Wood and Garden Part 3

While May is still young, Cowslips are in beauty on the chalk lands a few miles distant, but yet within pleasant reach. They are finest of all in orchards, where the gra.s.s grows tall and strong under the half-shade of the old apple-trees, some of the later kinds being still loaded with bloom. The blooming of the Cowslip is the signal for a search for the Morell, one of the very best of the edible fungi. It grows in open woods or where the undergrowth has not yet grown high, and frequently in old parks and pastures near or under elms. It is quite unlike any other fungus; shaped like a tall egg, with the pointed end upwards, on a short, hollow stalk, and looking something like a sponge. It has a delicate and excellent flavour, and is perfectly wholesome.

The pretty little Woodruff is in flower; what scent is so delicate as that of its leaves? They are almost sweeter when dried, each little whorl by itself, with the stalk cut closely away above and below. It is a pleasant surprise to come upon these fragrant little stars between the leaves of a book. The whole plant revives memories of rambles in Bavarian woodlands, and of Mai-trank, that best of the "cup" tribe of pleasant drinks, whose flavour is borrowed from its flowering tips.

In the first week in May oak-timber is being felled. The wood is handsomer, from showing the grain better, when it is felled in the winter, but it is delayed till now because of the value of the bark for tanning, and just now the fast-rising sap makes the bark strip easily. A heavy fall is taking place in the fringes of a large wood of old Scotch fir. Where the oaks grow there is a blue carpet of wild Hyacinth; the pathway is a slightly hollowed lane, so that the whole sheet of flower right and left is nearly on a level with the eye, and looks like solid pools of blue. The oaks not yet felled are putting forth their leaves of golden bronze. The song of the nightingale and the ring of the woodman's axe gain a rich musical quality from the great fir wood. Why a wood of Scotch fir has this wonderful property of a kind of musical reverberation I do not know; but so it is. Any sound that occurs within it is, on a lesser scale, like a sound in a cathedral. The tree itself when struck gives a musical note. Strike an oak or an elm on the trunk with a stick, and the sound is mute; strike a Scotch fir, and it is a note of music.

[Ill.u.s.tration: TRILLIUM IN THE WILD GARDEN.]

In the copse are some prosperous patches of the beautiful North American Wood-lily (_Trillium grandiflorum_). It likes a bed of deep leaf-soil on levels or cool slopes in woodland, where its large white flowers and whorls of handsome leaves look quite at home. Beyond it are widely spreading patches of Solomon's Seal and tufts of the Wood-rush (_Luzula sylvatica_), showing by their happy vigour how well they like their places, while the natural woodland carpet of moss and dead leaves puts the whole together. Higher in the copse the path runs through stretches of the pretty little _Smilacina bifolia_, and the ground beyond this is a thick bed of Whortleberry, filling all the upper part of the copse under oak and birch and Scotch fir. The little flower-bells of the Whortleberry have already given place to the just-formed fruit, which will ripen in July, and be a fine feast for the blackbirds.

Other parts of the copse, where there was no Heath or Whortleberry, were planted thinly with the large Lily of the Valley. It has spread and increased and become broad sheets of leaf and bloom, from which thousands of flowers can be gathered without making gaps, or showing that any have been removed; when the bloom is over the leaves still stand in handsome ma.s.ses till they are hidden by the fast-growing bracken. They do not hurt each other, as it seems that the Lily of the Valley, having the roots running just underground, while the fern-roots are much deeper, the two occupy their respective _strata_ in perfect good fellows.h.i.+p. The neat little _Smilacina_ is a near relation of the Lily of the Valley; its leaves are of an even more vivid green, and its little modest spikes of white flower are charming. It loves the poor, sandy soil, and increases in it fast, but will have nothing to say to clay. A very delicate and beautiful North American fern (_d.i.c.ksonia punctilobulata_) proves a good colonist in the copse. It spreads rapidly by creeping roots, and looks much like our native _Thelipteris_, but is of a paler green colour. In the rock-garden the brightest patches of bloom are shown by the tufts of dwarf Wallflowers; of these, _Cheiranthus alpinus_ has a strong lemon colour that is of great brilliancy in the ma.s.s, and _C. Marshalli_ is of a dark orange colour, equally powerful. The curiously-tinted _C. mutabilis_, as its name implies, changes from a light mahogany colour when just open, first to crimson and then to purple. In length of life _C. alpinus_ and _C.

