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The Story of a New York House Part 1

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The Story of a New York House.

by Henry Cuyler Bunner.

I.

"I hear," said Mrs. Abram Van Riper, seated at her breakfast-table, and watching the morning sunlight dance on the front of the great Burrell house on the opposite side of Pine Street, "that the Dolphs are going to build a prodigious fine house out of town--somewhere up near the Rynders's place."

"And I hear," said Abram Van Riper, laying down last night's _Evening Post_, "that Jacob Dolph is going to give up business. And if he does, it's a disgrace to the town."

It was in the summer of 1807, and Abram Van Riper was getting well over what he considered the meridian line of sixty years. He was hale and hearty; his business was flouris.h.i.+ng; his boy was turning out all that should have been expected of one of the Van Riper stock; the refracted sunlight from the walls of the stately house occupied by the Cas.h.i.+er of the Bank of the United States lit with a subdued secondary glimmer the Van Riper silver on the breakfast-table--the squat teapot and slop-bowl, the milk-pitcher, that held a quart, and the apostle-spoon in the broken loaf-sugar on the Delft plate. Abram Van Riper was decorously happy, as a New York merchant should be. In all other respects, he was pleased to think, he was what a New York merchant should be, and the word of the law and the prophets was fulfilled with him and in his house.

"I'm sure," Mrs. Van Riper began again, somewhat querulously, "I can't see why Jacob Dolph shouldn't give up business, if he's so minded. He's a monstrous fortune, from all I hear--a good hundred thousand dollars."

"A hundred thousand dollars!" repeated her husband, scornfully. "Ay, and twice twenty thousand pounds on the top of that. He's done well, has Dolph. All the more reason he should stick to his trade; and not go to lolling in the sun, like a runner at the Custom-House door. He's not within ten years of me, and here he must build his country house, and set up for the fine gentleman. Jacob Dolph! Did I go on his note, when he came back from France, brave as my master, in '94, or did I not? And where 'ud he have raised twenty thousand in this town, if I hadn't?

What's got into folks nowadays? d.a.m.n me if I can see!"

His wife protested, in wifely fas.h.i.+on. "I'm sure, Van Riper," she began, "you've no need to fly in such a huff if I so much as speak of folks who have some conceit of being genteel. It's only proper pride of Mr. Dolph to have a country house, and--" (her voice faltering a little, timorously) "ride in and--and out----"

"_Ride!_" snorted Mr. Van Riper. "In a carriage, maybe?"

"In a carriage, Van Riper. You may think to ride in a carriage is like being the Pope of Rome; but there's some that knows better. And if you'd set up your carriage," went on the undaunted Mrs. Van Riper, "and gone over to Greenwich Street two years ago, as I'd have had you, and made yourself friendly with those people there, I'd have been on the Orphan Asylum Board at this very minute; and _you_ would----"

Mr. Van Riper knew all that speech by heart, in all its variations. He knew perfectly well what it would end in, this time, although he was not a man of quick perception: "He would have been a member of the new Historical Society."

"Yes," he thought to himself, as he found his hat and shuffled out into Pine Street; "and John Pintard would have had my good check in his pocket for his tuppenny society. Pine Street is fine enough for me."

Mr. Van Riper had more cause for his petulancy than he would have acknowledged even to himself. He was a man who had kept his shop open all through Clinton's occupancy, and who had had no trouble with the British. And when they were gone he had had to do enough to clear his skirts of any smirch of Toryism, and to implant in his own breast a settled feeling of militant Americanism. He did not like it that the order of things should change--and the order of things was changing.

The town was growing out of all knowledge of itself. Here they had their Orphan Asylum, and their Botanical Garden, and their Historical Society; and the Jews were having it all their own way; and now people were talking of free schools, and of laying out a map for the upper end of the town to grow on, in the "system" of straight streets and avenues. To the devil with systems and avenues! said he. That was all the doing of those cursed Frenchmen. He knew how it would be when they brought their plaguy frigate here in the first fever year--'93--and the fools marched up from Peck's Slip after a red nightcap, and howled their cut-throat song all night long.

It began to hum itself in his head as he walked toward Water Street--_ca ira--ca ira--les aristocrats a la lanterne_. A whiff of the wind that blew through Paris streets in the terrible times had come across the Atlantic and tickled his dull old Dutch nostrils.

But something worse than this vexed the conservative spirit of Abram Van Riper. He could forgive John Pintard--whose inspiration, I think, foreran the twentieth century--his fancy for free schools and historical societies, as he had forgiven him his sidewalk-building fifteen years before; he could proudly overlook the fact that the women were busying themselves with all manner of wild charities; he could be contented though he knew that the Hebrew Hart was president of that merchants'

club at Baker's, of which he himself would fain have been a member. But there was some thing in the air that he could neither forgive nor overlook, nor be contented with.

