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She closed her eyes, exhausted, and suddenly fell asleep for an instant. There had certainly been the sound of a bell in the distance, but the ringing had ceased. Mitya let his head sink on her breast. He did not notice that the bell had ceased ringing, nor did he notice that the songs had ceased, and that instead of singing and drunken clamour there was absolute stillness in the house. Grushenka opened her eyes.
"What's the matter? Was I asleep? Yes... a bell... I've been asleep and dreamt I was driving over the snow with bells, and I dozed. I was with someone I loved, with you. And far, far away. I was holding you and kissing you, nestling close to you. I was cold, and the snow glistened.... You know how the snow glistens at night when the moon s.h.i.+nes. It was as though I was not on earth. I woke up, and my dear one is close to me. How sweet that is!..."
"Close to you," murmured Mitya, kissing her dress, her bosom, her hands. And suddenly he had a strange fancy: it seemed to him that she was looking straight before her, not at him, not into his face, but over his head, with an intent, almost uncanny fixity. An expression of wonder, almost of alarm, came suddenly into her face.
"Mitya, who is that looking at us?" she whispered.
Mitya turned, and saw that someone had, in fact, parted the curtains and seemed to be watching them. And not one person alone, it seemed.
He jumped up and walked quickly to the intruder.
"Here, come to us, come here," said a voice, speaking not loudly, but firmly and peremptorily.
Mitya pa.s.sed to the other side of the curtain and stood stock still. The room was filled with people, but not those who had been there before. An instantaneous s.h.i.+ver ran down his back, and he shuddered. He recognised all those people instantly. That tall, stout old man in the overcoat and forage-cap with a c.o.c.kade- was the police captain, Mihail Makarovitch. And that "consumptive-looking" trim dandy,"who always has such polished boots"- that was the deputy prosecutor. "He has a chronometer worth four hundred roubles; he showed it to me." And that small young man in spectacles.... Mitya forgot his surname though he knew him, had seen him: he was the "investigating lawyer," from the "school of jurisprudence," who had only lately come to the town. And this man- the inspector of police, Mavriky Mavrikyevitch, a man he knew well. And those fellows with the bra.s.s plates on, why are they here? And those other two... peasants.... And there at the door Kalganov with Trifon Borissovitch....
"Gentlemen! What's this for, gentlemen?" began Mitya, but suddenly, as though beside himself, not knowing what he was doing, he cried aloud, at the top of his voice: "I un-der-stand!"
The young man in spectacles moved forward suddenly, and stepping up to Mitya, began with dignity, though hurriedly: "We have to make... in brief, I beg you to come this way, this way to the sofa.... It is absolutely imperative that you should give an explanation."
"The old man!" cried Mitya frantically. "The old man and his blood!... I understand."
And he sank, almost fell, on a chair close by, as though he had been mown down by a scythe.
"You understand? He understands it! Monster and parricide! Your father's blood cries out against you!" the old captain of police roared suddenly, stepping up to Mitya.
He was beside himself, crimson in the face and quivering all over.
"This is impossible!" cried the small young man. "Mihail Makarovitch, Mihail Makarovitch, this won't do!... I beg you'll allow me to speak. I should never have expected such behaviour from you..."
"This is delirium, gentlemen, raving delirium," cried the captain of police; "look at him: drunk, at this time of night, in the company of a disreputable woman, with the blood of his father on his hands.... It's delirium!..." "I beg you most earnestly, dear Mihail Makarovitch, to restrain your feelings," the prosecutor said in a rapid whisper to the old police captain, "or I shall be forced to resort to- "
But the little lawyer did not allow him to finish. He turned to Mitya, and delivered himself in a loud, firm, dignified voice: "Ex-Lieutenant Karamazov, it is my duty to inform you that you are charged with the murder of your father, Fyodor Pavlovitch Karamazov, perpetrated this night..."
He said something more, and the prosecutor, too, put in something, but though Mitya heard them he did not understand them. He stared at them all with wild eyes.
Book IX.
The Preliminary Investigation.
Chapter 1.
The Beginning of Perhotin's Official Career.