Marshalli_ are rather more than biennials, and yet too short-lived to be called true perennials; cuttings of one year flower the next, and are handsome tufts the year after, but are scarcely worth keeping longer.

_C. mutabilis_ is longer lived, especially if the older growths are cut right away, when the tuft will generally spring into vigorous new life.

_Orobus aurantiacus_ is a beautiful plant not enough grown, one of the handsomest of the Pea family, with flowers of a fine orange colour, and foliage of a healthy-looking golden-green. A striking and handsome plant in the upper part of the rockery is _Othonna cheirifolia_; its aspect is unusual and interesting, with its bunches of thick, blunt-edged leaves of blue-grey colouring, and large yellow daisy flowers. There is a pretty group of the large white Thrift, and near it a spreading carpet of blue Veronica and some of the splendid gentian-blue _Phacelia campanularia_, a valuable annual for filling any bare patches of rockery where its brilliant colouring will suit the neighbouring plants, or, best of all, in patches among dwarf ferns, where its vivid blue would be seen to great advantage.

Two wall-shrubs have been conspicuously beautiful during May; the Mexican Orange-flower (_Choisya ternata_) has been smothered in its white bloom, so closely resembling orange-blossom. With a slight winter protection of fir boughs it seems quite at home in our hot, dry soil, grows fast, and is very easy to propagate by layers. When cut, it lasts for more than a week in water. _Piptanthus nepalensis_ has also made a handsome show, with its abundant yellow, pea-shaped bloom and deep-green trefoil leaves. The dark-green stems have a slight bloom on a half-polished surface, and a pale ring at each joint gives them somewhat the look of bamboos.

Now is the time to look out for the big queen wasps and to destroy as many as possible. They seem to be specially fond of the flowers of two plants, the large perennial Cornflower (_Centaurea montana_) and the common Cotoneaster. I have often secured a dozen in a few minutes on one or other of these plants, first knocking them down with a battledore.

Now, in the third week of May, Rhododendrons are in full bloom on the edge of the copse. The plantation was made about nine years ago, in one of the regions where lawn and garden were to join the wood. During the previous blooming season the best nurseries were visited and careful observations made of colouring, habit, and time of blooming. The s.p.a.ce they were to fill demanded about seventy bushes, allowing an average of eight feet from plant to plant--not seventy different kinds, but, perhaps, ten of one kind, and two or three fives, and some threes, and a few single plants, always bearing in mind the ultimate intention of pictorial aspect as a whole. In choosing the plants and in arranging and disposing the groups these ideas were kept in mind: to make pleasant ways from lawn to copse; to group only in beautiful colour harmonies; to choose varieties beautiful in themselves; to plant thoroughly well, and to avoid overcrowding. Plantations of these grand shrubs are generally spoilt or ineffective, if not absolutely jarring, for want of attention to these simple rules. The choice of kinds is now so large, and the variety of colouring so extensive, that nothing can be easier than to make beautiful combinations, if intending planters will only take the small amount of preliminary trouble that is needful. Some of the clumps are of brilliant scarlet-crimson, rose and white, but out of the great choice of colours that might be so named only those are chosen that make just the colour-harmony that was intended. A large group, quite detached from this one, and more in the shade of the copse, is of the best of the lilacs, purples, and whites. When some clumps of young hollies have grown, those two groups will not be seen at the same time, except from a distance. The purple and white group is at present rather the handsomest, from the free-growing habit of the fine old kind _Alb.u.m elegans_, which forms towering ma.s.ses at the back. A detail of pictorial effect that was aimed at, and that has come out well, was devised in the expectation that the purple groups would look richer in the shade, and the crimson ones in the sun. This arrangement has answered admirably.

