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Problematic Characters Part 4

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To deliver this energetic speech, to jump down from his horse, to spit in his hands in order the better to take hold of the heavy riding-whip, and to begin belaboring the broad back of the servant according to rule--all this was the work of a moment for the impetuous steward.

"I will not be beaten, sir," remonstrated the man.

"You won't be beaten, you rascal," replied the other, never stopping for a moment; "I dare say not, but you'll get your beating notwithstanding."

Oswald, who suffered witnessing the scene, although he knew well how fully the man had deserved his punishment, begged Mr. Wrampe to let him go now. The latter gratified his wrath by a few last blows of great energy, and then said, as if concluding a quiet argument:

"Well, now come along, John, we'll get the wagon right again."



Then he put his broad shoulders to the wagon and got it into the road as if it had been a child's carriage; the horses, who had had time to recover, pulled heartily, and the servant could go on his way.

"Drive slowly home, you hear, and don't forget what I have told you,"

the steward cried after him.

"But you have told him nothing; you have only beaten him," said Oswald, smiling.

"And do you think these people understand any other kind of talking?"

"Have you ever tried it?"

Mr. Wrampe seemed to be slightly embarra.s.sed by this question. He said, in reply: "That has made me warm."

Then he pulled a brandy-flask, which held at least a quart, from his pocket, put his thumb against the place down to which he meant to empty it, drank, held the bottle against the light, and then, as he seemed to think that he had not done the whole of his duty, he took another good pull. After that he mounted his horse, which had stood quietly by him as if accustomed to such scenes, wished them a good evening, leaped once more across the ditch, and rode off at full gallop.

With Bruno everything turned into a pa.s.sion. The glow of his imagination changed the fictions of poetry into men of flesh and blood.

The death of Hector drew tears of sympathy and indignation from his eyes, and the moral disgust which he felt, when he witnessed an act of injustice or of cruelty, was so intense that it caused him a physical indisposition.

Thus, when Oswald the same night approached the bed of his favorite he found him, contrary to his usual habit, still wide awake. His face was paler than ordinarily, and large drops of perspiration stood on his forehead. Oswald was concerned, and learnt, after some hesitation on the boy's part, that the latter had concealed his sickness in order not to trouble his friend, and was now suffering great pain. Oswald was about to wake up everybody in the house and to send for a doctor, but Bruno begged him not to do so, because such a thing was always looked upon at the chateau as a very grave affair of state, and he disliked excessively to give so much trouble to others; besides, he confessed that the hubbub they made about the matter was apt to make his sickness only worse.

"Moreover," he said, "I am quite used to these attacks, and if you will be good enough to make me some tea, and to give me a few drops of the medicine which the doctor prescribed for me the other day,--the phial is on my desk,--you will see that I shall be right again directly."

Oswald hastened to bring him what he wanted. He gave the boy the medicine, made him drink his tea, arranged the pillows, brought another blanket, and did it all with that thoughtfulness and handiness, in which men of delicate feelings, even when they are not accustomed to sick-rooms, often far surpa.s.s professional nurses.

"It is almost a pleasure to be sick when one has you for a nurse," said Bruno, gratefully pressing his friend's hand.

"Hus.h.!.+ hus.h.!.+" replied the latter; "now do me the favor and get rid of your pain."

"I will do my best," said the boy, smiling.

Oswald's good wishes were soon fulfilled. The cold drops on the patient's brow became warm, and kindly nature lulled him to sleep, in order to restore in silence and secret the disturbed equilibrium of his system. At first, the delicate narrow hand which Oswald held in his own would now and then twitch a little; then all became quiet, and the improvised physician congratulated himself on the good success of his treatment. But he probably had some fears of a relapse; for he quietly slipped his hand from that of the boy, went for an easy-chair to his own room, and then sat down at the head of the bed. He had screwed down the lamp, so that the unusual light should not disturb the sleeper, and thus he sat in the dark, watching the moonlight as it was slowly sinking on the wall through an opening in the curtain, and listened to the regular breathing of the boy until weariness overcame him also and he fell asleep.

CHAPTER VI.

It was in the evening hours of one of the next following days when two ladies were seated in the garden saloon of the chateau; one was the Baroness Grenwitz, and the other a young lady who had ridden over from her seat in the neighborhood to pay a visit. The gla.s.s door which led from the room into the garden was wide open, and showed immediately before them a large lawn enclosed by tall trees, in the centre of which a Flora, carved in sandstone, had now for a century and a half poured stone flowers from her cornucopia. Within the room, which lay towards the north, it was almost dark already; but outside, the evening light was still lying warm on the green turf and the magnificent beech-trees and oaks; and the outlines of the two ladies, as they sat near a table pushed into the door, were sharply defined against the bright background.

A greater contrast than that which they formed could hardly be imagined. The Baroness Grenwitz was scarcely forty years old, but her large, cold gray eyes, which she always fixed long and piercingly upon those with whom she conversed, her lofty stature, far exceeding the ordinary height of women, and especially her peculiar way of dressing, made her sometimes look almost ten years older than she really was.

