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Charles O'Malley, The Irish Dragoon Volume I Part 1

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Charles O'Malley, The Irish Dragoon.

Volume 1.

by Charles Lever.

TO THE

MOST n.o.bLE THE MARQUESS OF DOURO, M.P., D.C.L., ETC., ETC.

MY DEAR LORD,--

The imperfect attempt to picture forth some scenes of the most brilliant period of my country's history might naturally suggest their dedication to the son of him who gave that era its glory. I feel, however, in the weakness of the effort, the presumption of such a thought, and would simply ask of you to accept these volumes as a souvenir of many delightful hours pa.s.sed long since in your society, and a testimony of the deep pride with which I regard the honor of your friends.h.i.+p.

Believe me, my dear Lord, with every respect and esteem,

Yours, most sincerely,

THE AUTHOR.

BRUSSELS, November, 1841.

A WORD OF EXPLANATION.

KIND PUBLIC,--

Having so lately taken my leave of the stage, in a farewell benefit, it is but fitting that I should explain the circ.u.mstances which once more bring me before you,--that I may not appear intrusive, where I have met with but too much indulgence.

A blus.h.i.+ng _debutant_--_entre nous_, the most impudent Irishman that ever swaggered down Sackville Street--has requested me to present him to your acquaintance. He has every ambition to be a favorite with you; but says--G.o.d forgive him--he is too bashful for the foot-lights.

He has remarked---as, doubtless, many others have done--upon what very slight grounds, and with what slender pretension, _my_ Confessions have met with favor at the hands of the press and the public; and the idea has occurred to him to indite his _own_. Had his determination ended here, I should have nothing to object to; but unfortunately, he expects me to become his editor, and in some sort responsible for the faults of his production. I have wasted much eloquence and more breath in a.s.suring him that I was no tried favorite of the public, who dared take liberties with them; that the small rag of reputation I enjoyed, was a very scanty covering for my own nakedness; that the plank which swam with one, would most inevitably sink with two; and lastly, that the indulgence so often bestowed upon a first effort is as frequently converted into censure on the older offender. My arguments have, however, totally failed, and he remains obdurate and unmoved. Under these circ.u.mstances I have yielded; and as, happily for me, the short and pithy direction to the river Thames, in the Critic, "to keep between its banks," has been imitated by my friend, I find all that is required of me is to write my name upon the t.i.tle and go in peace. Such, he informs me, is modern editors.h.i.+p.

In conclusion, I would beg, that if the debt he now incurs at your hands remain unpaid, you would kindly bear in mind that your remedy lies against the drawer of the bill and not against its mere humble indorser,

HARRY LORREQUER

BRUSSELS, March, 1840.

PREFACE

The success of Harry Lorrequer was the reason for writing Charles O'Malley.

That I myself was in no wise prepared for the favor the public bestowed on, my first attempt is easily enough understood. The ease with which I strung my stories together,--and in reality the Confessions of Harry Lorrequer are little other than a note-book of absurd and laughable incidents,--led me to believe that I could draw on this vein of composition without any limit whatever. I felt, or thought I felt, an inexhaustible store of fun and buoyancy within me, and I began to have a misty, half-confused impression that Englishmen generally labored under a sad-colored temperament, took depressing views of life, and were proportionately grateful to any one who would rally them even pa.s.singly out of their despondency, and give them a laugh without much trouble for going in search of it.

When I set to work to write Charles O'Malley I was, as I have ever been, very low with fortune, and the success of a new venture was pretty much as eventful to me as the turn of the right color at _rouge-et-noir_. At the same time I had then an amount of spring in my temperament, and a power of enjoying life which I can honestly say I never found surpa.s.sed. The world had for me all the interest of an admirable comedy, in which the part allotted myself, if not a high or a foreground one, was eminently suited to my taste, and brought me, besides, sufficiently often on the stage to enable me to follow all the fortunes of the piece. Brussels, where I was then living, was adorned at the period by a most agreeable English society.