Before planting, the ground, of the poorest quality possible, was deeply trenched, and the Rhododendrons were planted in wide holes filled with peat, and finished with a comfortable "mulch," or surface-covering of farmyard manure. From this a supply of grateful nutriment was gradually washed in to the roots. This beneficial surface-dressing was renewed every year for two years after planting, and even longer in the case of the slower growing kinds. No plant better repays care during its early years. Broad gra.s.s paths leading from the lawn at several points pa.s.s among the clumps, and are continued through the upper parts of the copse, pa.s.sing through zones of different trees; first a good stretch of birch and holly, then of Spanish chestnut, next of oak, and finally of Scotch fir, with a sprinkling of birch and mountain ash, all with an undergrowth of heath and whortleberry and bracken. Thirty years ago it was all a wood of old Scotch fir. This was cut at its best marketable maturity, and the present young wood is made of what came up self-sown.

This natural wild growth was thick enough to allow of vigorous cutting out, and the preponderance of firs in the upper part and of birch in the lower suggested that these were the kinds that should predominate in their respective places.

[Ill.u.s.tration: RHODODENDRONS WHERE THE COPSE AND GARDEN MEET.]

It may be useful to describe a little more in detail the plan I followed in grouping Rhododendrons, for I feel sure that any one with a feeling for harmonious colouring, having once seen or tried some such plan, will never again approve of the haphazard mixtures. There may be better varieties representing the colourings aimed at in the several groups, but those named are ones that I know, and they will serve as well as any others to show what is meant.

The colourings seem to group themselves into six cla.s.ses of easy harmonies, which I venture to describe thus:--

1. Crimsons inclining to scarlet or blood-colour grouped with dark claret-colour and true pink.

In this group I have planted Nigrescens, dark claret-colour; John Waterer and James Marshall Brook, both fine red-crimsons; Alexander Adie and Atrosanguineum, good crimsons, inclining to blood-colour; Alarm, rosy-scarlet; and Bianchi, pure pink.

2. Light scarlet rose colours inclining to salmon, a most desirable range of colour, but of which the only ones I know well are Mrs. R. S.

Holford, and a much older kind, Lady Eleanor Cathcart. These I put by themselves, only allowing rather near them the good pink Bianchi.

3. Rose colours inclining to amaranth.

4. Amaranths or magenta-crimsons.

5. Crimson or amaranth-purples.

6. Cool clear purples of the typical _pontic.u.m_ cla.s.s, both dark and light, grouped with lilac-whites, such as _Alb.u.m elegans_ and _Alb.u.m grandiflorum_. The beautiful partly-double _Everestianum_ comes into this group, but nothing redder among purples. _Fastuosum florepleno_ is also admitted, and _Luciferum_ and _Reine Hortense_, both good lilac-whites. But the purples that are most effective are merely _pontic.u.m_ seedlings, chosen when in bloom in the nursery for their depth and richness of cool purple colour.

My own s.p.a.ce being limited, I chose three of the above groups only, leaving out, as of colouring less pleasing to my personal liking, groups 3, 4, and 5. The remaining ones gave me examples of colouring the most widely different, and at the same time the most agreeable to my individual taste. It would have been easier, if that had been the object, to have made groups of the three other cla.s.ses of colouring, which comprise by far the largest number of the splendid varieties now grown. There are a great many beautiful whites; of these, two that I most admire are Madame Carvalho and Sappho; the latter is an immense flower, with a conspicuous purple blotch. There is also a grand old kind called Minnie, a very large-growing one, with fine white trusses; and a dwarf-growing white that comes early into bloom is Cunningham's White, also useful for forcing, as it is a small plant, and a free bloomer.

[Ill.u.s.tration: GRa.s.s WALKS THROUGH THE COPSE.]

Nothing is more perplexing than to judge of the relative merits of colours in a Rhododendron nursery, where they are all mixed up. I have twice been specially to look for varieties of a true pink colour, but the quant.i.ty of untrue pinks is so great that anything approaching a clear pink looks much better than it is. In this way I chose Kate Waterer and Sylph, both splendid varieties; but when I grew them with my true pink Bianchi they would not do, the colour having the suspicion of rank quality that I wished to keep out of that group. This same Bianchi, with its mongrel-sounding name, I found was not grown in the larger nurseries. I had it from Messrs. Maurice Young, of the Milford Nurseries, near G.o.dalming. I regretted to hear lately from some one to whom I recommended it that it could not be supplied. It is to be hoped that so good a thing has not been lost.

