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_March 14th, '86._--Clara sprained her ankle, a little while ago, by running into a tree, when coasting, and while she was unable to walk with it she played solotaire with cards a great deal. While Clara was sick and papa saw her play solotaire so much, he got very much interested in the game, and finally began to play it himself a little, then Jean took it up, and at last _mamma_, even played it ocasionally; Jean's and papa's love for it rapidly increased, and now Jean brings the cards every night to the table and papa and mamma help her play, and before dinner is at an end, papa has gotten a separate pack of cards, and is playing alone, with great interest. Mamma and Clara next are made subject to the contagious solatair, and there are four solotaireans at the table; while you hear nothing but "Fill up the place" etc. It is dreadful! after supper Clara goes into the library, and gets a little red mahogany table, and placing it under the gas fixture seats herself and begins to play again, then papa follows with another table of the same discription, and they play solatair till bedtime.
We have just had our Prince and Pauper pictures taken; two groups and some little single ones. The groups (the Interview and Lady Jane Grey scene) were pretty good, the lady Jane scene was perfect, just as pretty as it could be, the Interview was not so good; and two of the little single pictures were very good indeed, but one was very bad. Yet on the whole we think they were a success.
Papa has done a great deal in his life I think, that is good, and very remarkable, but I think if he had had the advantages with which he could have developed the gifts which he has made no use of in writing his books, or in any other way for other peoples pleasure and benefit outside of his own family and intimate friends, he could have done _more_ than he has and a great deal more even. He is known to the public as a humorist, but he has much more in him that is earnest than that is humorous. He has a keen sense of the ludicrous, notices funny stories and incidents knows how to tell them, to improve upon them, and does not forget them.
He has been through a great many of the funny adventures related in "Tom Sawyer" and in "Huckleberry Finn," _himself_ and he lived among just such boys, and in just such villages all the days of his early life. His "Prince and Pauper" is his most orriginal, and best production; it shows the most of any of his books what kind of pictures are in his mind, usually. Not that the pictures of England in the 16th Century and the adventures of a little prince and pauper are the kind of things he mainly thinks about; but that _that_ book, and those pictures represent the train of thought and imagination he would be likely to be thinking of to-day, to-morrow, or next day, more nearly than those given in "Tom Sawyer" or "Huckleberry Finn."[13]
Papa can make exceedingly bright jokes, and he enjoys funny things, and when he is with people he jokes and laughs a great deal, but still he is more interested in earnest books and earnest subjects to talk upon, than in humorous ones.[14]
When we are all alone at home, nine times out of ten, he talks about some very earnest subjects, (with an ocasional joke thrown in) and he a good deal more often talks upon such subjects than upon the other kind.
He is as much of a Pholosopher as anything I think. I think he could have done a great deal in this direction if he had studied while young, for he seems to enjoy reasoning out things, no matter what; in a great many such directions he has greater ability than in the gifts which have made him famous.
Thus at fourteen she had made up her mind about me, and in no timorous or uncertain terms had set down her reasons for her opinion. Fifteen years were to pa.s.s before any other critic--except Mr. Howells, I think--was to reutter that daring opinion and print it. Right or wrong, it was a brave position for that little a.n.a.lyser to take. She never withdrew it afterward, nor modified it. She has spoken of herself as lacking physical courage, and has evinced her admiration of Clara's; but she had moral courage, which is the rarest of human qualities, and she kept it functionable by exercising it. I think that in questions of morals and politics she was usually on my side; but when she was not she had her reasons and maintained her ground. Two years after she pa.s.sed out of my life I wrote a Philosophy. Of the three persons who have seen the ma.n.u.script only one understood it, and all three condemned it. If she could have read it, she also would have condemned it, possibly,--probably, in fact--but she would have understood it. It would have had no difficulties for her on that score; also she would have found a tireless pleasure in a.n.a.lyzing and discussing its problems.
MARK TWAIN.
