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Over the Plum Pudding Part 16

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[Ill.u.s.tration: "IT NEARLY BLINDED HIM"]

"In an instant he had done so, and--there lay his fortune. Lying upon the soft earth floor of the adjoining cave was a diamond, dazzling in its l.u.s.tre, and large as a hen's egg. So brilliant was it that all about it was lighted up as though by electricity. In a second Fritz pounced upon it and held it aloft. It nearly blinded him, but he held on to it like grim death. It was his, and only his. His fortune was made.

"Three weeks later the waters subsided, and Fritz went forth into the world with his diamond."

"But," said I, "a diamond like that would be very hard to sell, and people might not understand how it had come into the possession of a small boy who had always been poor."

"True," said Pumpernickel, "and Fritz thought of that. 'Too sudden riches fly suddenly away,' he observed. 'I will proceed slowly.' _He didn't show that diamond to any one until he had made his fortune._"

"Then how--how did he make his fortune?" I asked.

"He sold its light," said Hans. "It does not sound probable, but it is true. In those days we had no gas or electricity to light our public squares or ballrooms or libraries, and Fritz, noting this, bought a small lantern with ground-gla.s.s sides, so that the diamond could shed its light without itself being seen, and, putting his diamond into it, rented it out for public meetings, for ballroom illumination--in fact, to any who stood in need of a strong, powerful light. Scientists from all Germany flocked in to see it, and besought him to divulge the secret of the light, but he would not until he had acc.u.mulated a fortune, and then he let the world into his confidence. Meanwhile he had gone back to Rosenstein, and had learned the art of being a wizard, and when Rosenstein died he was unanimously called to fill the vacancy."

"And what became of the diamond?"

"That," said Hans, "is a mystery. Some say that Von Hatzfeldt has it yet, but burglars who have searched his house high and low a thousand times say that he hasn't it."

"And he--what does he say?"

"He declines to speak of it," said Hans, simply.

"Well," said I, "that is a very remarkable tale."

"Yes," said Hans, "but then Fritz von Hatzfeldt is a very remarkable wizard, for how a man can be as wise as he and know so little pa.s.ses all comprehension."

Rise and Fall of the Poet Gregory

Rise and Fall of the Poet Gregory

[Ill.u.s.tration: Decorative O]

ne night after dining with Hans Pumpernickel at his house in Schnitzelhammerstein-on-the-Zugvitz, I recalled to his mind that he had promised some time to introduce me to the three sages of the town--the only persons residing there who at all approached Fritz von Hatzfeldt, the wizard, in wisdom.

"True," said he, "I did promise that, and if you like I will take you to them this evening. They are a wonderful trio, and between you and me, I really think they know more in a day than Von Hatzfeldt does in a year.

The maxims of Otto the Shoemaker alone contain wisdom enough to set ten wizards up in business. Did you ever hear any of Otto the Shoemaker's maxims?"

"No," said I. "I never even heard of Otto the Shoemaker. Does he write maxims?"

"Not exactly," replied Hans, filling his pipe and putting on his hat.

"He cannot write, but he can speak. He says maxims."

"How interesting!" I observed, following Hans's example and putting on my hat and filling my pipe also. "I should like to hear some of them."

"You shall," replied Hans. "Here is one of them: 'One never misses one's shoes until he has to do without them.' That, you see, is undeniable, and is full of wisdom. Then there was this one addressed to his son: 'Rise in the world, but be careful how. The man who goes up in a balloon cannot stay up after the gas gives out. Therefore, my son, rise not up at random, even as the balloonist does, but rather move up slowly but surely, like him who builds a tower of rock beneath him, and is thus able to stay up as long as he pleases.'"

"Wonderful," said I. "And you say that this philosopher, this deep thinker, this Maximilian, is content to remain a shoemaker?"

"Yes," Hans answered, "he is, for, as he himself once said, 'The throne itself rests upon society merely, but upon what does society stand?

Boots and shoes! I make boots and shoes, wherefore I am the cornerstone of the empire.'"

