Club Life of London Volume Ii Part 26

THE ROYAL ACADEMY CLUB.

This Club consisted exclusively of Members of the Royal Academy.

Nollekens, the sculptor, for many years, made one at the table; and so strongly was he bent upon saving all he could privately conceal, that he did not mind paying two guineas a year for his admission-ticket, in order to indulge himself with a few nutmegs, which he contrived to pocket privately; for as red-wine negus was the princ.i.p.al beverage, nutmegs were used. Now, it generally happened, if another bowl was wanted, that the nutmegs were missing. Nollekens, who had frequently been seen to pocket them, was one day requested by Rossi the sculptor, to see if they had not fallen under the table; upon which Nollekens actually went crawling beneath, upon his hands and knees, pretending to look for them, though at that very time they were in his waistcoat-pocket. He was so old a stager at this monopoly of nutmegs, that he would sometimes engage the maker of the negus in conversation, looking him full in the face, whilst he, slyly and un.o.bserved, as he thought, conveyed away the spice; like the fellow who is stealing the bank-note from the blind man, in Hogarth's admirable print of the Royal c.o.c.kpit.--_Smith's Nollekens and his Times_, vol. i. p. 225.

DESTRUCTION OF TAVERNS BY FIRE.

On the morning of the 25th of March, 1748, a most calamitous and destructive fire commenced at a peruke-maker's, named Eldridge, in Exchange Alley, Cornhill; and within twelve hours totally destroyed between 90 and 100 houses, besides damaging many others. The flames spread in three directions at once, and extending into Cornhill, consumed about twenty houses there, including the London a.s.surance Office; the Fleece and the Three Tuns Taverns; and Tom's and the Rainbow Coffee-houses. In Exchange Alley, the Swan Tavern, with Garraway's, Jonathan's and the Jerusalem Coffee-houses, were burnt down; and in the contiguous avenues and Birchin-lane, the George and Vulture Tavern, with several other coffee-houses, underwent a like fate. Mr. Eldridge, with his wife, children, and servants, all perished in the flames. The value of the effects and merchandise destroyed was computed at 200,000_l._, exclusive of that of the numerous buildings.

In the above fire was consumed the house in which was born the poet Gray; and the injury which his property sustained on the occasion, induced him to sink a great part of the remainder in purchasing an annuity: his father had been an Exchange broker. The house was within a few doors of Birchin-lane.

THE TZAR OF MUSCOVY'S HEAD, TOWER-STREET.

Close to Tower-hill, and not far from the site of the Rose tavern, is a small tavern, or public-house, which received its sign in commemoration of the convivial eccentricities of an Emperor, one of the most extraordinary characters that ever appeared on the great theatre of the world--"who gave a polish to his nation and was himself a savage."

Such was Peter the Great, who, with his suite, consisting of Menzikoff, and some others, came to London on the twenty-first of January, 1698, princ.i.p.ally with the view of acquiring information on matters connected with naval architecture. We have little evidence that during his residence here Peter ever worked as a s.h.i.+pwright in Deptford Dockyard, as is generally believed. He was, however, very fond of sailing and managing boats and a yacht on the Thames; and his great delight was to get a small decked-boat, belonging to the Dockyard, and taking only Menzikoff, and three or four others of his suite, to work the vessel with them, he being the helmsman. Now, the great failing of Peter was his love of strong liquors. He and his companions having finished their day's work, used to resort to a public-house in Great Tower-street, close to Tower-hill, to smoke their pipes, and drink beer and brandy. The landlord, in grat.i.tude for the imperial custom, had the Tzar of Muscovy's head painted, and put up for his sign, which continued till the year 1808, when a person of the name of Waxel took a fancy to the old sign, and offered the then occupier of the house to paint him a new one for it. A copy was accordingly made from the original, as the sign of "The Tzar of the Muscovy," looking like a Tartar. The house has, however, been rebuilt, and the sign removed, but the name remains.

ROSE TAVERN, TOWER-STREET.

In Tower-street, before the Great Fire, was the Rose tavern, which, upon the 4th of January, 1649, was the scene of a memorable explosion of gunpowder, and miraculous preservation. It appears that over-against the wall of Allhallows Barking churchyard, was the house of a s.h.i.+p-chandler, who, about seven o'clock at night, being busy in his shop, barreling up gunpowder, it took fire, and in the twinkling of an eye, blew up not only that, but all the houses thereabout, to the number (towards the street and in back alleys) of fifty or sixty.

The number of persons destroyed by this blow could never be known, for the next house but one was the Rose tavern, a house never (at that time of night) but full of company; and that day the parish-dinner was at the house. And in three or four days, after digging, they continually found heads, arms, legs, and half bodies, miserably torn and scorched; besides many whole bodies, not so much as their clothes singed.