(_To be Continued._)
FOOTNOTES:
[13] It is so yet--M. T.
[14] She has said it well and correctly. Humor is a subject which has never had much interest for me. This is why I have never examined it, nor written about it nor used it as a topic for a speech. A hundred times it has been offered me as a topic in these past forty years, but in no case has it attracted me.--M. T.
NORTH AMERICAN REVIEW
No. DCXVI.
JUNE 7, 1907.
CHAPTERS FROM MY AUTOBIOGRAPHY.--XIX.
BY MARK TWAIN.
_From Susy's Biography of Me._
_March 23, '86._--The other day was my birthday, and I had a little birthday party in the evening and papa acted some very funny charades with Mr. Gherhardt, Mr. Jesse Grant (who had come up from New York and was spending the evening with us) and Mr. Frank Warner. One of them was "on his knees" honys-sneeze. There were a good many other funny ones, all of which I dont remember. Mr. Grant was very pleasant, and began playing the charades in the most delightful way.
Susy's spelling has defeated me, this time. I cannot make out what "honys-sneeze" stands for. Impromptu charades were almost a nightly pastime of ours, from the children's earliest days--they played in them with me when they were only five or six years old. As they increased in years and practice their love for the sport almost amounted to a pa.s.sion, and they acted their parts with a steadily increasing ability.
At first they required much drilling; but later they were generally ready as soon as the parts were a.s.signed, and they acted them according to their own devices. Their stage facility and absence of constraint and self-consciousness in the "Prince and Pauper" was a result of their charading practice.
At ten and twelve Susy wrote plays, and she and Daisy Warner and Clara played them in the library or up-stairs in the school-room, with only themselves and the servants for audience. They were of a tragic and tremendous sort, and were performed with great energy and earnestness.
They were dramatized (freely) from English history, and in them Mary Queen of Scots and Elizabeth had few holidays. The clothes were borrowed from the mother's wardrobe and the gowns were longer than necessary, but that was not regarded as a defect. In one of these plays Jean (three years old, perhaps) was Sir Francis Bacon. She was not dressed for the part, and did not have to say anything, but sat silent and decorous at a tiny table and was kept busy signing death-warrants. It was a really important office, for few entered those plays and got out of them alive.
_March 26._--Mamma and Papa have been in New York for two or three days, and Miss Corey has been staying with us. They are coming home to-day at two o'clock.
Papa has just begun to play chess, and he is very fond of it, so he has engaged to play with Mrs. Charles Warner every morning from 10 to 12, he came down to supper last night, full of this pleasant prospect, but evidently with something on his mind. Finally he said to mamma in an appologetical tone, Susy Warner and I have a plan.
"Well" mamma said "what now, I wonder?"
Papa said that Susy Warner and he were going to name the chess after some of the old bible heroes, and then play chess on Sunday.
_April 18, '86._--Mamma and papa Clara and Daisy have gone to New York to see the "Mikado." They are coming home to-night at half past seven.
Last winter when Mr. Cable was lecturing with papa, he wrote this letter to him just before he came to visit us.
DEAR UNCLE,--That's one nice thing about me, I never bother any one, to offer me a good thing twice. You dont ask me to stay over Sunday, but then you dont ask me to leave Sat.u.r.day night, and knowing the n.o.bility of your nature as I do--thank you, I'll stay till Monday morning.[15]
Your's and the dear familie's GEORGE W. CABLE.
[_December 22, 1906._] It seems a prodigious while ago! Two or three nights ago I dined at a friend's house with a score of other men, and at my side was Cable--actually almost an old man, really almost an old man, that once so young chap! 62 years old, frost on his head, seven grandchildren in stock, and a brand-new wife to re-begin life with!