There was a change coming over the town--a change which he could not clearly define, even in his own mind. There was a great keeping of carriages, he knew. A dozen men had bought carriages, or were likely to buy them at any time. The women were forming societies for the improvement of this and that. And he, who had moved up-town from Dock Street, was now in an old-fas.h.i.+oned quarter. All this he knew, but the something which made him uneasy was more subtile.

Within the last few years he had observed an introduction of certain strange distinctions in the social code of the town. It had been vaguely intimated to him--perhaps by his wife, he could not remember--that there was a difference between his trade and Jacob Dolph's trade. He was a s.h.i.+p-chandler. Jacob Dolph sold timber. Their shops were side by side; Jacob Dolph's rafts lay in the river in front of Abram Van Riper's shop, and Abram Van Riper had gone on Jacob Dolph's note, only a few years ago. Yet, it seemed that it was _genteel_ of Jacob Dolph to sell timber, and it was not genteel of Abram Van Riper to be a s.h.i.+p-chandler. There was, then, a difference between Jacob Dolph and Abram Van Riper--a difference which, in forty years, Abram Van Riper had never conceived of. There were folks who held thus. For himself, he did not understand it. What difference there was between selling the wood to make a s.h.i.+p, and selling the stores to go inside of her, he could not understand.

The town was changing for the worse; he saw that. He did not wish--G.o.d forbid!--that his son John should go running about to pleasure-gardens.

But it would be no more than neighborly if these young bucks who went out every night should ask him to go with them. Were William Irving's boys and Harry Brevoort and those young Kembles too fine to be friends with his boy? Not that he'd go with them a-rollicking--no, not that--but 'twould be neighborly. It was all wrong, he thought; they were going whither they knew not, and wherefore they knew not; and with that he cursed their airs and their graces, and pounded down to the Tontine, to put his name at the head of the list of those who subscribed for a testimonial service of plate, to be presented to our esteemed fellow-citizen and valued a.s.sociate, Jacob Dolph, on his retirement from active business.

Jacob Dolph at this moment was setting forth from his house in State Street, whose pillared balcony, rising from the second floor to the roof, caught a side glance of the morning sun, that loved the Battery far better than Pine Street. He had his little boy by the hand--young Jacob, his miniature, his heir, and the last and only living one of his eight children. Mr. Dolph walked with his stock thrust out and the lower end of his waistcoat drawn in--he was Colonel Dolph, if he had cared to keep the t.i.tle; and had come back from Monmouth with a hole in his hip that gave him a bit of a limp, even now in eighteen-hundred-and-seven.

He and the boy marched forth like an army with a small but enthusiastic left wing, into the poplar-studded Battery. The wind blew fresh off the bay; the waves beat up against the seawall, and swirled with a chuckle under Castle Garden bridge. A large brig was coming up before the wind, all her sails set, as though she were afraid--and she was--of British frigates outside the Hook. Two or three fat little boats, cat-rigged, after the good old New York fas.h.i.+on, were beating down toward Staten Island, to hunt for the earliest blue-fish.

The two Dolphs crossed the Battery, where the elder bowed to his friends among the merchants who lounged about the city's pleasure-ground, lazily chatting over their business affairs. Then they turned up past Bowling Green into Broadway, where Mr. Dolph kept on bowing, for half the town was out, taking the fresh morning for marketing and all manner of shopping. Everybody knew Jacob Dolph afar off by his blue coat with the silver b.u.t.tons, his nankeen waistcoat, and his red-checked Indian silk neckcloth. He made it a sort of uniform. Captain Beare had brought him a bolt of nankeen and a silk kerchief every year since 1793, when Mr.

Dolph gave him credit for the timber of which the _Ursa Minor_ was built.

And everybody seemed willing to make acquaintance with young Jacob's London-made kerseymere breeches, of a bright canary color, and with his lavender silk coat, and with his little _chapeau de Paris_. Indeed, young Jacob was quite the most prominent moving spectacle on Broadway, until they came to John Street, and saw something rolling down the street that quite cut the yellow kerseymeres out of all popular attention.

This was a carriage, the body of which was shaped like a huge section of a cheese, set up on its small end upon broad, swinging straps between two pairs of wheels. It was not unlike a piece of cheese in color, for it was of a dull and faded grayish-green, like mould, relieved by pale-yellow panels and gilt ornaments. It was truly an interesting structure, and it attracted nearly as much notice on Broadway in 1807 as it might to-day. But it was received with far more reverence, for it was a court coach, and it belonged to the Des Anges family, the rich Huguenots of New Roch.e.l.le. It had been built in France, thirty years before, and had been sent over as a present to his brother from the Count des Anges, who had himself neglected to make use of his opportunities to embrace the Protestant religion.

When the white-haired old lady who sat in this coach, with a very little girl by her side, saw Mr. Dolph and his son, she leaned out of the window and signalled to the old periwigged driver to stop, and he drew up close to the sidewalk. And then Mr. Dolph and his son came up to the window and took off their hats, and made a great low bow and a small low bow to the old lady and the little girl.

