Wood and Garden Part 9

Nothing is more satisfactory than to see the well-designed and well-organised garden of the large country house, whose master loves his garden, and has good taste and a reasonable amount of leisure.

I think that the first thing in such a place is to have large unbroken lawn s.p.a.ces--all the better if they are continuous, pa.s.sing round the south and west sides of the house. I am supposing a house of the best cla.s.s, but not necessarily of the largest size. Immediately adjoining the house, except for the few feet needed for a border for climbing plants, is a broad walk, dry and smooth, and perfectly level from end to end. This, in the case of many houses, and nearly always with good effect, is raised two or three feet above the garden ground, and if the architecture of the house demands it, has a retaining wall surmounted by a bal.u.s.trade of masonry and wrought stone. Broad and shallow stone steps lead down to the turf both at the end of the walk and in the middle of the front of the house, the wider and shallower the better, and at the foot of the wall may be a narrow border for a few climbing plants that will here and there rise above the coping of the parapet. I do not think it desirable where there are stone bal.u.s.ters or other distinct architectural features to let them be smothered with climbing plants, but that there should be, say, a _Pyrus j.a.ponica_ or an Escallonia, and perhaps a white Jasmine, and on a larger s.p.a.ce perhaps a cut-leaved or a Claret Vine. Some of the best effects of the kind I have seen were where the bush, being well established, rose straight out of the gra.s.s, the border being unnecessary except just at the beginning.

The large lawn s.p.a.ce I am supposing stretches away a good distance from the house, and is bounded on the south and west by fine trees; away beyond that is all wild wood. On summer afternoons the greater part of the lawn expanse is in cool shade, while winter sunsets show through the tree stems. Towards the south-east the wood would pa.s.s into shrub plantations, and farther still into garden and wild orchard (of which I shall have something to say presently). At this end of the lawn would be the brilliant parterre of bedded plants, seen both from the shaded lawn and from the terrace, which at this end forms part of its design. Beyond the parterre would be a distinct division from the farther garden, either of Yew or Box hedge, with bays for seats, or in the case of a change of level, of another terrace wall. The next s.p.a.ce beyond would be the main garden for hardy plants, at its southern end leading into the wild orchard. This would be the place for the free garden or the reserve garden, or for any of the many delightful ways in which hardy flowers can be used; and if it happened by good fortune to have a stream or any means of having running water, the possibilities of beautiful gardening would be endless.

[Ill.u.s.tration: GARLAND-ROSE WREATHING THE END OF A TERRACE WALL.]

Beyond this again would come the kitchen garden, and after that the stables and the home farm. If the kitchen garden had a high wall, and might be entered on this side by handsome wrought-iron gates, I would approach it from the parterre by a broad gra.s.s walk bounded by large Bay trees at equal intervals to right and left. Through these to the right would be seen the free garden of hardy flowers.

For the kitchen garden a s.p.a.ce of two acres would serve a large country house with all that is usually grown within walls, but there should always be a good s.p.a.ce outside for the rougher vegetables, as well as a roomy yard for compost, pits and frames, and rubbish.

And here I wish to plead on behalf of the gardener that he should have all reasonable comforts and conveniences. Nothing is more frequent, even in good places, than to find the potting and tool sheds screwed away into some awkward corner, badly lighted, much too small, and altogether inadequate, and the pits and frames scattered about and difficult to get at. Nothing is more wasteful of time, labour, or temper. The working parts of a large garden form a complicated organisation, and if the parts of the mechanism do not fit and work well, and are not properly eased and oiled, still more, if any are missing, there must be disastrous friction and damage and loss of power. In designing garden buildings, I always strongly urge in connection with the heating system a warmed potting shed and a comfortable messroom for the men, and over this a perfectly dry loft for drying and storing such matters as shading material, nets, mats, ropes, and sacks. If this can be warmed, so much the better. There must also be a convenient and quite frost-proof place for winter storing of vegetable roots and such plants as Dahlias, Cannas, and Gladiolus; and also a well-lighted and warmed workshop for all the innumerable jobs put aside for wet weather, of which the chief will be repainting and glazing of lights, repairing implements, and grinding and setting tools. This shop should have a carpenter's bench and screw, and a smith's anvil, and a proper a.s.sortment of tools. Such arrangements, well planned and thought out, will save much time and loss of produce, besides helping to make all the people employed more comfortable and happy.

