The Lost Road Part 10

When his hunting trip in Uganda was over, Hemingway s.h.i.+pped his specimens and weapons direct from Mombasa to New York, but he himself journeyed south over the few miles that stretched to Zanzibar.

On the outward trip the steamer had touched there, and the little he saw of the place had so charmed him that all the time he was on safari he promised himself he would not return home without revisiting it. On the morning he arrived he had called upon Harris, his consul, to inquire about the hotel; and that evening Harris had returned his call and introduced him at the club.

One of the men there asked Hemingway what brought him to Africa, and when he answered simply and truthfully that he had come to shoot big game, it was as though he had said something clever, and every one smiled. On the way back to the hotel, as they felt their way through the narrow slits in the wall that served as streets, he asked the consul why every one had smiled.

The consul laughed evasively.

"It's a local joke," he explained. "A lot of men come here for reasons best kept to themselves, and they all say what you said, that they've come to shoot big game. It's grown to be a polite way of telling a man it is none of his business."

"But I didn't mean it that way," protested Hemingway. "I really have been after big game for the last eight months."

In the tone one uses to quiet a drunken man or a child, the consul answered soothingly.

"Of course," he a.s.sented--"of course you have." But to show he was not hopelessly credulous, and to keep Hemingway from involving himself deeper, he hinted tactfully: "Maybe they noticed you came ash.o.r.e with only one steamer trunk and no gun-cases."

"Oh, that's easily explained," laughed Hemingway. "My heavy luggage--"

The consul had reached his house and his "boy" was pounding upon it with his heavy staff.

"Please don't explain to me," he begged. "It's quite unnecessary. Down here we're so darned glad to see any white man that we don't ask anything of him except that he won't hurry away. We judge them as they behave themselves here; we don't care what they are at home or why they left it."

Hemingway was highly amused. To find that he, a respectable, sport-loving Hemingway of Ma.s.sachusetts, should be mistaken for a gun-runner, slave-dealer, or escaping cas.h.i.+er greatly delighted him.

"All right!" he exclaimed. "I'll promise not to bore you with my past, and I agree to be judged by Zanzibar standards. I only hope I can live up to them, for I see I am going to like the place very much."

Hemingway kept his promise. He bored no one with confidences as to his ancestors. Of his past he made a point never to speak. He preferred that the little community into which he had dropped should remain unenlightened, should take him as they found him. Of the fact that a college was named after his grandfather and that on his father's railroad he could travel through many States, he was discreetly silent.

The men of Zanzibar asked no questions. That Hemingway could play a stiff game of tennis, a stiffer game of poker, and, on the piano, songs from home was to them sufficient recommendation. In a week he had become one of the most popular members of Zanzibar society. It was as though he had lived there always. Hemingway found himself reaching out to grasp the warmth of the place as a flower turns to the sun. He discovered that for thirty years something in him had been cheated. For thirty years he had believed that completely to satisfy his soul all he needed was the gray stone walls and the gray-s.h.i.+ngled cabins under the gray skies of New England, that what in nature he most loved was the pine forests and the fields of goldenrod on the rock-bound coast of the North Sh.o.r.e. But now, like a man escaped from prison, he leaped and danced in the glaring sunlight of the equator, he revelled in the reckless generosity of nature, in the glorious confusion of colors, in the "blooming blue" of the Indian Ocean, in the Arabian nights spent upon the housetops under the purple sky, and beneath silver stars so near that he could touch them with his hand.

He found it like being perpetually in a comic opera and playing a part in one. For only the scenic artist would dare to paint houses in such yellow, pink, and cobalt-blue; only a "producer" who had never ventured farther from Broadway than the Atlantic City boardwalk would have conceived costumes so mad and so magnificent. Instinctively he cast the people of Zanzibar in the conventional roles of musical comedy.

His choruses were already in waiting. There was the Sultan's body-guard in gold-laced turbans, the merchants of the bazaars in red fezzes and gowns of flowing silk, the Malay sailors in blue, the black native police in scarlet, the ladies of the harems closely veiled and cloaked, the market women in a single garment of orange, or scarlet, or purple, or of all three, and the happy, hilarious Zanzibari boys in the color G.o.d gave them.

For hours he would sit under the yellow-and-green awning of the Greek hotel and watch the procession pa.s.s, or he would lie under an umbrella on the beach and laugh as the boatmen lifted their pa.s.sengers to their shoulders and with them splash through the breakers, or in the bazaars for hours he would bargain with the Indian merchants, or in the great mahogany hall of the Ivory House, to the whisper of a punka and the tinkle of ice in a tall gla.s.s, listen to tales of Arab raids, of elephant poachers, of the trade in white and black ivory, of the great explorers who had sat in that same room--of Emin Pasha, of Livingstone, of Stanley. His comic opera lacked only a heroine and the love interest.

