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March 23, Marie Louise wrote to her father, from Strasbourg, a long letter, in which she apologized for her long silence, pleading the excessive fatigue of a long journey, during which she had to get up every morning at five, travel all day, and spend every evening at receptions and theatrical performances. She added that the programme of the festivities at Strasbourg had just been submitted to her for her orders. "I can't tell you, dear papa," she said, "how funny it seems to me, who have never had any will of my own, to have to give orders." At Strasbourg she had the pleasure of meeting Count Metternich, who had left Vienna March 12, and after stopping at many German courts, was about to push on to Paris. The festivities there were very brilliant. A newspaper of the town said, March 24, "Among the guests was the Austrian general, Count Neipperg, who was here on a mission from his government, as also many officers." Who could have foreseen that this unknown general would one day be Marie Louise's consort, Napoleon's successor?
It was at Strasbourg that the Empress received her first letter from her father since her departure from Vienna. She answered it at once: "I beg of you, dear father, pray for me most warmly. Be sure that I shall try with all my strength to perform the duty you have a.s.signed to me. I am easy about my fate. I am sure that I shall be happy. I wish you could read Napoleon's letter: it is full of kindness." With every step she made on French soil, Marie Louise became reconciled with her lot. For his part, the Emperor awaited his new companion with all the impatience of a youth of twenty, "Every day," says his valet Constant, "he sent a letter, and she answered regularly. Her first letters were very short and probably very cool, for the Emperor never mentioned them; but the later ones were longer and gradually more affectionate, and the Emperor used to read them with transports of delight.... He complained that his couriers were lazy though they killed their horses. One day he came back from hunting, carrying two pheasants in his hand, and followed by some footmen bearing the rarest flowers from the conservatory at Saint Cloud.
He wrote a note, summoned his first page, and said to him: 'Be ready to start in ten minutes, by coach. In it you will find these things, which you will deliver to the Empress with your own hands. And above all, don't spare the horses. Go as fast as you can, and fear nothing.'
The young man asked nothing better than to obey His Majesty. Thus authorized, he hurried at full speed, giving his postilions double pay, and in twenty-four hours he had reached Strasbourg." According to Madame Durand, "It was evident that Marie Louise read the Emperor's letters with ever-increasing interest. She awaited them with impatience; and if the courier was behind time, she asked frequently if he had not come, and what could have delayed him. This correspondence must have been charming, since it evoked a feeling destined to acquire great strength.
Napoleon, on his side, was burning with desire to see his young wife; he was more flattered by this marriage than he would have been by the conquest of an empire. What most delighted him was to know that she had given her consent of her own free will."
The Baron de Meneval also tells about Napoleon's correspondence with this new wife, whom he had not seen and was so impatient to know: "He wrote to her every day as soon as she had set foot on French soil; he sent bouquets of the most beautiful flowers along with the letters, and sometimes game. He was delighted with the answers, some of which were long, that he received. These replies were written in good French; the Empress expressed herself with delicacy and decorum: perhaps the Queen of Naples aided her. She wrote many details, which interested the Emperor very much."
The Empress left Strasbourg, March 25, in the direction of Nancy. She dined at Bar-le-Duc, and at Vitry-le-Francois received the Prince of Schwarzenberg, the Austrian Amba.s.sador, and the Countess Metternich. She had just made up her mind to hurry her journey, and thus to hasten the moment set by etiquette for meeting her husband. The hour which Napoleon had awaited so impatiently was now drawing near. XI.
COMPIeGNE.
Since the 20th of March, Napoleon had been at Compiegne, denouncing the c.u.mbrous machinery of etiquette which was r.e.t.a.r.ding the happy moment when he should at last see his new wife and enfold her in his arms.
He had had the castle repaired and richly furnished, that it might be worthy to receive a daughter of the Caesars. The grand gallery had been decorated with gilded ceilings and stucco columns; the garden had been replanted and adorned with statues. The waters of the Oise had been carried there by a system of water-works. All the members of the Imperial family had arrived; the court was most brilliant. The Emperor wished to dazzle his young wife with unheard-of splendor.