I think that a garden should never be large enough to be tiring, that if a large s.p.a.ce has to be dealt with, a great part had better be laid out in wood. Woodland is always charming and restful and enduringly beautiful, and then there is an intermediate kind of woodland that should be made more of--woodland of the orchard type. Why is the orchard put out of the way, as it generally is, in some remote region beyond the kitchen garden and stables? I should like the lawn, or the hardy flower garden, or both, to pa.s.s directly into it on one side, and to plant a s.p.a.ce of several acres, not necessarily in the usual way, with orchard standards twenty-five feet apart in straight rows (though in many places the straight rows might be best), but to have groups and even groves of such things as Medlars and Quinces, Siberian and Chinese Crabs, Damsons, Prunes, Service trees, and Mountain Ash, besides Apples, Pears, and Cherries, in both standard and bush forms. Then alleys of Filbert and Cob-nut, and in the opener s.p.a.ces tangles or brakes of the many beautiful bushy things allied to the Apple and Plum tribe--_Cydonia_ and _Prunus triloba_ and _Crataegus_ of many kinds (some of them are tall bushes or small trees with beautiful fruits); and the wild Blackthorn, which, though a plum, is so nearly related to pear that pears may be grafted on it. And then brakes of Blackberries, especially of the Parsley-leaved kind, so free of growth and so generous of fruit. How is it that this fine native plant is almost invariably sold in nurseries as an American bramble? If I am mistaken in this I should be glad to be corrected, but I believe it to be only the cut-leaved variety of the native _Rubus affinis_.

I have tried the best of the American kinds, and with the exception of one year, when I had a few fine fruits from Kittatinny, they had been a failure, whereas invariably when people have told me that their American Blackberries have fruited well, I have found them to be the Parsley-leaved.

Some members of the large Rose-Apple-Plum tribe grow to be large forest trees, and in my wild orchard they would go in the farther parts. The Bird-cherry (_Prunus padus_) grows into a tree of the largest size. A Mountain Ash will sometimes have a trunk two feet in diameter, and a head of a size to suit. The American kind, its near relation, but with larger leaves and still grander ma.s.ses of berries, is a n.o.ble small tree; and the native white Beam should not be forgotten, and choice places should be given to Amelanchier and the lovely double j.a.pan Apple (_Pyrus malus floribunda_). To give due s.p.a.ce and effect to all these good things my orchard garden would run into a good many acres, but every year it would be growing into beauty and profit. The gra.s.s should be left rough, and plentifully planted with Daffodils, and with Cowslips if the soil is strong. The gra.s.s would be mown and made into hay in June, and perhaps mown once more towards the end of September. Under the nut-trees would be Primroses and the garden kinds of wood Hyacinths and Dogtooth Violets and Lily of the Valley, and perhaps Snowdrops, or any of the smaller bulbs that most commended themselves to the taste of the master.

Such an orchard garden, well-composed and beautifully grouped, always with that indispensable quality of good "drawing," would not only be a source of unending pleasure to those who lived in the place, but a valuable lesson to all who saw it; for it would show the value of the simple and sensible ways of using a certain cla.s.s of related trees and bushes, and of using them with a deliberate intention of making the best of them, instead of the usual meaningless-nohow way of planting. This, in nine cases out of ten, means either ignorance or carelessness, the planter not caring enough about the matter to take the trouble to find out what is best to be done, and being quite satisfied with a mixed lot of shrubs, as offered in nursery sales, or with the choice of the nurseryman. I do not presume to condemn all mixed planting, only stupid and ignorant mixed planting. It is not given to all people to take their pleasures alike; and I have in my mind four gardens, all of the highest interest, in which the planting is all mixed; but then the mixture is of admirable ingredients, collected and placed on account of individual merit, and a ramble round any one of these in company with its owner is a pleasure and a privilege that one cannot prize too highly. Where the garden is of such large extent that experimental planting is made with a good number of one good thing at a time, even though there was no premeditated intention of planting for beautiful effect, the fact of there being enough plants to fall into large groups, and to cover some extent of ground, produces numbers of excellent results. I remember being struck with this on several occasions when I have had the happiness of visiting Mr. G. F. Wilson's garden at Wisley, a garden which I take to be about the most instructive it is possible to see. In one part, where the foot of the hill joined the copse, there were hosts of lovely things planted on a succession of rather narrow banks. Almost unthinkingly I expressed the regret I felt that so much individual beauty should be there without an attempt to arrange it for good effect.