[_Dictated Nov. 19, 1906._]
Ever since papa and mamma were married, papa has written his books and then taken them to mamma in ma.n.u.script and she has expergated them. Papa read "Huckleberry Finn" to us in ma.n.u.script just before it came out, and then he would leave parts of it with mamma to expergate, while he went off up to the study to work, and sometimes Clara and I would be sitting with mamma while she was looking the ma.n.u.script over, and I remember so well, with what pangs of regret we used to see her turn down the leaves of the pages, which meant that some delightfully dreadful part must be scratched out. And I remember one part pertickularly which was perfectly fascinating it was dreadful, that Clara and I used to delight in, and oh with what dispair we saw mamma turn down the leaf on which it was written, we thought the book would be almost ruined without it. But we gradually came to feel as mamma did.
It would be a pity to replace the vivacity and quaintness and felicity of Susy's innocent free spelling with the dull and petrified uniformities of the spelling-book. Nearly all the grimness it taken out of the "expergating" of my books by the subtle mollification accidentally infused into the word by Susy's modification of the spelling of it.
I remember the special case mentioned by Susy, and can see the group yet--two-thirds of it pleading for the life of the culprit sentence that was so fascinatingly dreadful and the other third of it patiently explaining why the court could not grant the prayer of the pleaders; but I do not remember what the condemned phrase was. It had much company, and they all went to the gallows; but it is possible that that specially dreadful one which gave those little people so much delight was cunningly devised and put into the book for just that function, and not with any hope or expectation that it would get by the "exper-gator"
alive. It is possible, for I had that custom.
Susy's quaint and effective spelling falls quite opportunely into to-day's atmosphere, which is heavy with the rumblings and grumblings and mutterings of the Simplified Spelling Reform. Andrew Carnegie started this storm, a couple of years ago, by moving a simplifying of English orthography, and establis.h.i.+ng a fund for the prosecution and maintenance of the crusade. He began gently. He addressed a circular to some hundreds of his friends, asking them to simplify the spelling of a dozen of our badly spelt words--I think they were only words which end with the superfluous _ugh_. He asked that these friends use the suggested spellings in their private correspondence.
By this, one perceives that the beginning was sufficiently quiet and unaggressive.
Next stage: a small committee was appointed, with Brander Matthews for managing director and spokesman. It issued a list of three hundred words, of average silliness as to spelling, and proposed new and sane spellings for these words. The President of the United States, unsolicited, adopted these simplified three hundred officially, and ordered that they be used in the official doc.u.ments of the Government.
It was now remarked, by all the educated and the thoughtful except the clergy that Sheol was to pay. This was most justly and comprehensively descriptive. The indignant British lion rose, with a roar that was heard across the Atlantic, and stood there on his little isle, gazing, red-eyed, out over the glooming seas, snow-flecked with driving spindrift, and lathing his tail--a most scary spectacle to see.
The lion was outraged because we, a nation of children, without any grown-up people among us, with no property in the language, but using it merely by courtesy of its owner the English nation, were trying to defile the sacredness of it by removing from it peculiarities which had been its ornament and which had made it holy and beautiful for ages.
In truth there is a certain sardonic propriety in preserving our orthography, since ours is a mongrel language which started with a child's vocabulary of three hundred words, and now consists of two hundred and twenty-five thousand; the whole lot, with the exception of the original and legitimate three hundred, borrowed, stolen, smouched from every unwatched language under the sun, the spelling of each individual word of the lot locating the source of the theft and preserving the memory of the revered crime.
Why is it that I have intruded into this turmoil and manifested a desire to get our orthography purged of its asininities? Indeed I do not know why I should manifest any interest in the matter, for at bottom I disrespect our orthography most heartily, and as heartily disrespect everything that has been said by anybody in defence of it. Nothing professing to be a defence of our ludicrous spellings has had any basis, so far as my observation goes, except sentimentality. In these "arguments" the term venerable is used instead of mouldy, and hallowed instead of devilish; whereas there is nothing properly venerable or antique about a language which is not yet four hundred years old, and about a jumble of imbecile spellings which were grotesque in the beginning, and which grow more and more grotesque with the flight of the years.
[_Dictated Monday, November 30, 1906._]