The minutest details of the meeting of the Imperial couple had been carefully arranged beforehand; it was settled that this should take place in all formality, March 28, between Soissons and Compiegne.
The Emperor was to leave the last-named place with the princes and princesses of his family, preceded and followed by detachments of the mounted Imperial Guard. Two leagues from Soissons they would find a pavilion composed of three tents, entered by two flights of steps, one on the side towards Compiegne, the other on that towards Soissons; the first one was for Napoleon, the other for Marie Louise. The pavilion, which was richly decorated with flags, was surrounded by trees; near it flowed a brook. The central tent, the one in which the Emperor and Empress were to meet for the first time, was decorated with purple and gold. It had been settled that Marie Louise should fall on her knees as soon as she saw her husband, that he should help her to her feet and kiss her; then that both should get into a state carriage, and both the escorts should unite and form one.
The preparations were completed March 27. Everything--horses, carriages, escort, pavilion--was ready. That morning Prince Charles of Schwarzenberg, the Austrian Amba.s.sador, and the Countess Metternich, the Minister's wife, arrived at the castle of Compiegne from Vitry-le-Francois, where they had seen the Empress, of whom they could bring news to Napoleon. At noon the Emperor received a letter from Marie Louise, in which she said that in order to make greater haste she was leaving Vitry-le-Francois that very morning for Soissons. When this letter was handed to him, Napoleon was walking up and down in the park, as if to overcome the impatience which this interminable waiting produced. When he learned that his wife was so near, he could wait no longer, and he decided to turn his back on the etiquette which had been so laboriously prepared for the next day, and to hasten to meet Marie Louise. He summoned Murat, whom he wished to have as his sole companion, and leaving the park secretly by a hidden gate, he and his brother-in-law got into a modest, undecorated carriage, which was driven by a coachman not in livery towards Soissons as fast as the horses could carry it.
Never had the Emperor known time to drag so slowly. A double feeling--of curiosity and love--set his heart beating as if he were a youth of twenty. When he had got beyond Soissons, he judged that Marie Louise could not be far distant, and he alighted at a village called Courcelles.
The Empress meanwhile had been journeying ever since the morning in the same carriage as her sister-in-law, Queen Caroline, with no idea of what was going to happen. She had pa.s.sed through Chalons and Rheims, and proposed to dine at Soissons, where she expected to pa.s.s the night; for the meeting with the Emperor was set down for the next day, March 28, at the pavilion erected two leagues from that town. It was raining in torrents when Napoleon reached there, and he got down with his brother-in-law and sought shelter under the porch of the church opposite the posting-station. No one in the village had a suspicion that the two strangers seeking refuge from the rain were the great Emperor and the King of Naples. Suddenly the clatter of wheels was heard, and a carriage, preceded by an outrider and followed by a great many vehicles, rolled up. It was she, at last,--Marie Louise, Archd.u.c.h.ess of Austria, Empress of the French, Queen of Italy, the woman who would bring him a son and heir to the vast empire! Pride and the intoxication of triumph mingled with the conqueror's joy.
The carriage stopped, and the men began to change the horses. Napoleon hastened to the carriage-door. He did not want to be recognized for a few moments yet, but the equerry, d'Audenarde, scarcely believing his eyes, shouted, "The Emperor!" The happy husband flung himself into the arms of his wife, who was overcome with surprise and emotion. The first glance delighted him. That fine young woman, fresh and young, full of strength and health, with her blonde hair, her blue eyes, her air of innocence and candor, was the wife he wanted, the Empress of his dreams; and the words she said to him flattered and touched him, went straight to his heart! After looking at him for some time, she said timidly and gently: "You are much better-looking than your portrait."
A courier was despatched to carry the news at full speed to Compiegne, that the Emperor and Empress would arrive there at about two o'clock, and the carriage containing Napoleon and Marie Louise, with the King and Queen of Naples, started in the direction of Soissons, followed by the carriages containing the Empress's suite. They stopped but a moment at Soissons. "I had the honor," says M. de Bausset, "to be in the carriage with Mesdames de Montmorency and de Montemart and the Bishop of Metz. It seemed to me that these ladies were more contented than I was to leave the excellent dinner which was awaiting us there." Soissons, which had made many expensive preparations, had no return for its money and trouble. As to the ceremonious meeting in the pavilion two leagues off, which had been prepared for the next day at some expense, it was not to be thought of. Napoleon showed tact and courtesy by relieving his wife of this alarming formality, and especially of the necessity of kneeling before him. He was happily inspired in setting feeling before etiquette, and in yielding to his impatience to see the face and hear the voice of his long-awaited wife.
