The Story of Florence Part 2

Dante was born in the Sesto di San Piero Maggiore in May 1265, some eighteen months before the liberation of the city. He lost his mother in his infancy, and his father while he was still a boy. This father appears to have been a notary, and came from a n.o.ble but decadent family, who were probably connected with the Elisei, an aristocratic house of supposed Roman descent, who had by this time almost entirely disappeared. The Alighieri, who were Guelfs, do not seem to have ranked officially as _grandi_ or magnates; one of Dante's uncles had fought heroically at Montaperti. Almost all the families connected with the story of Dante's life had their houses in the Sesto di San Piero Maggiore, and their sites may in some instances still be traced.

Here were the Cerchi, with whom he was to be politically a.s.sociated in after years; the Donati, from whom sprung one of his dearest friends, Forese, with one of his deadliest foes, Messer Corso, and Dante's own wife, Gemma; and the Portinari, the house according to tradition of Beatrice, the "giver of blessing" of Dante's _Vita Nuova_, the mystical lady of the _Paradiso_. Guido Cavalcanti, the first and best of all his friends, lived a little apart from this Sesto di Scandali--as St Peter's section of the town came to be called--between the Mercato Nuovo and San Michele in Orto. Unlike the Alighieri, though not of such ancient birth as theirs, the Cavalcanti were exceedingly rich and powerful, and ranked officially among the _grandi_, the Guelf magnates. At this epoch, as Signor Carocci observes in his _Firenze scomparsa_, Florence must have presented the aspect of a vast forest of towers. These towers rose over the houses of powerful and wealthy families, to be used for offence or defence, when the faction fights raged, or to be dismantled and cut down when the people gained the upper hand. The best idea of such a mediaeval city, on a smaller scale, can still be got at San Gemignano, "the fair town called of the Fair Towers," where dozens of these _torri_ still stand; and also, though to a less extent, at Gubbio. A few have been preserved here in Florence, and there are a number of narrow streets, on both sides of the Arno, which still retain some of their mediaeval characteristics. In the Borgo Santissimi Apostoli, for instance, and in the Via Lambertesca, there are several striking towers of this kind, with remnants of palaces of the _grandi_; and, on the other side of the river, especially in the Via dei Bardi and the Borgo San Jacopo. When one family, or several a.s.sociated families, had palaces on either side of a narrow street defended by such towers, and could throw chains and barricades across at a moment's notice, it will readily be understood that in times of popular tumult Florence bristled with fortresses in every direction.

In 1282, the year before that in which Dante received the "most sweet salutation," _dolcissimo salutare_, of "the glorious lady of my mind who was called by many Beatrice, that knew not how she was called,"

and saw the vision of the Lord of terrible aspect in the mist of the colour of fire (the vision which inspired the first of his sonnets which has been preserved to us), the democratic government of the _Secondo Popolo_ was confirmed by being placed entirely in the hands of the _Arti Maggiori_ or Greater Guilds. The Signoria was henceforth to be composed of the Priors of the Arts, chosen from the chief members of the Greater Guilds, who now became the supreme magistrates of the State. They were, at this epoch of Florentine history, six in number, one to represent each Sesto, and held office for two months only; on leaving office, they joined with the Capetudini, and other citizens summoned for the purpose, to elect their successors. At a later period this was done, ostensibly at least, by lot instead of election. The glorious Palazzo Vecchio had not yet been built, and the Priors met at first in a house belonging to the monks of the Badia, defended by the Torre della Castagna; and afterwards in a palace belonging to the Cerchi (both tower and palace are still standing). Of the seven Greater Arts--the _Calimala_, the Money-changers, the Wool-merchants, the Silk-merchants, the Physicians and Apothecaries, the traders in furs and skins, the Judges and Notaries--the latter alone do not seem at first to have been represented in the Priorate; but to a certain extent they exercised control over all the Guilds, sat in all their tribunals, and had a Proconsul, who came next to the Signoria in all state processions, and had a certain jurisdiction over all the Arts. It was thus essentially a government of those who were actually engaged in industry and commerce. "Henceforth," writes Pasquale Villari, "the Republic is properly a republic of merchants, and only he who is ascribed to the Arts can govern it: every grade of n.o.bility, ancient or new, is more a loss than a privilege." The double organisation of the People under the Captain with his two councils, and the Commune under the Podesta with his special council and the general council (in these two latter alone, it will be remembered, could n.o.bles sit and vote) still remained; but the authority of the Podesta was naturally diminished.

