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The Children of the Company Part 19

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Through the door to the dining room we caught glimpses of napery like snow, folded in a wilderness of sharp little peaks, with here and there a gilt epergne rising above them.

Not what I'd call unnecessary trouble, no, though it proved impossible to requisition anything at this late date. However, I did have a vehicle allocated for my own personal use and that fine runabout is entirely at your disposal.

Merci, merci mille fois! But will this not impede your own mission?

Not at all, dear lady. I shall be obliged to you for transportation as far as the Palace, I think, after we've dined; but since my mission involves nothing more strenuous than carrying off a child, I antic.i.p.ate strolling back across the city with ease.

You are too kind, my friend.



A gentleman could do no less. I pulled out a chair for her.

We chatted pleasantly of trifling matters as the rest of the guests arrived. We studied the porcelain menu in some astonishment-the Company had spent a fortune here tonight, certainly enough to have allotted me one extra automobile. I was rather nettled, but my irritation was mollified somewhat by the antic.i.p.ation of our carte du jour:

Green Turtle Soup Consomme Divinesse

Salmon in Sauce Veloute Trout Almandine Crab c.o.c.ktail

Braised Sweetbreads Roast Quail Andaluz

Le Faux Mousse Faison Lucullus

Early Green Peas White Asparagus Risotto Milanese

Roast Saddle of Venison with Port Wine Jelly

Curried Tomatoes Watercress Salad

Chicken Marengo Plovers' Eggs Virginia Ham Croquettes

Lobster Salad Oysters in Variety

Gateau d'Or et Argent a.s.sorted Fruits in Season

Rose Snow Tulip Jellies Water Ices

Surprise Yerba Buena

All accompanied, of course, by the appropriate vintages, and service a la russe. We were being rewarded.

A s.h.i.+ft in the black rock, miles down, needle-thin fissures screaming through stone, perdurable clay bulging like the head of a monstrous child engaging for birth, straining, straining, STRAINING!

The smiling chatter stopped dead. The waiters looked around, confused, at that elegant a.s.sembly frozen like mannequins. Not a sc.r.a.pe of chair moving, not a chime of crystal against china. Only the sound that we alone listened to: the cello-string far below us, tuning for the dance of the wrath of G.o.d. I found myself staring across the room directly into Lewis's eyes, where he had halted at the doorway in midstep. The immortal lady on his arm was still as a painted image, a perfect profile by da Vinci.

The orchestra conductor mistook our silence for a cue of some kind. He turned hurriedly to his musicians and they struck up a little waltz tune, light, gracious accompaniment to our festivities. With a boom and a rush of vacuum the service doors parted, as the first of the waiters burst through with tureens and silver buckets of ice. Champagne corks popped like artillery. As the noises roared into our silence, an immortal in white lace and spangles shrieked; she turned it into a high trilling laugh, placing her slender hand upon her throat.

So conversation resumed, and a server appeared at my elbow with a napkined bottle. I held up my gla.s.s for Champagne. Madame D'Arraignee and I clinked an unspoken toast and drank fervently.

Twice more while we dined on those good things, the awful warning came. As the venison roast was served forth, its dish of port jelly began to s.h.i.+mmer and vibrate-too subtly for the mortal waiters to notice more than a pretty play of light, but we saw. On the second occasion the oysters had just come to table, and what subaudible pandemonium of clattering there was: half-sh.e.l.l against half-sh.e.l.l with the sound of basalt cliffs grinding together, and the staccato rattle of all the little sauceboats with their scarlet and yellow and pink and green contents; though of course the mortal waiters couldn't hear it. Not even the patient horses waiting in their carriage-traces heard it yet. But the sparkling bubbles ascended more swiftly through the gla.s.ses of Champagne.

The waiters began to move along the tables bearing trays: little cut-crystal goblets of pink ices, or red and amber jellies, or fresh strawberries drenched in liqueur, or cakes. We heard the ringing note of a dessert spoon against a winegla.s.s, signaling us all to attention.

The Chief Project Facilitator rose to address us. Labienus stood poised and smiling in faultless white tie and tuxedo. As he waited for the babble of voices to fade he took out his gold chronometer on its chain, studied its tiny screen, then snapped its case shut and returned it to the pocket of his white silk waistcoat.

"My fellow seismologists." His voice was quiet, yet without raising it he reached all corners of the room. Commanding legions confers a certain ease in public speaking. "Ladies." He bowed. "I trust you've enjoyed the bill of fare. I know that, as I dined, I was reminded of the fact that perhaps in no other city in the world could such a feast be so gathered, so prepared, so served to such a remarkable gathering. Where but here by the Golden Gate can one banquet in a splendor that beggars the Old World, on delicacies presented by masters of culinary sophistication hired from all civilized nations-all the while in sight of forested hills where savages roamed within living memory, across a bay that within living memory was innocent of any sail?