As soon as the courier, sent in advance, reached Compiegne, and announced the great news, the town was in commotion. The illuminations were got ready, the triumphal arches were decked with flags, orders were given to greet the entry of the Emperor and Empress with a salute of a hundred and one cannon. Marshal Bessieres made ready the mounted guard.
In spite of the rain, the inhabitants a.s.sembled in crowds to meet the sovereigns at the stone bridge where Louis XV. had met the Dauphiness, Marie Antoinette. The courts and galleries of the castle, which were open to the public, were thronged with inquisitive visitors. A hard rain was falling, and the night was so dark that nothing could be seen without torches. At ten o'clock the cannon announced the arrival of the Imperial couple, who rapidly ascended the Avenue. The princes and princesses were waiting at the foot of the staircase, and the Emperor presented them to the Empress. The town authorities were a.s.sembled in a gallery where was the Prince of Schwarzenberg; a band of young girls dressed in white paid their respects to the Empress, and offered her flowers. The Emperor then conducted her to her apartments, where she was delighted, as she was surprised, to find her little dog and her birds from Vienna, as well as a piece of tapestry which she had left unfinished at the Burg. This delicate attention of Napoleon's moved her to tears. She was also pleased to see a magnificent piano. After a quiet supper, at which the Queen of Naples was the only guest, the Emperor conducted his wife to the room of his sister Pauline, the Princess Borghese, who had been prevented by illness from taking part in the reception. Then he showed her to her own room.
The portrait of the Empress which the Baron de Meneval has drawn, is as follows: "Marie Louise had all the charm of youth; her figure was perfectly regular; the waist of her dress was rather longer than was generally worn at that time, and this added to her natural dignity and contrasted favorably with the short waists of our ladies; her coloring was deepened by her journey and her timidity; her fine and thick hair, of a light chestnut, set off a fresh, full face, to which her gentle eyes lent a very attractive expression; her lips, which were a little thick, recalled the type of the Austrian Imperial line, just as a slightly aquiline nose distinguishes the Bourbon princes; her whole appearance expressed candor and innocence, and her plumpness, which she lost after the birth of her son, indicated good health."
The next day, after breakfast, the ladies and officers of the household who had not met her at Braunau were presented to the Empress, and they took the oath of allegiance. Then followed the presentation of the Generals and Colonels of the Guards, of the Ministers and high officers of the crown, and of the officers and ladies who were to attend her on leaving Compiegne. She had the pleasure of meeting at the castle her uncle, the Grand Duke of Wurzburg, her father's brother, with whom she talked for a long time about her country and her family. She also chatted with the Prince of Schwarzenberg and with the Countess Metternich. All day Napoleon was in charming humor. Contrary to his usual custom he dressed for dinner, putting on a coat which his sister Pauline, an authority on fas.h.i.+ons, had commanded of Leger, the tailor of the King of Naples, who was fond of expensive and handsome clothes. This coat and a white tie were not becoming to Napoleon; his simple uniforms and black tie suited him much better. This was the only time he wore the coat which the Princess Pauline had ordered; on ordinary occasions he appeared in the green uniform of the Cha.s.seurs of the Guard; and on Sundays and reception days in his blue uniform with white facings.
March 29, the Count of Praslin set out from Compiegne for Vienna, carrying two letters, one from Napoleon, the other from Marie Louise, to the Emperor Francis II. In his letter Napoleon said to his father-in-law, "Allow me to thank you for the present you have made me.