[Ill.u.s.tration: CORSO DONATI'S TOWER]

Florence was now the predominant power in central Italy; the cities of Tuscany looked to her as the head of the Guelfic League, although, says Dino Compagni, "they love her more in discord than in peace, and obey her more for fear than for love." A protracted war against Pisa and Arezzo, carried on from 1287 to 1292, drew even Dante from his poetry and his study; it is believed that he took part in the great battle of Campaldino in 1289, in which the last efforts of the old Tuscan Ghibellinism were shattered by the Florentines and their allies, fighting under the royal banner of the House of Anjou. Amerigo di Narbona, one of the captains of King Charles II. of Naples, was in command of the Guelfic forces. From many points of view, this is one of the more interesting battles of the Middle Ages. It is said to have been almost the last Italian battle in which the burgher forces, and not the mercenary soldiery of the Condottieri, carried the day. Corso Donati and Vieri dei Cerchi, soon to be in deadly feud in the political arena, were among the captains of the Florentine host; and Dante himself is said to have served in the front rank of the cavalry.

In a fragment of a letter ascribed to him by one of his earlier biographers, Dante speaks of this battle of Campaldino; "wherein I had much dread, and at the end the greatest gladness, by reason of the varying chances of that battle." One of the Ghibelline leaders, Buonconte da Montefeltro, who was mortally wounded and died in the rout, meets the divine poet on the sh.o.r.es of the Mountain of Purgation, and, in lines of almost ineffable pathos, tells him the whole story of his last moments. Villani, ever mindful of Florence being the daughter of Rome, a.s.sures us that the news of the great victory was miraculously brought to the Priors in the Cerchi Palace, in much the same way as the tidings of Lake Regillus to the expectant Fathers at the gate of Rome. Several of the exiled Uberti had fallen in the ranks of the enemy, fighting against their own country. In the cloisters of the Annunziata you will find a contemporary monument of the battle, let into the west wall of the church near the ground; the marble figure of an armed knight on horseback, with the golden lilies of France over his surcoat, charging down upon the foe. It is the tomb of the French cavalier, Guglielmo Berardi, "balius" of Amerigo di Narbona, who fell upon the field.

The eleven years that follow Campaldino, culminating in the Jubilee of Pope Boniface VIII. and the opening of the fourteenth century, are the years of Dante's political life. They witnessed the great political reforms which confirmed the democratic character of the government, and the marvellous artistic embellishment of the city under Arnolfo di Cambio and his contemporaries. During these years the Palazzo Vecchio, the Duomo, and the grandest churches of Florence were founded; and the Third Walls, whose gates and some scanty remnants are with us to-day, were begun. Favoured by the Popes and the Angevin sovereigns of Naples, now that the old Ghibelline n.o.bility, save in a few valleys and mountain fortresses, was almost extinct, the new n.o.bles, the _grandi_ or Guelf magnates, proud of their exploits at Campaldino, and chafing against the burgher rule, began to adopt an overbearing line of conduct towards the people, and to be more factious than ever among themselves. Strong measures were adopted against them, such as the complete enfranchis.e.m.e.nt of the peasants of the contrada in 1289--measures which culminated in the famous Ordinances of Justice, pa.s.sed in 1293, by which the magnates were completely excluded from the administration, severe laws made to restrain their rough usage of the people, and a special magistrate, the _Gonfaloniere_ or "Standard-bearer of Justice," added to the Priors, to hold office like them for two months in rotation from each sesto of the city, and to rigidly enforce the laws against the magnates. This Gonfaloniere became practically the head of the Signoria, and was destined to become the supreme head of the State in the latter days of the Florentine Republic; to him was publicly a.s.signed the great Gonfalon of the People, with its red cross on a white field; and he had a large force of armed popolani under his command to execute these ordinances, against which there was no appeal allowed.[9] These Ordinances also fixed the number of the Guilds at twenty-one--seven Arti Maggiori, mainly engaged in wholesale commerce, exportation and importation, fourteen Arti Minori, which carried on the retail traffic and internal trade of the city--and renewed their statutes.

[9] Some years later a new officer, the Executor of Justice, was inst.i.tuted to carry out these ordinances instead of leaving them to the Gonfaloniere. This Executor of Justice was a.s.sociated with the Captain, but was usually a foreign Guelf burgher; later he developed into the Bargello, head of police and governor of the gaol. It will, of course, be seen that while Podesta, Captain, Executore (the _Rettori_), were aliens, the Gonfaloniere and Priors (the _Signori_) were necessarily Florentines and popolani.