When he met Mrs. Adair he found both. Polly Adair, as every one who dared to do so preferred to call her, was, like himself, an American and, though absurdly young, a widow. In the States she would have been called an extremely pretty girl. In a community where the few dozen white women had wilted and faded in the fierce sun of the equator, and where the rest of the women were jet black except their teeth, which were dyed an alluring purple, Polly Adair was as beautiful as a June morning. At least, so Hemingway thought the first time he saw her, and each succeeding time he thought her more beautiful, more lovely, more to be loved.

He met her, three days after his arrival, at the residence of the British agent and consul-general, where Lady Firth was giving tea to the six nurses from the English hospital and to all the other respectable members of Zanzibar society.

"My husband's typist," said her ladys.h.i.+p as she helped Hemingway to tea, "is a copatriot of yours. She's such a nice gell; not a bit like an American. I don't know what I'd do in this awful place without her.

Promise me," she begged tragically, "you will not ask her to marry you."

Unconscious of his fate, Hemingway promised.

"Because all the men do," sighed Lady Firth, "and I never know what morning one of the wretches won't carry her off to a home of her own.

And then what would become of me? Men are so selfis.h.!.+ If you must fall in love," suggested her ladys.h.i.+p, "promise me you will fall in love with"--she paused innocently and raised baby-blue eyes, in a baby-like stare--"with some one else."

Again Hemingway promised. He bowed gallantly. "That will be quite easy," he said.

Her ladys.h.i.+p smiled, but Hemingway did not see the smile. He was looking past her at a girl from home, who came across the terrace carrying in her hand a stenographer's note-book.

Lady Firth followed the direction of his eyes and saw the look in them.

She exclaimed with dismay:

"Already! Already he deserts me, even before the ink is dry on the paper."

She drew the note-book from Mrs. Adair's fingers and dropped it under the tea-table.

"Letters must wait, my child," she declared.

"But Sir George--" protested the girl.

"Sir George must wait, too," continued his wife; "the Foreign Office must wait, the British Empire must wait until you have had your tea."

The girl laughed helplessly. As though a.s.sured her fellow countryman would comprehend, she turned to him.

"They're so exactly like what you want them to be," she said--"I mean about their tea!"

Hemingway smiled back with such intimate understanding that Lady Firth glanced up inquiringly.

"Have you met Mrs. Adair already?" she asked.

"No," said Hemingway, "but I have been trying to meet her for thirty years."

Perplexed, the Englishwoman frowned, and then, with delight at her own perspicuity, laughed aloud.

"I know," she cried, "in your country you are what they call a 'hustler'! Is that right?" She waved them away. "Take Mrs. Adair over there," she commanded, "and tell her all the news from home. Tell her about the railroad accidents and 'washouts' and the latest thing in lynching."

The young people stretched out in long wicker chairs in the shade of a tree covered with purple flowers. On a perch at one side of them an orang-outang in a steel belt was combing the whiskers of her infant daughter; at their feet what looked like two chow puppies, but which happened to be Lady Firth's pet lions, were chewing each other's toothless gums; and in the immediate foreground the hospital nurses were defying the sun at tennis while the Sultan's band played selections from a Gaiety success of many years in the past. With these surroundings it was difficult to talk of home. Nor on any later occasions, except through inadvertence, did they talk of home.

For the reasons already stated, it amused Hemingway to volunteer no confidences. On account of what that same evening Harris told him of Mrs. Adair, he asked none.

Harris himself was a young man in no way inclined to withhold confidences. He enjoyed giving out information. He enjoyed talking about himself, his duties, the other consuls, the Zanzibaris, and his native State of Iowa. So long as he was permitted to talk, the listener could select the subject. But, combined with his loquacity, Hemingway had found him kind-hearted, intelligent, observing, and the call of a common country had got them quickly together.

Hemingway was quite conscious that the girl he had seen but once had impressed him out of all proportion to what he knew of her. She seemed too good to be true. And he tried to persuade himself that after eight months in the hinterland among hippos and zebras any reasonably attractive girl would have proved equally disturbing.

But he was not convinced. He did not wish to be convinced. He a.s.sured himself that had he met Mrs. Adair at home among hundreds of others he would have recognized her as a woman of exceptional character, as one especially charming. He wanted to justify this idea of her; he wanted to talk of Mrs. Adair to Harris, not to learn more concerning her, but just for the pleasure of speaking her name.

He was much upset at that, and the discovery that on meeting a woman for the first time he still could be so boyishly and ingenuously moved greatly pleased him. It was a most delightful secret. So he acted on the principle that when a man immensely admires a woman and wishes to conceal that fact from every one else he can best do so by declaring his admiration in the frankest and most open manner. After the tea-party, as Harris and himself sat in the consulate, he so expressed himself.

"What an extraordinary nice girl," he exclaimed, "is that Mrs. Adair! I had a long talk with her. She is most charming. However did a woman like that come to be in a place like this?"

Judging from his manner, it seemed to Hemingway that at the mention of Mrs. Adair's name he had found Harris mentally on guard, as though the consul had guessed the question would come and had prepared for it.

"She just dropped in here one day," said Harris, "from no place in particular. Personally, I always have thought from heaven."

"It's a good address," said Hemingway.