May your paternal heart rejoice in your daughter's happiness!" Marie Louise, too, expressed content and joy; after telling her father with what delicacy her husband had lessened the embarra.s.sment of the first interview, she went on: "Since that moment I feel almost at home with him; he loves me sincerely, and I return his affection. I am sure that I shall have a happy life with him. My health continues good. I am quite rested from the journey.... I a.s.sure you that the Emperor is as solicitous as you were about my health. If I have the least cold, he will not let me get up before two o'clock. I only need your presence to be perfectly happy, and my husband would also be very glad to see you. I a.s.sure you that he desires it as sincerely as I do." Five days later she wrote: "I am able to tell you, my dear father, that your prophecy has come true: I am as happy as I can be. The more friends.h.i.+p and confidence I give my husband, the more he heaps upon me attentions of every kind.... The whole family are very kind to me, and I can't believe all the evil that is said of them. My mother-in-law is a very amiable and most respectable princess who has welcomed me most kindly. The Queens of Naples, Holland, and Westphalia and the King of Holland are very amiable. I have also made the acquaintance of the Viceroy of Italy and his wife. She is very pretty."
The court left Compiegne March 31. At the entrance of the Bois de Boulogne the Emperor and Empress were met by Count Frochot, Prefect of the Seine, and a crowd of Parisians. The Prefect made a speech which concluded with these words: "Escorted from Vienna to this point by the love of the people, Your Majesty now knows that by the prominence of her virtues as well as by the graces of her person, her destiny is to rule over all hearts. Our own, Madame, shall be to make you find again here in your customary abode, the country that you most love, where you were most cherished, and to succeed in making worthy of Your Majesty the homage of our allegiance, of our respect, and of our love."
At half-past six in the evening Napoleon and Marie Louise arrived at Saint Cloud, where were a.s.sembled in full dress the marshals, the cardinals, the great dignitaries of the Empire, the senators and the state councillors. At the palace there was a family dinner, and after it the ladies of the Palace of the Italian Crown, Countesses Porro, Visconti, Thiene, Trivulci, and Mesdames Gonfalonieri, Trotti, de Rava, Fe, Mocenigo, Montecuculli, were presented by the Italian maid-of-honor, the d.u.c.h.ess Litta, and they all took the oath of allegiance. The civil marriage was appointed for the next day, April 1, at Saint Cloud, and the religious ceremony for the next but one, April 2, in the _Salon Carre_ of the Louvre, between the long gallery of the Museum and the Apollo Gallery. The formal entry of the Emperor and Empress into their capital on the day of the religious marriage was to be an occasion of great pomp. Strangers had gathered from all quarters of Europe to witness this impressive sight, and as much as six hundred francs was paid for the smallest room from which the pa.s.sage of the Imperial procession could be seen. Never, perhaps, in France or anywhere else, had any ceremony excited so much curiosity. The Royalists themselves had come to believe that Napoleon, the miraculous being, had forever fastened fortune to his triumphal chariot. There was a truce to recriminations. For a moment the caustic wit of the Parisians turned into profound admiration. The great conqueror, in light of his apotheosis, was more like a demiG.o.d than a man. Every one was eager to look upon him and his young Empress.
XII.
THE CIVIL WEDDING.
The civil wedding of Napoleon and Marie Louise was celebrated at Saint Cloud, Sunday, April 1,1810. At the end of the Apollo Gallery, which was adorned with Mignard's frescoes, and still full of reminiscences of the great century, had been placed on a platform two armchairs, each under a canopy; the one to the right for the Emperor, the other for the Empress.
Below the platform, and to one side, was a table covered with a costly cloth, on which were an inkstand and the civil registers. At two in the afternoon the Colonel of the Guard on duty and the high officers of the crown of France and Italy went to escort Their Majesties. The procession formed and made its way through the Emperor's study, the Princes'
drawing-room, the throne-room, the Mars room, to the Gallery of Apollo, in the following order: ushers, heralds-at-arms, pages, a.s.sistants to the masters of ceremonies, the masters of ceremonies, the officers of the household of the King of Italy, the equerries of the Emperor, his aides-de-camp, the two equerries on duty, the aide on duty, the Governor of the Palace, the Secretary of State of the Imperial family, the high officers of the crown of Italy, the High Chamberlain of France and the one of Italy, the Grand Master of Ceremonies and the Chief Equerry of Italy, the Princes who were high dignitaries, the Princes of the family, the Emperor, the Empress; and behind Their Majesties, the Colonel of the Guard on duty, the Chief Marshal of the Palace, the Grand Master of the House of Italy, the Grand Almoner of France, the one of Italy, the Knight of Honor and the Prince Equerry of the Empress, carrying the train of her cloak, the maids-of-honor of France and Italy and the Lady of the Bedchamber, the Princesses of the family, the ladies of the palace, the maids-of-honor of the Princesses, the officers on duty of the households of the Princes and Princesses.