The hero of this Magna Charta of Florence is a certain Giano della Bella, a n.o.ble who had fought at Campaldino and had now joined the people; a man of untractable temper, who knew not how to make concessions; somewhat anti-clerical and obnoxious to the Pope, but consumed by an intense and savage thirst for justice, upon which the craftier politicians of both sides played. "Let the State perish, rather than such things be tolerated," was his constant political formula: _Perisca innanzi la citta, che tante opere rie si sostengano._ But the magnates, from whom he was endeavouring to s.n.a.t.c.h their last political refuge, the Parte Guelfa, muttered, "Let us smite the shepherd, and the sheep shall be scattered"; and at length, after an ineffectual conspiracy against his life, Giano was driven out of the city, on March 5th, 1295, by a temporary alliance of the burghers and magnates against him. The _popolo minuto_ and artizans, upon whom he had mainly relied and whose interests he had sustained, deserted him; and the government remained henceforth in the hands of the wealthy burghers, the _popolo grosso_. Already a cleavage was becoming visible between these Arti Maggiori, who ruled the State, and the Arti Minori whose gains lay in local merchandise and traffic, partly dependent upon the magnates. And a butcher, nicknamed Pecora, or, as we may call him, Lambkin, appears prominently as a would-be politician; he cuts a quaintly fierce figure in Dino Compagni's chronicle. In this same year, 1295, Dante Alighieri entered public life, and, on July 6th, he spoke in the General Council of the Commune in support of certain modifications in the Ordinances of Justice, whereby n.o.bles, by leaving their order and matriculating in one or other of the Arts, even without exercising it, could be free from their disabilities, and could share in the government of the State, and hold office in the Signoria. He himself, in this same year, matriculated in the Arte dei Medici e Speziali, the great guild which included the painters and the book-sellers.

The growing dissensions in the Guelf Republic came to a head in 1300, the famous year of jubilee in which the Pope was said to have declared that the Florentines were the "fifth element." The rival factions of Bianchi and Neri, White Guelfs and Black Guelfs, which were now to divide the whole city, arose partly from the deadly hostility of two families each with a large following, the Cerchi and the Donati, headed respectively by Vieri dei Cerchi and Corso Donati, the two heroes of Campaldino; partly from an a.n.a.logous feud in Pistoia, which was governed from Florence; partly from the political discord between that party in the State that clung to the (modified) Ordinances of Justice and supported the Signoria, and another party that hated the Ordinances and loved the tyrannical Parte Guelfa. They were further complicated by the intrigues of the "black" magnates with Pope Boniface VIII., who apparently hoped by their means to repress the burgher government and unite the city in obedience to himself. With this end in view, he had been endeavouring to obtain from Albert of Austria the renunciation, in favour of the Holy See, of all rights claimed by the Emperors over Tuscany. Dante himself, Guido Cavalcanti, and most of the best men in Florence either directly adhered to, or at least favoured, the Cerchi and the Whites; the populace, on the other hand, was taken with the dash and display of the more aristocratic Blacks, and would gladly have seen Messer Corso--"il Barone," as they called him--lord of the city. Rioting, in which Guido Cavalcanti played a wild and fantastic part, was of daily occurrence, especially in the Sesto di San Piero. The adherents of the Signoria had their head-quarters in the Cerchi Palace, in the Via della Condotta; the Blacks found their legal fortress in that of the Captains of the Parte Guelfa in the Via delle Terme. At last, on May 1st, the two factions "came to blood" in the Piazza di Santa Trinita on the occasion of a dance of girls to usher in the May. On June 15th Dante was elected one of the six Priors, to hold office till August 15th, and he at once took a strong line in resisting all interference from Rome, and in maintaining order within the city. In consequence of an a.s.sault upon the officers of the Guilds on St. John's Eve, the Signoria, probably on Dante's initiative, put under bounds a certain number of factious magnates, chosen impartially from both parties, including Corso Donati and Guido Cavalcanti. From his place of banishment at Sarzana, Guido, sick to death, wrote the most pathetic of all his lyrics:--

"Because I think not ever to return, Ballad, to Tuscany,-- Go therefore thou for me Straight to my lady's face, Who, of her n.o.ble grace, Shall show thee courtesy.

"Surely thou knowest, Ballad, how that Death a.s.sails me, till my life is almost sped: Thou knowest how my heart still travaileth Through the sore pangs which in my soul are bred:-- My body being now so nearly dead, It cannot suffer more.