"So swiftly has she risen, this great city, as though magically conjured by djinni out of thin air. Justifiably her citizens might expect to wake tomorrow in a wilderness, and find that this gorgeous citadel had been as insubstantial as their dreams."

Archly exchanged glances between some of our operatives as his irony was appreciated.

"But if that were to come to pa.s.s-if they were to wake alone, unhoused and s.h.i.+vering upon a stony promontory, facing into a cold northern ocean and a hostile gale-why, you know as well as I do that within a few short years the citizens of San Francisco would create their city anew, with spires soaring ever closer to heaven, and mansions yet more gracious."

Of course we knew it, but the poor mortal waiters didn't. I am afraid some of our younger operatives were base enough to smirk.

"Let us marvel, ladies and gentlemen, at this phoenix of a city, at once ephemeral and abiding. Let us drink to the imperishable spirit of her citizens. I give you the city of San Francisco."

"The city of San Francisco," we chorused, raising our gla.s.ses high.

"And I give you"-smiling, he extended his hand-"the city of San Francisco!"

Beaming, the waiters wheeled it in, on a vast silver cart: an ornate confection of pastry, of spun-sugar and marzipan and candies, a perfect model of the City. It was possible to discern a tiny Ferry Building rising above chocolate wharves, and a tiny Palace, and n.o.b Hill reproduced in sugared peel and nonpareils. Across the familiar grid of streets Golden Gate Park was done in green fondant, and beyond it was the hill where Sutro Park rose in nougat and candied violets, and beyond that Cliff House itself, in astonis.h.i.+ng detail.

We applauded.

Then she was destroyed, that beautiful city, with a silver cake knife and serving wedge, and parceled out to us in neat slices. One had to commend Labienus's sense of humor, to say nothing of his sense of ritual.

It was expected that we would wish to dance after dining; the ballroom had been reserved for our use, and at some point during dessert the orchestra had discreetly risen and carried their instruments up to the dais.

I thought the idea of dancing in rather poor taste, under the circ.u.mstances, and apparently many of my fellow operatives agreed with me; but Averill and some of the other young ones got out on the floor eagerly enough, and soon the stately polonaise gave way to ragtime tunes and two-stepping.

Under the pretense of going for a smoke I went out to the terrace, to breathe the clean night air and metabolize my portion of magnificent excess in peace. By ones and twos several of the older immortals followed me. Soon there was quite an a.s.semblage of us out there between two worlds, between the dark water surging around Seal Rock and the brilliant magic lantern of Cliff House.

"Victor?" Madame D'Arraignee was making her way to me through the crowd. Her slippers, together with her diamonds, had gone into the leather case she was carrying, and she had donned sensible walking shoes; she had also b.u.t.toned a long motorist's duster over her evening gown. The radiant Queen of the Night stood now before me as the Efficient Modern Woman.

"You didn't care to dance either, I see," she remarked.

"Not I, no," I replied. Within the giddy whirl, Averill pranced by in the arms of an immortal sylph in pink satin; their faces were flushed and merry. Don't think them heartless, reader. They did not understand yet. Horror, for Averill, was still a lonely prairie and a burning wagon; for the girl, still a soldier with a bayonet in a deserted orchard. Those nightmares weren't here in this bright room with its bouncing music, and so all must be right with the world.

But we were old ones, Madame D'Arraignee and I, and we stood outside in the dark as they danced.

Down, miles down, the slick water on the clay face and the widening fissure in darkness, dead shale trembling like an exhausted limb, granite crumbling, rock cracking with the strain and crying out in a voice that rose up, and up at last through the red brick, through the tile and parquet, into the warm air and the music!

The mortal musicians played on, but the dancers faltered. Some of them stopped, looking around in confusion; some of them only missed a step or two and then plunged back into the dance with greater abandon, determined to celebrate something.

Madame D'Arraignee s.h.i.+vered. I threw my unlit cigar over the parapet into the sea.

"Shall we go, Nan?" I offered her my arm. She took it readily and we left Cliff House.

Outside on the carriage drive, and all the way up the steep hill to where my motor was parked, the waiting horses were tossing their heads and whickering uneasily.

Madame D'Arraignee took the wheel, easily guiding us back down into the City through the spangled night.

