Welsh Fairy Tales Part 5

He found to his own discomfort what was the fact and the reality, which were not very convenient for him. As soon as the harp music began, his feet began to go up, and his legs to kick and whirl. The more Morgan played, the madder the dance and the wilder the antics of the crowd, and in these the bard had to join, for he could not help himself. Soon they all began to spin round and round on the flagstones fronting the door, as if crazy. They broke the paling of the garden fence. They came into the house and knocked over the chairs and sofa, even when they cracked their s.h.i.+ns against the wood. They b.u.mped their heads against the walls and ceiling, and some even scrambled over the roof and down again. The bard could no more stop his weary legs than could the other lunatics.

To Morgan his revenge was so sweet, that he kept on until the bard's legs snapped, and he fell down on top of people that had tumbled from shear weariness, because no more strength was left in them.

Meanwhile, Morgan laughed until his jaws were tired and his stomach muscles ached.

But no sooner did he take his fingers off the strings, to rest them, than he opened his eyes in wonder; for in a flash the harp had disappeared.

He had made a bad use of the fairies' gift, and they were displeased.

So both the monk and Morgan felt sorry.

Yet the gra.s.s grew again when the quondam harper and singer ceased desolating the air with his quavers. The air seemed sweeter to breathe, because of the silence.

However, the fairies kept on doing good to the people of good will, and to-day some of the sweetest singers in Wales come from the poorest homes.

VII

THE GREAT RED DRAGON OF WALES

Every old country that has won fame in history and built up a civilization of its own, has a national flower. Besides this, some living creature, bird, or beast, or, it may be, a fish is on its flag.

In places of honor, it stands as the emblem of the nation; that is, of the people, apart from the land they live on. Besides flag and symbol, it has a motto. That of Wales is: "Awake: It is light."

Now because the glorious stories of Wales, Scotland and Ireland have been nearly lost in that of mighty England, men have at times, almost forgotten about the leek, the thistle, and the shamrock, which stand for the other three divisions of the British Isles.

Yet each of these peoples has a history as n.o.ble as that of which the rose and the lion are the emblems. Each has also its patron saint and civilizer. So we have Saint George, Saint David, Saint Andrew, and Saint Patrick, all of them white-souled heroes. On the union flag, or standard of the United Kingdom, we see their three crosses.

The lion of England, the harp of Ireland, the thistle of Scotland, and the Red Dragon of Wales represent the four peoples in the British Isles, each with its own speech, traditions, and emblems; yet all in unity and in loyalty, none excelling the Welsh, whose symbol is the Red Dragon. In cla.s.sic phrase, we talk of Albion, Scotia, Cymry, and Hibernia.

But why red? Almost all the other dragons in the world are white, or yellow, green or purple, blue, or pink. Why a fiery red color like that of Mars?

Borne on the banners of the Welsh archers, who in old days won the battles of Crecy and Agincourt, and now seen on the crests on the town halls and city flags, in heraldry, and in art, the red dragon is as rampant, as when King Arthur sat with His Knights at the Round Table.

The Red Dragon has four three-toed claws, a long, barbed tongue, and tail ending like an arrow head. With its wide wings unfolded, it guards those ancient liberties, which neither Saxon, nor Norman, nor German, nor kings on the throne, whether foolish or wise, have ever been able to take away. No people on earth combine so handsomely loyal freedom and the larger patriotism, or hold in purer loyalty to the union of hearts and hands in the British Empire, which the sovereign represents, as do the Welsh.

The Welsh are the oldest of the British peoples. They preserve the language of the Druids, bards, and chiefs, of primeval ages which go back and far beyond any royal line in Europe, while most of their fairy tales are pre-ancient and beyond the dating.

Why the Cymric dragon is red, is thus told, from times beyond human record.

It was in those early days, after the Romans in the south had left the island, and the Cymric king, Vortigern, was hard pressed by the Picts and Scots of the north. To his aid, he invited over from beyond the North Sea, or German Ocean, the tribes called the Long Knives, or Saxons, to help him.

But once on the big island, these friends became enemies and would not go back. They wanted to possess all Britain.

Vortigern thought this was treachery. Knowing that the Long Knives would soon attack him, he called his twelve wise men together for their advice. With one voice, they advised him to retreat westward behind the mountains into Cymry. There he must build a strong fortress and there defy his enemies.