"I must meet this Otto the Shoemaker," was my response, and to that end Hans Pumpernickel and I went out to the little back street where Otto the Shoemaker, Eisenberg the Keysmith, and Jurgurson the Innkeeper, the three sages of the town, dwelt peacefully and happily together in neighborly intercourse. We found them having a quiet little gossip after tea. Eisenberg was leaning out of his shop window, his long, white clay pipe unfilled in his hand, lovingly discoursing to Otto the Shoemaker, who, clad in his leather ap.r.o.n, hung upon his every word as though each were a pearl of thought, and to Jurgurson the Innkeeper, who sat opposite him with a look upon his face which indicated how much he marvelled at the wisdom which bubbled out of Eisenberg's lips like water from a geyser.

"It is as I tell you," Eisenberg was saying; "thought is the key to every mystery; wherefore I, being the maker of keys of all sorts, necessarily manufacture thoughts. It is a part of my business. Why, therefore, should the world express surprise at my being a thinker?"

"Wherefore, indeed?" replied Jurgurson; "or me, too? As the keeper of the inn is it not for me to dispense entertainment for man and beast? Is not wisdom the entertainment of many men, and do not many men come here?

Why should I, too, then, not have wisdom on draught just as likewise I have ginger-ale and lemonade?"

"You are both right," put in Otto the Shoemaker. "And as for me, what?

This: the labor of the shoemaker is confining. I am kept at my bench all day. I must have exercise or I die; with my body busy at my trade, what can I exercise else? My wits--yah! That is, then, the cause of no surprise that I, too, am sagacious."

"We have never said anything more wise," said Eisenberg, proudly, and the others agreed with him.

At this point Hans presented me to the sages.

"Gentlemen," he said, after he had given to each an appropriate greeting, "I have brought with me one who wishes to know you. He is an American and a poet."

"Ach!" cried Eisenberg. "An American--that is good. A poet? Well we shall see. That is not always so good. Do you write, sir?"

"Occasionally," I answered.

"Good," said Otto. "That is better than often."

"True," a.s.sented Jurgurson, "though not so good as hardly ever."

I laughed. "You do not seem to think much of poets," said I.

"We do not say that," said Otto. "We do not know you as a poet, and so we do not pa.s.s judgment. When one says because one or two, or even two thousand, shoemakers are bad, all shoemakers are bad, one speaks foolishness. So with the poets. Because Heinrich von Scribbhausen writes bad stuff, you do not therefore write bad stuff. A poet should be judged, not by his shoes, but by his poems. I, a shoemaker, must not be judged by my poems, but by my shoes, which points a moral, and that moral is, what is sauce for the goose is not always sauce for the gander. The gander may be a person who makes fine clothes. The goose should not be judged by his clothes, but the gander should; therefore, never judge a man for what he ain't."

"Bravo!" cried Jurgurson. "I could not have spoken more wisely myself."

"Nor I," said Eisenberg. "Yet I could add somewhat. You do not print your poems?"

"Of course," I replied, "and why not?"

"It is a great risk," sighed Eisenberg. "Particularly for poets, for, as Otto has well said, the world cannot judge a man for what he is not; so if a shoemaker print a bad book of poems, there is no risk. The poems will be judged as the work of a shoemaker, and, though bad, may still be good for a shoemaker to have written; but for a poet to print bad poems, that is as risky as for a shoemaker to make bad shoes."

At this point my guide, Hans Pumpernickel, feeling perhaps that the conversation was not exactly pleasant for me, in spite of the undoubted wisdom of the sages' remarks, handed his tobacco-pouch to the keysmith, having observed that Eisenberg's pipe was empty.

"Thank you, no," said Eisenberg, handing it back, "I do not smoke tobacco. It is tobacco which makes of smoking an injurious pastime. To me the pleasure of smoking is the caressing of a pipe, the holding of it in one's hands, the occasional putting of it into one's mouth and puffing. Therefore I keep my pipe to caress, to hold, to put into my mouth, and to puff upon. The tobacco, which does not agree with me, I never use."

Otto and Jurgurson beamed proudly upon their fellow-sage. It was evident that in him they recognized the centre of all wisdom.

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Over the Plum Pudding Part 16 summary

You're reading Over the Plum Pudding. This manga has been translated by Updating. Author(s): John Kendrick Bangs. Already has 578 views.

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