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"Resort to sermons, but to prayers most: Praying's the end of preaching."
GEORGE HERBERT.
Ill.u.s.tration: Church of St. Mary, Henley-on-Thames
THE PULPIT
Ill.u.s.tration: Stone Pulpit in North Kilworth Church
"It's curious to note," continued the Vicar, "how the Pulpit and the Gallery have kept company in rising higher and higher. At first the pulpit was placed at a moderate height above the congregation, and then the church improvers (?) were usually contented with erecting a small low gallery at the west end of the church[81]. It is true, that was bad enough; for in order to construct it, it was nearly always thought necessary to fill in the tower arch and to hide the western window--often the most beautiful features in the church; and then the organ was taken up into this gallery, and the singers followed it; and nothing, you know, could be more inconvenient than that those who help to _lead_ the services of the Church should be _behind_ those they profess to lead. But when people had once tasted the luxury of sitting in a church gallery, the demand for it rapidly increased, and my Lady Pride, who had very comfortable crimson-cus.h.i.+oned seats in her box at the theatre, could not be content without an equally comfortable and elegant _box_ in the gallery at her church, where she could see all the people quite as well as in her box at the theatre, and had such a good view of the pulpit and its occupant, that, with a good opera-gla.s.s, she could even read the ma.n.u.script from which the clergyman was preaching.
As the taste spread, of course galleries multiplied, and not only extended in a lateral direction over all available parts of the church, but sometimes mounted up one above another (as witness many of our London churches) till they almost touched the very roof. Indeed, to build a new gallery was one of the most popular things a local magnate could do; and even Members of Parliament, who desired to make sure of their next election, could hardly adopt better means for recommending themselves to their const.i.tuents than by disfiguring their church with one of these hideous structures, and recording the same on some conspicuous part of the church[82]. But worse still; these galleries were sometimes even still more nearly connected with the political parties of the day. I know one church[83]--and that is not the only instance--in which are galleries, having complete opera-boxes, furnished with luxurious chairs, stoves, &c., and every box is a two-pound freehold, and the boxes are, from time to time, advertised for sale, with the inviting recommendation that each one _gives a vote for the county_. One great piece of presumptuous vanity connected with these galleries, is the numberless instances in which the names of churchwardens, that otherwise would have been unknown to fame, have been emblazoned upon them."
"You remember, no doubt," said Mr. Acres, "the inscription, in large gilt letters, that covered the front of our old gallery--'This gallery was erected A.D. 1716, Thomas Grubb and Matthew Stokes, Churchwardens; enlarged, and newly painted and ornamented, A.D. 1760, Peter Jenks and Samuel Styles, Churchwardens.' I believe I have read that inscription thousands of times, and those names used even to haunt me in my dreams.
Had those churchwardens been four of the greatest saints in the calendar, it would have been gross impiety to emblazon their names so conspicuously as thus to force them upon one's notice during the whole service. If, however, tradition does not speak falsely of them, those men were by no means too correct either in their private life or in their parish accounts. But let them be never so good, people who go to church for Christian wors.h.i.+p, don't wish to have the names and exploits of these worthy or unworthy men staring them in the face every moment they are there. But I beg your pardon, Mr. Vicar, I interrupted you when you were speaking of the pulpit."
"Well, you know, when the gallery had reached the ceiling, it could go no higher; but then its upper tenants could no longer see the preacher.
So the pulpit rose too, and, to enable all to see it, sometimes took its place just in front of the altar, so as completely to hide that from most of the congregation; nay, I have seen it even over the altar itself[84]. Then the prayer-desk came climbing up after the pulpit; and then the clerk's desk came creeping up below them, till that, too, became one of the most conspicuous and important objects of the church.
Thus the three together grew into that clumsy, unsightly ma.s.s which has been not inaptly called the _Three Decker_!"
"Ah, I shall never forget poor old Mowforth's perplexity," said Mr.