PYOTR ILYITCH PERHOTIN, whom we left knocking at the strong locked gates of the widow Morozov's house, ended, of course, by making himself heard. Fenya, who was still excited by the fright she had had two hours before, and too much "upset" to go to bed, was almost frightened into hysterics on hearing the furious knocking at the gate. Though she had herself seen him drive away, she fancied that it must be Dmitri Fyodorovitch knocking again, no one else could knock so savagely. She ran to the house-porter, who had already waked up and gone out to the gate, and began imploring him not to open it. But having questioned Pyotr Ilyitch, and learned that he wanted to see Fenya on very "important business," the man made up his mind at last to open. Pyotr Ilyitch was admitted into Fenya's kitchen, but the girl begged him to allow the houseporter to be present, "because of her misgivings." He began questioning her and at once learnt the most vital fact, that is, that when Dmitri Fyodorovitch had run out to look for Grushenka, he had s.n.a.t.c.hed up a pestle from the mortar, and that when he returned, the pestle was not with him and his hands were smeared with blood.
"And the blood was simply flowing, dripping from him, dripping!" Fenya kept exclaiming. This horrible detail was simply the product of her disordered imagination. But although not "dripping," Pyotr Ilyitch had himself seen those hands stained with blood, and had helped to wash them. Moreover, the question he had to decide was, not how soon the blood had dried, but where Dmitri Fyodorovitch had run with the pestle, or rather, whether it really was to Fyodor Pavlovitch's, and how he could satisfactorily ascertain. Pyotr Ilyitch persisted in returning to this point, and though he found out nothing conclusive, yet he carried away a conviction that Dmitri Fyodorovitch could have gone nowhere but to his father's house, and that, therefore, something must have happened there.
"And when he came back," Fenya added with excitement. "I told him the whole story, and then I began asking him, 'Why have you got blood on your hands, Dmitri Fyodorovitch?' and he answered that that was human blood, and that he had just killed someone. He confessed it all to me, and suddenly ran off like a madman. I sat down and began thinking, where's he run off to now like a madman? He'll go to Mokroe, I thought, and kill my mistress there. I ran out to beg him not to kill her. I was running to his lodgings, but I looked at Plotnikov's shop, and saw him just setting off, and there was no blood on his hands then." (Fenya had noticed this and remembered it.) Fenya's old grandmother confirmed her evidence as far as she was capable. After asking some further questions, Pyotr Ilyitch left the house, even more upset and uneasy than he had been when he entered it.
The most direct and the easiest thing for him to do would have been to go straight to Fyodor Pavlovitch's, to find out whether anything had happened there, and if so, what; and only to go to the police captain, as Pyotr Ilyitch firmly intended doing, when he had satisfied himself of the fact. But the night was dark, Fyodor Pavlovitch's gates were strong, and he would have to knock again. His acquaintance with Fyodor Pavlovitch was of the slightest, and what if, after he had been knocking, they opened to him, and nothing had happened? Fyodor Pavlovitch in his jeering way would go telling the story all over the town, how a stranger, called Perhotin, had broken in upon him at midnight to ask if anyone had killed him. It would make a scandal. And scandal was what Pyotr Ilyitch dreaded more than anything in the world.
Yet the feeling that possessed him was so strong, that though he stamped his foot angrily and swore at himself, he set off again, not to Fyodor Pavlovitch's but to Madame Hohlakov's. He decided that if she denied having just given Dmitri Fyodorovitch three thousand roubles, he would go straight to the police captain, but if she admitted having given him the money, he would go home and let the matter rest till next morning.
It is, of course, perfectly evident that there was even more likelihood of causing scandal by going at eleven o'clock at night to a fas.h.i.+onable lady, a complete stranger, and perhaps rousing her from her bed to ask her an amazing question, than by going to Fyodor Pavlovitch. But that is just how it is, sometimes, especially in cases like the present one, with the decisions of the most precise and phlegmatic people. Pyotr Ilyitch was by no means phlegmatic at that moment. He remembered all his life how a haunting uneasiness gradually gained possession of him, growing more and more painful and driving him on, against his will. Yet he kept cursing himself, of course, all the way for going to this lady, but "I will get to the bottom of it, I will!" he repeated for the tenth time, grinding his teeth, and he carried out his intention.
It was exactly eleven o'clock when he entered Madame Hohlakov's house. He was admitted into the yard pretty quickly, but, in response to his inquiry whether the lady was still up, the porter could give no answer, except that she was usually in bed by that time.
"Ask at the top of the stairs. If the lady wants to receive you, she'll receive you. If she won't, she won't."
