BestLightNovel.com

Normandy Part 3

Normandy - BestLightNovel.com

You’re reading novel Normandy Part 3 online at BestLightNovel.com. Please use the follow button to get notification about the latest chapter next time when you visit BestLightNovel.com. Use F11 button to read novel in full-screen(PC only). Drop by anytime you want to read free – fast – latest novel. It’s great if you could leave a comment, share your opinion about the new chapters, new novel with others on the internet. We’ll do our best to bring you the finest, latest novel everyday. Enjoy

Going on past Mortree the main road will bring one after about eight miles to the old town of Alencon, which has been famed ever since the time of Louis XIV. for the lace which is even at the present day worked in the villages of this neighbourhood, more especially at the hamlet of Damigny.

The cottagers use pure linen thread which is worth the almost incredible sum of 100 per lb. They work on parchment from patterns which are supplied by the merchants in Alencon. The women go on from early morning until the light fails, and earn something about a s.h.i.+lling per day!

The castle of Alencon, built by Henry I. in the twelfth century, was pulled down with the exception of the keep, by the order of Henry of Navarre, the famous contemporary of Queen Elizabeth. This keep is still in existence, and is now used as a prison. Near it is the Palais de Justice, standing where the other buildings were situated.

The west porch of the church of Notre Dame is richly ornamented with elaborate canopies, here and there with statues. One of these represents St John, and it will be seen that he is standing with his face towards the church. A legend states that this position was taken by the statue when the church was being ransacked by Protestants in the sixteenth century.

Another road from Argentan is the great _route nationale_ that runs in a fairly direct line to Granville. As one rides out of the town there is a pretty view on looking back, of St Germain standing on the slight eminence above the Orne. Keeping along by that river the road touches it again at the little town of Ecouche. The old market hall standing on ma.s.sive pillars, is the most attractive feature of the place. Its old tiled roof and half-timbered upper storey remind one forcibly of some of those fortunate old towns in England that have preserved this feature. The church has lost its original nave, and instead, there is a curious barn-like structure, built evidently with a view to economy, being scarcely more than half the height of the original: the vacant s.p.a.ce has been very roughly filled up, and the numerous holes and crevices support a fine growth of weeds, and a strong young tree has also taken root in the ramshackle stone work. From the central tower, gargoyles grin above the elaborately carved b.u.t.tresses and finials in remarkable contrast to the jerry-built addition.

[Ill.u.s.tration: THE OLD MARKET HOUSE AT ECOUCHE]

Pa.s.sing through rich country, you leave the valley of the Orne, and on both sides of the road are spread wide and fascinating views over the orchard-clad country that disappears in the distant blue of the horizon.

Wonderful patches of shadow, when large clouds are flying over the heavens, fall on this great tract of country and while in dull weather it may seem a little monotonous, in days of suns.h.i.+ne and shade it is full of a haunting beauty that is most remarkable.

About seven miles from Argentan one pa.s.ses Fromentelle, a quiet hamlet full of thatched cottages and curious weatherc.o.c.ks, and then five miles further on, having descended into the valley of the little river Rouvre, Briouze is entered. Here there is a wide and very extensive market-place with another quaint little structure, smaller than the one at Ecouche, but having a curious bell-turret in the centre of the roof. On Monday, which is market day, Briouze presents a most busy scene, and there are plenty of opportunities of studying the genial looking country farmers, their wives, and the large carts in which they drive from the farms. In the midst of the booths, you may see a bronze statue commemorating the "Sapeurs, pompiers"

and others of this little place who fell in 1854.

Leaving the main road which goes on to Flers, we may take the road to Domfront, which pa.s.ses through three pretty villages and much pleasant country. Bellau, the first village, is full of quaint houses and charming old-world scenes. The church is right in the middle on an open s.p.a.ce without an enclosure of any description. Standing with one's back to this building, there is a pretty view down the road leading to the south, a patch of blue distance appearing in the opening between the old gables. To all those who may wish to either paint or photograph this charming scene, I would recommend avoiding the hour in the afternoon when the children come out of school. I was commencing a drawing one sunny afternoon--it must have been about three o'clock--and the place seemed almost deserted. Indeed, I had been looking for a country group of peasants to fill the great white s.p.a.ce of sunny road, when in twos and threes, the juvenile population flooded out towards me. For some reason which I could not altogether fathom, the boys arranged themselves in a long, regular line, occupying exactly one half of the view, the remaining s.p.a.ce being filled by an equally long line of little girls. All my efforts failed to induce the children to break up the arrangement they had made. They merely altered their formation by advancing three or four paces nearer with almost military precision. They were still standing in their unbroken rows when I left the village.