Mr. Wilson stopped, and looking at me straight with a kindly smile, said very quietly, "That is your business, not mine." In spite of its being a garden whose first object is trial and experiment, it has left in my memory two pictures, among several lesser ones, of plant-beauty that will stay with me as long as I can remember anything, one an autumn and one a spring picture--the hedge of _Rosa rugosa_ in full fruit, and a plantation of _Primula denticulata_. The Primrose was on a bit of level ground, just at the outer and inner edges of the hazel copse. The plants were both grouped and thinly sprinkled, just as nature plants--possibly they grew directly there from seed. They were in superb and luxuriant beauty in the black peaty-looking half-boggy earth, the handsome leaves of the brilliant colour and large size that told of perfect health and vigour, and the large round heads of pure lilac flower carried on strong stalks that must have been fifteen inches high. I never saw it so happy and so beautiful. It is a plant I much admire, and I do the best I can for it on my dry hill; but the conditions of my garden do not allow of any approach to the success of the Wisley plants; still I have treasured that lesson among many others I have brought away from that good garden, and never fail to advise some such treatment when I see the likely home for it in other places.

[Ill.u.s.tration: A ROADSIDE COTTAGE GARDEN.]

Some of the most delightful of all gardens are the little strips in front of roadside cottages. They have a simple and tender charm that one may look for in vain in gardens of greater pretension. And the old garden flowers seem to know that there they are seen at their best; for where else can one see such Wallflowers, or Double Daisies, or White Rose bushes; such cl.u.s.tering ma.s.ses of perennial Peas, or such well-kept flowery edgings of Pink, or Thrift, or London Pride?

Among a good many calls for advice about laying out gardens, I remember an early one that was of special interest. It was the window-box of a factory lad in one of the great northern manufacturing towns. He had advertised in a mechanical paper that he wanted a tiny garden, as full of interest as might be, in a window-box; he knew nothing--would somebody help him with advice? So advice was sent and the box prepared.

If I remember rightly the size was three feet by ten inches. A little later the post brought him little plants of mossy and silvery saxifrages, and a few small bulbs. Even some stones were sent, for it was to be a rock-garden, and there were to be two hills of different heights with rocky tops, and a longish valley with a sunny and a shady side.

It was delightful to have the boy's letters, full of keen interest and eager questions, and only difficult to restrain him from killing his plants with kindness, in the way of liberal doses of artificial manure.

The very smallness of the tiny garden made each of its small features the more precious. I could picture his feeling of delightful antic.i.p.ation when he saw the first little bluish blade of the Snowdrop patch pierce its mossy carpet. Would it, could it really grow into a real Snowdrop, with the modest, milk-white flower and the pretty green hearts on the outside of the inner petals, and the clear green stripes within? and would it really nod him a glad good-morning when he opened his window to greet it? And those few blunt reddish h.o.r.n.y-looking snouts just coming through the ground, would they really grow into the brilliant blue of the early Squill, that would be like a bit of midsummer sky among the grimy surroundings of the attic window, and under that grey, soot-laden northern sky? I thought with pleasure how he would watch them in spare minutes of the dinner-hour spent at home, and think of them as he went forward and back to his work, and how the remembrance of the tender beauty of the full-blown flower would make him glad, and lift up his heart while "minding his mule" in the busy restless mill.

CHAPTER XV

BEGINNING AND LEARNING

The ignorant questioner -- Beginning at the end -- An example -- Personal experience -- Absence of outer help -- Johns' "Flowers of the Field" -- Collecting plants -- Nurseries near London -- Wheel-spokes as labels -- Garden friends -- Mr. Robinson's "English Flower-Garden" -- Mr. Nicholson's "Dictionary of Gardening" -- One main idea desirable -- Pictorial treatment -- Training in fine art -- Adapting from Nature -- Study of colour -- Ignorant use of the word "artistic."

