A Bibliographical, Antiquarian and Picturesque Tour in France and Germany Volume II Part 2

It is the old wood cut of ST. CHRISTOPHER--of which certain authors have discoursed largely.[25] They suppose they have an impression of it here-- whereas that of Lord Spencer has been hitherto considered as unique. His Lords.h.i.+p's copy, as you well know, was obtained from the Buxheim monastery, and was first made public in the interesting work of Heineken.[26] The copy now under consideration is not pasted upon boards, as is Lord Spencer's-- forming the interior linings in the cover or binding of an old MS.--but it is a loose leaf, and is therefore subject to the most minute examination, or to any conclusion respecting the date which may be drawn from the _watermark_. Upon _such_ a foundation I will never attempt to build an hypothesis, or to draw a conclusion; because the same water-mark of Bamberg and of Mentz, of Venice and of Rome, may be found within books printed both at the commencement and at the end of the fifteenth century. But for the print--as it _is_. I have not only examined it carefully, but have procured, from M. Coeure, a fac-simile of the head only--the most essential part--and both the examination and the fac-simile convince me... that the St. Christopher in the Bibliotheque du Roi is NOT an impression from the _same block_ which furnished the St. Christopher now in the library of St.

James's Place.

The general character of the figure, in the Royal Library here, is thin and feeble compared with that in Lord Spencer's collection; and I am quite persuaded that M. Du Chesne,--who fights his ground inch by inch, and reluctantly (to his honour, let me add) a.s.sents to any remarks which may make his own cherished St. Christopher of a comparatively modern date-- will, in the end, admit that the Parisian impression is a _copy_ of a later date--and that, had an opportunity presented itself of comparing the two impressions with each other,[27] it would never have been received into the Library at the price at which it was obtained--I think, at about 620 francs. However, although it be not THE St. Christopher, it is a graphic representation of the Saint which may possibly be as old as the year 1460.

But we have tarried quite long enough, for the present, within the cabinet of Engravings. Let us return: ascend about a dozen more steps; and enter the LIBRARY OF Ma.n.u.sCRIPTS. As before, you are struck with the smallness of the first room; which leads, however, to a second of much larger dimensions--then to a third, of a boudoir character; afterwards to a fourth and fifth, rather straitened--and sixthly, and lastly, to one of a n.o.ble length and elevation of ceiling--worthy in all respects of the glorious treasures which it contains. Let me, however, be more explicit. In the very first room you have an earnest of all the bibliomaniacal felicity which these MSS. hold out. Look to the left--upon entering--and view, perhaps lost in a very ecstacy of admiration--the _Romances_ ... of all sizes and character, which at first strike you! What _Launcelot du Lacs, Tristans, Leonnois, Arturs, Ysaises_, and feats of the _Table Ronde_, stand closely wedged within the bra.s.s-wired doors that incircle this and every other apartment! _Bibles, Rituals, Moralities_, ... next claim your attention.

You go on--_History, Philosophy, Arts and Sciences_ ... but it is useless to indulge in these rhapsodies. The fourth apartment, of which I spake, exhibits specimens of what are seen more plentifully, but not of more curious workmans.h.i.+p, in the larger room to which it leads. Here glitter, behind glazed doors, old volumes of devotion bound in ivory, or gilt, or bra.s.s, studded with cameos and precious stones; and covered with figures of all characters and ages--some of the XIIth--and more of the immediately following centuries. Some of these bindings (among which I include _Diptychs_) may be as old as the eleventh--and they have been even carried up to the tenth century.

Let us however return quickly back again; and begin at the beginning. The first room, as I before observed, has some of the most exquisitely illuminated, as well as some of the most ancient MSS., in the whole library. A phalanx of _Romances_ meets the eye; which rather provokes the courage, than damps the ardor, of the bibliographical champion. Nor are the illuminated _Bibles_ of less interest to the graphic antiquary. In my next letter you shall see what use I have made of the unrestrained liberty granted me, by the kind-hearted Curators, to open what doors, and examine what volumes, I pleased. Meanwhile let me introduce you to the excellent MONSIEUR GAIL, who is sitting at yonder desk--examining a beautiful Greek MS. of Polybius, which once belonged to Henry II. and his favourite Diane de Poictiers. M. Gail is the chief Librarian presiding over the Greek and Latin MSS., and is himself Professor of the Greek language in the royal college of France. Of this gentleman I shall speak more particularly anon.

