The Age of Innocence Part 5

"The LEFFERTSES!--" said Mrs. van der Luyden.

"The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's p.r.o.nouncing on anybody's social position?

It shows what Society has come to."

"We'll hope it has not quite come to that," said Mr. van der Luyden firmly.

"Ah, if only you and Louisa went out more!" sighed Mrs. Archer.

But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence.

They were the arbiters of fas.h.i.+on, the Court of last Appeal, and they knew it, and bowed to their fate. But being shy and retiring persons, with no natural inclination for their part, they lived as much as possible in the sylvan solitude of Skuytercliff, and when they came to town, declined all invitations on the plea of Mrs. van der Luyden's health.

Newland Archer came to his mother's rescue. "Everybody in New York knows what you and cousin Louisa represent. That's why Mrs. Mingott felt she ought not to allow this slight on Countess Olenska to pa.s.s without consulting you."

Mrs. van der Luyden glanced at her husband, who glanced back at her.

"It is the principle that I dislike," said Mr. van der Luyden. "As long as a member of a well-known family is backed up by that family it should be considered--final."

"It seems so to me," said his wife, as if she were producing a new thought.

"I had no idea," Mr. van der Luyden continued, "that things had come to such a pa.s.s." He paused, and looked at his wife again. "It occurs to me, my dear, that the Countess Olenska is already a sort of relation--through Medora Manson's first husband. At any rate, she will be when Newland marries." He turned toward the young man. "Have you read this morning's Times, Newland?"

"Why, yes, sir," said Archer, who usually tossed off half a dozen papers with his morning coffee.

Husband and wife looked at each other again. Their pale eyes clung together in prolonged and serious consultation; then a faint smile fluttered over Mrs. van der Luyden's face. She had evidently guessed and approved.

Mr. van der Luyden turned to Mrs. Archer. "If Louisa's health allowed her to dine out--I wish you would say to Mrs. Lovell Mingott--she and I would have been happy to--er--fill the places of the Lawrence Leffertses at her dinner." He paused to let the irony of this sink in.

"As you know, this is impossible." Mrs. Archer sounded a sympathetic a.s.sent. "But Newland tells me he has read this morning's Times; therefore he has probably seen that Louisa's relative, the Duke of St.

Austrey, arrives next week on the Russia. He is coming to enter his new sloop, the Guinevere, in next summer's International Cup Race; and also to have a little canvasback shooting at Trevenna." Mr. van der Luyden paused again, and continued with increasing benevolence: "Before taking him down to Maryland we are inviting a few friends to meet him here--only a little dinner--with a reception afterward. I am sure Louisa will be as glad as I am if Countess Olenska will let us include her among our guests." He got up, bent his long body with a stiff friendliness toward his cousin, and added: "I think I have Louisa's authority for saying that she will herself leave the invitation to dine when she drives out presently: with our cards--of course with our cards."

Mrs. Archer, who knew this to be a hint that the seventeen-hand chestnuts which were never kept waiting were at the door, rose with a hurried murmur of thanks. Mrs. van der Luyden beamed on her with the smile of Esther interceding with Ahasuerus; but her husband raised a protesting hand.

"There is nothing to thank me for, dear Adeline; nothing whatever.

This kind of thing must not happen in New York; it shall not, as long as I can help it," he p.r.o.nounced with sovereign gentleness as he steered his cousins to the door.

Two hours later, every one knew that the great C-spring barouche in which Mrs. van der Luyden took the air at all seasons had been seen at old Mrs. Mingott's door, where a large square envelope was handed in; and that evening at the Opera Mr. Sillerton Jackson was able to state that the envelope contained a card inviting the Countess Olenska to the dinner which the van der Luydens were giving the following week for their cousin, the Duke of St. Austrey.

Some of the younger men in the club box exchanged a smile at this announcement, and glanced sideways at Lawrence Lefferts, who sat carelessly in the front of the box, pulling his long fair moustache, and who remarked with authority, as the soprano paused: "No one but Patti ought to attempt the Sonnambula."

VIII.

It was generally agreed in New York that the Countess Olenska had "lost her looks."

She had appeared there first, in Newland Archer's boyhood, as a brilliantly pretty little girl of nine or ten, of whom people said that she "ought to be painted." Her parents had been continental wanderers, and after a roaming babyhood she had lost them both, and been taken in charge by her aunt, Medora Manson, also a wanderer, who was herself returning to New York to "settle down."