Some leaders of the fas.h.i.+onable world of London had come there to refit and recruit, both in body and estate. There were several pleasant and a great number of pretty people among them; and so far as I could judge, the fas.h.i.+onable dramas of Belgrave Square and its vicinity were being performed in the Rue Royale and the Boulevard de Waterloo with very considerable success. There were dinners, b.a.l.l.s, dejeuners, and picnics in the Bois de Cambre, excursions to Waterloo, and select little parties to Bois-fort,--a charming little resort in the forest whose intense c.o.c.kneyism became perfectly inoffensive as being in a foreign land, and remote from the invasion of home-bred vulgarity. I mention all these things to show the adjuncts by which I was aided, and the rattle of gayety by which I was, as it were, "accompanied," when I next tried my voice.

The soldier element tinctured strongly our society, and I will say most agreeably. Among those whom I remember best were several old Peninsulars.

Lord Combermere was of this number, and another of our set was an officer who accompanied, if indeed he did not command, the first boat party who crossed the Douro. It is needless to say how I cultivated a society so full of all the storied details I was eager to obtain, and how generously disposed were they to give me all the information I needed. On topography especially were they valuable to me, and with such good result that I have been more than once complimented on the accuracy of my descriptions of places which I have never seen and whose features I have derived entirely from the narratives of my friends.

When, therefore, my publishers asked me could I write a story in the Lorrequer vein, in which active service and military adventure could figure more prominently than mere civilian life, and where the achievements of a British army might form the staple of the narrative,--when this question was propounded me, I was ready to reply: Not one, but fifty. Do not mistake me, and suppose that any overweening confidence in my literary powers would have emboldened me to make this reply; my whole strength lay in the fact that I could not recognize anything like literary effort in the matter. If the world would only condescend to read that which I wrote precisely as I was in the habit of talking, nothing could be easier than for me to occupy them. Not alone was it very easy to me, but it was intensely interesting and amusing to myself, to be so engaged.

The success of Harry Lorrequer had been freely wafted across the German ocean, but even in its mildest accents it was very intoxicating incense to me; and I set to work on my second book with a thrill of hope as regards the world's favor which--and it is no small thing to say it--I can yet recall.

I can recall, too, and I am afraid more vividly still, some of the difficulties of my task when I endeavored to form anything like an accurate or precise idea of some campaigning incident or some pa.s.sage of arms from the narratives of two distinct and separate "eye-witnesses." What mistrust I conceived for all eye-witnesses from my own brief experience of their testimonies! What an impulse did it lend me to study the nature and the temperament of narrator, as indicative of the peculiar coloring he might lend his narrative; and how it taught me to know the force of the French epigram that has declared how it was entirely the alternating popularity of Marshal Soult that decided whether he won or lost the battle of Toulouse.

While, however, I was sifting these evidences, and separating, as well as I might, the wheat from the chaff, I was in a measure training myself for what, without my then knowing it, was to become my career in life. This was not therefore altogether without a certain degree of labor, but so light and pleasant withal, so full of picturesque peeps at character and humorous views of human nature, that it would be the very rankest ingrat.i.tude of me if I did not own that I gained all my earlier experiences of the world in very pleasant company,--highly enjoyable at the time, and with matter for charming souvenirs long after.

That certain traits of my acquaintances found themselves embodied in some of the characters of this story I do not to deny. The princ.i.p.al of natural selection adapts itself to novels as to Nature, and it would have demanded an effort above my strength to have disabused myself at the desk of all the impressions of the dinner-table, and to have forgotten features which interested or amused me.

One of the personages of my tale I drew, however, with very little aid from fancy. I would go so far as to say that I took him from the life, if my memory did not confront me with the lamentable inferiority of my picture to the great original it was meant to portray.

With the exception of the quality of courage, I never met a man who contained within himself so many of the traits of Falstaff as the individual who furnished me with Major Monsoon. But the major--I must call him so, though that rank was far beneath his own--was a man of unquestionable bravery. His powers as a story-teller were to my thinking unrivalled; the peculiar reflections on life which he would pa.s.singly introduce, the wise apothegms, were after a morality essentially of his own invention. Then he would indulge in the unsparing exhibition of himself in situations such as other men would never have confessed to, all blended up with a racy enjoyment of life, dashed occasionally with sorrow that our tenure of it was short of patriarchal. All these, accompanied by a face redolent of intense humor, and a voice whose modulations were managed with the skill of a consummate artist,--all these, I say, were above me to convey; nor indeed as I re-read any of the adventures in which he figures, am I other than ashamed at the weakness of my drawing and the poverty of my coloring.