In the course of this accident, says the narrator (Mr. Leybourne, in Strype), "I will instance two; the one a dead, the other a living monument. In the digging (strange to relate) they found the mistress of the house of the Rose tavern, sitting in her bar, and one of the drawers standing by the bar's side, with a pot in his hand, only stifled with dust and smoke; their bodies being preserved whole by means of great timbers falling across one another. This is one.

Another is this:--The next morning there was found upon the upper leads of Barking church, a young child lying in a cradle, as newly laid in bed, neither the child nor the cradle having the least sign of any fire or other hurt. It was never known whose child it was, so that one of the parish kept it as a memorial; for in the year 1666 I saw the child, grown to be then a proper maiden, and came to the man that kept her at that time, where he was drinking at a tavern with some other company then present. And he told us she was the child so found in the cradle upon the church leads as aforesaid."

According to a tablet which hangs beneath the organ gallery of the church, the quant.i.ty of gunpowder exploded in this catastrophe was twenty-seven barrels. Tower-street was wholly destroyed in the Great Fire of 1666.

THE NAG'S HEAD TAVERN, CHEAPSIDE.

As you pa.s.s through Cheapside, you may observe upon the front of the old house, No. 39, the sign-stone of a "Nag's Head:" this is presumed to have been the sign of the Nag's Head Tavern, which is described as at the Cheapside corner of Friday-street. This house obtained some notoriety from its having been the pretended scene of the consecration of Matthew Parker, Archbishop of Canterbury, in the reign of Queen Elizabeth, at that critical period when the English Protestant or Reformed Church was in its infancy. Pennant thus relates the scandalous story. "It was pretended by the adversaries of our religion, that a certain number of ecclesiastics, in their hurry to take possession of the vacant see, a.s.sembled here, where they were to undergo the ceremony from Anthony Kitchen, alias Dunstan, bishop of Landaff, a sort of occasional conformist who had taken the oaths of supremacy to Elizabeth. Bonner, Bishop of London, (then confined in the Tower,) hearing of it, sent his chaplain to Kitchen, threatening him with excommunication, in case he proceeded. The prelate therefore refused to perform the ceremony: on which, say the Roman Catholics, Parker and the other candidates, rather than defer possession of their dioceses, determined to consecrate one another; which, says the story, they did without any sort of scruple, and Scorey began with Parker, who instantly rose Archbishop of Canterbury. The refutation of this tale may be read in Strype's _Life of Archbishop Parker_, at p. 57. A view of the Nag's Head Tavern and its sign, is preserved in La Serre's prints, Entree de la Reyne Mere du Roy, 1638, and is copied in Wilkinson's _Londina Ill.u.s.trata_.

The Roman Catholics laid the scene in the tavern: the real consecration took place in the adjoining church of St. Mary-le-Bow. As the form then adopted has been the subject of much controversy, the following note, from a letter of Dr. Pusey, dated Dec. 4, 1865, may be quoted here:

"The form adopted at the _confirmation_ of Archbishop Parker was carefully framed on the old form used in the _confirmations_ by Archbishop Chichele" (which was the point for which I examined the registers in the Lambeth library).

The words used in the _consecrations_ of the bishops confirmed by Chichele do not occur in the registers. The words used by the consecrators of Parker, "_Accipe Spiritum Sanctum_," were used in the later Pontificals, as in that of Exeter, Lacy's (_Maskell, Monumenta Ritualia_, iii. 258).

Roman Catholic writers admit that _that_ only is essential to consecration which the English service-book retained--prayer during the service, which should have reference to the office of bishops, and the imposition of hands. And in fact Cardinal Pole engaged to retain in their orders those who had been so ordained under Edward VI., and his act was confirmed by Paul IV. (_Sanders de Schism.

Angl._, L. iii. 350).

THE HUMMUMS, COVENT GARDEN.

"Hammam" is the Arabic word for a bagnio, or bath, such as was originally "The Hummums," in Covent Garden, before it became an hotel.

There is a marvellous ghost story connected with this house, where died Parson Ford, who makes so conspicuous a figure in Hogarth's _Midnight Modern Conversation_. The narrative is thus given in Boswell's _Johnson_ by Croker:--

"_Boswell._ Was there not a story of Parson Ford's ghost having appeared?