Poor Medora, repeatedly widowed, was always coming home to settle down (each time in a less expensive house), and bringing with her a new husband or an adopted child; but after a few months she invariably parted from her husband or quarrelled with her ward, and, having got rid of her house at a loss, set out again on her wanderings. As her mother had been a Rushworth, and her last unhappy marriage had linked her to one of the crazy Chiverses, New York looked indulgently on her eccentricities; but when she returned with her little orphaned niece, whose parents had been popular in spite of their regrettable taste for travel, people thought it a pity that the pretty child should be in such hands.

Every one was disposed to be kind to little Ellen Mingott, though her dusky red cheeks and tight curls gave her an air of gaiety that seemed unsuitable in a child who should still have been in black for her parents. It was one of the misguided Medora's many peculiarities to flout the unalterable rules that regulated American mourning, and when she stepped from the steamer her family were scandalised to see that the c.r.a.pe veil she wore for her own brother was seven inches shorter than those of her sisters-in-law, while little Ellen was in crimson merino and amber beads, like a gipsy foundling.

But New York had so long resigned itself to Medora that only a few old ladies shook their heads over Ellen's gaudy clothes, while her other relations fell under the charm of her high colour and high spirits.

She was a fearless and familiar little thing, who asked disconcerting questions, made precocious comments, and possessed outlandish arts, such as dancing a Spanish shawl dance and singing Neapolitan love-songs to a guitar. Under the direction of her aunt (whose real name was Mrs.

Thorley Chivers, but who, having received a Papal t.i.tle, had resumed her first husband's patronymic, and called herself the Marchioness Manson, because in Italy she could turn it into Manzoni) the little girl received an expensive but incoherent education, which included "drawing from the model," a thing never dreamed of before, and playing the piano in quintets with professional musicians.

Of course no good could come of this; and when, a few years later, poor Chivers finally died in a madhouse, his widow (draped in strange weeds) again pulled up stakes and departed with Ellen, who had grown into a tall bony girl with conspicuous eyes. For some time no more was heard of them; then news came of Ellen's marriage to an immensely rich Polish n.o.bleman of legendary fame, whom she had met at a ball at the Tuileries, and who was said to have princely establishments in Paris, Nice and Florence, a yacht at Cowes, and many square miles of shooting in Transylvania. She disappeared in a kind of sulphurous apotheosis, and when a few years later Medora again came back to New York, subdued, impoverished, mourning a third husband, and in quest of a still smaller house, people wondered that her rich niece had not been able to do something for her. Then came the news that Ellen's own marriage had ended in disaster, and that she was herself returning home to seek rest and oblivion among her kinsfolk.

These things pa.s.sed through Newland Archer's mind a week later as he watched the Countess Olenska enter the van der Luyden drawing-room on the evening of the momentous dinner. The occasion was a solemn one, and he wondered a little nervously how she would carry it off. She came rather late, one hand still ungloved, and fastening a bracelet about her wrist; yet she entered without any appearance of haste or embarra.s.sment the drawing-room in which New York's most chosen company was somewhat awfully a.s.sembled.

In the middle of the room she paused, looking about her with a grave mouth and smiling eyes; and in that instant Newland Archer rejected the general verdict on her looks. It was true that her early radiance was gone. The red cheeks had paled; she was thin, worn, a little older-looking than her age, which must have been nearly thirty. But there was about her the mysterious authority of beauty, a sureness in the carriage of the head, the movement of the eyes, which, without being in the least theatrical, struck his as highly trained and full of a conscious power. At the same time she was simpler in manner than most of the ladies present, and many people (as he heard afterward from Janey) were disappointed that her appearance was not more "stylish"--for stylishness was what New York most valued. It was, perhaps, Archer reflected, because her early vivacity had disappeared; because she was so quiet--quiet in her movements, her voice, and the tones of her low-pitched voice. New York had expected something a good deal more reasonant in a young woman with such a history.

The dinner was a somewhat formidable business. Dining with the van der Luydens was at best no light matter, and dining there with a Duke who was their cousin was almost a religious solemnity. It pleased Archer to think that only an old New Yorker could perceive the shade of difference (to New York) between being merely a Duke and being the van der Luydens' Duke. New York took stray n.o.blemen calmly, and even (except in the Struthers set) with a certain distrustful hauteur; but when they presented such credentials as these they were received with an old-fas.h.i.+oned cordiality that they would have been greatly mistaken in ascribing solely to their standing in Debrett. It was for just such distinctions that the young man cherished his old New York even while he smiled at it.