So the Saxons, who were Germans, thought they had driven the Cymry beyond the western borders of the country which was later called England, and into what they named the foreign or Welsh parts.

Centuries afterwards, this land received the name of Wales.

People in Europe spoke of Galatians, Wallachians, Belgians, Walloons, Alsatians, and others as "Welsh." They called the new fruit imported from Asia walnuts, but the names "Wales" and "Welsh" were unheard of until after the fifth century.

The place chosen for the fortified city of the Cymry was among the mountains. From all over his realm, the King sent for masons and carpenters and collected the materials for building. Then, a solemn invocation was made to the G.o.ds by the Druid priests. These grand looking old men were robed in white, with long, snowy beards falling over their b.r.e.a.s.t.s, and they had milk-white oxen drawing their chariot. With a silver knife they cut the mistletoe from the tree-branch, hailing it as a sign of favor from G.o.d. Then with harp, music and song they dedicated the spot as a stronghold of the Cymric nation.

Then the King set the diggers to work. He promised a rich reward to those men of the pick and shovel who should dig the fastest and throw up the most dirt, so that the masons could, at the earliest moment, begin their part of the work.

But it all turned out differently from what the king expected. Some dragon, or powerful being underground, must have been offended by this invasion of his domain; for, the next morning, they saw that everything in the form of stone, timber, iron or tools, had disappeared during the night. It looked as if an earthquake had swallowed them all up.

Both king and seers, priests and bards, were greatly puzzled at this.

However, not being able to account for it, and the Saxons likely to march on them at any time, the sovereign set the diggers at work and again collected more wood and stone.

This time, even the women helped, not only to cook the food, but to drag the logs and stones. They were even ready to cut off their beautiful long hair to make ropes, if necessary.

But in the morning, all had again disappeared, as if swept by a tempest. The ground was bare.

Nevertheless, all hands began again, for all hearts were united.

For the third time, the work proceeded. Yet when the sun rose next morning, there was not even a trace of either material or labor.

What was the matter? Had some dragon swallowed everything up?

Vortigern again summoned his twelve wise men, to meet in council, and to inquire concerning the cause of the marvel and to decide what was to be done.

After long deliberation, while all the workmen and people outside waited for their verdict, the wise men agreed upon a remedy.

Now in ancient times, it was a custom, all over the world, notably in China and j.a.pan and among our ancestors, that when a new castle or bridge was to be built, they sacrificed a human being. This was done either by walling up the victim while alive, or by mixing his or her blood with the cement used in the walls. Often it was a virgin or a little child thus chosen by lot and made to die, the one for the many.

The idea was not only to ward off the anger of the spirits of the air, or to appease the dragons under ground, but also to make the workmen do their best work faithfully, so that the foundation should be sure and the edifice withstand the storm, the wind, and the earthquake shocks.

So, n.o.body was surprised, or raised his eyebrows, or shook his head, or pursed up his lips, when the king announced that what the wise men declared, must be done and that quickly. Nevertheless, many a mother hugged her darling more closely to her bosom, and fathers feared for their sons or daughters, lest one of these, their own, should be chosen as the victim to be slain.

King Vortigern had the long horn blown for perfect silence, and then he spoke:

"A child must be found who was born without a father. He must be brought here and be solemnly put to death. Then his blood will be sprinkled on the ground and the citadel will be built securely."

Within an hour, swift runners were seen bounding over the Cymric hills. They were dispatched in search of a boy without a father, and a large reward was promised to the young man who found what was wanted.

So into every part of the Cymric land, the searchers went.

One messenger noticed some boys playing ball. Two of them were quarreling. Coming near, he heard one say to the other:

"Oh, you boy without a father, nothing good will ever happen to you."

"This must be the one looked for," said the royal messenger to himself. So he went up to the boy, who had been thus twitted and spoke to him thus:

"Don't mind what he says." Then he prophesied great things, if he would go along with him. The boy was only too glad to go, and the next day the lad was brought before King Vortigern.

The workmen and their wives and children, numbering thousands, had a.s.sembled for the solemn ceremony of dedicating the ground by shedding the boy's blood. In strained attention the people held their breath.