"Madam Des Anges," said Mr. Dolph, with an idiom which he had learned when he was presented at the court of Louis the Sixteenth, "has surely not driven down from New Roch.e.l.le this morning? That would tax even her powers."

Madam Des Anges did not smile--she had no taste for smiling--but she bridled amiably.

"No, Mr. Dolph," she replied; "I have been staying with my daughter-in-law, at her house at King's Bridge, and I have come to town to put my little granddaughter to school. She is to have the privilege of being a pupil of Mme. Dumesnil."

Madam Des Anges indicated the little girl with a slight movement, as though she did not wish to allow the child more consideration than a child deserved. The little girl turned a great pair of awed eyes, first on her grandmother, and then on the gentlemen, and spoke no word. Young Jacob Dolph stared hard at her, and then contemplated his kerseymeres with lazy satisfaction. He had no time for girls. And a boy who had his breeches made in London was a boy of consequence, and need not concern himself about every one he saw.

"And this is your son, I make no doubt," went on Madam Des Anges; "you must bring him to see us at King's Bridge, while we are so near you.

These young people should know each other."

Mr. Dolph said he would, and showed a becoming sense of the honor of the invitation; and he made young Jacob say a little speech of thanks, which he did with a doubtful grace; and then Mr. Dolph sent his compliments to Madam Des Anges' daughter-in-law, and Madam Des Anges sent her compliments to Mrs. Dolph, and there was more stately bowing, and the carriage lumbered on, with the little girl looking timorously out of the window, her great eyes fixed on the yellow kerseymeres, as they twinkled up the street.

"Papa," said young Jacob, as they turned the corner of Ann Street, "when may I go to a boys' school? I'm monstrous big to be at Mrs. Kilmaster's.

And I don't like to be a girl-boy."

"Are you a girl-boy?" inquired his father, smiling.

"Aleck Cameron called me one yesterday. He said I was a girl-boy because I went to dame-school. He called me Missy, too!" the boy went on, with his breast swelling.

[Ill.u.s.tration]

"We'll see about it," said Mr. Dolph, smiling again; and they walked on in silence to Mrs. Kilmaster's door, where he struck the knocker, and a neat mulatto girl opened the narrow door. Then he patted his boy on the head and bade him good-by for the morning, and told him to be a good boy at school. He took a step or two and looked back. Young Jacob lingered on the step, as if he had a further communication to make. He paused.

"I thumped him," said young Jacob, and the narrow door swallowed him up.

Mr. Dolph continued on his walk up Broadway. As he pa.s.sed the upper end of the Common he looked with interest at the piles of red sandstone among the piles of white marble, where they were building the new City Hall. The Council had ordered that the rear or northward end of the edifice should be constructed of red stone; because red stone was cheap, and none but a few suburbans would ever look down on it from above Chambers Street. Mr. Dolph shook his head. He thought he knew better. He had watched the growth of trade; he knew the room for further growth; he had noticed the long converging lines of river-front, with their unbounded accommodation for wharves and slips. He believed that the day would come--and his own boy might see it--when the business of the city would crowd the dwelling-houses from the river side, east and west, as far, maybe, as Chambers Street. He had no doubt that the boy might find himself, forty years from then, in a populous and genteel neighborhood.

Perhaps he foresaw too much; but he had a jealous yearning for a house that should be a home for him, and for his child, and for his grandchildren. He wanted a place where his wife might have a garden; a place which the boy would grow up to love and cherish, where the boy might bring a wife some day. And even if it were a little out of town--why, his wife did not want a rout every night; and it was likely his old friends would come out and see him once in a while, and smoke a pipe in his garden and eat a dish of strawberries, perhaps.

As he thought it all over for the hundredth time, weighing for and against in his gentle and deliberative mind, he strolled far out of town. There was a house here and there on the road--a house with a trim, stiff little garden, full of pink and white and blue flowers in orderly, clam-sh.e.l.l-bordered beds. But it was certainly, he had to admit, as he looked about him, very _countrified_ indeed. It seemed that the city must lose itself if it wandered up here among these rolling meadows and wooded hills. Yet even up here, half way to Greenwich Village, there were little outposts of the town--clumps of neighborly houses, mostly of the poorer cla.s.s, huddling together to form small nuclei for sporadic growth. There was one on his right, near the head of Collect Street.

Perhaps that quizzical little old German was right, who had told him that King's Bridge property was a rational investment.

He went across the hill where Grand Street crosses Broadway, and up past what was then North and is to-day Houston Street, and then turned down a straggling road that ran east and west. He walked toward the Hudson, and pa.s.sed a farmhouse or two, and came to a bare place where there were no trees, and only a few tangled bushes and ground-vines.

Here a man was sitting on a stone, awaiting him. As he came near, the man arose.

"Ah, it's you, Weeks? And have you the plan?"

"Yes, Colonel--Mr. Dolph. I've put the window where you want it--that is, my brother Levi did--though I don't see as you're going to have much trouble in looking over anything that's likely to come between you and the river."

[Ill.u.s.tration]

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The Story of a New York House Part 1 summary

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