Then, going, I implore That this my soul thou take (Nay, do so for my sake), When my heart sets it free."[10]

[10] Rossetti's translation of the _ripresa_ and second stanza of the Ballata _Perch'i' no spero di tornar giammai_.

And at the end of August, when Dante had left office, Guido returned to Florence with the rest of the Bianchi, only to die. For more than a year the "white" burghers were supreme, not only in Florence, but throughout a greater part of Tuscany; and in the following May they procured the expulsion of the Blacks from Pistoia. But Corso Donati at Rome was biding his time; and, on November 1st, 1301, Charles of Valois, brother of King Philip of France, entered Florence with some 1200 hors.e.m.e.n, partly French and partly Italian,--ostensibly as papal peacemaker, but preparing to "joust with the lance of Judas." In Santa Maria Novella he solemnly swore, as the son of a king, to preserve the peace and well-being of the city; and at once armed his followers.

Magnates and burghers alike, seeing themselves betrayed, began to barricade their houses and streets. On the same day (November 5th) Corso Donati, acting in unison with the French, appeared in the suburbs, entered the city by a postern gate in the second walls, near S. Piero Maggiore, and swept through the streets with an armed force, burst open the prisons, and drove the Priors out of their new Palace.

For days the French and the Neri sacked the city and the contrada at their will, Charles being only intent upon securing a large share of the spoils for himself. But even he did not dare to alter the popular const.i.tution, and was forced to content himself with subst.i.tuting "black" for "white" burghers in the Signoria, and establis.h.i.+ng a Podesta of his own following, Cante de' Gabbrielli of Gubbio, in the Palace of the Commune. An apparently genuine attempt on the part of the Pope, by a second "peacemaker," to undo the harm that his first had done, came to nothing; and the work of proscription commenced, under the direction of the new Podesta. Dante was one of the first victims. The two sentences against him (in each case with a few other names) are dated January 27th, 1302, and March 10th--and there were to be others later. It is the second decree that contains the famous clause, condemning him to be burned to death, if ever he fall into the power of the Commune. At the beginning of April all the leaders of the "white" faction, who had not already fled or turned "black," with their chief followers, magnates and burghers alike, were hounded into exile; and Charles left Florence to enter upon an almost equally shameful campaign in Sicily.

[Ill.u.s.tration: ACROSS THE PONTE VECCHIO]

Dante is believed to have been absent from Florence on an emba.s.sy to the Pope when Charles of Valois came, and to have heard the news of his ruin at Siena as he hurried homewards--though both emba.s.sy and absence have been questioned by Dante scholars of repute. His ancestor, Cacciaguida, tells him in the _Paradiso_:--

"Tu lascerai ogni cosa diletta piu caramente, e questo e quello strale che l'arco dello esilio pria saetta.

Tu proverai s come sa di sale lo pane altrui, e com'e duro calle lo scendere e il salir per l'altrui scale."[11]

[11] "Thou shall abandon everything beloved most dearly; this is the arrow which the bow of exile shall first shoot.

"Thou shalt make trial of how salt doth taste another's bread, and how hard the path to descend and mount upon another's stair."

Wicksteed's translation.

The rest of Dante's life was pa.s.sed in exile, and only touches the story of Florence indirectly at certain points. "Since it was the pleasure of the citizens of the most beautiful and most famous daughter of Rome, Florence," he tells us in his _Convivio_, "to cast me forth from her most sweet bosom (in which I was born and nourished up to the summit of my life, and in which, with her good will, I desire with all my heart to rest my weary soul and end the time given me), I have gone through almost all the parts to which this language extends, a pilgrim, almost a beggar, showing against my will the wound of fortune, which is wont unjustly to be ofttimes reputed to the wounded."