Pyotr Ilyitch went up, but did not find things so easy here. The footman was unwilling to take in his name, but finally called a maid. Pyotr Ilyitch politely but insistently begged her to inform her lady that an official, living in the town, called Perhotin, had called on particular business, and that if it were not of the greatest importance he would not have ventured to come. "Tell her in those words, in those words exactly," he asked the girl.
She went away. He remained waiting in the entry. Madame Hohlakov herself was already in her bedroom, though not yet asleep. She had felt upset ever since Mitya's visit, and had a presentiment that she would not get through the night without the sick headache which always, with her, followed such excitement. She was surprised on hearing the announcement from the maid. She irritably declined to see him, however, though the unexpected visit at such an hour, of an "official living in the town," who was a total stranger, roused her feminine curiosity intensely. But this time Pyotr Ilyitch was as obstinate as a mule. He begged the maid most earnestly to take another message in these very words: "That he had come on business of the greatest importance, and that Madame Hohlakov might have cause to regret it later, if she refused to see him now."
"I plunged headlong," he described it afterwards.
The maid, gazing at him in amazement, went to take his message again. Madame Hohlakov was impressed. She thought a little, asked what he looked like, and learned that he was very well dressed, young, and so polite." We may note, parenthetically, that Pyotr Ilyitch was a rather good-looking young man, and well aware of the fact. Madame Hohlakov made up her mind to see him. She was in her dressing-gown and slippers, but she flung a black shawl over her shoulders. "The official" was asked to walk into the drawing-room, the very room in which Mitya had been received shortly before. The lady came to meet her visitor, with a sternly inquiring countenance, and, without asking him to sit down, began at once with the question: "What do you want?"
"I have ventured to disturb you, madam, on a matter concerning our common acquaintance, Dmitri Fyodorovitch Karamazov," Perhotin began.
But he had hardly uttered the name, when the lady's face showed signs of acute irritation. She almost shrieked, and interrupted him in a fury: "How much longer am I to be worried by that awful man?" she cried hysterically. "How dare you, sir, how could you venture to disturb a lady who is a stranger to you, in her own house at such an hour!... And to force yourself upon her to talk of a man who came here, to this very drawing-room, only three hours ago, to murder me, and went stamping out of the room, as no one would go out of a decent house. Let me tell you, sir, that I shall lodge a complaint against you, that I will not let it pa.s.s. Kindly leave me at once... I am a mother.... I... I-"
"Murder! then he tried to murder you, too?"
"Why, has he killed somebody else?" Madame Hohlakov asked impulsively.
"If you would kindly listen, madam, for half a moment, I'll explain it all in a couple of words," answered Perhotin, firmly. "At five o'clock this afternoon Dmitri Fyodorovitch borrowed ten roubles from me, and I know for a fact he had no money. Yet at nine o'clock, he came to see me with a bundle of hundred-rouble notes in his hand, about two or three thousand roubles. His hands and face were all covered with blood, and he looked like a madman. When I asked him where he had got so much money, he answered that he had just received it from you, that you had given him a sum of three thousand to go to the gold mines..."
Madame Hohlakov's face a.s.sumed an expression of intense and painful excitement.
"Good G.o.d! He must have killed his old father!" she cried, clasping her hands. "I have never given him money, never! Oh, run, run!... Don't say another word Save the old man... run to his father... run!"
"Excuse me, madam, then you did not give him money? You remember for a fact that you did not give him any money?"
"No, I didn't, I didn't! I refused to give it him, for he could not appreciate it. He ran out in a fury, stamping. He rushed at me, but I slipped away.... And let me tell you, as I wish to hide nothing from you now, that he positively spat at me. Can you fancy that! But why are we standing? Ah, sit down."
"Excuse me, I..."
"Or better run, run, you must run and save the poor old man from an awful death!"
"But if he has killed him already?"
"Ah, good heavens, yes! Then what are we to do now? What do you think we must do now?"
Meantime she had made Pyotr Ilyitch sit down and sat down herself, facing him briefly, but fairly clearly, Pyotr Ilyitch told her the history of the affair, that part of it at least which he had himself witnessed. He described, too, his visit to Fenya, and told her about the pestle. All these details produced an overwhelming effect on the distracted lady, who kept uttering shrieks, and covering her face with her hands...