Many people who love flowers and wish to do some practical gardening are at their wit's end to know what to do and how to begin. Like a person who is on skates for the first time, they feel that, what with the bright steel runners, and the slippery surface, and the sense of helplessness, there are more ways of tumbling about than of progressing safely in any one direction. And in gardening the beginner must feel this kind of perplexity and helplessness, and indeed there is a great deal to learn, only it is pleasant instead of perilous, and the many tumbles by the way only teach and do not hurt. The first few steps are perhaps the most difficult, and it is only when we know something of the subject and an eager beginner comes with questions that one sees how very many are the things that want knowing. And the more ignorant the questioner, the more difficult it is to answer helpfully. When one knows, one cannot help presupposing some sort of knowledge on the part of the querist, and where this is absent the answer we can give is of no use. The ignorance, when fairly complete, is of such a nature that the questioner does not know what to ask, and the question, even if it can be answered, falls upon barren ground. I think in such cases it is better to try and teach one simple thing at a time, and not to attempt to answer a number of useless questions. It is disheartening when one has tried to give a careful answer to have it received with an Oh! of boredom or disappointment, as much as to say, You can't expect me to take all that trouble; and there is the still more unsatisfactory sort of applicant, who plies a string of questions and will not wait for the answers! The real way is to try and learn a little from everybody and from every place. There is no royal road. It is no use asking me or any one else how to dig--I mean sitting indoors and asking it. Better go and watch a man digging, and then take a spade and try to do it, and go on trying till it comes, and you gain the knack that is to be learnt with all tools, of doubling the power and halving the effort; and meanwhile you will be learning other things, about your own arms and legs and back, and perhaps a little robin will come and give you moral support, and at the same time keep a sharp look-out for any worms you may happen to turn up; and you will find out that there are all sorts of ways of learning, not only from people and books, but from sheer trying.

I remember years ago having to learn to use the blow-pipe, for soldering and other purposes connected with work in gold and silver. The difficult part of it is to keep up the stream of air through the pipe while you are breathing the air in; it is easy enough when you only want a short blast of a few seconds, within the compa.s.s of one breath or one filling of the bellows (lungs), but often one has to go on blowing through several inspirations. It is a trick of muscular action. My master who taught me never could do it himself, but by much trying one day I caught the trick.

The grand way to learn, in gardening as in all things else, is to wish to learn, and to be determined to find out--not to think that any one person can wave a wand and give the power and knowledge. And there will be plenty of mistakes, and there must be, just as children must pa.s.s through the usual childish complaints. And some people make the mistake of trying to begin at the end, and of using recklessly what may want the utmost caution, such, for instance, as strong chemical manures.

Some ladies asked me why their plant had died. They had got it from the very best place, and they were sure they had done their very best for it, and--there it was, dead. I asked what it was, and how they had treated it. It was some ordinary border plant, whose ident.i.ty I now forget; they had made a nice hole with their new trowel, and for its sole benefit they had bought a tin of Concentrated Fertiliser. This they had emptied into the hole, put in the plant, and covered it up and given it lots of water, and--it had died! And yet these were the best and kindest of women, who would never have dreamed of feeding a new-born infant on beefsteaks and raw brandy. But they learned their lesson well, and at once saw the sense when I pointed out that a plant with naked roots just taken out of the ground or a pot, removed from one feeding-place and not yet at home in another, or still more after a journey, with the roots only wrapped in a little damp moss and paper, had its feeding power suspended for a time, and was in the position of a helpless invalid. All that could be done for it then was a little bland nutriment of weak slops and careful nursing; if the planting took place in the summer it would want shading and only very gentle watering, until firm root-hold was secured and root-appet.i.te became active, and that in rich and well-prepared garden ground such as theirs strong artificial manure was in any case superfluous.

When the earlier ignorances are overcome it becomes much easier to help and advise, because there is more common ground to stand on. In my own case, from quite a small child, I had always seen gardening going on, though not of a very interesting kind. Nothing much was thought of but bedding plants, and there was a rather large s.p.a.ce on each side of the house for these, one on gravel and one on turf. But I had my own little garden in a nook beyond the shrubbery, with a seat shaded by a _Boursault elegans_ Rose, which I thought then, and still think, one of the loveliest of its kind. But my first knowledge of hardy plants came through wild ones. Some one gave me that excellent book, the Rev. C. A.