"_Johnson._ Sir, it was believed. A waiter at the Hummums, in which house Ford died, had been absent for some time, and returned, not knowing that Ford was dead. Going down to the cellar, according to the story, he met him; going down again, he met him a second time. When he came up, he asked some people of the house what Ford could be doing there. They told him Ford was dead. The waiter took a fever, in which he lay for some time. When he recovered, he said he had a message to deliver to some woman from Ford; but he was not to tell what or to whom. He walked out; he was followed; but somewhere about St. Paul's they lost him. He came back and said he had delivered it, and the women exclaimed, 'Then we are all undone.' Dr. Pallet, who was not a credulous man, inquired into the truth of this story, and he said the evidence was irresistible. My wife went to the Hummums; (it is a place where people get themselves cupped.) I believe she went with intention to hear about this story of Ford. At first they were unwilling to tell her; but after they had talked to her, she came away satisfied that it was true. To be sure, the man had a fever; and this vision may have been the beginning of it. But if the message to the women, and their behaviour upon it, were true, as related, there was something supernatural. That rests upon his word, and there it remains."

ORIGIN OF TAVERN SIGNS.

The cognisances of many ill.u.s.trious persons connected with the Middle Ages are still preserved in the signs attached to our taverns and inns. Thus the White Hart with the golden chain was the badge of King Richard II.; the Antelope was that of King Henry IV.; the Feathers was the cognisance of Henry VI.; and the White Swan was the device of Edward of Lancaster, his ill-fated heir slain at the battle of Tewkesbury.

Before the Great Fire of London, in 1666, almost all the liveries of the great feudal lords were preserved at these houses of public resort. Many of their heraldic signs were then unfortunately lost: but the Bear and Ragged Staff, the ensign of the famed Warwick, still exists as a sign: while the Star of the Lords of Oxford, the brilliancy of which decided the fate of the battle of Barnet; the Lion of Norfolk, which shone so conspicuously on Bosworth field; the Sun of the ill-omened house of York, together with the Red and White Rose, either simply or conjointly, carry the historian and the antiquary back to a distant period, although now disguised in the gaudy colouring of a freshly-painted sign-board.

The White Horse was the standard of the Saxons before and after their coming into England. It was a proper emblem of victory and triumph, as we read in Ovid and elsewhere. The White Horse is to this day the ensign of the county of Kent, as we see upon hop-pockets and bags; and throughout the county it is a favourite inn-sign.

The Saracen's Head inn-sign originated in the age of the Crusades. By some it is thought to have been adopted in memory of the father of St.

Thomas a Becket, who was a Saracen. Selden thus explains it: "Do not undervalue an enemy by whom you have been worsted. When our countrymen came home from fighting with the Saracens, and were beaten by them, they pictured them with huge, big, terrible faces (as you still see the sign of the Saracen's Head is), when in truth they were like other men. But this they did to save their own credit." Still more direct is the explanation in Richard the Crusader causing a Saracen's head to be served up to the amba.s.sadors of Saladin. May it not also have some reference to the Saracen's Head of the Quintain, a military exercise antecedent to jousts and tournaments?

The custom of placing a Bush at Tavern doors has already been noticed; we add a few notes:--In the preface to the _Law of Drinking_, keeping a public-house is called the trade of the ivy-bush: the bush was a sign so very general, that probably from thence arose the proverb "good wine needs no bush," or indication as to where it was sold. In _Good Newes and Bad Newes_, 1622, a host says:--

"I rather will take down my bush and sign Than live by means of riotous expense."

The ancient method of putting a bough of a tree upon anything, to signify that it was for disposal, is still exemplified by an old besom (or birch broom) being placed at the mast-head of a vessel that is intended for sale. In Dekker's _Wonderful Yeare_, 1603, is the pa.s.sage "Spied a bush at the end of a pole, the ancient badge of a countrey ale-house." And in Harris's _Drunkard's Cup_, p. 299, "Nay, if the house be not with an ivie bush, let him have his tooles about him, nutmegs, rosemary, tobacco, with other the appurtenances, and he knows how of puddle ale to make a cup of English wine." From a pa.s.sage in _Whimzies, or a new Cast of Characters_, 1631, it would seem that signs in alehouses succeeded birch poles.

It is usual in some counties, particularly Staffords.h.i.+re, to hang a bush at the door of an ale-house, or mug-house. Sir Thomas Browne considers that the human faces depicted on sign-boards, for the sun and moon, are relics of paganism, and that they originally meant Apollo and Diana. This has been noticed in Hudibras--

"Tell me but what's the nat'ral cause Why on a sign no painter draws The full moon ever, but the half."

A Bell sign-stone may be seen on the house-front, No. 26, Great Knight-Rider-street: it bears the date 1668, and is boldly carved; whether it is of tavern or other trade it is hard to say: the house appears to be of the above date.