Attempts of the exiles to win their return to Florence by force of arms, with aid from the Ubaldini and the Tuscan Ghibellines, were easily repressed. But the victorious Neri themselves now split into two factions; the one, headed by Corso Donati and composed mainly of magnates, had a kind of doubtful support in the favour of the populace; the other, led by Rosso della Tosa, inclined to the Signoria and the _popolo grosso_. It was something like the old contest between Messer Corso and Vieri dei Cerchi, but with more entirely selfish ends; and there was evidently going to be a hard tussle between Messer Corso and Messer Rosso for the possession of the State. Civil war was renewed in the city, and the confusion was heightened by the restoration of a certain number of Bianchi, who were reconciled to the Government. The new Pope, Benedict XI., was ardently striving to pacify Florence and all Italy; and his legate, the Cardinal Niccol da Prato, took up the cause of the exiles. Pompous peace-meetings were held in the Piazza di Santa Maria Novella, for the friars of St Dominic--to which order the new Pope belonged--had the welfare of the city deeply at heart; and at one of these meetings the exiled lawyer, Ser Petracco dall'Ancisa (in a few days to be the father of Italy's second poet), acted as the representative of his party. Attempts were made to revive the May-day pageants of brighter days--but they only resulted in a horrible disaster on the Ponte alla Carraia, of which more presently. The fiends of faction broke loose again; and in order to annihilate the Cavalcanti, who were still rich and powerful round about the Mercato Nuovo, the leaders of the Neri deliberately burned a large portion of the city. On July 20th, 1304, an attempt by the now allied Bianchi and Ghibellines to surprise the city proved a disastrous failure; and, on that very day (Dante being now far away at Verona, forming a party by himself), Francesco di Petracco--who was to call himself Petrarca and is called by us Petrarch--was born in exile at Arezzo.

[Ill.u.s.tration: MERCATO NUOVO, THE FLOWER MARKET]

This miserable chapter of Florentine history ended tragically in 1308, with the death of Corso Donati. In his old age he had married a daughter of Florence's deadliest foe, the great Ghibelline champion, Uguccione della f.a.ggiuola; and, in secret understanding with Uguccione and the Cardinal Napoleone degli Orsini (Pope Clement V. had already transferred the papal chair to Avignon and commenced the Babylonian captivity), he was preparing to overthrow the Signoria, abolish the Ordinances, and make himself Lord of Florence. But the people antic.i.p.ated him. On Sunday morning, October 16th, the Priors ordered their great bell to be sounded; Corso was accused, condemned as a traitor and rebel, and sentence p.r.o.nounced in less than an hour; and with the great Gonfalon of the People displayed, the forces of the Commune, supported by the swordsmen of the Della Tosa and a band of Catalan mercenaries in the service of the King of Naples, marched upon the Piazza di San Piero Maggiore. Over the Corbizzi tower floated the banner of the Donati, but only a handful of men gathered round the fierce old n.o.ble who, himself unable by reason of his gout to bear arms, encouraged them by his fiery words to hold out to the last. But the soldiery of Uguccione never came, and not a single magnate in the city stirred to aid him. Corso, forced at last to abandon his position, broke through his enemies, and, hotly pursued, fled through the Porta alla Croce. He was overtaken, captured, and barbarously slain by the lances of the hireling soldiery, near the Badia di San Salvi, at the instigation, as it was whispered, of Rosso della Tosa and Pazzino dei Pazzi. The monks carried him, as he lay dying, into the Abbey, where they gave him humble sepulchre for fear of the people. With all his crimes, there was nothing small in anything that Messer Corso did; he was a great spirit, one who could have accomplished mighty things in other circ.u.mstances, but who could not breathe freely in the atmosphere of a mercantile republic. "His life was perilous," says Dino Compagni sententiously, "and his death was blame-worthy."

A brief but glorious chapter follows, though denounced in Dante's bitterest words. Hardly was Corso dead when, after their long silence, the imperial trumpets were again heard in the Garden of the Empire. Henry of Luxemburg, the last hero of the Middle Ages, elected Emperor as Henry VII., crossed the Alps in September 1310, resolved to heal the wounds of Italy, and to revive the fading mediaeval dream of the Holy Roman Empire. In three wild and terrible letters, Dante announced to the princes and peoples of Italy the advent of this "peaceful king," this "new Moses"; threatened the Florentines with the vengeance of the Imperial Eagle; urged Caesar on against the city--"the sick sheep that infecteth all the flock of the Lord with her contagion." But the Florentines rose to the occasion, and with the aid of their ally, the King of Naples, formed what was practically an Italian confederation to oppose the imperial invader. "It was at this moment," writes Professor Villari, "that the small merchant republic initiated a truly national policy, and became a great power in Italy."

From the middle of September till the end of October, 1312, the imperial army lay round Florence. The Emperor, sick with fever, had his head-quarters in San Salvi. But he dared not venture upon an attack, although the fortifications were unfinished; and, in the following August, the Signoria of Florence could write exultantly to their allies, and announce "the blessed tidings" that "the most savage tyrant, Henry, late Count of Luxemburg, whom the rebellious persecutors of the Church, and treacherous foes of ourselves and you, called King of the Romans and Emperor of Germany," had died at Buonconvento.