Johns' "Flowers of the Field." For many years I had no one to advise me (I was still quite small) how to use the book, or how to get to know (though it stared me in the face) how the plants were in large related families, and I had not the sense to do it for myself, nor to learn the introductory botanical part, which would have saved much trouble afterwards; but when I brought home my flowers I would take them one by one and just turn over the pages till I came to the picture that looked something like. But in this way I got a knowledge of individuals, and afterwards the idea of broad cla.s.sification and relations.h.i.+p of genera to species may have come all the easier. I always think of that book as the most precious gift I ever received. I distinctly trace to its teaching my first firm steps in the path of plant knowledge, and the feeling of a.s.sured comfort I had afterwards in recognising the kinds when I came to collect garden plants; for at that time I had no other garden book, no means of access to botanic gardens or private collections, and no helpful adviser.

One copy of "Johns" I wore right out; I have now two, of which one is in its second binding, and is always near me for reference. I need hardly say that this was long before the days of the "English Flower-Garden,"

or its helpful predecessor, "Alpine Plants."

By this time I was steadily collecting hardy garden plants wherever I could find them, mostly from cottage gardens. Many of them were still unknown to me by name, but as the collection increased I began to compare and discriminate, and of various kinds of one plant to throw out the worse and retain the better, and to train myself to see what made a good garden plant, and about then began to grow the large yellow and white bunch Primroses, whose history is in another chapter. And then I learnt that there were such places (though then but few) as nurseries, where such plants as I had been collecting in the cottage gardens, and even better, were grown. And I went to Osborne's at Fulham (now all built over), and there saw the original tree of the fine Ilex known as the Fulham Oak, and several spring-flowering bulbs I had never seen before, and what I felt sure were numbers of desirable summer-flowering plants, but not then in bloom. Soon after this I began to learn something about Daffodils, and enjoyed much kind help from Mr. Barr, visiting his nursery (then at Tooting) several times, and sometimes combining a visit to Parker's nursery just over the way, a perfect paradise of good hardy plants. I shall never forget my first sight here of the Cape Pondweed (_Aponogeton distachyon_) in full flower and great vigour in the dipping tanks, and overflowing from them into the ditches.

Also I was delighted to see the use as labels of old wheel-spokes. I could not help feeling that if one had been a spoke of a cab-wheel, and had pa.s.sed all one's working life in being whirled and clattered over London pavements, defiled with street mud, how pleasant a way to end one's days was this; to have one's felloe end pointed and dipped in nice wholesome rot-resisting gas-tar and thrust into the quiet cool earth, and one's nave end smoothed and painted and inscribed with some such soothing legend as _Vinca minor_ or _Dianthus fragrans_!

Later I made acquaintance with several of the leading amateur and professional gardeners, and with Mr. Robinson, and to their good comrades.h.i.+p and kindly willingness to let me "pick their brains" I owe a great advance in garden lore. Moreover, what began by the drawing together of a common interest has grown into a still greater benefit, for several acquaintances so made have ripened into steady and much-valued friends.h.i.+ps. It has been a great interest to me to have had the privilege of watching the gradual growth, through its several editions, of Mr. Robinson's "English Flower-Garden," the one best and most helpful book of all for those who want to know about hardy flowers, offering as it does in the clearest and easiest way a knowledge of the garden-treasures of the temperate world. No one who has not had occasional glimpses behind the scenes can know how much labour and thought such a book represents, to say nothing of research and practical experiment, and of the trouble and great expense of producing the large amount of pictorial ill.u.s.tration. Another book, though on quite different lines, that I find most useful is Mr. Nicholson's "Ill.u.s.trated Dictionary of Gardening," in eight handy volumes. It covers much the same ground as the useful old Johnson's "Gardener's Dictionary," but is much more complete and comprehensive, and is copiously ill.u.s.trated with excellent wood-cuts. It is the work of a careful and learned botanist, treating of all plants desirable for cultivation from all climates, and teaching all branches of practical horticulture and such useful matters as means of dealing with insect pests. The old "Johnson" is still a capital book in one volume; mine is rather out of date, being the edition of 1875, but it has been lately revised and improved. It would be delightful to possess, or to have easy access to, a good botanical library; still, for all the purposes of the average garden lover, these books will suffice.