Pa.s.sing a curious roadside cross which bears the date 1741 and a long Latin inscription splashed over with lichen, one arrives at La Ferriere aux Etangs, a quaint village with a narrow and steep street containing one conspicuously old, timber-framed house. But it is scarcely necessary to point out individual cottages in this part of Normandy, for wherever one looks, the cottages are covered with thick, purply-grey thatch, and the walls below are of grey wooden framework, filled in with plaster, generally coloured a creamy-white. When there are deep shadows under the eaves and the fruit trees in blossom stand out against the dark thatch, one can easily understand how captivating is the rural charm of this part of Normandy. Gradually the road ascends, but no great views are apparent, although one is right above the beautiful valley of the Varennes, until quite near to Domfront. Then, suddenly there appears an enormous stretch of slightly undulating country to the south and west. As far as one can see, the whole land seems to be covered by one vast forest.

But though part of this is real forest-land, much of it is composed of orchards and hedgerow trees, which are planted so closely together that, at a short distance, they a.s.sume the aspect of close-growing woods. The first impression of the great stretch of forest-land does not lose its striking aspect, even when one has explored the whole of the town. The road that brings one into the old town runs along a ridge and after pa.s.sing one of the remains of the old gateways, it rises slightly to the highest part of the ma.s.s of rock upon which Domfront is perched. The streets are narrow and parallel to accommodate themselves to the confined s.p.a.ce within the walls.

At the western end of the granite ridge, and separated from the town by a narrow defile, stands all that is left of the castle--a ma.s.sive but somewhat shapeless ruin. At the western end of the ramparts, one looks down a precipitous descent to the river Varennes which has by some unusual agency, cut itself a channel through the rocky ridge if it did not merely occupy an existing gap. At the present time, besides the river, the road and railway pa.s.s through the narrow gorge.

The castle has one of those sites that appealed irresistibly to the warlike barons of the eleventh century. In this case it was William I., Duc de Belleme, who decided to raise a great fortress on this rock that he had every reason to believe would prove an impregnable stronghold, but although only built in 1011, it was taken by Duke William thirty-seven years later, being one of the first brilliant feats by which William the Norman showed his strength outside his own Duchy. A century or more later, Henry II., when at Domfront, received the pope's nuncio by whom a reconciliation was in some degree patched up between the king and Becket. Richard I. is known to have been at the castle at various times. In the sixteenth century, a most thrilling siege was conducted during the period when Catherine de Medicis was controlling the throne. A Royalist force, numbering some seven or eight thousand horse and foot, surrounded this formidable rock which was defended by the Calvinist Comte de Montgommery. With him was another Protestant, Ambroise le Balafre, who had made himself a despot at Domfront, but whose career was cut short by one of Montgommery's men with whom he had quarrelled. They buried him in the little church of Notre-Dame-sur-l'Eau--the wonderfully preserved Norman building that one sees beneath one's feet when standing on the ramparts of the castle. The body, however, was not long allowed to remain there, for when the royal army surrounded the castle they brought out the corpse and hung it in a conspicuous place to annoy the besieged. Like Corfe Castle in England, and many other magnificently fortified strongholds, Domfront was capable of defence by a mere handful. In this case the original garrison consisted of one hundred and fifty, and after many desertions the force was reduced to less than fifty. A great breach had been made by the six pieces of artillery placed on the hill on the opposite side of the gorge, and through this the besiegers endeavoured to enter. The attenuated garrison, with magnificent courage, held the breach after a most desperate and b.l.o.o.d.y fight. But after all this display of courage, it was found impossible to continue the defence, for by the next morning there were barely more than a dozen men left to fight. Finally Montgommery was obliged to surrender unconditionally, and not long afterwards he was executed in Paris. You may see the breach where this terrible fight took place at the present day, and as you watch the curious effects of the blue shadows falling among the forest trees that stretch away towards the south, you may feel that you are looking over almost the same scene that was gazed upon by the notable figures in history who have made their exits and entrances at Domfront.