Acres, "when he looked about for his peculiar box in our restored church. First he looked doubtingly at your prayer-desk; then he examined the lectern from which you read the lessons; then he looked with some faint hope at the pulpit; at last he came to me, and said, 'Please, sir, which of these is to be my place?' and his look of dismay was indescribable when I told him that, as you intended that henceforth the choir should lead the responses, he would be absorbed in the congregation, and would in future be able to take his place with the rest of his family. But the man is a sensible fellow, and he confessed to me the other day that he considers the new arrangement a great improvement, and wonders that the people could have so long endured the duet service in which only the voices of the parson and himself could be heard. But we have again wandered a little from our subject. Let us go back to the pulpit; it must have a history of its own, like every other part of the church. Will you kindly enlighten me and our friend here on the subject? for it must be one of much interest to us both."
"Well--to begin at the beginning--I suppose we must look for the origin of our pulpits in the 'brazen scaffold' which Solomon set 'in the midst of the Temple[85],' and the 'pulpit of wood[86]' from which Ezra read the Book of the Law.
"There are in this country many very beautiful examples of ancient pulpits; these are, with but very few exceptions, constructed of _stone_, and very generally of the same date as the church itself.
Sometimes they were erected outside the church[87], but usually in the place where we are still accustomed to see them. Sometimes stone pulpits were quite separate buildings, erected in some much frequented place, usually near a cathedral or other church[88]. 'In the ancient rites of Durham there is mention of a "fine _iron_ pulpit, with iron rails to support the monks in going up, of whom one did preach every holiday and Sunday at one o'clock in the afternoon." This was situated in the Galilee, or western division of the church, which was open to the public even when the entrance to the rest of the church was interdicted[89].'
Although the most beautiful pulpits, both ancient and modern, are of stone--many of them being richly carved and inlaid with costly marbles--yet the greater number of the more modern pulpits are made of wood[90]. By an injunction of Queen Elizabeth in 1559, pulpits were ordered to be erected in all churches[91], and by a canon of 1663 it was ordered that pulpits should be placed in all the churches of the country not already provided with them. The pulpits then erected were in almost every case made of wood, and their pattern has since then been generally, though by no means universally, followed.
"A curious appendage to the pulpit sometimes found is the horologium, or hour-gla.s.s. Whether this was placed there for the information of the congregation as to the progress of the hour, or to teach them its own solemn moral, or as a guide to the preacher respecting the length of his discourse[92], I cannot say. Another adjunct to the pulpit is the sounding-board, or, as it should rather be called, the _lid_ or _cover_ of the pulpit; and a thing more useless, and usually more ugly, one cannot conceive[93]. It certainly always seems to me rather to impede the sound of my voice than to a.s.sist it; and then it has, to say the least, a most uncomfortable appearance; and though I never heard of the accident really happening, yet it always appears to me to be on the point of falling and crus.h.i.+ng the poor preacher below it. It is not, however, difficult to trace the origin of these covers to the pulpit; they were really necessary where the pulpits were _separate buildings_--as at St. Paul's Cross--in order to protect the preacher when the weather was inclement. At St. Paul's Cross, and at the Cross Pulpit at Norwich, and probably elsewhere, not only the preacher, but also the audience, were provided with such a shelter[94]."
"Will you kindly tell us," said Mr. Dole, "why you discarded the large handsome velvet cus.h.i.+on that was once on your pulpit, and have, instead, adopted the embroidered piece of velvet which now hangs in front of the pulpit?"
"Well, as a matter of taste, I think you will agree with me that the present beautiful frontal, with its richly-embroidered cross, is an improvement upon the old cus.h.i.+on. But I discarded the old big _pillow_--for such, indeed, it was--not only because it was unsightly, but also because it was useless, for my head is not so much more tender than that of other persons, that I, any more than they, should require a pillow to rest it on during my private devotions; and as I am not accustomed to perform the part of a mountebank in the pulpit, or, as some say, to use much _action_ when preaching, I need no such protection in order to preserve my limbs safe and sound. But, besides this, there is a manifest objection to these huge cus.h.i.+ons; undoubtedly they tend to impede the sound of the preacher's voice[95]; so I was very glad to get rid of your handsome cus.h.i.+on, and adopt our more convenient and more beautiful pulpit frontal."