When the procession had reached the Apollo Gallery, the ushers, the heralds-at-arms, and the pages drew up in line to the right and left in the Mars room, near the door. The officers and high officers of France and Italy, the maids-of-honor and the Lady of the Bedchamber took their places behind Their Majesties' chairs, in order of rank. The Emperor and Empress seated themselves on the throne, the Princes and Princesses on the right and left of the platform in the following order and according to their family rank: To the right of the Emperor:
His mother; Prince Louis Napoleon, King of Holland; Prince Jerome Napoleon, King of Westphalia; Prince Borghese, Duke of Guastalla; Prince Joachim Napoleon, King of Naples; Prince Eugene, Viceroy of Italy; The Prince Archchancellor; The Prince Vice-Grand Elector.
On the Empress's left:--
Princess Julia, Queen of Spain; Princess Hortense, Queen of Holland; Princess Catherine, Queen of Westphalia; Princess Elisa, Grand d.u.c.h.ess of Tuscany; Princess Pauline, d.u.c.h.ess of Guastalla; Princess Caroline, Queen of Naples; The Grand Duke of Wurzberg; Princess Augusta, Vice-Queen of Italy; Princess Stephanie, Hereditary Grand d.u.c.h.ess of Baden; The Hereditary Grand Duke of Baden; The Prince Archtreasurer; The Prince Vice-Constable.
As soon as the Emperor was seated, the Prince Archchancellor of the Empire, followed by the Secretary of State of the Imperial family, approached the throne, bowed low, and said: "In the name of the Emperor (at those words Their Majesties rose), Sire, does Your Imperial and Royal Majesty declare that he takes in marriage Her Imperial and Royal Highness Marie Louise, Archd.u.c.h.ess of Austria, here present?" Napoleon replied: "I declare that I take in marriage Her Imperial and Royal Highness Marie Louise, Archd.u.c.h.ess of Austria, here present." The same question was then put to Marie Louise in these terms: "Does Her Imperial Highness Marie Louise, Archd.u.c.h.ess of Austria, declare that she takes in marriage His Majesty the Emperor and King, Napoleon, here present?" She answered: "I declare that I take in marriage His Majesty the Emperor and King, Napoleon, here present." Then the Archchancellor, Prince Cambaceres, announced the marriage in these words: "In the name of the Emperor and of the Law, I declare that His Imperial and Royal Majesty Napoleon, Emperor of the French and King of Rome, and Her Imperial and Royal Highness, the Archd.u.c.h.ess Marie Louise, are united in marriage."
At the same instant the ceremony was proclaimed by salvos of artillery fired at Saint Cloud and repeated in Paris by the cannon of the Invalides. Napoleon must have felt a thrill of pride at this moment.
The Apollo Gallery, where the rite was celebrated, was full of pleasant memories; there it was that the Ancients were sitting on that eventful 19th Brumaire when the foundations of his vast power were laid, and there it was that he had uttered that ringing sentence, "Remember that I march in the company of the G.o.d of Fortune and the G.o.d of War." There it was that, May 18, 1804, he had said to the Senators who came to proclaim the Empire: "I accept the t.i.tle which you deem of service to the nation's glory. I hope that France will never repent the honors with which it loads my family." And in this same gallery he was marrying in triumph the daughter of the Germanic Caesars. The Palace of Saint Cloud brought him good luck. And yet it was from this palace that he set out two years later on the disastrous Russian campaign; and from there his successor, sixty years later, started for a still more ruinous war. And as for this Palace of Saint Cloud, so brilliant and radiant, what was to become of it? But in 1810 no one could have felt such fears for the future.