So little has the church of Notre-Dame-sur-l'Eau altered in its appearance since it was built by the Duc de Belleme that, were he to visit the ruins of his castle, he would marvel no doubt that the men of the nine centuries which have pa.s.sed, should have consistently respected this st.u.r.dy little building. There are traces of aisles having existed, but otherwise the exterior of the church can have seen no change at all in this long period.

Inside, however, the crude whitewash, the curious a.s.semblage of enormous seventeenth century gravestones that are leant against the walls, and the terribly jarring almost life-sized crucifix, all give one that feeling of revulsion that is inseparable from an ill-kept place of wors.h.i.+p. On the banks of the river outside, women may be seen was.h.i.+ng clothes; the sounds of the railway come from the station near by, and overhead, rising above the foliage at its feet, are the broken walls and shattered keep from which we have been gazing.

[Ill.u.s.tration: ONE OF THE TOWERS IN THE WALLS OF DOMFRONT]

The walls of the town, punctuated by many a quaint tower, have lost their fearsome aspect owing to the domestic uses to which the towers are palpably devoted. One of them appears in the adjoining ill.u.s.tration, and it is typical of the half-dozen or so that still rise above the pretty gardens that are perched along the steep ascent. But though Domfront is full of almost thrilling suggestions of medievalism and the glamour of an ancient town, yet there is a curious lack of picturesque arrangement, so that if one were to be led away by the totally uninteresting photographs that may be seen in the shops, one would miss one of the most unique spots in Normandy.

Stretching away towards Flers, there is a tract of green country all ups and downs, but with no distant views except the peep of Domfront that appears a few miles north of the town. Crowning the ridge of the hill is the keep of the castle, resembling a closed fist with the second finger raised, and near it, the bell-cote of the Palais de Justice and the spire of the church break the line of the old houses. Ferns grow by the roadside on every bank, but the cottages and farms are below the average of rustic beauty that one soon demands in this part of France.

Flers is a somewhat busy manufacturing town where cotton and thread mills have robbed the place of its charm. At first sight one might imagine the church which bears the date 1870 was of considerably greater age, but inside one is almost astounded at the ramshackle galleries, the white-washed roof of rough boards discoloured by damp, and the general squalor of the place relieved only by a ponderous altar-piece of cla.s.sic design. The castle is still in good preservation but although it dates from early Norman times, it is chiefly of the sixteenth century.

Out in the country again, going westwards, the cottage industry of weaving is apparent in nearly every cottage one sees. The loud click-a-ti-clack--click-a-ti-clack of the looms can be heard on every side as one pa.s.ses such villages as Landisacq. Everywhere the scenery is exceedingly English, the steep hillsides are often covered with orchards, and the delicate green of the apple-trees in spring-time, half-smothered in pinky-white blossom, gives the country a garden-like aspect. You may see a man harrowing a field on a sudden slope with a cloud of dust blowing up from the dry light soil, and you may hear him make that curious hullaballooing by which the peasants direct their horses, so different from the grunting "way-yup there" of the English ploughman. Coming down a long descent, a great stretch of country to the north that includes the battlefield of Tinchebrai comes into view.

It is hard to a.s.sociate the rich green pastures, smiling orchards, and peaceful cattle, with anything so gruesome as a battle between armies led by brothers. But it was near the little town of Tinchebrai that the two brothers, Henry I., King of England, and Robert Duke of Normandy fought for the possession of Normandy. Henry's army was greatly superior to that of his brother, for he had the valuable help of the Counts of Conches, Breteuil, Thorigny, Mortagne, Montfort, and two or three others as powerful. But despite all this array, the battle for some time was very considerably in Robert's favour, and it was only when Henry, heavily pressed by his brother's brilliant charge, ordered his reserves to envelop the rear, that the great battle went in favour of the English king. Among the prisoners were Robert and his youthful son William, the Counts of Mortain, Estouteville, Ferrieres, and a large number of notable men. Until his death, twenty-seven years later, Henry kept his brother captive in Cardiff Castle, and it has been said that, owing to an effort to escape, Henry was sufficiently lacking in all humane feelings towards his unfortunate brother, to have both his eyes put out. It seems a strange thing that exactly sixty years after the battle of Hastings, a Norman king of England, should conquer the country which had belonged to his father.

The old church of St Remy at Tinchebrai, part of which dates from the twelfth century, has been abandoned for a new building, but the inn--the Hotel Lion d'Or--which bears the date 1614, is still in use. Vire, however, is only ten miles off, and its rich mediaeval architecture urges us forward.

Standing in the midst of the cobbled street, there suddenly appears right ahead a splendid thirteenth century gateway--the Tour de l'Horloge--that makes one of the richest pictures in Normandy. It is not always one can see the curious old tower thrown up by a blaze of gold in the west, but those who are fortunate enough to see such an effect may get a small suggestion of the scene from the ill.u.s.tration given here. The little painted figure of the Virgin and Child stands in a niche just over the arch, and by it appears the prayer "Marie protege la ville!"

One of the charms of Vire is its cleanliness, for I can recall no unpleasant smells having interfered with the pleasure of exploring the old streets. There is a great market on the northern side of the town, open and breezy. It slopes clear away without any intervening buildings to a great expanse of green wooded country, suggestive of some of the views that lie all around one at Avranches. The dark old church of Notre Dame dates mainly from the twelfth century. Houses and small shops are built up against it between the b.u.t.tresses in a familiar, almost confidential manner, and on the south side, the row of gargoyles have an almost humorous appearance.

The drips upon the pavement and shops below were evidently a nuisance, and rain water-spouts, with plain pipes leading diagonally from them, have been attached to each grotesque head, making it seem that the grinning monsters have developed a great and unquenchable thirst. Inside, the church is dark and impressive. There are double rows of pillars in the aisles, and a huge crucifix hangs beneath the tower, thrown up darkly against the chancel, which is much painted and gilded. The remains of the great castle consist of nothing more than part of the tall keep, built eight hundred years ago, and fortunately not entirely destroyed when the rest of the castle came down by the order of Cardinal Richelieu. An exploration of the quaint streets of Vire will reveal two or three ancient gateways, many gabled houses, some of which are timber-framed visually, and most of them are the same beneath their skins of plaster. The houses in one of the streets are connected with the road by a series of wooden bridges across the river, which there forms one of the many pictures to be found in Vire.

Mortain is separated from Vire by fifteen miles of exceedingly hilly country, and those who imagine that all the roads in Normandy are the flat and poplar bordered ones that are so often encountered, should travel along this wonderful switch-back. As far as Sourdeval there seems scarcely a yard of level ground--it is either a sudden ascent or a breakneck rush into a trough-like depression. You pa.s.s copices of firs and beautiful woods, although in saying beautiful it is in a limited sense, for one seldom finds the really rich woodlands that are so priceless an ornament to many Surrey and Kentish lanes. The road is shaded by tall trees when it begins to descend into the steep rocky gorge of the Cance with its tumbling waterfalls that are a charming feature of this approach to Mortain. High upon the rocks on the left appears an enormous gilded statue of the Virgin, in the grounds of the Abbaye Blanche. Going downwards among the broken sunlight and shadows on the road, Mortain appears, picturesquely perched on a great rocky steep, and in the opening of the valley a blue haze suggests the great expanse of level country towards the south. The big parish church of the town was built originally in 1082 by that Robert of Mortain, who, it will be remembered, was one of the first of the Normans to receive from the victorious William a grant of land in England. The great tower which stands almost detached on the south-west side is remarkable for its enormously tall slit windows, for they run nearly from the ground to the saddle-back roof. The interior of this church is somewhat unusual, the nave and chancel being structurally one, and the aisles are separated by twenty-four circular grey pillars with Corinthian capitals. The plain surfaces of the walls and vaulting are absolutely clean white, picked out with fine black lines to represent stone-work--a scarcely successful treatment of such an interior! On either side of the High Altar stand two great statues representing St Guillaume and St Evroult.

To those who wish to "do" all the sights of Mortain there is the Chapel of St Michael, which stands high up on the margin of a great rocky hill, but the building having been reconstructed about fifty years ago, the chief attraction to the place is the view, which in tolerably clear weather, includes Mont St Michel towards which we are making our way.

A perfectly straight and fairly level stretch of road brings you to St Hilaire-du-Harcout. On the road one pa.s.ses two or three large country houses with their solemn and perfectly straight avenues leading directly up to them at right angles from the road. The white jalousies seem always closed, the gra.s.s on the lawns seems never cut, and the whole establishments have a pathetically deserted appearance to the pa.s.ser-by. A feature of this part of the country can scarcely be believed without actually using one's eyes. It is the wooden chimney-stack, covered with oak s.h.i.+ngles, that surmounts the roofs of most of the cottages. Where the s.h.i.+ngles have fallen off, the cement rubble that fills the s.p.a.ce between the oak framing appears, but it is scarcely credible that, even with this partial protection, these chimneys should have survived so many centuries.

I have asked the inmates of some of the cottages whether they ever feared a fire in their chimneys, but they seemed to consider the question as totally unnecessary, for some providence seems to have watched over their frail structures.

St Hilaire has a brand new church and nothing picturesque in its long, almost monotonous, street. Instead of turning aside at Pontaubault towards Mont St Michel, we will go due north from that hamlet to the beautifully situated Avranches. This prosperous looking town used, at one time, to have a large English colony, but it has recently dwindled to such small dimensions that the English chaplain has an exceedingly small parish. The streets seem to possess a wonderful cleanliness; all the old houses appear to have made way for modern buildings which, in a way, give Avranches the aspect of a watering-place, but its proximity to the sea is more apparent in a map than when one is actually in the town. On one side of the great place in front of the church of Notre Dame des Champs is the Jardin des Plantes. To pa.s.s from the blazing suns.h.i.+ne and loose gravel, to the dense green shade of the trees in this delightful retreat is a pleasure that can be best appreciated on a hot afternoon in summer. The shade, however, and the beds of flowers are not the only attractions of these gardens. Their greatest charm is the wonderful view over the s.h.i.+ning sands and the glistening waters of the rivers See and Selune that, at low tide, take their serpentine courses over the delicately tinted waste of sand that occupies St Michael's Bay. Out beyond the little wooded promontory that protects the mouth of the See, lies Mont St Michel, a fretted silhouette of flat pearly grey, and a little to the north is Tombelaine, a less pretentious islet in this fairyland sea. Framed by the stems and foliage of the trees, this view is one of the most fascinating in Normandy. One would be content to stay here all through the sultry hours of a summer day, to listen to the distant hum of conversation among white-capped nursemaids, as they sew busily, giving momentary attention to their charges. But Avranches has an historical spot that no student of history, and indeed no one who cares anything for the picturesque events that crowd the pages of the chronicles of England in the days of the Norman kings, may miss. It is the famous stone upon which Henry II. knelt when he received absolution for the murder of Becket at the hands of the papal legate. To reach this stone is, for a stranger, a matter of some difficulty. From the Place by the Jardin des Plantes, it is necessary to plunge down a steep descent towards the railway station, and then one climbs a series of zigzag paths on a high gra.s.sy bank that brings one out upon the Place Huet. In one corner, surrounded by chains and supported by low iron posts, is the historic stone. It is generally thickly coated with dust, but the bra.s.s plate affixed to a pillar of the doorway is quite legible. These, and a few fragments of carved stone that lie half-smothered in long gra.s.s and weeds at a short distance from the railed-in stone, are all that remain of the cathedral that existed in the time of Henry II.

It must have been an impressive scene on that Sunday in May 1172, when the papal legate, in his wonderful robes, stood by the north transept door, of which only this fragment remains, and granted absolution to the sovereign, who, kneeling in all humbleness and submission, was relieved of the curse of excommunication which had been laid on him after the tragic affair in the sanctuary at Canterbury. In place of the splendid cathedral, whose nave collapsed, causing the demolition of the whole building in 1799, there is a new church with the two great western towers only carried up to half the height intended for them.

From the roadway that runs along the side of the old castle walls in terrace fas.h.i.+on there is another wonderful view of rich green country, through which, at one's feet, winds the river See. Away towards the north-west the road to Granville can be seen pa.s.sing over the hills in a perfectly straight line. But this part of the country may be left for another chapter.

CHAPTER VII

Concerning Mont St Michel

So, when their feet were planted on the plain That broaden'd toward the base of Camelot, Far off they saw the silver-misty morn Rolling her smoke about the Royal mount, That rose between the forest and the field.

At times the summit of the high city flash'd; At times the spires and turrets half-way down p.r.i.c.ked through the mist; at times the great gate shone Only, that open'd on the field below: Anon, the whole fair city disappeared.

Tennyson's _Gareth and Lynette_

"The majestic splendour of this gulf, its strategetic importance, have at all times attracted the attention of warriors." In this quaint fas.h.i.+on commences the third chapter of a book upon Mont St Michel which is to be purchased in the little town. We have already had a glimpse of the splendour of the gulf from Avranches, but there are other aspects of the rock which are equally impressive. They are missed by all those who, instead of going by the picturesque and winding coast-road from Pontaubault, take the straight and dusty _route nationale_ to Pontorson, and then turn to follow the tramway that has in recent years been extended along the causeway to the mount itself. If one can manage to make it a rather late ride along the coast-road just mentioned, many beautiful distant views of Mont St Michel, backed by sunset lights, will be an ample reward. Even on a grey and almost featureless evening, when the sea is leaden-hued, there may, perhaps, appear one of those thin crimson lines that are the last efforts of the setting sun. This often appears just behind the grey and dim rock, and the crimson is reflected in a delicate tinge upon the glistening sands. Tiny rustic villages, with churches humble and un.o.btrusive, and prominent calvaries, are pa.s.sed one after the other.

At times the farmyards seem to have taken the road into their own hands, for a stone well-head will appear almost in the roadway, and chickens, pigs, and a litter of straw have to be allowed for by those who ride or drive along this rural way. When the rock is still some distance off, the road seems to determine to take a short cut across the sands, but thinking better of it, it runs along the outer margin of the reclaimed land, and there is nothing to prevent the sea from flooding over the road at its own discretion. Once on the broad and solidly constructed causeway, the rock rapidly gathers in bulk and detail. It has, indeed, as one approaches, an almost fantastic and fairy-like outline. Then as more and more grows from the hazy ma.s.s, one sees that this remarkable place has a crowded and much embattled loneliness. Two round towers, st.u.r.dy and boldly machicolated, appear straight ahead, but oddly enough the wall between them has no opening of any sort, and the stranger is perplexed at the inhospitable curtain-wall that seems to refuse him admittance to the mediaeval delights within. It almost heightens the impression that the place belongs altogether to dreamland, for in that shadowy world all that is most desirable is so often beyond the reach of the dreamer. It is a very different impression that one gains if the steam train has been taken, for its arrival is awaited by a small crowd of vulture-like servants and porters from the hotels. The little crowd treats the incoming train-load of tourists as its carrion, and one has no time to notice whether there is a gateway or not before being swept along the sloping wooden staging that leads to the only entrance. The simple archway in the outer wall leads into the Cour de l'Avancee where those two great iron cannons, mentioned in an earlier chapter, are conspicuous objects. They were captured by the heroic garrison when the English, in 1433, made their last great effort to obtain possession of the rock. Beyond these, one pa.s.ses through the barbican to the Cour de la Herse, which is largely occupied by the Hotel Poulard Aine.

Then one pa.s.ses through the Porte du Roi, and enters the town proper. The narrow little street is flanked by many an old house that has seen most of the vicissitudes that the little island city has suffered. In fact many of these shops which are now almost entirely given over to the sale of mementoes and books of photographs of the island, are individually of great interest. One of the most ancient in the upper part of the street, is pointed out as that occupied in the fourteenth century by Tiphane de Raguenel, the wife of the heroic Bertrand du Guesclin.

It is almost impossible for those who are sensitive in such matters, not to feel some annoyance at the pleasant but persistent efforts of the vendors of souvenirs to induce every single visitor to purchase at each separate shop. To get an opportunity for closely examining the carved oaken beams and architectural details of the houses, one must make at least some small purchase at each trinket store in front of which one is inclined to pause.

Perhaps it would even be wise before attempting to look at anything architectural in this quaintest of old-world streets, to go from one end to the other, buying something of trifling cost, say a picture postcard, from each saleswoman. In this way, one might purchase immunity from the over-solicitous shop-keepers, and have the privilege of being able to realise the mediaeval character of the place without constant interruptions.

Nearly every visitor to Mont St Michel considers that this historic gem, in its wonderful setting of opalescent sand, can be "done" in a few hours.

They think that if they climb up the steps to the museum--a new building made more conspicuous than it need be by a board bearing the word _Musee_ in enormous letters--if they walk along the ramparts, stare for a moment at the gateways, and then go round the abbey buildings with one of the small crowds that the guide pilots through the maze of extraordinary vaulted pa.s.sages and chambers, that they have done ample justice to this world-famous sight. If the rock had only one-half of its historic and fantastically arranged buildings, it would still deserve considerably more than this fleeting attention paid to it by such a large proportion of the tourists. So many of these poor folk come to Mont St Michel quite willing to learn the reasons for its past greatness, but they do not bring with them the smallest grains of knowledge. The guides, whose knowledge of English is limited to such words as "Sirteenth Senchury" (thirteenth century), give them no clues to the reasons for the existence of any buildings on the island, and quite a large proportion of visitors go away without any more knowledge than they could have obtained from the examination of a good book of photographs.

To really appreciate in any degree the natural charms of Mont St Michel, at least one night should be spent on the rock. Having debated between the rival houses of Poularde Aine and Poularde Jeune, and probably decided on the older branch of the family, perhaps with a view to being able to speak of their famous omelettes with enthusiasm, one is conducted to one of the houses or dependences connected with the hotel. If one has selected the Maison Rouge, it is necessary to make a long climb to one's bedroom. The long salle a manger, where dinner is served, is in a tall wedge-like building just outside the Porte du Roi and in the twilight of evening coffee can be taken on the little tables of the cafe that overflows on to the pavement of the narrow street. The cafe faces the head-quarters of the hotel, and is as much a part of it as any of the other buildings which contain the bedrooms. To the stranger it comes as a surprise to be handed a Chinese lantern at bedtime, and to be conducted by one of the hotel servants almost to the top of the tall house just mentioned. Suddenly the man opens a door and you step out into an oppressive darkness. Here the use of the Chinese lantern is obvious, for without some artificial light, the long series of worn stone steps, that must be climbed before reaching the Maison Rouge, would offer many opportunities for awkward falls. The bedrooms in this house, when one has finally reached a floor far above the little street, have a most enviable position. They are all provided with small balconies where the enormous sweep of sand or glistening ocean, according to the condition of the tides, is a sight which will drag the greatest sluggard from his bed at the first hour of dawn. Right away down below are the h.o.a.ry old houses of the town, hemmed in by the fortified wall that surrounds this side of the island. Then stretching away towards the greeny-blue coast-line is the long line of digue or causeway on which one may see a distant puff of white smoke, betokening the arrival of the early train of the morning. The attaches of the rival hotels are already awaiting the arrival of the early batch of sight-seers. All over the delicately tinted sands there are constantly moving shadows from the light clouds forming over the sea, and blowing freshly from the west there comes an invigorating breeze.

Before even the museum can have a real interest for us, we must go back to the early times when Mont St Michel was a bare rock; when it was not even an island, and when the bay of Mont St Michel was covered by the forest of Scissey.

It seems that the Romans raised a shrine to Jupiter on the rock, which soon gave to it the name of Mons Jovis, afterwards to be contracted into Mont-Jou. They had displaced some earlier Druidical or other sun-wors.h.i.+ppers who had carried on their rites at this lonely spot; but the Roman innovation soon became a thing of the past and the Franks, after their conversion to Christianity, built on the rock two oratories, one to St Stephen and the other to St Symphorian. It was then that the name Mont-Jou was abandoned in favour of Mons-Tumba. The smaller rock, now known as Tombelaine, was called Tumbella meaning the little tomb, to distinguish it from the larger rock. It is not known why the two rocks should have been a.s.sociated with the word tomb, and it is quite possible that the Tumba may simply mean a small hill.

In time, hermits came and built their cells on both the rocks and gradually a small community was formed under the Merovingian Abbey of Mandane.

It was about this time, that is in the sixth century, that a great change came over the surroundings of the two rocks. Hitherto, they had formed rocky excrescences at the edge of the low forest-land by which the country adjoining the sea was covered. Gradually the sea commenced a steady encroachment. It had been probably in progress even since Roman times, but its advance became more rapid, and after an earthquake, which occurred in the year 709, the whole of the forest of Scissey was invaded, and the remains of the trees were buried under a great layer of sand. There were several villages in this piece of country, some of whose names have been preserved, and these suffered complete destruction with the forest. A thousand years afterwards, following a great storm and a consequent movement of the sand, a large number of oaks and considerable traces of the little village St Etienne de Paluel were laid bare. The foundations of houses, a well, and the font of a church were among the discoveries made.

Just about the time of the innundation, we come to the interesting story of the holy-minded St Aubert who had been made bishop of Avranches. He could see the rock as it may be seen to-day, although at that time it was crowned with no buildings visible at any distance, and the loneliness of the spot seems to have attracted him to retire thither for prayer and meditation. He eventually raised upon the rock a small chapel which he dedicated to Michel the archangel. After this time, all the earlier names disappeared and the island was always known as Mont St Michel. Replacing the hermits of Mandane with twelve canons, the establishment grew and became prosperous. That this was so, must be attributed largely to the astonis.h.i.+ng miracles which were supposed to have taken place in connection with the building of the chapel.

Two great rocks near the top of the mount, which were much in the way of the builders, were removed and sent thundering down the rocky precipice by the pressure of a child's foot when all the efforts of the men to induce the rock to move had been unavailing. The huge rock so displaced is now crowned by the tiny chapel of St Aubert. The offerings brought by the numerous pilgrims to Mont St Michel gave the canons sufficient means to commence the building of an abbey, and the unique position of the rock soon made it a refuge for the Franks of the western parts of Neustria when the fierce Norman pirates were harrying the country. In this way the village of Mont St Michel made its appearance at the foot of the rock. The contact of the canons with this new population brought some trouble in its wake. The holy men became contaminated with the world, and Richard, Duke of Normandy, replaced them by thirty Benedictines brought from Mont-Ca.s.sin. These monks were given the power of electing their own abbot who was invested with the most entire control over all the affairs of the people who dwelt upon the rock. This system of popular election seems to have worked admirably, for in the centuries that followed, the rulers of the community were generally men of remarkable character and great ideals.

About fifty years before the Conquest of England by Duke William, the abbot of that time, Hildebert II., commenced work on the prodigious series of buildings that still crown the rock. His bold scheme of building ma.s.sive walls round the highest point, in order to make a lofty platform whereon to raise a great church, was a work of such magnitude that when he was gathered to his fathers the foundations were by no means complete. Those who came after him however, inspired by the great idea, kept up the work of building with wonderful enthusiasm. Slowly, year by year, the ponderous walls of the crypts and undercrofts grew in the great s.p.a.ce which it was necessary to fill. Dark, irregularly built chambers, one side formed of the solid rock and the others composed of the almost equally ma.s.sive masonry, grouped themselves round the unequal summit of the mount, until at last, towards the end of the eleventh century, the building of the nave of the church was actually in progress. Roger II., the eleventh of the abbots, commenced the buildings that preceded the extraordinary structure known as La Merveille. Soon after came Robert de Torigny, a pious man of great learning, who seems to have worked enthusiastically. He raised two great towers joined by a porch, the hostelry and infirmary on the south side and other buildings on the west. Much of this work has unfortunately disappeared. Torigny's coffin was discovered in 1876 under the north-west part of the great platform, and one may see a representation of the architect-abbot in the clever series of life-like models that have been placed in the museum.

The Bretons having made a destructive attack upon the mount in the early years of the thirteenth century and caused much damage to the buildings, Jourdain the abbot of that time planned out "La Merveille," which comprises three storeys of the most remarkable Gothic halls. At the bottom are the cellar and almonry, then comes the Salle des Chevaliers and the dormitory, and above all are the beautiful cloisters and the refectory. Jourdain, however, only lived to see one storey completed, but his successors carried on the work and Raoul de Villedieu finished the splendid cloister in 1228.

Please click Like and leave more comments to support and keep us alive.

RECENTLY UPDATED MANGA

Normandy Part 3 summary

You're reading Normandy. This manga has been translated by Updating. Author(s): Gordon Home. Already has 585 views.

It's great if you read and follow any novel on our website. We promise you that we'll bring you the latest, hottest novel everyday and FREE.

BestLightNovel.com is a most smartest website for reading manga online, it can automatic resize images to fit your pc screen, even on your mobile. Experience now by using your smartphone and access to BestLightNovel.com