At the present moment it may suffice only to observe that he is thoroughly frank, amiable, and communicative, and dexterous in his particular vocation: and that he is, what we should both call, a hearty, good fellow-- a natural character. M. Gail is accompanied by the a.s.sistant librarians MM.

De. l'EPINE, and MeON: gentlemen of equal ability in their particular department, and at all times willing to aid and abet the researches of those who come to examine and appreciate the treasures of which they are the joint Curators. Indeed I cannot speak too highly of these gentlemen-- nor can I too much admire the system and the silence which uniformly prevail.

Another princ.i.p.al librarian is M. LANGLeS:[28] an author of equal reputation with Monsieur Gail--but his strength lies in Oriental literature; and he presides more especially over the Persian, Arabic, and other Oriental MSS. To the navete of M. Gail, he adds the peculiar vivacity and enthusiasm of his countrymen. To see him presiding in his chair (for he and M. Gail take alternate turns) and occupied in reading, you would think that a book worm could scarcely creep between the tip of his nose and the surface of the _Codex Bombycinus_ over which he is poring.

He is among the most short-sighted of mortals--as to _ocular_ vision. But he has a bravely furnished mind; and such a store of spirits and of good humour--talking withal unintermittingly, but very pleasantly---that you find it difficult to get away from him. He is no indifferent speaker of our own language; and I must say, seems rather proud of such an acquirement.

Both he and M. Gail, and M. Van Praet, are men of rather small, stature-- _triplicates_, as it were, of the same work[29]--but of which M. Gail is the tallest copy. One of the two head librarians, just mentioned, sits at a desk in the second room--and when any friends come to see, or to converse with him--the discussion is immediately adjourned to the contiguous boudoir-like apartment, where are deposited the rich old bindings of which you have just had a hasty description. Here the voices are elevated, and the flourishes of speech and of action freely indulged in.

In the way to the further apartment, from the boudoir so frequently mentioned, you pa.s.s a small room--in which there is a plaster bust of the King--and among the books, bound, as they almost all are, in red morocco, you observe two volumes of tremendously thick dimensions; the one ent.i.tled _Alexander Aphrodiaesus, Hippocrates, &c._--the other _Plutarchi Vitae Parallelae et Moralia, &c._ They contain nothing remarkable for ornament, or what is more essential, for intrinsic worth. Nevertheless you pa.s.s on: and the last--but the most magnificent--of _all_ the rooms, appropriated to the reception of books, whether in ms. or in print, now occupies a very considerable portion of your attention. It is replete with treasures of every description: in ancient art, antiquities, and both sacred and profane learning: in languages from all quarters, and almost of all ages of the world. Here I opened, with indescribable delight the ponderous and famous _Latin Bible of Charles the Bald_--and the religious manual of his brother the _Emperor Lotharius_--composed chiefly of transcripts from the Gospels.

Here are ivory bindings, whether as diptychs, or attached to regular volumes. Here are all sorts and sizes of the uncial or capital-letter MSS-- in portions, or entire. Here, too, are very precious old illuminations, and specimens--almost without number--admirably arranged, of every species of BIBLIOGRAPHICAL VIRTu, which cannot fail to fix the attention, enlarge the knowledge, and improve the judgment, of the curious in this department of research.

Such, my dear friend, is the necessarily rapid--and, I fear, consequently imperfect--sketch which I send you of the general character of the BIBLIOTHeQUE DU ROI; both as respects its dead and its living treasures. It remains to be seen how this sketch will be completed.--- and I hereby give you notice, that my next letter will contain some account of a few of the more ancient, curious, and splendid Ma.n.u.sCRIPTS--to be followed by a second letter, exclusively devoted to a similar account of the PRINTED BOOKS. If I execute this task according to my present inclinations--and with the disposition which I now feel, together with the opportunities which have been afforded me--it will not, I trust, be said that I have been an idle or unworthy visitor of this magnificent collection.