I think it is desirable, when a certain degree of knowledge of plants and facility of dealing with them has been acquired, to get hold of a clear idea of what one most wishes to do. The scope of the subject is so wide, and there are so many ways to choose from, that having one general idea helps one to concentrate thought and effort that would otherwise be wasted by being diluted and dribbled through too many probable channels of waste.

Ever since it came to me to feel some little grasp of knowledge of means and methods, I have found that my greatest pleasure, both in garden and woodland, has been in the enjoyment of beauty of a pictorial kind.

Whether the picture be large as of a whole landscape, or of lesser extent as in some fine single group or effect, or within the s.p.a.ce of only a few inches as may be seen in some happily-disposed planting of Alpines, the intention is always the same; or whether it is the grouping of trees in the wood by the removal of those whose lines are not wanted in the picture, or in the laying out of broad gra.s.sy ways in woody places, or by ever so slight a turn or change of direction in a wood path, or in the alteration of some arrangement of related groups for form or for ma.s.sing of light and shade, or for any of the many local conditions that guide one towards forming a decision, the intention is still always the same--to try and make a beautiful garden-picture. And little as I can as yet boast of being able to show anything like the number of these I could wish, yet during the flower-year there is generally something that at least in part answers to the effort.

I do not presume to urge the acceptance of my own particular form of pleasure in a garden on those to whom, from different temperament or manner of education, it would be unwelcome; I only speak of what I feel, and to a certain degree understand; but I had the advantage in earlier life of some amount of training in appreciation of the fine arts, and this, working upon an inborn feeling of reverent devotion to things of the highest beauty in the works of G.o.d, has helped me to an understanding of their divinely-inspired interpretations by the n.o.blest minds of men, into those other forms that we know as works of fine art.

And so it comes about that those of us who feel and understand in this way do not exactly attempt to imitate Nature in our gardens, but try to become well acquainted with her moods and ways, and then discriminate in our borrowing, and so interpret her methods as best we may to the making of our garden-pictures.

I have always had great delight in the study of colour, as the word is understood by artists, which again is not a positive matter, but one of relation and proportion. And when one hears the common chatter about "artistic colours," one receives an unpleasant impression about the education and good taste of the speaker; and one is reminded of an old saying which treats of the unwisdom of rus.h.i.+ng in "where angels fear to tread," and of regret that a good word should be degraded by misuse. It may be safely said that no colour can be called artistic in itself; for, in the first place, it is bad English, and in the second, it is nonsense. Even if the first objection were waived, and the second condoned, it could only be used in a secondary sense, as signifying something that is useful and suitable and right in its place. In this limited sense the scarlet of the soldier's coat, and of the pillar-box and mail-cart, and the bright colours of flags, or of the port and starboard lights of s.h.i.+ps, might be said to be just so far "artistic"

(again if grammar would allow), as they are right and good in their places. But then those who use the word in the usual ignorant, random way have not even this simple conception of its meaning. Those who know nothing about colour in the more refined sense (and like a knowledge of everything else it wants learning) get no farther than to enjoy it only when most crude and garish--when, as George Herbert says, it "bids the rash gazer wipe his eye," or when there is some violent opposition of complementary colour--forgetting, or not knowing, that though in detail the objects brought together may make each other appear brighter, yet in the ma.s.s, and especially when mixed up, the one actually neutralises the other. And they have no idea of using the colour of flowers as precious jewels in a setting of quiet environment, or of suiting the colour of flowering groups to that of the neighbouring foliage, thereby enhancing the value of both, or of ma.s.sing related or harmonious colourings so as to lead up to the most powerful and brilliant effects; and yet all these are just the ways of employing colour to the best advantage.

But the most frequent fault, whether in composition or in colour, is the attempt to crowd too much into the picture; the simpler effect obtained by means of temperate and wise restraint is always the more telling.

CHAPTER XVI

THE FLOWER-BORDER AND PERGOLA

The flower-border -- The wall and its occupants -- _Choisya ternata_ -- Nandina -- Canon Ellacombe's garden -- Treatment of colour-ma.s.ses -- Arrangement of plants in the border -- Dahlias and Cannas -- Covering bare places -- The pergola -- How made -- Suitable climbers -- Arbours of trained Planes -- Garden houses.

I have a rather large "mixed border of hardy flowers." It is not quite so hopelessly mixed as one generally sees, and the flowers are not all hardy; but as it is a thing everybody rightly expects, and as I have been for a good many years trying to puzzle out its wants and ways, I will try and describe my own and its surroundings.