Whether from love of extreme simplicity, or, as others would have it, from a love of economy which degenerated into avarice, she preferred materials more famous, like the wedding-dress of the worthy wife of the Vicar of Wakefield, for their durability than for other showy qualities, and she chose a way of having her dresses made which could not be called old-fas.h.i.+oned, because there never had been such a fas.h.i.+on in existence. The first impression which she generally made was that of imposing dignity; the careful observer noticed, moreover, in her always perfect carriage, and especially in the unfailing quietness of her deep, sonorous voice, and her carefully chosen language, which was scrupulously free from any vulgar expression, a consciousness of the impression she produced, and a desire not to break the charm by any fault of hers.

We cannot say with certainty whether the lady who was with the baroness really was overawed by her stately appearance, or merely appeared to be so; this much only was evident, that she endeavored at that moment to a.s.sume an air which harmonized neither with the expression of her features nor with the costume which she wore. She was dressed in a riding-habit of dark green velvet, which she had tucked up sufficiently not to be troublesome in walking, and not to hide her small feet in their elegant little boots. The tight-fitting dress set off to great advantage the well-rounded outlines of her youthful form; and the little round hat, now lying with the gloves and the whip on a small table near by, must have been exceedingly becoming to the well-shaped head with the rich brown hair, which, simply parted in the middle, was falling in rich waves over forehead and ears, and was then gathered up behind in a wreath. She is seated opposite the baroness, who is a pattern of industry, and sews zealously on a piece of linen, which may possibly become a napkin, while the visitor is busy embroidering a cipher in another napkin. This is strange kind of work to be done in a riding-habit, and the lady does not seem to be particularly fond of it; at least she quickly throws up her head, when the baroness rises in order to look for something in another part of the room, and shows a pretty face, with soft, child-like features, and large brown eyes, full of moist tenderness. Just now, however, the face bears rather the expression of a wilful school-girl, when her rigid teacher's back is turned for a moment.

"What were you saying, my dear Anna Maria?" asked the lady, bending once more over her work as the baroness turned round.

"I was asking, dear Melitta, whether you had enough red yarn?"

Melitta looked as if she were going to say, "More than I want!" but she contented herself with the reply: "I think I have enough."

The baroness had taken her seat again and continued the conversation, which had been interrupted for a moment.

"Then there if little hope of complete recovery?" she said.

"Little or none," replied Melitta, "especially now, since his violent attacks have ceased. Doctor Birkenhain writes that only a miracle can save Carlo from insanity, and I presume that means simply, he is irrevocably lost."

"It is a sad fate which the Almighty has decreed for you, my poor Melitta," said the baroness.

Melitta shrugged her shoulders, but said nothing.

"It was in this very room," continued the baroness, taking it apparently for granted that the subject could not be in any way painful to Melitta, "that I saw Berkow the last time. I must confess that I could not overcome a slight suspicion already, on the evening on which he had that disagreeable quarrel with your cousin Barnewitz, when Baron Oldenburg tried in vain to make an end to the trying scene."

Melitta von Berkow did not seem to be specially delighted with this evidence of the admirable memory of the baroness; she became restless, and asked, apparently without knowing what she was saying:

"Have you heard from Oldenburg?"

"The baron came back a week ago."

"Oh!" cried Melitta, in a tone which made the baroness look up from her work.

"What is the matter, Melitta?"

"I am so awkward," said the latter, and pressed a tiny drop of blood from a finger of her left hand. "So Oldenburg is back again? What brings him back to us? Has he found Egypt as tiresome as our own country here?"

"The contracts with his tenants expire next November, like some of our own. I presume that was the cause of his return. He seems to have become a greater misanthrope than ever. Griebenow, one of our men, met him in the forest; he has not been here yet."

"Well, my dear Anna Maria, you will not mind, I am sure, that want of attention on his part; you never were very good friends, I believe."

"I am not aware that Oldenburg ever desired to be a friend of mine. He never had any friends. A man who openly scoffs at all religion, who forgets the honor of his caste and the interests of his equals so far as to speak in the National a.s.sembly and at every meeting in favor of all innovators; a man who apparently only comes among us in order to laugh at us--such a man has only to blame himself if we bestow our interest and our sympathy upon others who deserve it better."

"Well, I should not have thought that he was ever made to feel the want of interest in himself. Nor will he be left without it now. I never could understand why all the world took so much trouble about a man who minds the world as little as he does."

"That is easy of explanation, dear Melitta. The Oldenburgs are one of our oldest families; we cannot look on with indifference when the last scion of such a race becomes a plebeian."

"Oldenburg will never be a plebeian," said the younger lady, with some warmth.

"Why, dear Melitta, you take the baron's part very warmly. Would you also defend his immoral way of living, and his love affairs with which he has enriched the _chronique scandaleuse_ of this and other districts?"

"I have never done anything immoral, as far as I know, nor approved of it," said the visitor, with greater heat than before. "And as for Baron Oldenburg's private life, I do not presume to judge it, because I know nothing of it. However," she continued, after a short pause and in a much quieter tone, "I should really be astonished if Oldenburg were such a Don Juan as people make him out to be. You must admit, my dear Anna Maria, that he has neither the beauty nor the address which are commonly expected in such a character?"

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Problematic Characters Part 4 summary

You're reading Problematic Characters. This manga has been translated by Updating. Author(s): Friedrich Spielhagen. Already has 622 views.

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