"Would you believe it, I foresaw all this! I have that special faculty, whatever I imagine comes to pa.s.s. And how often I've looked at that awful man and always thought, that man will end by murdering me. And now it's happened... that is, if he hasn't murdered me, but only his own father, it's only because the finger of G.o.d preserved me, and what's more, he was ashamed to murder me because, in this very place, I put the holy ikon from the relics of the holy martyr, Saint Varvara, on his neck.... And to think how near I was to death at that minute I went close up to him and he stretched out his neck to me!... Do you know, Pyotr Ilyitch (I think you said your name was Pyotr Ilyitch), I don't believe in miracles, but that ikon and this unmistakable miracle with me now- that shakes me, and I'm ready to believe in anything you like. Have you heard about Father Zossima?... But I don't know what I'm saying... and only fancy, with the ikon on his neck he spat at me.... He only spat, it's true, he didn't murder me and... he dashed away! But what shall we do, what must we do now? What do you think?"
Pyotr Ilyitch got up, and announced that he was going straight to the police captain, to tell him all about it, and leave him to do what he thought fit.
"Oh, he's an excellent man, excellent! Mihail Makarovitch, I know him. Of course, he's the person to go to. How practical you are, Pyotr Ilyitch! How well you've thought of everything! I should never have thought of it in your place!"
"Especially as I know the police captain very well, too," observed Pyotr Ilyitch, who still continued to stand, and was obviously anxious to escape as quickly as possible from the impulsive lady, who would not let him say good-bye and go away.
"And be sure, be sure," she prattled on, "to come back and tell me what you see there, and what you find out... what comes to light... how they'll try him... and what he's condemned to.... Tell me, we have no capital punishment, have we? But be sure to come, even if it's at three o'clock at night, at four, at half-past four.... Tell them to wake me, to wake me, to shake me, if I don't get up.... But, good heavens, I shan't sleep! But wait, hadn't I better come with you?"
"N-no. But if you would write three lines with your own hand, stating that you did not give Dmitri Fyodorovitch money, it might, perhaps, be of use... in case it's needed..."
"To be sure!" Madame Hohlakov skipped, delighted, to her bureau. "And you know I'm simply struck, amazed at your resourcefulness, your good sense in such affairs. Are you in the service here? I'm delighted to think that you're in the service here!"
And still speaking, she scribbled on half a sheet of notepaper the following lines: I've never in my life lent to that unhappy man, Dmitri Fyodorovitch Karamazov (for, in spite of all, he is unhappy), three thousand roubles to-day. I've never given him money, never: That I swear by all thats holy!
K. Hohlakov "Here's the note!" she turned quickly to Pyotr Ilyitch. "Go, save him. It's a n.o.ble deed on your part!"
And she made the sign of the cross three times over him. She ran out to accompany him to the pa.s.sage.
"How grateful I am to you! You can't think how grateful I am to you for having come to me, first. How is it I haven't met you before? I shall feel flattered at seeing you at my house in the future. How delightful it is that you are living here!... Such precision! Such practical ability!... They must appreciate you, they must understand you. If there's anything I can do, believe me... oh, I love young people! I'm in love with young people! The younger generation are the one prop of our suffering country. Her one hope.... Oh, go, go!..."
But Pyotr Ilyitch had already run away or she would not have let him go so soon. Yet Madame Hohlakov had made a rather agreeable impression on him, which had somewhat softened his anxiety at being drawn into such an unpleasant affair. Tastes differ, as we all know. "She's by no means so elderly," he thought, feeling pleased, "on the contrary I should have taken her for her daughter."
As for Madame Hohlakov, she was simply enchanted by the young man. "Such sence such exactness! in so young a man! in our day! and all that with such manners and appearance! People say the young people of to-day are no good for anything, but here's an example!" etc. So she simply forgot this "dreadful affair," and it was only as she was getting into bed, that, suddenly recalling "how near death she had been," she exclaimed: "Ah, it is awful, awful!"
But she fell at once into a sound, sweet sleep.
I would not, however, have dwelt on such trivial and irrelevant details, if this eccentric meeting of the young official with the by no means elderly widow had not subsequently turned out to be the foundation of the whole career of that practical and precise young man. His story is remembered to this day with amazement in our town, and I shall perhaps have something to say about it, when I have finished my long history of the Brothers Karamazov.
Chapter 2.
The Alarm.