The van der Luydens had done their best to emphasise the importance of the occasion. The du Lac Sevres and the Trevenna George II plate were out; so was the van der Luyden "Lowestoft" (East India Company) and the Dagonet Crown Derby. Mrs. van der Luyden looked more than ever like a Cabanel, and Mrs. Archer, in her grandmother's seed-pearls and emeralds, reminded her son of an Isabey miniature. All the ladies had on their handsomest jewels, but it was characteristic of the house and the occasion that these were mostly in rather heavy old-fas.h.i.+oned settings; and old Miss Lanning, who had been persuaded to come, actually wore her mother's cameos and a Spanish blonde shawl.

The Countess Olenska was the only young woman at the dinner; yet, as Archer scanned the smooth plump elderly faces between their diamond necklaces and towering ostrich feathers, they struck him as curiously immature compared with hers. It frightened him to think what must have gone to the making of her eyes.

The Duke of St. Austrey, who sat at his hostess's right, was naturally the chief figure of the evening. But if the Countess Olenska was less conspicuous than had been hoped, the Duke was almost invisible. Being a well-bred man he had not (like another recent ducal visitor) come to the dinner in a shooting-jacket; but his evening clothes were so shabby and baggy, and he wore them with such an air of their being homespun, that (with his stooping way of sitting, and the vast beard spreading over his s.h.i.+rt-front) he hardly gave the appearance of being in dinner attire. He was short, round-shouldered, sunburnt, with a thick nose, small eyes and a sociable smile; but he seldom spoke, and when he did it was in such low tones that, despite the frequent silences of expectation about the table, his remarks were lost to all but his neighbours.

When the men joined the ladies after dinner the Duke went straight up to the Countess Olenska, and they sat down in a corner and plunged into animated talk. Neither seemed aware that the Duke should first have paid his respects to Mrs. Lovell Mingott and Mrs. Headly Chivers, and the Countess have conversed with that amiable hypochondriac, Mr. Urban Dagonet of Was.h.i.+ngton Square, who, in order to have the pleasure of meeting her, had broken through his fixed rule of not dining out between January and April. The two chatted together for nearly twenty minutes; then the Countess rose and, walking alone across the wide drawing-room, sat down at Newland Archer's side.

It was not the custom in New York drawing-rooms for a lady to get up and walk away from one gentleman in order to seek the company of another. Etiquette required that she should wait, immovable as an idol, while the men who wished to converse with her succeeded each other at her side. But the Countess was apparently unaware of having broken any rule; she sat at perfect ease in a corner of the sofa beside Archer, and looked at him with the kindest eyes.

"I want you to talk to me about May," she said.

Instead of answering her he asked: "You knew the Duke before?"

"Oh, yes--we used to see him every winter at Nice. He's very fond of gambling--he used to come to the house a great deal." She said it in the simplest manner, as if she had said: "He's fond of wild-flowers"; and after a moment she added candidly: "I think he's the dullest man I ever met."

This pleased her companion so much that he forgot the slight shock her previous remark had caused him. It was undeniably exciting to meet a lady who found the van der Luydens' Duke dull, and dared to utter the opinion. He longed to question her, to hear more about the life of which her careless words had given him so illuminating a glimpse; but he feared to touch on distressing memories, and before he could think of anything to say she had strayed back to her original subject.

"May is a darling; I've seen no young girl in New York so handsome and so intelligent. Are you very much in love with her?"

Newland Archer reddened and laughed. "As much as a man can be."

She continued to consider him thoughtfully, as if not to miss any shade of meaning in what he said, "Do you think, then, there is a limit?"

"To being in love? If there is, I haven't found it!"

She glowed with sympathy. "Ah--it's really and truly a romance?"

"The most romantic of romances!"

"How delightful! And you found it all out for yourselves--it was not in the least arranged for you?"

Archer looked at her incredulously. "Have you forgotten," he asked with a smile, "that in our country we don't allow our marriages to be arranged for us?"

A dusky blush rose to her cheek, and he instantly regretted his words.

"Yes," she answered, "I'd forgotten. You must forgive me if I sometimes make these mistakes. I don't always remember that everything here is good that was--that was bad where I've come from." She looked down at her Viennese fan of eagle feathers, and he saw that her lips trembled.