The Danger Mark Part 13

"Did they reward you?"

"No."

"What was the third picture?"

"Oh, just a girl," he said carelessly.

"Did they give you a prize for it?"

"Y-yes. Only a mention."

"Was it a portrait?"

"Yes--in a way."

"What was it? Just a girl?"

"Yes."

"Who was she?"

"Oh, just a girl----"

"Was she pretty?"

"Yes. Shall we dance this next----"

"No. Was she a model?"

"She posed----"

Geraldine, lips on the edge of her spread fan, regarded him curiously.

"That is a very romantic life, isn't it?" she murmured.

"What?"

"Yours. I don't know much about it; Kathleen took me to hear 'La Boheme'; and I found Murger's story in the library. I have also read 'Trilby.' Did _you_--were you--was life like that when you studied in the Latin Quarter?"

He laughed. "Not a bit. I never saw that species of life off the stage."

"Oh, wasn't there any romance?" she asked forlornly.

"Well--as much as you find in New York or anywhere."

"Is there any romance in New York?"

"There is anywhere, isn't there? If only one has the instinct to recognise it and a capacity to comprehend it."

"Of course," she murmured, "there are artists and studios and models and poverty everywhere.... I suppose that without poverty real romance is scarcely possible."

He was still laughing when he answered:

"Financial conditions make no difference. Romance is in one's self--or it is nowhere."

"Is it in--you?" she asked audaciously.

He made no pretence of restraining his mirth.

"Why, I don't know, Geraldine. Lots of people have the capacity for it.

Poverty, art, a studio, a velvet jacket, and models are not essentials.... You ask if it is in _me_. I think it is. I think it exists in anybody who can glorify the commonplace. To make people look with astonished interest at something which has always been too familiar to arrest their attention--only your romancer can accomplish this."

"Please go on," she said as he ended. "I'm listening very hard. You _are_ glorifying commonplaces, you know."

They both laughed; he, a little red, disconcerted, piqued, and withal charmed at her dainty thrust at himself.

"I _was_ talking commonplaces," he admitted, "but how was I to know enough not to? Women are usually soulfully receptive when a painter opens a tin of mouldy axioms.... I didn't realise I was encountering my peer----"

"You may be encountering more than that," she said, the excitement of her success with him flus.h.i.+ng her adorably.

"Oh, I've heard how terribly educated you and Scott are. No doubt you can floor me on anything intellectual. See here, Geraldine, it's simply wicked!--you are so soft and pretty, and n.o.body could suspect you of knowing such a lot and pouncing out on a fellow for trying a few predigested plat.i.tudes on you----"

"I _don't_ know _anything_, Duane! How perfectly horrid of you!"

"Well, you've scared me!"

"I haven't. You're laughing at me. You know well enough that I don't know the things you know."

"What are they, in Heaven's name?"

"Things--experiences--matters that concern life--the world, men, everything!"

"You wouldn't be interesting if you knew such things," he said. She thought there was the same curious hint of indifference, something of listlessness, almost fatigue in the expression of his eyes. And again, apparently apropos of nothing, she found herself thinking of what Kathleen had said about this man.

"I don't understand you," she said, looking at him.

He smiled, and the ghost of a shadow pa.s.sed from his eyes.

"I was talking at random."

"I don't think you were."

"Why not?"

She shook her head, drawing a long, quiet breath. Silent, lips resting in softly troubled curves, she thought of what Kathleen had said about this man. _What_ had he done to disgrace himself?

A few moments later she rose with decision.