But in the Empyrean Heaven of Heavens, in the mystical convent of white stoles, Beatrice shows Dante the throne of glory prepared for the soul of the n.o.ble-hearted Caesar:--

"In quel gran seggio, a che tu gli occhi tieni per la corona che gia v'e su posta, prima che tu a queste nozze ceni, sedera l'alma, che fia giu agosta, dell'alto Enrico, ch'a drizzare Italia verra in prima che ella sia disposta." [12]

[12] "On that great seat where thou dost fix thine eyes, for the crown's sake already placed above it, ere at this wedding feast thyself do sup,

"Shall sit the soul (on earth 'twill be imperial) of the lofty Henry, who shall come to straighten Italy ere she be ready for it."

After this, darker days fell upon Florence. Dante, with a renewed sentence of death upon his head, was finis.h.i.+ng his _Divina Commedia_ at Verona and Ravenna,--until, on September 14th, 1321, he pa.s.sed away in the latter city, with the music of the pine-forest in his ears and the monuments of dead emperors before his dying eyes. Petrarch, after a childhood spent at Carpentras, was studying law at Montpellier and Bologna--until, on that famous April morning in Santa Chiara at Avignon, he saw the golden-haired girl who made him the greatest lyrist of the Middle Ages. It was in the year 1327 that Laura--if such was really her name--thus crossed his path. Boccaccio, born at Certaldo in 1313, the year of the Emperor Henry's death, was growing up in Florence, a sharp and precocious boy. But the city was in a woeful plight; hara.s.sed still by factious magnates and burghers, plundered by foreign adventurers, who pretended to serve her, heavily taxed by the Angevin sovereigns--the _Reali_--of Naples. Florence had taken first King Robert, and then his son, Charles of Calabria, as overlord, for defence against external foes (first Henry VII., then Uguccione della f.a.ggiuola, and then Castruccio Interminelli); and the vicars of these Neapolitan princes replaced for a while the Podestas; their marshals robbed and corrupted; their Catalan soldiers clamoured for pay. The wars with Uguccione and Castruccio were most disastrous to the Republic; and the fortunate coincidence of the deaths of Castruccio and Charles of Calabria, in 1328, gave Florence back her liberty at the very moment when she no longer needed a defender.

Although the Florentines professed to regard this suzerainty of the Reali di Napoli as an alliance rather than a subjection,--_compagnia e non servitu_ as Machiavelli puts it--it was an undoubted relief when it ended. The State was reorganised, and a new const.i.tution confirmed in a solemn Parliament held in the Piazza. Henceforth the nomination of the Priors and Gonfaloniere was effected by lot, and controlled by a complicated process of scrutiny; the old councils were all annulled; and in future there were to be only two chief councils--the Council of the People, composed of 300 _popolani_, presided over by the Captain, and the Council of the Commune, of 250, presided over by the Podesta, in which latter (as in former councils of the kind) both _popolani_ and _grandi_ could sit. Measures proposed by the Government were submitted first to the Council of the People, and then, if approved, to that of the Commune.

Within the next few years, in spite of famine, disease, and a terrible inundation of the Arno in 1333, the Republic largely extended its sway. Pistoia, Arezzo, and other places of less account owned its signory; but an attempt to get possession of Lucca--with the incongruous aid of the Germans--failed. After the flood, the work of restoration was first directed by Giotto; and to this epoch we owe the most beautiful building in Florence, the Campanile. The discontent, excited by the mismanagement of the war against Lucca, threw the Republic into the arms of a new and peculiarly atrocious tyrant, Walter de Brienne, Duke of Athens, a French soldier of fortune, connected by blood with the _Reali_ of Naples. Elected first as war captain and chief justice, he acquired credit with the populace and the magnates by his executions of unpopular burghers; and finally, on September 8th, 1342, in the Piazza della Signoria, he was appointed Lord of Florence for life, amidst the acclamations of the lowest sections of the mob and the paid retainers of the treacherous n.o.bles.

The Priors were driven from their palace, the books of the Ordinances destroyed, and the Duke's banner erected upon the People's tower, while the church bells rang out the _Te Deum_. Arezzo, Pistoia, Colle di Val d'Elsa, San Gemignano, and Volterra acknowledged his rule; and with a curious mixture of hypocrisy, immorality, and revolting cruelty, he reigned as absolute lord until the following summer, backed by French and Burgundian soldiers who flocked to him from all quarters. By that time he had utterly disgusted all cla.s.ses in the State, even the magnates by whose favour he had won his throne and the populace who had acclaimed him; and on the Feast of St. Anne, July 26th, 1343, there was a general rising. The instruments of his cruelty were literally torn to pieces by the people, and he was besieged in the Palazzo Vecchio, which he had transformed into a fortress, and at length capitulated on August 3rd. The Sienese and Count Simone de'

Conti Guidi, who had come to mediate, took him over the Ponte Rubaconte, through the Porta San Niccol and thence into the Casentino, where they made him solemnly ratify his abdication.