OUR police captain, Mihail Makarovitch Makarov, a retired lieutenant-colonel, was a widower and an excellent man. He had only come to us three years previously, but had won general esteem, chiefly because he "knew how to keep society together." He was never without visitors, and could not have got on without them. Someone or other was always dining with him; he never sat down to table without guests. He gave regular dinners, too, on all sorts of occasions, sometimes most surprising ones. Though the fare was not recherche, it was abundant. The fish-pies were excellent, and the wine made up in quant.i.ty for what it lacked in quality.
The first room his guests entered was a well fitted billiard-room, with pictures of English race horses, in black frames on the walls, an essential decoration, as we all know, for a bachelor's billiard-room. There was card playing every evening at his house, if only at one table. But at frequent intervals, all the society of our town, with the mammas and young ladies, a.s.sembled at his house to dance. Mihail Makarovitch was a widower, he did not live alone. His widowed daughter lived with him, with her two unmarried daughters, grown-up girls, who had finished their education. They were of agreeable appearance and lively character, and though everyone knew they would have no dowry, they attracted all the young men of fas.h.i.+on to their grandfather's house.
Mihail Makarovitch was by no means very efficient in his work, though he performed his duties no worse than many others. To speak plainly, he was a man of rather narrow education. His understanding of the limits of his administrative power could not always be relied upon. It was not so much that he failed to grasp certain reforms enacted during the present reign, as that he made conspicuous blunders in his interpretation of them. This was not from any special lack of intelligence, but from carelessness, for he was always in to great a hurry to go into the subject.
"I have the heart of a soldier rather than of a civilian," he used to say of himself. He had not even formed a definite idea of the fundamental principles of the reforms connected with the emanc.i.p.ation of the serfs, and only picked it up, so to speak, from year to year, involuntarily increasing his knowledge by practice. And yet he was himself a landowner. Pyotr Ilyitch knew for certain that he would meet some of Mihail Makarovitch's visitors there that evening, but he didn't know which. As it happened, at that moment the prosecutor, and Varvinsky, our district doctor, a young man, who had only just come to us from Petersburg after taking a brilliant degree at the Academy of Medicine, were playing whist at the police captain's. Ippolit Kirillovitch, the prosecutor (he was really the deputy prosecutor, but we always called him the prosecutor), was rather a peculiar man, of about five and thirty, inclined to be consumptive, and married to a fat and childless woman. He was vain and irritable, though he had a good intellect, and even a kind heart. It seemed that all that was wrong with him was that he had a better opinion of himself than his ability warranted. And that made him seem constantly uneasy. He had, moreover, certain higher, even artistic, leanings, towards psychology, for instance, a special study of the human heart, a special knowledge of the criminal and his crime. He cherished a grievance on this ground, considering that he had been pa.s.sed over in the service, and being firmly persuaded that in higher spheres he had not been properly appreciated, and had enemies. In gloomy moments he even threatened to give up his post, and practise as a barrister in criminal cases. The unexpected Karamazov case agitated him profoundly: "It was a case that might well be talked about all over Russia." But I am antic.i.p.ating.
Nikolay Parfenovitch Nelyudov, the young investigating lawyer, who had only come from Petersburg two months before, was sitting in the next room with the young ladies. People talked about it afterwards and wondered that all the gentlemen should, as though intentionally, on the evening of "the crime" have been gathered together at the house of the executive authority. Yet it was perfectly simple and happened quite naturally.
Ippolit Kirillovitch's wife had had toothache for the last two days, and he was obliged to go out to escape from her groans. The doctor, from the very nature of his being, could not spend an evening except at cards. Nikolay Parfenovitch Nelyudov had been intending for three days past to drop in that evening at Mihail Makarovitch's, so to speak casually, so as slyly to startle the eldest granddaughter, Olga Mihailovna, by showing that he knew her secret, that he knew it was her birthday, and that she was trying to conceal it on purpose, so as not to be obliged to give a dance. He antic.i.p.ated a great deal of merriment, many playful jests about her age, and her being afraid to reveal it, about his knowing her secret and telling everybody, and so on. The charming young man was a great adept at such teasing; the ladies had christened him "the naughty man," and he seemed to be delighted at the name. He was extremely well-bred, however, of good family, education and feelings, and, though leading a life of pleasure, his sallies were always innocent and in good taste. He was short, and delicate-looking. On his white, slender, little fingers he always wore a number of big, glittering rings. When he was engaged in his official duties, he always became extraordinarily grave, as though realising his position and the sanct.i.ty of the obligations laid upon him. He had a special gift for mystifying murderers and other criminals of the peasant cla.s.s during interrogation, and if he did not win their respect, he certainly succeeded in arousing their wonder.