"I often think," said Mr. Acres, "if the old pulpits could speak, what a strange account they would give of the various preachers that have occupied them. Take our own old stone pulpit, for instance. In early times, of course, there were only sermons at long intervals, perhaps often dependent upon the occasional visits of some old preaching friar.
At length there came the quaint old Homilies of the Church; then there came an interruption to all true religion and order, and the old pulpit poured forth the mad ravings of the fanatical Puritans who got possession of it. Now and then came a noisy soldier to hold forth, and there was--as our old registers show--the _Reverend_ Ebenezer Bradshaw, the Presbyterian, who left his snuff and tobacco shop to enlighten our poor benighted people; next came the _Reverend_ Obadiah Brent, late of the 'Green Dragon,' the Independent preacher; and then the _Reverend_ Jabez Zanchy, the baker of Starchcombe, the Anabaptist preacher[96]; then there was a century of long learned essays freely interspersed with Greek and Latin, so that, if the prayers were said in a language 'understanded of the people,' the sermon certainly was not. Following upon this came what we may call the _muscular_ style of preaching--usually extempore--requiring the pillows of which you have been speaking to save the knuckles of the preacher from entire demolition. Thank G.o.d, amid these many changes, there have always been some good men to be found in our pulpits; but, for my part, I like the quiet, sober, persuasive style, which--saving your presence, Mr.
Vicar--I am thankful to say, characterizes the sermons at St.
Catherine's. I think sermons cannot be too _practical_; and, whilst they should be addressed both to the heart and the intellect, they should most of all be designed to touch the _heart_."
_CHAPTER XVIII_
THE NAVE
"My brethren, have not the faith of our Lord Jesus Christ, the Lord of Glory, with respect of persons."
S. James ii. 1.
"At length a generation more refined Improved the simple plan....
And o'er the seat, with plenteous wadding stuff'd, Induced a splendid cover, green and blue, Yellow and red, of tapestry richly wrought, And woven close, or needlework sublime."
COWPER.
Ill.u.s.tration: St. Mary's Church, Sherborne
THE NAVE
"Ah, Mr. Beeland, I'm so glad to see you!" said the Vicar, as, on leaving the church, he met his neighbour the newly-appointed Vicar of Droneworth. "I have been much grieved to hear of the sad opposition you have had to encounter in restoring your fine old church; but this was sure to be the case in a parish like yours, which has been so long neglected; indeed it must be so, more or less, in every parish, so long as there are people who honour themselves much more than they honour G.o.d; and such, I suppose, there will be till the end of the world. You may be sure, my friend, the woe of universal commendation[97] never yet fell upon any _church restorer_."
"Never, certainly. But what makes our position often so difficult and so painful is the fact that, whilst we are fully sensible of the rect.i.tude of our own course, we cannot help, to some extent, sympathizing in the feelings of those who blame us. For instance, in almost every case of church restoration it is necessary to disturb a large number of human bones, and yet we can but sympathize in that feeling of respect for the departed, which sometimes expresses itself in the most strenuous opposition to any work involving this painful necessity. Then, you see, there is the rooting up of long-cherished a.s.sociations. We have a case in point close at hand. There's the grand old church of Rainsborough will be left in its miserable condition so long as the present Vicar lives, and for no other reason than this:--ten years since he lost a favourite daughter, and she had always been accustomed to sit in one particular corner of their large pew." Now the Vicar fears (and no doubt justly) that should the church be altered, the old pew with its fond a.s.sociations would be swept away--and so the church will never be improved as long as he lives[98]. We must respect the old man's tender love for the spot sacred to the memory of his dear child, yet we plainly see it is all wrong that for the sake of the private feelings (however praiseworthy) of any one person, G.o.d's house should remain in a state of neglect, and the poor should be uncared for therein. This, however, is an oft-told tale. But most of all, we have to contend against _wounded pride_ in its most cherished strong-hold--alas!--the Church of G.o.d; and the enemy is all the more fierce because it is prostrate.