The Bell, in Great Carter-lane, in this neighbourhood, has been taken down: it was an interesting place, for, hence, October 25, 1598, Richard Quiney addressed to his "loveing good ffrend and countryman, Mr. Wm. Schackespere," (then living in Southwark, near the Bear-garden), a letter for a loan of thirty pounds; which letter we have seen in the possession of Mr. R. Bell Wheler, at Stratford-upon-Avon: it is believed to be the only existing letter addressed to Shakspere.

The Bull, Bishopsgate, is noteworthy; for the yard of this inn supplied a stage to our early actors, before James Burbadge and his fellows obtained a patent from Queen Elizabeth for erecting a permanent building for theatrical entertainments. Tarleton often played here. Anthony Bacon, the brother of Francis, lived in a house in Bishopsgate-street, not far from the Bull Inn, to the great concern of his mother, who not only dreaded that the plays and interludes acted at the Bull might corrupt his servants, but on her own son's account objected to the parish as being without a G.o.dly clergyman.

Gerard's Hall, Basing-lane, had the fine Norman crypt of the ancient hall of the Sisars for its wine-cellar; besides the tutelar effigies of "Gerard the gyant," a fair specimen of a London sign, _temp._ Charles II. Here also was shown the staff used by Gerard in the wars, and a ladder to ascend to the top of the staff; and in the neighbouring church of St. Mildred, Bread-street, hangs a huge tilting-helmet, said to have been worn by the said giant. The staff, Stow thinks, may rather have been used as a May-pole, and to stand in the hall decked with evergreens at Christmas; the ladder serving for decking the pole and hall-roof.

Fosbroke says, that the Bell Savage is a strange corruption of the Queen of Sheba; the Bell Savage, of which the device was a savage man standing by a bell, is supposed to be derived from the French, Belle Sauvage, on account of a beautiful savage having been once shown there; by others it is considered, with more probability, to have been so named in compliment to some ancient landlady of the celebrated inn upon Ludgate-hill, whose surname was Savage, as in the Close-rolls of the thirty-first year of the reign of Henry VI. is an entry of a grant of that inn to "John Frensch, gentilman," and called "Savage's Ynne,"

_alias_ the "Bell on the Hoof."

The token of the house is--"HENRY YOVNG AT YE. An Indian woman holding an arrow and a bow.--Rx ON LVDGATE HILL. In the field, H. M.

Y."

"There is a tradition [Mr. Akerman writes] that the origin of this sign, and not only of the inn, but also of the name of the court in which it is situate, was derived from that of Isabella Savage, whose property they once were, and who conveyed them by deed to the Cutlers'

Company. This, we may observe, is a mistake. The name of the person who left the Bell Savage to the Cutlers' Company was Craythorne, not Savage."

In Flecknoe's _aenigmatical Characters_, 1665, in alluding to "your fanatick reformers," he says, "as for the signs, they have pretty well begun the reformation already, changing the sign of the Salutation of the Angel and our Lady into the Shouldier and Citizen, and the Catherine Wheel into the Cat and Wheel, so that there only wants their making the Dragon to kill St. George, and the Devil to tweak St.

Dunstan by the nose, to make the reformation compleat. Such ridiculous work they make of their reformation, and so zealous are they against all mirth and jollity, as they would pluck down the sign of the Cat and Fiddle, too, if it durst but play so loud as they might hear it."

The sign In G.o.d is our Hope is still to be seen at a public-house on the western road between Cranford and Slough. Coryatt mentions the Ave Maria, with verses, as the sign of an alehouse abroad, and a street where all the signs on one side were of birds. The Swan with Two Nicks, or Necks, as it is commonly called, was so termed from the two nicks or marks, to make known that it was a swan of the Vintners'

Company; the swans of that company having two semicircular pieces cut from the upper mandible of the swan, one on each side, which are called nicks. The origin of the Bolt-in-Tun is thus explained. The bolt was the arrow shot from a cross-bow, and the tun or barrel was used as the target, and in this device the bolt is painted sticking in the bunghole. It appears not unreasonable to conclude, that hitting the bung was as great an object in crossbow-shooting as it is to a member of a Toxophilite Club to strike the target in the bull's eye.

The sign of the Three Loggerheads is two grotesque wooden heads, with the inscription "Here we three Loggerheads be," the reader being the third. The Honest Lawyer is depicted at a beershop at Stepney; the device is a lawyer with his head under his arm, to prevent his telling lies.

The Lamb and Lark has reference to a well-known proverb that we should go to bed with the lamb and rise with the lark. The Eagle and Child, _vulgo_ Bird and Baby, is by some persons imagined to allude to Jupiter taking Ganymede; others suppose that it merely commemorates the fact of a child having been carried off by an eagle; but this sign is from the arms of the Derby family (eagle and child) who had a house at Lambeth, where is the Bird and Baby.