that is called s.p.a.ce. White Father of all white unwearied things, white flames and white flowers and white peaks. Father, who art more innocent than all thy most innocent and quiet children; primal purity, into the peace of which--"

A rush and crash like the reversed rush of a rocket was cloven with a strident and incessant yelling. Five people rushed into the gate of the mansions as three people rushed out, and for an instant they all deafened each other. The sense of some utterly abrupt horror seemed for a moment to fill half the street with bad news--bad news that was all the worse because no one knew what it was. Two figures remained still after the crash of commotion: the fair priest of Apollo on the balcony above, and the ugly priest of Christ below him.

At last the tall figure and t.i.tanic energy of Flambeau appeared in the doorway of the mansions and dominated the little mob. Talking at the top of his voice like a fog-horn, he told somebody or anybody to go for a surgeon; and as he turned back into the dark and thronged entrance his friend Father Brown dipped in insignificantly after him. Even as he ducked and dived through the crowd he could still hear the magnificent melody and monotony of the solar priest still calling on the happy G.o.d who is the friend of fountains and flowers.

Father Brown found Flambeau and some six other people standing round the enclosed s.p.a.ce into which the lift commonly descended. But the lift had not descended. Something else had descended; something that ought to have come by a lift.

For the last four minutes Flambeau had looked down on it; had seen the brained and bleeding figure of that beautiful woman who denied the existence of tragedy. He had never had the slightest doubt that it was Pauline Stacey; and, though he had sent for a doctor, he had not the slightest doubt that she was dead.

He could not remember for certain whether he had liked her or disliked her; there was so much both to like and dislike. But she had been a person to him, and the unbearable pathos of details and habit stabbed him with all the small daggers of bereavement. He remembered her pretty face and priggish speeches with a sudden secret vividness which is all the bitterness of death. In an instant like a bolt from the blue, like a thunderbolt from nowhere, that beautiful and defiant body had been dashed down the open well of the lift to death at the bottom. Was it suicide? With so insolent an optimist it seemed impossible. Was it murder? But who was there in those hardly inhabited flats to murder anybody? In a rush of raucous words, which he meant to be strong and suddenly found weak, he asked where was that fellow Kalon. A voice, habitually heavy, quiet and full, a.s.sured him that Kalon for the last fifteen minutes had been away up on his balcony wors.h.i.+pping his G.o.d.

When Flambeau heard the voice, and felt the hand of Father Brown, he turned his swarthy face and said abruptly:

"Then, if he has been up there all the time, who can have done it?"