"Note," says Giovanni Villani, who was present at most of these things and has given us a most vivid picture of them, "that even as the Duke with fraud and treason took away the liberty of the Republic of Florence on the day of Our Lady in September,[13] not regarding the reverence due to her, so, as it were in divine vengeance, G.o.d permitted that the free citizens with armed hand should win it back on the day of her mother, Madonna Santa Anna, on the 26th day of July 1343; and for this grace it was ordained by the Commune that the Feast of St. Anne should ever be kept like Easter in Florence, and that there should be celebrated a solemn office and great offerings by the Commune and all the Arts of Florence." St. Anne henceforth became the chief patroness and protectoress of the Republic, as Fra Bartolommeo painted her in his great unfinished picture in the Uffizi; and the solemn office and offerings were duly paid and celebrated in Or San Michele. One of Villani's minor grievances against the Duke is that he introduced frivolous French fas.h.i.+ons of dress into the city, instead of the stately old Florentine costume, which the republicans considered to be the authentic garb of ancient Rome. That there was some ground for this complaint will readily be seen, by comparing the figure of a French cavalier in the Allegory of the Church in the Spanish Chapel at Santa Maria Novella (the figure formerly called Cimabue and now sometimes said to represent Walter de Brienne himself), with the simple grandeur and dignity of the dress worn by the burghers on their tombs in Santa Croce, or by Dante in the Duomo portrait.

[13] _i.e._ The Nativity of the Blessed Virgin.

Only two months after the expulsion of the Duke of Athens, the great quarrel between the magnates and the people was fought to a finish, in September 1343. On the northern side of the Arno, the magnates made head at the houses of the Adimari near San Giovanni, at the opening of the present Via Calzaioli, where one of their towers still stands, at the houses of the Pazzi and Donati in the Piazza di San Pier Maggiore, and round those of the Cavalcanti in Mercato Nuovo. The people under their great gonfalon and the standards of the companies, led by the Medici and Rondinelli, stormed one position after another, forcing the defenders to surrender. On the other side of the Arno, the magnates and their retainers held the bridges and the narrow streets beyond.

The Porta San Giorgio was in their hands, and, through it, reinforcements were hurried up from the country. Repulsed at the Ponte Vecchio and the Ponte Rubaconte, the forces of the people with their victorious standards at last carried the Ponte alla Carraia, which was held by the Nerli; and next, joined by the populace of the Oltrarno, forced the Rossi and Frescobaldi to yield. The Bardi alone remained; and, in that narrow street which still bears their name, and on the Ponte Vecchio and the Ponte Rubaconte, they withstood single-handed the onslaught of the whole might of the people, until they were a.s.sailed in the rear from the direction of the Via Romana. The infuriated populace sacked their houses, destroyed and burned the greater part of their palaces and towers. The long struggle between _grandi_ and _popolani_ was thus ended at last. "This was the cause,"

says Machiavelli, "that Florence was stripped not only of all martial skill, but also of all generosity." The government was again reformed, and the minor arts admitted to a larger share; between the _popolo grosso_ and them, between burghers and populace, lay the struggle now, which was to end in the Medicean rule.

But on all these perpetual changes in the form of the government of Florence the last word had, perhaps, been said in Dante's sarcastic outburst a quarter of a century before:--

"Atene e Lacedemone, che fenno l'antiche leggi, e furon s civili, fecero al viver bene un picciol cenno verso di te, che fai tanto sottili provvedimenti, che a mezzo novembre non giunge quel che tu d'ottobre fili.

Quante volte del tempo che rimembre, legge, moneta, offizio, e costume hai tu mutato, e rinnovato membre?

E se ben ti ricordi, e vedi lume, vedrai te simigliante a quella inferma, che non pu trovar posa in su le piume, ma con dar volta suo dolore scherma."[14]

[14] _Purg. VI._-- "Athens and Lacedaemon, they who made The ancient laws, and were so civilised, Made towards living well a little sign Compared with thee, who makest such fine-spun Provisions, that to middle of November Reaches not what thou in October spinnest.