Even now, at the Grand Opera House, Enrico Caruso was striking a pose before a vast Spanish mountain range rendered on canvas and raising his carbine to threaten poor Bessie Abott. Even now, at the Mechanic's Pavilion, the Grand Prize Masked Carnival was in full swing, with throngs of costumed roller skaters whirling around the rink that would be a triage hospital in twelve hours and a pile of smoking ashes in twenty-four. Even now, the clock on the face of Old St. Mary's Church-bearing its warning legend SON OBSERVE THE TIME AND FLY FROM EVIL-was counting out the minutes left for heedless pa.s.sersby. Even now, the O'Neil children were sitting forward in their seats, scarcely able to breathe as the cruel Toymaker recited the incantation that would bring his creations to life.

And we rounded the corner at Devisadero and sped down Market, with Prospero's apres-pageant speech ringing in our ears. At the corner of Third I pointed and Madame D'Arraignee worked the clutch, steered over to the curb and trod on the brake pedal.

"You're quite sure you won't need a ride back?" she inquired over the chatter of the cylinders. I put my legs out and leapt down to the pavement.

"Perfectly sure, Nan." I shot my cuffs and adjusted the drape of my coat. Reaching into the seat, I took my stick and silk hat. "Give my seat to the Muse of Painting. I'm off to lurk in shadows like a gentleman."

"Bonne chance, then, Victor." She eased up on the brake, clutched, and cranked the wheel over so the Franklin swung around in a wide arc to retrace its course up Market Street. I tipped my hat and bowed; with a cheery wave and a double honk on the Franklin's horn, she steered away into the night.

So far, so good. The night was yet young and there were plenty of debonair socialites in evening dress on the street, arriving and departing from the restaurants, the hotels, the theaters. For a block I was one of their number; then accomplished my disappearance down a black alleyway into another world, to thread my way through the boardinghouse warren.

Rats were out and scuttling everywhere, sensing the coming disaster infallibly. In some buildings they were cascading down the stairs like trickling water, and cats ignored them and drunkards stood watching in stupefied amazement, but there was n.o.body else there to remark upon it; these streets did not invite promenaders.

I found the O'Neils'building and made my way up through the unlit stairwell, here and there kicking vermin out of my way. I left the landing and proceeded down their corridor, past doors tight shut showing only feeble lines of light at floor level to mark where the occupants were at home. I heard snores; I heard weeping; I heard a drunken quarrel; I heard a voice raised in wistful melody.

No light at the O'Neils' door, naturally; none at the door immediately opposite theirs. I scanned the room beyond but could discern no occupant. Drawing out a skeleton key from my waistcoat pocket, I gained entrance and shut the door after me.

No tenant at all; good. It was death-cold in there and black as pitch, for a roller shade had been drawn down on the one window. A slight tug sent it wobbling upward but failed to let much more light into the room. Not that I needed light to see my chronometer as I checked it; half past eleven, and even now my teams were a.s.sembling at their stations on n.o.b Hill. I leaned against a wall, folded my arms and composed myself to wait.

Time pa.s.sed slowly for me, but in Toyland it sped by. Songs and dances, glittering processions came to their inevitable close; fairies took wing. Innocence was rewarded and wickedness resoundingly punished. The last of the ingenious special effects guttered out, the curtain descended, the orchestra fell silent, the house lights came up. A little while the magic lingered, as the O'Neil family made their way out through the lobby, a little while it hung around them like a perfume in the atmosphere of red velvet and gilt and fas.h.i.+onably attired strangers, until they were borne out through the doors by the receding tide of the crowd. Then the magic left them, evaporating upward into the night and the fog, and they got their bearings and made their way home along the dark streets.

I heard them, coming heavily up the stairs, O'Neil and Mary each carrying a child. Down the corridor their footsteps came, and stopped outside.

"Slide down now, Ella, Daddy's got to open the door."

I heard the sound of a key fumbling in darkness for its lock, and a drowsy little voice singing about Toyland, the paradise of childhood to which you can never return.

"Hush, Ella, you'll wake the neighbors."

"Donal's asleep. He missed the ending." Ella's voice was sad. "And it was such a beautiful, beautiful ending. Don't you think it was a beautiful ending, Daddy?"

"Sure it was, darling." Their voices receded a bit as they crossed the threshold. I heard a clink and the sputtering hiss of a match; there was the faintest glimmer of illumination down by the floor.

"Sssh, sh, sh. Home again. Help Mummy get his boots off, Ella, there's a dear."

"I'll just step across to Mrs. Varian's and collect the baby."

"Mind you remember his blanket."

"I will that."

Footsteps in the corridor again, discreet rapping on a panel, a whispered conversation in darkness and a sleepy wail; then returning footsteps and a pair of doors closing. Then, more m.u.f.fled but still distinct to me, the sound of the O'Neils going to bed.

Their lamps were blown out. Their whispers ceased. Still I waited, listening as the minutes ticked away for their mortal souls to rest.

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The Children of the Company Part 19 summary

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