A little way from the main Rhododendron clumps, and among bushy Andromedas, I have the splendid hybrid of _R. Aucklandi_, raised by Mr. A. Waterer. The trusses are astoundingly large, and the individual blooms large and delicately beautiful, like small richly-modelled lilies of a tender, warm, white colour. It is quite hardy south of London, and unquestionably desirable. Its only fault is leggy growth; one year's growth measures twenty-three inches, but this only means that it should be planted among other bushes.

[Ill.u.s.tration: RHODODENDRONS AT THE EDGE OF THE COPSE.]

The last days of May see hardy Azaleas in beauty. Any of them may be planted in company, for all their colours harmonise. In this garden, where care is taken to group plants well for colour, the whites are planted at the lower and more shady end of the group; next come the pale yellows and pale pinks, and these are followed at a little distance by kinds whose flowers are of orange, copper, flame, and scarlet-crimson colourings; this strong-coloured group again softening off at the upper end by strong yellows, and dying away into the woodland by bushes of the common yellow _Azalea pontica_, and its variety with flowers of larger size and deeper colour. The plantation is long in shape, straggling over a s.p.a.ce of about half an acre, the largest and strongest-coloured group being in an open clearing about midway in the length. The ground between them is covered with a natural growth of the wild Ling (_Calluna_) and Whortleberry, and the small, white-flowered Bed-straw, with the fine-bladed Sheep's-fescue gra.s.s, the kind most abundant in heathland.

The surrounding ground is copse, of a wild, forest-like character, of birch and small oak. A wood-path of wild heath cut short winds through the planted group, which also comprises some of the beautiful white-flowered Californian _Azalea occidentalis_, and bushes of some of the North American Vacciniums.

Azaleas should never be planted among or even within sight of Rhododendrons. Though both enjoy a moist peat soil, and have a near botanical relations.h.i.+p, they are incongruous in appearance, and impossible to group together for colour. This must be understood to apply to the two cla.s.ses of plants of the hardy kinds, as commonly grown in gardens. There are tender kinds of the East Indian families that are quite harmonious, but those now in question are the ordinary varieties of so-called Ghent Azaleas, and the hardy hybrid Rhododendrons. In the case of small gardens, where there is only room for one bed or clump of peat plants, it would be better to have a group of either one or the other of these plants, rather than spoil the effect by the inharmonious mixture of both.

I always think it desirable to group together flowers that bloom at the same time. It is impossible, and even undesirable, to have a garden in blossom all over, and groups of flower-beauty are all the more enjoyable for being more or less isolated by stretches of intervening greenery. As one lovely group for May I recommend Moutan Paeony and _Clematis montana_, the Clematis on a wall low enough to let its wreaths of bloom show near the Paeony. The old Guelder Rose or s...o...b..ll-tree is beautiful anywhere, but I think it best of all on the cold side of a wall. Of course it is perfectly hardy, and a bush of strong, st.u.r.dy growth, and has no need of the wall either for support or for shelter; but I am for clothing the garden walls with all the prettiest things they can wear, and no shrub I know makes a better show. Moreover, as there is necessarily less wood in a flat wall tree than in a round bush, and as the front shoots must be pruned close back, it follows that much more strength is thrown into the remaining wood, and the blooms are much larger.

I have a north wall eleven feet high, with a Guelder Rose on each side of a doorway, and a _Clematis montana_ that is trained on the top of the whole. The two flower at the same time, their growths mingling in friendly fas.h.i.+on, while their unlikeness of habit makes the companions.h.i.+p all the more interesting. The Guelder Rose is a stiff-wooded thing, the character of its main stems being a kind of stark uprightness, though the great white b.a.l.l.s hang out with a certain freedom from the newly-grown shoots. The Clematis meets it with an exactly opposite way of growth, swinging down its great swags of many-flowered garland ma.s.ses into the head of its companion, with here and there a single flowering streamer making a tiny wreath on its own account.

