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It was a very plain little room in which Frank sat, and seemed designed, on purpose, to furnish no temptation to pilferers. There was a table, two chairs, a painted plaster statue of a gray-bearded man in black standing on a small bracket with a crook in his hand; a pious book, much thumb-marked, lay face downwards on the table beside the oil lamp. There was another door through which the monk had disappeared, and that was absolutely all. There was no carpet and no curtains, but a bright little coal fire burned on the hearth, and two windows looked, one up the drive down which Frank had come, and the other into some sort of courtyard on the opposite side.
About ten minutes pa.s.sed away without anything at all happening. Frank heard more than one gust of rain-laden wind dash against the little barred window to the south, and he wondered how his friends were getting on. The Major, at any rate, he knew, would manage to keep himself tolerably dry. Then he began to think about this place, and was surprised that he was not surprised at running into it like this in the dark. He knew nothing at all about monasteries--he hardly knew that there were such things in England (one must remember that he had only been a Catholic for about five months), and yet somehow, now that he had come here, it all seemed inevitable. (I cannot put it better than that: it is what he himself says in his diary.)
Then, as he meditated, the door opened, and there came in a thin, eager-looking elderly man, dressed like the brother who followed him, except that over his frock he wore a broad strip of black stuff, something like a long loose ap.r.o.n, hanging from his throat to his feet, and his head was enveloped in a black hood.
Frank stood up and bowed with some difficulty. He was beginning to feel stiff.
"Well," said the priest sharply, with his bright gray eyes, puckered at the corners, running over and taking in the whole of Frank's figure from close-cut hair to earthy boots. "Brother James tells me you wish to see me."
"It was Brother James who said so, father," said Frank.
"What is it you want?"
"I've got two friends on the road who want shelter--man and woman. We'll pay, if necessary, but--"
"Never mind about that," interrupted the priest sharply. "Who are you?"
"The name I go by is Frank Gregory."
"The name you go by, eh?... Where were you educated?"
"Eton and Cambridge."
"How do you come to be on the roads?"
"That's a long story, father."
"Did you do anything you shouldn't?"
"No. But I've been in prison since."
"And your name's Frank Gregory.... F.G., eh?"
Frank turned as if to leave. He understood that he was known.
"Well--good-night, father--"
The priest turned with upraised hand.
"Brother James, just step outside."
Then he continued as the door closed.
"You needn't go, Mr.--er--Gregory. Your name shall not be mentioned to a living being without your leave."
"You know about me?"
"Of course I do.... Now be sensible, my dear fellow; go and fetch your friends. We'll manage somehow." (He raised his voice and rapped on the table.) "Brother James ... go up with Mr. Gregory to the porter's lodge.
Make arrangements to put the woman up somewhere, either there or in a gardener's cottage. Then bring the man down here.... His name?"
"Trustcott," said Frank.
"And when you come back, I shall be waiting for you here."
(III)
Frank states in his diary that an extraordinary sense of familiarity descended on him as, half an hour later, the door of a cell closed behind Dom Hildebrand Maple, and he found himself in a room with a bright fire burning, a suit of clothes waiting for him, a can of hot water, a sponging tin and a small iron bed.
I think I understand what he means. Somehow or other a well-ordered monastery represents the Least Common Multiple of nearly all pleasant houses. It has the largeness and amplitude of a castle, and the plainness of decent poverty. It has none of that theatricality which it is supposed to have, none of the dreaminess or the sentimentality with which Protestants endow it. He had pa.s.sed just now through, first, a network of small stairways, archways, vestibules and pa.s.sages, and then along two immense corridors with windows on one side and closed doors on the other. Everywhere there was the same quiet warmth and decency and plainness--stained deal, uncarpeted boards, a few oil pictures in the lower corridor, an image or two at the turn and head of the stairs; it was lighted clearly and unaffectedly by incandescent gas, and the only figures he had seen were of two or three monks, with hooded heads (they had raised these hoods slightly in salutation as he pa.s.sed), each going about his business briskly and silently. There was even a cheerful smell of cooking at the end of one of the corridors, and he had caught a glimpse of two or three ap.r.o.ned lay brothers, busy in the firelight and glow of a huge kitchen, over great copper pans.
The sense of familiarity, then, is perfectly intelligible: a visitor to a monastery steps, indeed, into a busy and well-ordered life, but there is enough room and air and silence for him to preserve his individuality too.
As soon as he was washed and dressed, he sat down in a chair before the fire; but almost immediately there came a tap on his door, and the somewhat inflamed face of the Major looked in.
"Frankie?" he whispered, and, rea.s.sured, came in and closed the door behind. (He looked very curiously small and unimportant, thought Frank.
Perhaps it was the black suit that had been lent him.)
"By gad, Frankie ... we're in clover," he whispered, still apparently under the impression that somehow he was in church. "There are some other chaps, you know, off the roads too, but they're down by the lodge somewhere." (He broke off and then continued.) "I've got such a queer Johnnie in my room--ah! you've got one, too."
He went up to examine a small plaster statue of a saint above the prie-dieu.
"It's all right, isn't it?" said Frank sleepily.
"And there's another Johnnie's name on the door. The Rev. S. Augustine, or something."
He tip-toed back to the fire, lifted his tails, and stood warming himself with a complacent but nervous smile.
(Frank regarded him with wonder.)
"What do all the Johnnies do here?" asked the Major presently. "Have a rare old time, I expect. I bet they've got cellars under here all right.
Just like those chaps in comic pictures, ain't it?"
(Frank decided it was no use to try to explain.)
The Major babbled on a minute or two longer, requiring no answer, and every now and then having his roving eye caught by some new marvel. He fingered a sprig of yew that was twisted into a crucifix hung over the bed. ("Expect it's one of those old relics," he said, "some lie or other.") He humorously dressed up the statue of the saint in a pocket-handkerchief, and said: "Let us pray," in a loud whisper, with one eye on the door. And all the while there still lay on him apparently the impression that if he talked loud or made any perceptible sound he would be turned out again.
He was just beginning a few steps of a noiseless high-kicking dance when there was a tap at the door, and he collapsed into an att.i.tude of weak-kneed humility. Dom Hildebrand came in.
"If you're ready," he said, "we might go down to supper."
Frank relates in his diary that of all else in the monastery, apart from the church, the refectory and its manners impressed him most. (How easy it is to picture it when one has once seen the ceremonies!)
He sat at a center table, with the Major opposite (looking smaller than ever), before a cloth laid with knife, spoon and forks. All round the walls on a low das, with their backs against them, sat a row of perhaps forty monks, of every age, kind and condition. The tables were bare wood, laid simply with utensils and no cloths, with a napkin in each place. At the end opposite the door there sat at a table all alone a big, portly, kindly-faced man, of a startlingly fatherly appearance, clean-shaven, gray-haired, and with fine features. This was the Abbot.
Above him hung a crucifix, with the single word "_Sitio_" beneath it on a small black label.