There is a sandstone wall of pleasant colour at the back, nearly eleven feet high. This wall is an important feature in the garden, as it is the dividing line between the pleasure garden and the working garden; also, it shelters the pleasure garden from the sweeping blasts of wind from the north-west, to which my ground is much exposed, as it is all on a gentle slope, going downward towards the north. At the foot of the wall is a narrow border three feet six inches wide, and then a narrow alley, not a made path, but just a way to go along for tending the wall shrubs, and for getting at the back of the border. This little alley does not show from the front. Then the main border, fourteen feet wide and two hundred feet long. About three-quarters of the way along a path cuts through the border, and pa.s.ses by an arched gateway in the wall to the Paeony garden and the working garden beyond. Just here I thought it would be well to mound up the border a little, and plant with groups of Yuccas, so that at all times of the year there should be something to make a handsome full-stop to the sections of the border, and to glorify the doorway. The two extreme ends of the border are treated in the same way with Yuccas on rather lesser mounds, only leaving s.p.a.ce beyond them for the entrance to the little alley at the back.

[Ill.u.s.tration: A FLOWER-BORDER IN JUNE.]

The wall and border face two points to the east of south, or, as a sailor would say, south-south-east, half-way between south and south-east. In front of the border runs a path seven feet wide, and where the border stops at the eastern end it still runs on another sixty feet, under the pergola, to the open end of a summer-house. The wall at its western end returns forward, square with its length, and hides out greenhouses, sheds, and garden yard. The path in front of the border pa.s.ses through an arch into this yard, but there is no view into the yard, as it is blocked by some Yews planted in a quarter-circle.

Though wall-s.p.a.ce is always precious, I thought it better to block out this shorter piece of return wall on the garden side with a hedge of Yews. They are now nearly the height of the wall, and will be allowed to grow a little higher, and will eventually be cut into an arch over the arch in the wall. I wanted the sombre duskiness of the Yews as a rich, quiet background for the brightness of the flowers, though they are rather disappointing in May and June, when their young shoots are of a bright and lively green. At the eastern end of the border there is no return wall, but another planting of Yews equal to the depth of the border. Notched into them is a stone seat about ten feet long; as they grow they will be clipped so as to make an arching hood over the seat.

The wall is covered with climbers, or with non-climbing shrubs treated as wall-plants. They do not all want the wall for warmth or protection, but are there because I want them there; because, thinking over what things would look best and give me the greatest pleasure, these came among them. All the same, the larger number of the plants on the wall do want it, and would not do without it. At the western end, the only part which is in shade for the greater part of the day, is a _Garrya elliptica_. So many of my garden friends like a quiet journey along the wall to see what is there, that I propose to do the like by my reader; so first for the wall, and then for the border. Beyond the _Garrya_, in the extreme angle, is a _Clematis montana_. When the _Garrya_ is more grown there will not be much room left for the Clematis, but then it will have become bare below, and can ramble over the wall on the north side, and, in any case, it is a plant with a not very long lifetime, and will be nearly or quite worn out before its root-s.p.a.ce is reached or wanted by its neighbours. Next on the wall is the beautiful Rose Acacia (_Robinia hispida_). It is perfectly hardy, but the wood is so brittle that it breaks off short with the slightest weight of wind or snow or rain. I never could understand why a hardy shrub was created so brittle, or how it behaves in its native place. I look in my "Nicholson," and see that it comes from North America. Now, North America is a large place, and there may be in it favoured spots where there is no snow, and only the very gentlest rain, and so well sheltered that the wind only blows in faintest breaths; and to judge by its behaviour in our gardens, all these conditions are necessary for its well-being. This troublesome quality of brittleness no doubt accounts for its being so seldom seen in gardens. I began to think it hopeless when, after three plantings in the open, it was again wrecked, but at last had the happy idea of training it on a wall. Even there, though it is looked over and tied in twice a year, a branch or two often gets broken. But I do not regret having given it the s.p.a.ce, as the wall could hardly have had a better ornament, so beautiful are its rosy flower-cl.u.s.ters and pale-green leaves. As it inclines to be leggy below, I have trained a Crimson Rambler Rose over the lower part, tying it in to any bare places in the _Robinia_.