On the southern sides of the same gateway are two large bushes of the Mexican Orange-flower (_Choisya ternata_), loaded with its orange-like bloom. b.u.t.tresses flank the doorway on this side, dying away into the general thickness of the wall above the arch by a kind of roofing of broad flat stones that lay back at an easy pitch. In mossy hollows at their joints and angles, some tufts of Thrift and of little Rock Pinks have found a home, and show as tenderly-coloured tufts of rather dull pink bloom. Above all is the same white Clematis, some of its abundant growth having been trained over the south side, so that this one plant plays a somewhat important part in two garden-scenes.

Through the gateway again, beyond the wall northward and partly within its shade, is a portion of ground devoted to Paeonies, in shape a long triangle, whose proportion in length is about thrice its breadth measured at the widest end. A low cross-wall, five feet high, divides it nearly in half near the Guelder Roses, and it is walled again on the other long side of the triangle by a rough structure of stone and earth, which, in compliment to its appearance, we call the Old Wall, of which I shall have something to say later. Thus the Paeonies are protected all round, for they like a sheltered place, and the Moutans do best with even a little pa.s.sing shade at some time of the day. Moutan is the Chinese name for Tree Paeony. For an immense hardy flower of beautiful colouring what can equal the salmon-rose Moutan Reine Elizabeth? Among the others that I have, those that give me most pleasure are Baronne d'Ales and Comtesse de Tuder, both pinks of a delightful quality, and a lovely white called Bijou de Chusan. The Tree Paeonies are also beautiful in leaf; the individual leaves are large and important, and so carried that they are well displayed. Their colour is peculiar, being bluish, but pervaded with a suspicion of pink or pinkish-bronze, sometimes of a metallic quality that faintly recalls some of the variously-coloured alloys of metal that the j.a.panese bronze-workers make and use with such consummate skill.

[Ill.u.s.tration: SOUTH SIDE OF DOOR, WITH CLEMATIS MONTANA AND CHOISYA.]

[Ill.u.s.tration: NORTH SIDE OF THE SAME DOOR, WITH CLEMATIS MONTANA AND GUELDER-ROSE.]

It is a matter of regret that varieties of the better kinds of Moutans are not generally grown on their own roots, and still more so that the stock in common use should not even be the type Tree Paeony, but one of the herbaceous kinds, so that we have plants of a hard-wooded shrub worked on a thing as soft as a Dahlia root. This is probably the reason why they are so difficult to establish, and so slow to grow, especially on light soils, even when their beds have been made deep and liberally enriched with what one judges to be the most gratifying comfort. Every now and then, just before blooming time, a plant goes off all at once, smitten with sudden death. At the time of making my collection I was unable to visit the French nurseries where these plants are so admirably grown, and whence most of the best kinds have come. I had to choose them by the catalogue description--always an unsatisfactory way to any one with a keen eye for colour, although in this matter the compilers of foreign catalogues are certainly less vague than those of our own. Many of the plants therefore had to be s.h.i.+fted into better groups for colour after their first blooming, a matter the more to be regretted as Paeonies dislike being moved.

The other half of the triangular bit of Paeony ground--the pointed end--is given to the kinds I like best of the large June-flowered Paeonies, the garden varieties of the Siberian _P. albiflora_, popularly known as Chinese Paeonies. Though among these, as is the case with all the kinds, there is a preponderance of pink or rose-crimson colouring of a decidedly rank quality, yet the number of varieties is so great, that among the minority of really good colouring there are plenty to choose from, including a good number of beautiful whites and whites tinged with yellow. Of those I have, the kinds I like best are--

Hypatia, pink.

Madame Benare, salmon-rose.

The Queen, pale salmon-rose.

Leonie, salmon-rose.

Virginie, warm white.

Solfaterre, pale yellow.

Edouard Andre, deep claret.

Madame Calot, flesh pink.

Madame Breon.

Alba sulfurea.

Triomphans gandavensis.

Carnea elegans (Guerin).

Curiosa, pink and blush.

Prince Pierre Galitzin, blush.

Eugenie Verdier, pale pink.

Elegans superbissima, yellowish-white.

Virgo Maria, white.

Philomele, blush.

Madame Dhour, rose.

d.u.c.h.esse de Nemours, yellow-white.

Faust.

Belle Douaisienne.

Jeanne d'Arc.

Marie Lemoine.