Pyotr Ilyitch was simply dumbfounded when he went into the police captain's. He saw instantly that everyone knew. They had positively thrown down their cards, all were standing up and talking. Even Nikolay Parfenovitch had left the young ladies and run in, looking strenuous and ready for action. Pyotr Ilyitch was met with the astounding news that old Fyodor Pavlovitch really had been murdered that evening in his own house, murdered and robbed. The news had only just reached them in the following manner: Marfa Ignatyevna, the wife of old Grigory, who had been knocked senseless near the fence, was sleeping soundly in her bed and might well have slept till morning after the draught she had taken. But, all of a sudden she waked up, no doubt roused by a fearful epileptic scream from Smerdyakov, who was lying in the next room unconscious. That scream always preceded his fits, and always terrified and upset Marfa Ignatyevna. She could never get accustomed to it. She jumped up and ran half-awake to Smerdyakov's room. But it was dark there, and she could only hear the invalid beginning to gasp and struggle. Then Marfa Ignatyevna herself screamed out and was going to call her husband, but suddenly realised that when she had got up, he was not beside her in bed. She ran back to the bedstead and began groping with her hands, but the bed was really empty. Then he must have gone out where? She ran to the steps and timidly called him. She got no answer, of course, but she caught the sound of groans far away in the garden in the darkness. She listened. The groans were repeated, and it was evident they came from the garden.
"Good Lord! just as it was with Lizaveta Smerdyashtchaya!" she thought distractedly. She went timidly down the steps and saw that the gate into the garden was open.
"He must be out there, poor dear," she thought. She went up to the gate and all at once she distinctly heard Grigory calling her by name, Marfa! Marfa!" in a weak, moaning, dreadful voice.
"Lord, preserve us from harm!" Marfa Ignatyevna murmured, and ran towards the voice, and that was how she found Grigory. But she found him not by the fence where he had been knocked down, but about twenty paces off. It appeared later, that he had crawled away on coming to himself, and probably had been a long time getting so far, losing consciousness several times. She noticed at once that he was covered with blood, and screamed at the top of her voice. Grigory was muttering incoherently: "He has murdered... his father murdered.... Why scream, silly... run... fetch someone..."
But Marfa continued screaming, and seeing that her master's window was open and that there was a candle alight in the window, she ran there and began calling Fyodor Pavlovitch. But peeping in at the window, she saw a fearful sight. Her master was lying on his back, motionless, on the floor. His light-coloured dressing-gown and white s.h.i.+rt were soaked with blood. The candle on the table brightly lighted up the blood and the motionless dead face of Fyodor Pavlovitch.
Terror-stricken, Marfa rushed away from the window, ran out of the garden, drew the bolt of the big gate and ran headlong by the back way to the neighbour, Marya Konndratyevna. Both mother and daughter were asleep, but they waked up at Marfa's desperate and persistent screaming and knocking at the shutter. Marfa, shrieking and screaming incoherently, managed to tell them the main fact, and to beg for a.s.sistance. It happened that Foma had come back from his wanderings and was staying the night with them. They got him up immediately and all three ran to the scene of the crime. On the way, Marya Kondratyevna remembered that at about eight o'clock she heard a dreadful scream from their garden, and this was no doubt Grigory's scream, "Parricide!" uttered when he caught hold of Mitya's leg.
"Some one person screamed out and then was silent," Marya Kondratyevna explained as she ran. Running to the place where Grigory lay, the two women with the help of Foma carried him to the lodge. They lighted a candle and saw that Smerdyakov was no better, that he was writhing in convulsions, his eyes fixed in a squint, and that foam was flowing from his lips. They moistened Grigory's forehead with water mixed with vinager, and the water revived him at once. He asked immediately: "Is the master murdered?"