That I had a better claim to personify him than is always the lot of a novelist; that I possessed, so to say, a vested interest in his life and adventures,--I will relate a little incident in proof; and my accuracy, if necessary, can be attested by another actor in the scene, who yet survives.

I was living a bachelor life at Brussels, my family being at Ostende for the bathing, during the summer of 1840. The city was comparatively empty,--all the so-called society being absent at the various spas or baths of Germany. One member of the British legation, who remained at his post to represent the mission, and myself, making common cause of our desolation and ennui, spent much of our time together, and dined _tete-a-tete_ every day.

It chanced that one evening, as we were hastening through the park on our way to dinner, we espied the major--for as major I must speak of him--lounging along with that half-careless, half-observant air we had both of us remarked as indicating a desire to be somebody's, anybody's guest, rather than surrender himself to the homeliness of domestic fare.

"There's that confounded old Monsoon," cried my diplomatic friend. "It's all up if he sees us, and I can't endure him."

Now, I must remark that my friend, though very far from insensible to the humoristic side of the major's character, was not always in the vein to enjoy it; and when so indisposed he could invest the object of his dislike with something little short of antipathy. "Promise me," said he, as Monsoon came towards us,--"promise me, you'll not ask him to dinner." Before I could make any reply, the major was shaking a hand of either of us, and rapturously expatiating over his good luck at meeting us. "Mrs. M.," said he, "has got a dreary party of old ladies to dine with her, and I have come out here to find some pleasant fellow to join me, and take our mutton-chop together."

"We're behind our time, Major," said my friend, "sorry to leave you so abruptly, but must push on. Eh, Lorrequer," added he, to evoke corroboration on my part.

"Harry says nothing of the kind," replied Monsoon, "he says, or he's going to say, 'Major, I have a nice bit of dinner waiting for me at home, enough for two, will feed three, or if there be a short-coming, nothing easier than to eke out the deficiency by another bottle of Moulton; come along with us then, Monsoon, and we shall be all the merrier for your company.'"

Repeating his last words, "Come along, Monsoon," etc., I pa.s.sed my arm within his, and away we went. For a moment my friend tried to get free and leave me, but I held him fast and carried him along in spite of himself. He was, however, so chagrined and provoked that till the moment we reached my door he never uttered a word, nor paid the slightest attention to Monsoon, who talked away in a vein that occasionally made gravity all but impossible.

Our dinner proceeded drearily enough, the diplomatist's stiffness never relaxed for a moment, and my own awkwardness damped all my attempts at conversation. Not so, however, Monsoon, he ate heartily, approved of everything, and p.r.o.nounced my wine to be exquisite. He gave us a perfect discourse on sherry and Spanish wines in general, told us the secret of the Amontillado flavor, and explained that process of browning by boiling down wine which some are so fond of in England. At last, seeing perhaps that the protection had little charm for us, with his accustomed tact, he diverged into anecdote. "I was once fortunate enough," said he, "to fall upon some of that choice sherry from the St. Lucas Luentas which is always reserved for royalty. It was a pale wine, delicious in the drinking, and leaving no more flavor in the mouth than a faint dryness that seemed to say, another gla.s.s. Shall I tell you how I came by it?" And scarcely pausing for reply, he told the story of having robbed his own convoy, and stolen the wine he was in charge of for safe conveyance.

I wish I could give any, even the weakest idea of how he narrated that incident,--the struggle that he portrayed between duty and temptation, and the apologetic tone of his voice in which he explained that the frame of mind that succeeds to any yielding to seductive influences, is often, in the main, more profitable to a man than is the vain-glorious sense of having resisted a temptation. "Meekness is the mother of all the virtues,"

said he, "and there is no being meek without frailty." The story, told as he told it, was too much for the diplomatist's gravity, he resisted all signs of attention as long as he was able, and at last fairly roared out with laughter.

As soon as I myself recovered from the effects of his drollery, I said, "Major, I have a proposition to make you. Let me tell the story in print, and I'll give you five naps."

"Are you serious, Harry?" asked he. "Is this on honor?"

"On honor, a.s.suredly," I replied.

"Let me have the money down, on the nail, and I'll give you leave to have me and my whole life, every adventure that ever befell me, ay, and if you like, every moral reflection that my experiences have suggested."

"Done!" cried I, "I agree."

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Charles O'Malley, The Irish Dragoon Volume I Part 1 summary

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