[16] [Mons. c.r.a.pelet takes fire at the above pa.s.sage: simply because he misunderstands it. In not one-word, or expression of it, is there any thing which implies, directly or indirectly, that "it would be difficult to find another public establishment where the officers are more active, more obliging, more anxious to satisfy the Public than in the above." I am talking only of _dress_--and commending the silk stockings of Mons. Van Praet at the expense of those by whom he is occasionally surrounded.]

[17] So, even NOW: 1829.

[18] In the year 1814, the late M. Millin published a dissertation upon this medal, to which he prefixed an engraving of the figure of Louis.

There can indeed be but one opinion that the Engraving is unworthy of the Original.

[For an ill.u.s.tration of the _Medallic History of France_, I scarcely recollect any one object of Art which would be more gratifying, as well as apposite, than a faithful Engraving of such a Medal: and I call upon my good friend M. DU CHESNE to set such a History on foot.

There is however another medal, of the same Monarch, of a smaller size, but of equal merit of execution, which has been selected to grace the pages of this second edition--in the OPPOSITE PLATE. The inscription is as follows: LUDOVICO XII. REGNANTE CaeSARE ALTERO.

GAUDET OMNIS NATIO: from which it is inferred that the Medal was struck in consequence of the victory of Ravenna, or of Louis's triumphant campaigns in Italy. A short but spirited account is given of these campaigns in Le Noir's _Musee des Monumens Francais_, tome ii. p. 145-7.]

[19] ["And it is Mr. DIBDIN who makes this confession! Let us render justice to his impartiality on this occasion. Such a confession ought to cause some regret to those who go to seek engravings in London."

c.r.a.pELET, vol. ii. p. 89. The reader shall make his own remark on the force, if there be any, of this gratuitous piece of criticism of the French Translator.]

[20] [And, till within these few months, those of the REV. DR. NICOLL, Regius Professor of the Hebrew Language! That amiable and modest and surprisingly learned Oriental Scholar died in the flower of his age (in his 36th year) to the deep regret of all his friends and acquaintances, and, I had well nigh said, to the irreparable loss of the University.]

[21] ["This observation is just; and it is to be hoped that they will soon carry into execution the Royal ordonance of October, 1816, which appropriates the apartments of the Treasury, contiguous, to be united to the establishment, as they become void. However, what took place in 1825, respecting some buildings in the Rue Neuve des Pet.i.ts Champs, forbids us to suppose that this wished for addition will take place."

c.r.a.pELET, p. 93.]

[22] [M. c.r.a.pelet admits the propriety of such a suggested improvement; and hopes that government will soon take it up for the accommodation of the Visitors--who sometimes are obliged to wait for a _vacancy_, before they can commence these researches.]

[23] [Mons. c.r.a.pelet estimates the number of these splendid volumes (in 1825,) at "more than six thousand!"]

[24] [M. c.r.a.pelet might have considered this confession as a reason, or apology, sufficient for not entering into all those details or descriptions, which he seems surprised and vexed that I omitted to travel into.]

[25] _An enquiry into the History of Engraving upon Copper and in Wood_, 1816, 4to. 2 vol. by W.Y. Ottley. Mr. Ottley, in vol. i. p. 90, has given the whole of the original cut: while in the first volume p.

iii. of the _Bibliotheca Spenceriana_, only the figure and date are given.

[26] _Idee generale d'une Collection complette des Estampes. Leips._ 1771. 8vo.

[27] Since the above was written, the RIVAL ST. CRISTOPHER have been placed _side by side_. When Lord Spencer was at Paris, last year, (1819,) on his return from Italy--he wrote to me, requesting I would visit him there, and bring St. Christopher with me. That Saint was therefore, in turn, carried across the water--and on being confronted with his name-sake, at the Royal Library ... it was quite evident, at the first glance, as M. Du Chesne admitted--that they were impressions taken from _different blocks_. The question therefore, was, after a good deal of pertinacious argument on both sides--which of the two impressions was the MORE ANCIENT? Undoubtedly it was that of Lord[B]

Spencer's.

[B] [The reasons, upon which this conclusion was founded, are stated at length in the preceding edition of this work: since which, I very strongly incline to the supposition that the Paris impression is a _proof_--of one of the _cheats_ of DE MURR.]

[28] He died in 1824 and a notice of his Life and Labours appeared in the _Annales Encyclopediques_.