"My two great opponents, Sir John Adamley and Mr. Parvener, are to meet me this evening, and I am come to ask you and Mr. Acres to walk back with me to Droneworth, so that I may have the benefit of your support.
You see these two gentlemen had pews in the nave of our church, lined, cus.h.i.+oned, and carpeted in dazzling crimson; each pew was as large as a good-sized room, and the two occupied nearly half the nave. Mr. Parvener was generally at church once on a Sunday, and then he sat not only in luxurious ease, but also in solitary dignity. Sir John never came to church, as there was some old feud respecting the right owner of his pew; but the door was always locked, and a canvas cover was stretched over the top. These precautions, however, failed to keep out an occasional intruder, and at last the door was securely _nailed up_[99].
The worst of it was, that all this time there was not a seat in the church which a poor man could occupy with any chance of either seeing or hearing the ministering Priest. Now people talk about _proper_ distinctions in church between the high and the low, and we sometimes hear much about old ancestral pews. Believe me, it's all nonsense, my dear sir; the distinction is _solely between riches and poverty_. If a man has plenty of money, he may (or rather, till lately he might) secure the biggest pew in England; and if he has not money, though he be ent.i.tled to quarter the royal arms on his escutcheon, he will get no pew at all. Mr. Parvener is an exact instance of this. But a few years since he was working for half-a-crown a day. No sooner did he become wealthy than he obtained a large pew at our church, whilst its former owner, whose fall had been as complete and rapid as was the rise of his successor, was driven to a remote corner of the church allotted to degraded poverty."
The walk to Droneworth was soon accomplished, but the Rector with his two friends only reached the Parsonage a few moments before the arrival of the two aggrieved paris.h.i.+oners. It was evident from the first greeting that they had come in no friendly spirit. But few words pa.s.sed before Sir John came direct to the object of the interview.
"The purpose of our visit," said Sir John, "you are aware, is to protest against the removal of our pews at church, and to declare our determination to have them replaced if it is possible."
"But, gentlemen, you are aware that we have provided good accommodation for you in the restored church," replied the Vicar.
"Good accommodation, sir!" exclaimed Sir John. "Why, you have given us nothing but low wooden benches to sit upon; and, to add to the insult, sir, there is not the semblance of a _door_; so that our devotions may at any time be interrupted by the presence of an inferior. Why, sir, the very labourers, who earn their half-crown a day, have seats in the church just as good as ours!"
The last sentence made poor Mr. Parvener writhe a little; and that indeed was its real intention, for the two neighbours had, in truth, little love for each other. The words, however, accomplished another and a better purpose; they broke up at once any thing like united action on the part of the opposition.
"Let me ask you, gentlemen, a very simple question," said the Vicar.
"_Why should not_ the labourer have as good a place in G.o.d's house as yourselves?"
"You might as well ask," said the Baronet, "why they should not have as good houses as we have."
"The cases are in no way similar. You live in better houses than the poor, simply because your worldly means enable you to do so; but I have yet to be taught that in the Church wealth is to be exalted and poverty degraded. No, Sir John, be sure this distinction is out of place _there_. We go to church to _wors.h.i.+p_ and to _learn_, and if favour is shown to any cla.s.s, no doubt it should be to the ignorant and the poor; but this is a matter on which we are not left to our own judgment. There are not many instructions in our Bibles as to the manner of arranging our churches, but here the direction is plain and unmistakable."
"Indeed, sir! I had no idea that any thing about church seats was to be found in the Bible."