Then Foma and both the women ran to the house and saw this time that not only the window, but also the door into the garden was wide open, though Fyodor Pavlovitch had for the last week locked himself in every night and did not allow even Grigory to come in on any pretext. Seeing that door open, they were afraid to go in to Fyodor Pavlovitch "for fear anything should happen afterwards." And when they returned to Grigory, the old man told them to go straight to the police captain. Marya Kondratyevna ran there and gave the alarm to the whole party at the police captain's. She arrived only five minutes before Pyotr Ilyitch, so that his story came, not as his own surmise and theory, but as the direct conformation by a witness, of the theory held by all, as to the ident.i.ty of the criminal (a theory he had in the bottom of his heart refused to believe till that moment).
It was resolved to act with energy. The deputy police inspector of the town was commissioned to take four witnesses, to enter Fyodor Pavlovitch's house and there to open an inquiry on the spot, according to the regular forms, which I will not go into here. The district doctor, a zealous man, new to his work, almost insisted on accompanying the police captain, the prosecutor, and the investigating lawyer.
I will note briefly that Fyodor Pavlovitch was found to be quite dead, with his skull battered in. But with what? Most likely with the same weapon with which Grigory had been attacked. And immediately that weapon was found, Grigory, to whom all possible medical a.s.sistance was at once given, described in a weak and breaking voice how he had been knocked down. They began looking with a lantern by the fence and found the bra.s.s pestle dropped in a most conspicuous place on the garden path. There were no signs of disturbance in the room where Fyodor Pavlovitch was lying. But by the bed, behind the screen, they picked up from the floor a big and thick envelope with the inscription: "A present of three thousand roubles for my angel Grushenka, if she is willing to come." And below had been added by Fyodor Pavlovitch, "For my little chicken." There were three seals of red sealing-wax on the envelope, but it had been torn open and was empty: the money had been removed. They found also on the floor a piece of narrow pink ribbon, with which the envelope had been tied up.
One piece of Pyotr Ilyitch's evidence made a great impression on the prosecutor and the investigating magistrate, namely, his idea that Dmitri Fyodorovitch would shoot himself before daybreak, that he had resolved to do so, had spoken of it to Ilyitch, had taken the pistols, loaded them before him, written a letter, put it in his pocket, etc. When Pyotr Ilyitch, though still unwilling to believe in it, threatened to tell someone so as to prevent the suicide, Mitya had answered grinning: "You'll be too late." So they must make haste to Mokroe to find the criminal, before he really did shoot himself.
"That's clear, that's clear!" repeated the prosecutor in great excitement. "That's just the way with mad fellows like that: 'I shall kill myself to-morrow, so I'll make merry till I die!'"
The story of how he had bought the wine and provisions excited the prosecutor more than ever.
"Do you remember the fellow that murdered a merchant called Olsufyev, gentlemen? He stole fifteen hundred, went at once to have his hair curled, and then, without even hiding the money, carrying it almost in his hand in the same way, he went off to the girls."
All were delayed, however, by the inquiry, the search, and the formalities, etc., in the house of Fyodor Pavlovitch. It all took time and so, two hours before starting, they sent on ahead to Mokroe the officer of the rural police, Mavriky Mavrikyevitch Schmertsov, who had arrived in the town the morning before to get his pay. He was instructed to avoid raising the alarm when he reached Mokroe, but to keep constant watch over the "criminal" till the arrival of the proper authorities, to procure also witnesses for the arrest, police constables, and so on. Mavriky Mavrikyevitch did as he was told, preserving his incognito, and giving no one but his old acquaintance, Trifon Borissovitch, the slightest hint of his secret business. He had spoken to him just before Mitya met the landlord in the balcony, looking for him in the dark, and noticed at once a change in Trifon Borissovitch's face and voice. So neither Mitya nor anyone else knew that he was being watched. The box with the pistols had been carried off by Trifon Borissovitch and put in a suitable place. Only after four o'clock, almost at sunrise, all the officials, the police captain, the prosecutor, the investigating lawyer, drove up in two carriages, each drawn by three horses. The doctor remained at Fyodor Pavlovitch's to make a post-mortem next day on the body. But he was particularly interested in the condition of the servant, Smerdyakov.
"Such violent and protracted epileptic fits, recurring continually for twenty-four hours, are rarely to be met with, and are of interest to science," he declared enthusiastically to his companions, and as they left they laughingly congratulated him on his find. The prosecutor and the investigating lawyer distinctly remembered the doctor's saying that Smerdyakov could not outlive the night.
After these long, but I think necessary explanations, we will return to that moment of our tale at which we broke off.