Over Paradise Ridge Part 9

"I'll have to tan him for s.h.i.+rking like that," said Sam, looking off into the bushes. "You Byrd!" But there was no response. That ought to have roused my suspicions, but it didn't. I went on down to that pea-patch as innocent as a newly born lamb, with Peter walking beside me, enthusing over the landscape and swinging the light basket with elegant nonchalance.

"I see, Betty dear--I see that there is a great satisfaction in the pragmatic accomplishment, and--" he was saying when we came out of the woods onto the southern slope, where lie the long rows of peas, which are making Sam's fortune. He got them in by working two days and all one night in a bright spell in mid-February, and n.o.body for twenty miles around has any, while he has more than he can gather to market at a top price; that is, more than he can gather himself with Byrd's a.s.sistance, he explained to us, as he showed us just how to snap the pod against our thumbs.

"I ought to put five barrels into Hayesboro every day now for a week before anybody else gets any," he said, as he squatted at the head of a row between Peter and me, and we all began to pull at the beautiful gray-green vines and snap off the full, green pods. I looked across at poor, innocent, enthusiastic Peter and saw his finish.

About three o'clock I saw my own finish, and threw up the basket.

"You poor, dear child!" exclaimed Peter as he came stiffly across the row Sam had long since finished. He, Sam, was four rows ahead of us, and a quarter of a mile away, more or less. I had collapsed, with my tired legs stuck out in front of me and my thumb, swollen from snapping the pods, in my mouth. "This is too hard work for you."

"Yes, it is; but Sam won't think so," I answered, with a glance at the strong, broad back swinging so easily down the slope. "Now, Peter, we must go right along picking the peas. Sam must get those five barrels,"

I said, as I hastily scrambled up and began to pull at the vicious vines again.

"Well, I certainly don't intend to stop until they are filled," answered Peter, stiffly, in more ways than one, and without any more waste of sympathy he turned his back and went doggedly at the vines. That was my opportunity, and I took it. I rose, looked with fear at the two men at work in front of me, and fled, basket and all. I stopped long enough to empty my full basket in one of the barrels that were already in the wagon; and as I climbed laboriously down over the wheels, with my paralyzed legs working slowly, I caught a glimpse of a flash of blue out in the bushes, topped by a glint of red that was too large to be that of any bird inhabitant of The Briers.

"Byrd," I called, softly.

No answer.

"Byrd, do you want to go to town with me to see Mother Hayes?" I asked in subdued tones. That brought its response.

There were difficulties; but we surmounted them. We were afraid to wake Mammy at her afternoon nap for the clean clothes of civilization, so we purloined a fairly clean blue jumper hanging on the porch, while I left a note for Sam pinned on my old doll seed-basket hanging by his door. It was large enough for him to see, and it read:

I'm a good young mule, but I've broken down. Poor Peter! All that is left of BETTY.

_P.S._--I've rescued the Byrd for overnight. I'll return him to his fate to-morrow. Poor Peter! Poor Peter!

I wish I could have seen Sam's face when he found it! The next morning mother's black beauty found my old gra.s.s basket full of delicious little peas on the front steps with this note in it:

You'll be docked a quarter of a cent every hour you are off your job. Bring that brat home and both of you get to work.

SAM.

_P.S._--Something is sprouting in your garden that I don't understand.

I knew those hollyhocks would rise up some day and bear witness against me. For the life of me I couldn't make up my mind what to say about them, so I sent the Byrd home by Tolly, who was going to take Edith out to see how her okra was progressing, and stayed in the safe shelter of my home. On the Byrd's rompers I pinned this note:

Strike, if you will, my young back, But spare, oh spare, this little brat!

BETTY.

There are all kinds of poetry in the world.

That night when I was beginning to get restless and wish I had gone out to my fate, even if it included being throttled with a pea-vine, