The Marble Faun; Or, The Romance of Monte Beni Volume I Part 8

"Might not a dagger find my heart?" said she, for the first time meeting his eyes. "Would not poison make an end of me? Will not the Tiber drown me?"

"It might," he answered; "for I allow that you are mortal. But, Miriam, believe me, it is not your fate to die while there remains so much to be sinned and suffered in the world. We have a destiny which we must needs fulfil together. I, too, have struggled to escape it. I was as anxious as yourself to break the tie between us,--to bury the past in a fathomless grave,--to make it impossible that we should ever meet, until you confront me at the bar of Judgment! You little can imagine what steps I took to render all this secure; and what was the result?

Our strange interview in the bowels of the earth convinced me of the futility of my design."

"Ah, fatal chance!" cried Miriam, covering her face with her hands.

"Yes, your heart trembled with horror when you recognized me," rejoined he; "but you did not guess that there was an equal horror in my own!"

"Why would not the weight of earth above our heads have crumbled down upon us both, forcing us apart, but burying us equally?" cried Miriam, in a burst of vehement pa.s.sion. "O, that we could have wandered in those dismal pa.s.sages till we both perished, taking opposite paths in the darkness, so that when we lay down to die, our last breaths might not mingle!"

"It were vain to wish it," said the model. "In all that labyrinth of midnight paths, we should have found one another out to live or die together. Our fates cross and are entangled. The threads are twisted into a strong cord, which is dragging us to an evil doom. Could the knots be severed, we might escape. But neither can your slender fingers untie these knots, nor my masculine force break them. We must submit!"

"Pray for rescue, as I have," exclaimed Miriam. "Pray for deliverance from me, since I am your evil genius, as you mine. Dark as your life has been, I have known you to pray in times past!"

At these words of Miriam, a tremor and horror appeared to seize upon her persecutor, insomuch that he shook and grew ashy pale before her eyes.

In this man's memory there was something that made it awful for him to think of prayer; nor would any torture be more intolerable than to be reminded of such divine comfort and succor as await pious souls merely for the asking; This torment was perhaps the token of a native temperament deeply susceptible of religious impressions, but which had been wronged, violated, and debased, until, at length, it was capable only of terror from the sources that were intended for our purest and loftiest consolation. He looked so fearfully at her, and with such intense pain struggling in his eyes, that Miriam felt pity.

And now, all at once, it struck her that he might be mad. It was an idea that had never before seriously occurred to her mind, although, as soon as suggested, it fitted marvellously into many circ.u.mstances that lay within her knowledge. But, alas! such was her evil fortune, that, whether mad or no, his power over her remained the same, and was likely to be used only the more tyrannously, if exercised by a lunatic.

"I would not give you pain," she said, soothingly; "your faith allows you the consolations of penance and absolution. Try what help there may be in these, and leave me to myself."

"Do not think it, Miriam," said he; "we are bound together, and can never part again." "Why should it seem so impossible?" she rejoined.

"Think how I had escaped from all the past! I had made for myself a new sphere, and found new friends, new occupations, new hopes and enjoyments. My heart, methinks, was almost as unburdened as if there had been no miserable life behind me. The human spirit does not perish of a single wound, nor exhaust itself in a single trial of life. Let us but keep asunder, and all may go well for both." "We fancied ourselves forever sundered," he replied. "Yet we met once, in the bowels of the earth; and, were we to part now, our fates would fling us together again in a desert, on a mountain-top, or in whatever spot seemed safest. You speak in vain, therefore."

"You mistake your own will for an iron necessity," said Miriam; "otherwise, you might have suffered me to glide past you like a ghost, when we met among those ghosts of ancient days. Even now you might bid me pa.s.s as freely."

"Never!" said he, with unmitigable will; "your reappearance has destroyed the work of years. You know the power that I have over you.

Obey my bidding; or, within a short time, it shall be exercised: nor will I cease to haunt you till the moment comes."

"Then," said Miriam more calmly, "I foresee the end, and have already warned you of it. It will be death!"

"Your own death, Miriam,--or mine?" he asked, looking fixedly at her.

"Do you imagine me a murderess?" said she, shuddering; "you, at least, have no right to think me so!"

"Yet," rejoined he, with a glance of dark meaning, "men have said that this white hand had once a crimson stain." He took her hand as he spoke, and held it in his own, in spite of the repugnance, amounting to nothing short of agony, with which she struggled to regain it. Holding it up to the fading light (for there was already dimness among the trees), he appeared to examine it closely, as if to discover the imaginary blood-stain with which he taunted her. He smiled as he let it go. "It looks very white," said he; "but I have known hands as white, which all the water in the ocean would not have washed clean."

"It had no stain," retorted Miriam bitterly, "until you grasped it in your own."

The wind has blown away whatever else they may have spoken.

They went together towards the town, and, on their way, continued to make reference, no doubt, to some strange and dreadful history of their former life, belonging equally to this dark man and to the fair and youthful woman whom he persecuted. In their words, or in the breath that uttered them, there seemed to be an odor of guilt, and a scent of blood.

Yet, how can we imagine that a stain of ensanguined crime should attach to Miriam! Or how, on the other hand, should spotless innocence be subjected to a thraldom like that which she endured from the spectre, whom she herself had evoked out of the darkness! Be this as it might, Miriam, we have reason to believe, still continued to beseech him, humbly, pa.s.sionately, wildly, only to go his way, and leave her free to follow her own sad path.

Thus they strayed onward through the green wilderness of the Borghese grounds, and soon came near the city wall, where, had Miriam raised her eyes, she might have seen Hilda and the sculptor leaning on the parapet.

But she walked in a mist of trouble, and could distinguish little beyond its limits. As they came within public observation, her persecutor fell behind, throwing off the imperious manner which he had a.s.sumed during their solitary interview. The Porta del Popolo swarmed with life. The merry-makers, who had spent the feast-day outside the walls, were now thronging in; a party of hors.e.m.e.n were entering beneath the arch; a travelling carriage had been drawn up just within the verge, and was pa.s.sing through the villainous ordeal of the papal custom-house. In the broad piazza, too, there was a motley crowd.

But the stream of Miriam's trouble kept its way through this flood of human life, and neither mingled with it nor was turned aside. With a sad kind of feminine ingenuity, she found a way to kneel before her tyrant undetected, though in full sight of all the people, still beseeching him for freedom, and in vain.

CHAPTER XII

A STROLL ON THE PINCIAN

Hilda, after giving the last touches to the picture of Beatrice Cenci, had flown down from her dove-cote, late in the afternoon, and gone to the Pincian Hill, in the hope of hearing a strain or two of exhilarating music. There, as it happened, she met the sculptor, for, to say the truth, Kenyon had well noted the fair artist's ordinary way of life, and was accustomed to shape his own movements so as to bring him often within her sphere.

The Pincian Hill is the favorite promenade of the Roman aristocracy. At the present day, however, like most other Roman possessions, it belongs less to the native inhabitants than to the barbarians from Gaul, Great Britain, anti beyond the sea, who have established a peaceful usurpation over whatever is enjoyable or memorable in the Eternal City. These foreign guests are indeed ungrateful, if they do not breathe a prayer for Pope Clement, or whatever Holy Father it may have been, who levelled the summit of the mount so skilfully, and bounded it with the parapet of the city wall; who laid out those broad walks and drives, and overhung them with the deepening shade of many kinds of tree; who scattered the flowers, of all seasons and of every clime, abundantly over those green, central lawns; who scooped out hollows in fit places, and, setting great basins of marble in them, caused ever-gus.h.i.+ng fountains to fill them to the brim; who reared up the immemorial obelisk out of the soil that had long hidden it; who placed pedestals along the borders of the avenues, and crowned them with busts of that mult.i.tude of worthies--statesmen, heroes, artists, men of letters and of song--whom the whole world claims as its chief ornaments, though Italy produced them all. In a word, the Pincian garden is one of the things that reconcile the stranger (since he fully appreciates the enjoyment, and feels nothing of the cost) to the rule of an irresponsible dynasty of Holy Fathers, who seem to have aimed at making life as agreeable an affair as it can well be.

In this pleasant spot, the red-trousered French soldiers are always to be seen; bearded and grizzled veterans, perhaps with medals of Algiers or the Crimea on their b.r.e.a.s.t.s. To them is a.s.signed the peaceful duty of seeing that children do not trample on the flower beds, nor any youthful lover rifle them of their fragrant blossoms to stick in the beloved one's hair. Here sits (drooping upon some marble bench, in the treacherous suns.h.i.+ne) the consumptive girl, whose friends have brought her, for cure, to a climate that instils poison into its very purest breath. Here, all day, come nursery-maids, burdened with rosy English babies, or guiding the footsteps of little travellers from the far Western world. Here, in the sunny afternoons, roll and rumble all kinds of equipages, from the cardinal's old-fas.h.i.+oned and gorgeous purple carriage to the gay barouche of modern date. Here hors.e.m.e.n gallop on thoroughbred steeds. Here, in short, all the transitory population of Rome, the world's great watering-place, rides, drives, or promenades!

Here are beautiful sunsets; and here, whichever way you turn your eyes, are scenes as well worth gazing at, both in themselves and for their historic interest, as any that the sun ever rose and set upon. Here, too, on certain afternoons of the week, a French military band flings out rich music over the poor old city, floating her with strains as loud as those of her own echoless triumphs.

Hilda and the sculptor (by the contrivance of the latter, who loved best to be alone with his young countrywoman) had wandered beyond the throng of promenaders, whom they left in a dense cl.u.s.ter around the music. They strayed, indeed, to the farthest point of the Pincian Hill, and leaned over the parapet, looking down upon the Muro Torto, a ma.s.sive fragment of the oldest Roman wall, which juts over, as if ready to tumble down by its own weight, yet seems still the most indestructible piece of work that men's hands ever piled together. In the blue distance rose Soracte, and other heights, which have gleamed afar, to our imaginations, but look scarcely real to our bodily eyes, because, being dreamed about so much, they have taken the aerial tints which belong only to a dream.

These, nevertheless, are the solid framework of hills that shut in Rome, and its wide surrounding Campagna,--no land of dreams, but the broadest page of history, crowded so full with memorable events that one obliterates another; as if Time had crossed and recrossed his own records till they grew illegible.

But, not to meddle with history,--with which our narrative is no otherwise concerned, than that the very dust of Rome is historic, and inevitably settles on our page and mingles with our ink,--we will return to our two friends, who were still leaning over the wall. Beneath them lay the broad sweep of the Borghese grounds, covered with trees, amid which appeared the white gleam of pillars and statues, and the flash of an upspringing fountain, all to be overshadowed at a later period of the year by the thicker growth of foliage.

The advance of vegetation, in this softer climate, is less abrupt than the inhabitant of the cold North is accustomed to observe. Beginning earlier,--even in February,--Spring is not compelled to burst into Summer with such headlong haste; there is time to dwell upon each opening beauty, and to enjoy the budding leaf, the tender green, the sweet youth and freshness of the year; it gives us its maiden charm, before, settling into the married Summer, which, again, does not so soon sober itself into matronly Autumn. In our own country, the virgin Spring hastens to its bridal too abruptly. But here, after a month or two of kindly growth, the leaves of the young trees, which cover that portion of the Borghese grounds nearest the city wall, were still in their tender half-development.

In the remoter depths, among the old groves of ilex-trees, Hilda and Kenyon heard the faint sound of music, laughter, and mingling voices. It was probably the uproar--spreading even so far as the walls of Rome, and growing faded and melancholy in its pa.s.sage--of that wild sylvan merriment, which we have already attempted to describe. By and by it ceased--although the two listeners still tried to distinguish it between the bursts of nearer music from the military band. But there was no renewal of that distant mirth. Soon afterwards they saw a solitary figure advancing along one of the paths that lead from the obscurer part of the ground towards the gateway.

"Look! is it not Donatello?" said Hilda.

"He it is, beyond a doubt," replied the sculptor. "But how gravely he walks, and with what long looks behind him! He seems either very weary, or very sad. I should not hesitate to call it sadness, if Donatello were a creature capable of the sin and folly of low spirits. In all these hundred paces, while we have been watching him, he has not made one of those little caprioles in the air which are characteristic of his natural gait. I begin to doubt whether he is a veritable Faun."

"Then," said Hilda, with perfect simplicity, "you have thought him--and do think him--one of that strange, wild, happy race of creatures, that used to laugh and sport in the woods, in the old, old times? So do I, indeed! But I never quite believed, till now, that fauns existed anywhere but in poetry."

The sculptor at first merely smiled. Then, as the idea took further possession of his mind, he laughed outright, and wished from the bottom of his heart (being in love with Hilda, though he had never told her so) that he could have rewarded or punished her for its pretty absurdity with a kiss.

"O Hilda, what a treasure of sweet faith and pure imagination you hide under that little straw hat!" cried he, at length. "A Faun! a Faun!

Great Pan is not dead, then, after all! The whole tribe of mythical creatures yet live in the moonlit seclusion of a young girl's fancy, and find it a lovelier abode and play-place, I doubt not, than their Arcadian haunts of yore. What bliss, if a man of marble, like myself, could stray thither, too!"

"Why do you laugh so?" asked Hilda, reddening; for she was a little disturbed at Kenyon's ridicule, however kindly expressed. "What can I have said, that you think so very foolish?"

"Well, not foolish, then," rejoined the sculptor, "but wiser, it may be, than I can fathom. Really, however, the idea does strike one as delightfully fresh, when we consider Donatello's position and external environment. Why, my dear Hilda, he is a Tuscan born, of an old n.o.ble race in that part of Italy; and he has a moss-grown tower among the Apennines, where he and his forefathers have dwelt, under their own vines and fig-trees, from an unknown antiquity. His boyish pa.s.sion for Miriam has introduced him familiarly to our little circle; and our republican and artistic simplicity of intercourse has included this young Italian, on the same terms as one of ourselves. But, if we paid due respect to rank and t.i.tle, we should bend reverentially to Donatello, and salute him as his Excellency the Count di Monte Beni."

"That is a droll idea, much droller than his being a Faun!" said Hilda, laughing in her turn. "This does not quite satisfy me, however, especially as you yourself recognized and acknowledged his wonderful resemblance to the statue."

"Except as regards the pointed ears," said Kenyon; adding, aside, "and one other little peculiarity, generally observable in the statues of fauns."

"As for his Excellency the Count di Monte Beni's ears," replied Hilda, smiling again at the dignity with which this t.i.tle invested their playful friend, "you know we could never see their shape, on account of his cl.u.s.tering curls. Nay, I remember, he once started back, as shyly as a wild deer, when Miriam made a pretence of examining them. How do you explain that?"

"O, I certainly shall not contend against such a weight of evidence, the fact of his fauns.h.i.+p being otherwise so probable," answered the sculptor, still hardly retaining his gravity. "Faun or not, Donatello or the Count di Monte Beni--is a singularly wild creature, and, as I have remarked on other occasions, though very gentle, does not love to be touched. Speaking in no harsh sense, there is a great deal of animal nature in him, as if he had been born in the woods, and had run wild all his childhood, and were as yet but imperfectly domesticated. Life, even in our day, is very simple and unsophisticated in some of the s.h.a.ggy nooks of the Apennines."

"It annoys me very much," said Hilda, "this inclination, which most people have, to explain away the wonder and the mystery out of everything. Why could not you allow me--and yourself, too--the satisfaction of thinking him a Faun?"