The marriage proclaimed, the doc.u.ment had to be signed. The Secretary of State of the Imperial family presented the pen to the Emperor and then to the Empress, who signed (without leaving their places or rising) on a table brought up before the throne. The Princes and Princesses then walked up to the table, and after bowing to Their Majesties, signed in the order fixed by the order of ceremonies. When, finally, the Archchancellor and the Secretary had affixed their signatures, the procession, in the same order as before, reconducted Their Majesties to the Empress's apartments.
Possibly only one thing gave Napoleon a vague uneasiness: fourteen of the Italian cardinals had approved as regular and satisfactory the judgment of the officials of Paris concerning the invalidity of the religious marriage with Josephine; while thirteen others, among whom was Consalvi, thought that the Pope alone was competent to decide so important a matter. The rumor had spread that these thirteen recalcitrant cardinals would not be present at the nuptial benediction to be given to Napoleon and Marie Louise the next day in the _Salon Carre_ of the Louvre. But Napoleon in his wrath had exclaimed, "Bah!
they will never dare to stay away!"
That evening after dinner Their Majesties went into the family drawing-room. The company that was to accompany them to the play a.s.sembled in the neighboring rooms. The orange-house, which had been converted into a court theatre, was illuminated. The piece to be given was _Iphigenia in Aulis_, one of the favorite operas of the unhappy Marie Antoinette, the new Empress's great-aunt. The choice of this piece seemed an unhappy one; for Iphigenia recalled the idea of a sacrifice, and the aristocracy of Europe thought that Marie Louise had been sacrificed. General de Segur, in spite of his admiration for the Imperial glories, says in his Memoirs: "The feeling that prevailed in Paris, along with the general curiosity, was surprise at the presence of a princess ascending a throne reared so near the scaffold stained with the blood of one of her near relatives. This cruel memory offended the feeling of propriety peculiar to the French and especially to the Parisians. They were insensibly pained by this reminder which made too evident the sacrifice extorted from Austria, and they felt that their victory had been carried too far. They condemned the imitation of Louis XVI., whose sad fate was attributed to a similar selection." But the fickle crowd which a.s.sembled, eager for pleasure in the park of Saint Cloud, made no such reflections. "The illumination of the park," says the _Moniteur_, "had been arranged with infinite art; the fountains were rendered more brilliant by the lights which were thrown upon the cascades. The great waterfall especially produced a magical effect.
Poets, in their description of enchanted gardens, have given but a feeble idea of such an appearance and of such an effect of light.
Throughout the park sports of all kinds had been prepared. An immense crowd, from Paris and the suburbs, took part in the festival, which was most gay and animated. The arrangements were novel and far exceeded general expectations."
At Saint Cloud, Sunday, April 1, 1810, when the civil marriage was celebrated, the weather was pleasant, while in Paris the streets were flooded by a heavy rain. The next day, that of the religious marriage, it rained at Saint Cloud, but the weather in Paris was magnificent, so that nothing was lost of the magnificence of the procession or of the brilliancy of the illuminations. The Emperor's good fortune, it was said, had twice triumphed over the equinoctial storms. In the ever-flattering _Moniteur_ it was said: "April 2 had been chosen for Their Majesties' entrance into the capital and the wedding rites. One strange circ.u.mstance aroused universal attention and called forth much favorable comment. A tempest had raged almost all of the previous night.... It was hence natural to suppose that all the preparations which for a month had excited general interest would have to be kept until a more favorable day; but such was not the case, and what has often happened occurred once more. The agreeable temperature which the suns.h.i.+ne produced was the more remarkable because it lasted only while the festivities were going on, beginning and ending with them, and never was one more strongly reminded of the two familiar lines of Virgil when, recalling the tempest in the night and the calm of the day appointed for a great entertainment, he represents the heavens under the divided control of Augustus and Jupiter:--
"'Nocte pluit tota, redeunt spectacula mane, Divisum imperium c.u.m Jove Caesar habet.'"
XIII.
THE ENTRANCE INTO PARIS.