How oft, within the time of thy remembrance, Laws, money, offices and usages Hast thou remodelled, and renewed thy members?

And if thou mind thee well, and see the light, Thou shalt behold thyself like a sick woman, Who cannot find repose upon her down, But by her tossing wardeth off her pain."

--_Longfellow._

The terrible pestilence, known as the Black Death, swept over Europe in 1348. During the five months in which it devastated Florence three-fifths of the population perished, all civic life was suspended, and the gayest and most beautiful of cities seemed for a while to be transformed into the dim valley of disease and sin that lies outstretched at the bottom of Dante's Malebolge. It has been described, in all its horrors, in one of the most famous pa.s.sages of modern prose--that appalling introduction to Boccaccio's _Decameron_.

From the city in her agony, Boccaccio's three n.o.ble youths and seven "honest ladies" fled to the villas of Settignano and Fiesole, where they strove to drown the horror of the time by their music and dancing, their feasting and too often sadly obscene stories. Giovanni Villani was among the victims in Florence, and Petrarch's Laura at Avignon. The first canto of Petrarch's _Triumph of Death_ appears to be, in part, an allegorical representation--written many years later--of this fearful year.

During the third quarter of this fourteenth century--the years which still saw the Popes remaining in their Babylonian exile at Avignon--the Florentines gradually regained their lost supremacy over the cities of Tuscany: Colle di Val d'Elsa, San Gemignano, Prato, Pistoia, Volterra, San Miniato dei Tedeschi. They carried on a war with the formidable tyrant of Milan, the Archbishop Giovanni Visconti, whose growing power was a perpetual menace to the liberties of the Tuscan communes. They made good use of the descent of the feeble emperor, Charles IV., into Italy; waged a new war with their old rival, Pisa; and readily accommodated themselves to the baser conditions of warfare that prevailed, now that Italy was the prey of the companies of mercenaries, ready to be hired by whatever prince or republic could afford the largest pay, or to fall upon whatever city seemed most likely to yield the heaviest ransom. Within the State itself the _popolo minuto_ and the Minor Guilds were advancing in power; Florence was now divided into four quarters (San Giovanni, Santa Maria Novella, Santa Croce, Santo Spirito), instead of the old Sesti; and the Signoria was now composed of the Gonfaloniere and _eight_ Priors, two from each quarter (instead of the former six), of whom two belonged to the Minor Arts. These, of course, still held office for only two months. Next came the twelve Buonuomini, who were the counsellors of the Signoria, and held office for three months; and the sixteen Gonfaloniers of the city companies, four from each quarter, holding office for four months. And there were, as before, the two great Councils of the People and the Commune; and still the three great officers who carried out their decrees, the Podesta, the Captain, the Executor of Justice. The feuds of Ricci and Albizzi kept up the inevitable factions, much as the Buondelmonti and Uberti, Cerchi and Donati had done of old; and an iniquitous system of "admonis.h.i.+ng" those who were suspected of Ghibelline descent (the _ammoniti_ being excluded from office under heavy penalties) threw much power into the hands of the captains of the Parte Guelfa, whose oppressive conduct earned them deadly hatred. "To such arrogance,"

says Machiavelli, "did the captains of the Party mount, that they were feared more than the members of the Signoria, and less reverence was paid to the latter than to the former; the palace of the Party was more esteemed than that of the Signoria, so that no amba.s.sador came to Florence without having commissions to the captains."

[Ill.u.s.tration: THE CAMPANILE]

Pope Gregory XI preceded his return to Rome by an attempted reconquest of the States of the Church, by means of foreign legates and hireling soldiers, of whom the worst were Bretons and English; although St.

Catherine of Siena implored him, in the name of Christ, to come with the Cross in hand, like a meek lamb, and not with armed bands. The horrible atrocities committed in Romagna by these mercenaries, especially at Faenza and Cesena, stained what might have been a n.o.ble pontificate. Against Pope Gregory and his legates, the Florentines carried on a long and disastrous war; round the Otto della Guerra, the eight magistrates to whom the management of the war was intrusted, rallied those who hated the Parte Guelfa. The return of Gregory to Rome in 1377 opens a new epoch in Italian history. Echoes of this unnatural struggle between Florence and the Pope reach us in the letters of St Catherine and the canzoni of Franco Sacchetti; in the latter is some faint sound of Dante's _saeva indignatio_ against the unworthy pastors of the Church, but in the former we are lifted far above the miserable realities of a conflict carried on by political intrigue and foreign mercenaries, into the mystical realms of pure faith and divine charity.