[29] "M. Dibdin may well make the _fourth_ copy--as to size."

c.r.a.pELET, p. 115.

_LETTER III._

THE SAME SUBJECTS CONTINUED.

_Paris, June 14, 1818_.

As I promised, at the conclusion of my last, you shall accompany me immediately to the ROYAL LIBRARY; and taking down a few of the more ancient Ma.n.u.sCRIPTS relating to _Theology_--especially those, which, from age, art, or intrinsic worth, demand a more particular examination--we will both sit down together to the enjoyment of what the librarians have placed before us. In other words, I shall proceed to fill up the outline (executed with a hurrying pencil) which was submitted to you in my previous letter. First, therefore, for

BIBLES, LITURGIES, RITUALS, LEGENDS, MORAL TREATISES, &C.

_Quatuor Evangelia. "Codex Membranaceus, Olim Abbatiae S. Medardi Suessionensis in uncialibus litteris et auricis scriptus. Saec. VI."_ The preceding is written in an old hand, inserted in the book. It is a folio volume of unquestionably great antiquity; but I should apprehend that it is _antedated_ by at least _two_ centuries. It is full of embellishment, of a varied and splendid character. The t.i.tle to each Gospel is in very large capital letters of gold, upon a purple ground: both the initial letter and the border round the page being elaborately ornamented. The letter prefixed to St. Matthew's Gospel is highly adorned, and in very good taste. Each page consists of two columns, in capital letters of gold, throughout: within borders of a quiet purple, or lilac tint, edged with gold. It has been said that no two borders are alike altogether. A portrait of each Evangelist is prefixed to the t.i.tle; apparently coeval with the time: the composition is rather grotesque; the colours are without any glaze, and the perspective is bad.

LATIN BIBLE OF CHARLES THE BALD. Folio. When this volume was described by me, on a former occasion,[30] from merely printed authorities, of course it was not in my power to do it, if I may so speak, "after the life,"--for although nearly ten centuries have elapsed since this Bible has been executed, yet, considering its remote age, it may be said to be fresh and in most desirable condition. The authority, just hinted at, notices that this magnificent volume was deposited in the library by _Baluze_, the head librarian to Colbert; but a note in that eminent man's hand writing, prefixed, informs us that the Canons of the Cathedral church at Metz made Colbert a present of it.

The reverse of the last leaf but one is occupied by Latin verses, in capital letters of gold, at the top of which, in two lines, we make out--"

_Qualiter uiuian monachus sci martini consecrat hanc bibliam Karolo ipatorj_," &c. The ensuing and last leaf is probably, in the eye of an antiquarian virtuoso, more precious than either of its decorative precursors. It exhibits the PORTRAIT OF CHARLES THE BALD; who is surrounded by four attendants, blended, as it were, with a group of twelve below--in the habits of priests--listening to the oration of one, who stands nearly in the centre.[31] This illumination, in the whole, measures about fourteen inches in height by nearly ten and a half in width: the purple ground being frequently faded into a greenish tint. The volume itself is about twenty inches in height by fifteen wide.

PSALTER OF CHARLES THE BALD. This very precious volume was also in the library of the Great Colbert. It is a small quarto, bound in the most sumptuous manner. The exterior of the first side of the binding has an elaborate piece of sculpture, in ivory, consisting of small human figures, beasts, &c.; and surrounded with oval and square coloured stones. The exterior of the other, or corresponding, side of the binding has the same species of sculpture, in ivory; but no stones. The text of the volume is in gold capitals throughout; but the ornaments, as well as the portrait of Charles, are much inferior to those in that just described. However, this is doubtless a valuable relic.

PRAYER BOOK OF CHARLES THE BALD; in small 4to. This is rather an _Evangelistarium_, or excerpts from the four Gospels. The writing is a small roman lower-case. The illuminations, like those in the Bible, are rubbed and faded, and they are smaller. The exterior ornament of the binding, in the middle, contains a group of ivory figures--taken from the _original_ covering or binding.