Monday, April 2, 1810, as soon as day began to break, Paris and all the country round about set forth towards the Saint Cloud road. From eight in the morning the windows were filled with women. Everywhere scaffolding had been put up; fences, roofs, and trees were crowded with numberless spectators. At the base of the side openings of the great Arc de Triomphe de l'etoile, steps had been set in the form of an amphitheatre, where a great many persons had taken their place by invitation of the Prefect of the Seine. Of the arch itself, which was to be built in stone, only the bases had been built to a height of about twenty feet, but the rest of the structure was raised in canvas over a framework for the Emperor's formal entry into Paris. The speed with which the work had been done seemed magical; nearly five thousand laborers had been employed, and the temporary structure, imitating the real one, had been finished in less than twenty days. At the summit was this inscription: "To Napoleon and Marie Louise, the city of Paris."
The top of the arch, where the vaulting started, was decorated with bas-reliefs, and with sunk panels in the middle of which were eagles.
There were twelve medallions--six towards Pa.s.sy, six on the other side; namely, the portrait of the Emperor, with this motto, "The happiness of the world is in his hands" (the address of the Senate); a laurel with many sprouts, and these words, "He has made our glory"; a roaring leopard, with this motto, "He laughed at our discords, he weeps at our reunion"; the monograms of Napoleon and Marie Louise, with this inscription, "We love her through our love for him, we shall love her for herself"; a Love placing a wreath of myrtles and roses on the helmet of Mars, with this motto, "She will charm the hero's leisure"; the sun and a rainbow, and these words, "She announces happy days to the world"; the Empress's portrait, and this inscription, "To her we owe the happiness of the August spouse who has set her so high in his thoughts"; the figure of the Danube, and this line, "He enriches us with what is most precious"; the Austrian coat-of-arms; the monogram of Their Majesties, and the motto, "She will be a true mother to the French"; the figure of the Seine, motto, "Our love will be grateful for the gift he makes to us"; and last, the French coat-of-arms.
The six bas-reliefs represented the following subjects: Legislation--the Emperor in his robes, seated upon the throne, points towards the tables on which is inscribed the Code, while Innocence, in the form of a young maiden, is sleeping at the foot of the Imperial throne; National Industry--merchants presenting to the Emperor various products from their warehouses; the Arrival of the Empress in Paris; the Decorations of the Capital; the Emperor's Clemency--Napoleon seated, with his hand on his sword, is crowned by Victory, while he generously pardons his vanquished enemies; union of the Emperor and Empress--Napoleon and Marie Louise hand-in-hand, in token of alliance, before an altar placed at the foot of the statue of Peace.
The salvos of artillery were heard, announcing the departure of the Emperor and Empress from Saint Cloud. At the same moment, as if in obedience to the signal, the sun appeared on the horizon, to s.h.i.+ne all day, and just when the procession reached the Arc de Triomphe, it appeared with greater brilliancy. The cavalry of the Imperial Guard headed the procession, the lancers in front, then the cha.s.seurs, followed by the dragoons, with the bands in advance; the heralds-at-arms came next; and after them the carriages, the one containing the Emperor drawn by eight horses, the others by six. Napoleon and Marie Louise were in the famous coronation coach. Its four sides consisted of four large pieces of clear gla.s.s, set in slender, gilded and wrought corner-posts, giving as unimpeded view of those within as if the coach was open.
The Emperor was to be seen in his cloak of red and white velvet; the Empress, in court dress and wearing the crown diamonds. The top of this magnificent coach consisted of a sort of golden dome, upheld by four eagles with outspread wings, and surmounted by a huge crown. The Marshals of France and the colonels in command of the Guard rode on each side, near the doors of the carriage, the aides near the horses, the equerries near the hind wheels. According to the etiquette prescribed for the occasions when the Emperor used this state carriage, as many pages as possible got on the footboard and on the seat near the driver.
The procession reached the Arc de Triomphe at one o'clock. Twelve cannon had been placed on the high ground near by, twelve others in the garden of the Tuileries, on the terrace by the riverside, and their salutes were repeated by the cannon of the Invalides. Bands which had been stationed along the routes played triumphal marches. All the church bells were rung at full peal. The Imperial coach stopped beneath the arch, where the Governor of Paris, the Prefect of the Seine, the Prefect of the Police, and the twelve mayors received the sovereigns.