BOOK OF THE GOSPELS, OF THE EMPEROR LOTHARIUS. Although it is very probable that this book may be of a somewhat earlier date than the MS. just described, yet as its original possessor was brother to _Charles the Bald_, it is but courtesy to place him in the second rank after the French monarch; and accordingly I have here inserted the volume in the order which I apprehend ought to be observed. An ancient ms. memorandum tells us that this book was executed in the 855th year of the Christian era, and in the 15th of the Emperor's reign. On the reverse of the first leaf is the portrait of the Emperor, with an attendant on each side. The text commences on the recto of the second leaf. On the reverse of the same leaf, is a representation of the Creator. Upon the whole, this book may be cla.s.sed among the most precious specimens of early art in this library. On the cover are the royal arms.

LATIN BIBLE. Fol. This MS. of the sacred text is in four folio volumes, and undoubtedly cannot be later than the thirteenth century. The text is written with three columns in each page. Of the illuminations, the figures are sketches, but freely executed: the colouring coa.r.s.e and slightly put on: the wings of some of the angels reminded me of those in the curious _Hyde-Book_, belonging to the Marquis of Buckingham at Stowe; and of which, as you may remember, there are fac-similes in _the Bibliographical Decameron_.[32] The group of angels (on the reverse of the fourth leaf of the first volume), attending the Almighty's commands, is cleverly managed as to the draperies. The soldiers have quilted or net armour. The initial letters are sometimes large, in the fas.h.i.+on of those in the Bible of Charles the Bald, but very inferior in execution. In this MS. we may trace something, I think, of the decline of art.

PSALTERIUM LATINe, 8vo. If I were called upon to select any one volume, of given octavo dimensions, I do not know whether I should not put my hand upon the _present_--for you are hereby to know that this was the religious manual of ST. LOUIS:--his own choice copy--selected, I warrant, from half a score of performances of rival scribes, rubricators, and illuminators. Its condition is absolutely wonderful--nor is the history of its locomotiveness less surprising. First, for an account of its contents. On the reverse of the first fly-leaf, we read the following memorandum--in red: "_Cest psaultier fu saint loys. Et le dona la royne Iehanne deureux au roy Charles filz du roy Iehan, lan de nres' mil troys cens soissante et neuf.

Et le roy charles pnt filz du dit Roy charles le donna a madame Marie de frace sa fille religieuse a poissi. le iour saint michel lan mil iiij^c._" This hand writing is undoubtedly of the time.

A word now about the history of this volume. As this extract indicates, it was deposited in a monastery at Poissy. When that establishment was dissolved, the book was brought to M. Chardin, a bookseller and a bibliomaniac. He sold it, some twenty-five years ago, to a Russian gentleman, from whom it was obtained, at Moscow, by the Grand Duke Nicholas.[33] The late King of France, through his amba.s.sador, the Count de Noailles, obtained it from the Grand Duke--who received, in return, from his Majesty, a handsome present of two Sevre vases. It is now therefore safely and judiciously lodged in the Royal Library of France. It is in wooden covers, wrapped in red velvet. The vellum is singularly soft, and of its original pure tint.

HISTORICAL PARAPHRASE OF THE BIBLE. Lat. and Fr. Folio. If any MS. of the sacred text were to be estimated according to the _number of the illuminations_ which it contained, the present would unquestionably claim precedence over every other. In short, this is the MS. of which Camus, in the _Notices et Extraits des MSS. de la Bibliotheque Nationale_, vol. vi.

p. 106, has given not only a pretty copious account, but has embellished that account with fac-similes--one large plate, and two others--each containing four subjects of the illuminations. After an attentive survey of the various styles of art observable in these decorations, I am not disposed to allow the antiquity of the MS. to go beyond the commencement of the XVth century. A sight of the frontispiece causes a re-action of the blood in a lover of genuine large margins. The book is cropt--not _quite_ to the quick!... but then this frontispiece displays a most delicate and interesting specimen of graphic art. It is executed in a sort of gray tone:--totally dest.i.tute of other colour. According to Camus, there are upwards of five thousand illuminations; and a similar work, in his estimation, could not _now_ be executed under 100,000 francs.

A SIMILAR MS. This consists but of one volume, of a larger size, of 321 leaves. It is also an historical Bible. The illuminations are arranged in a manner like those of the preceding; but in black and white only, delicately shaded. The figures are tall, and the females have small heads; just what we observe in those of the _Roman d'Alexandre_, in the Bodleian library. It is doubtless a ma.n.u.script of nearly the same age, although this may be somewhat more recent.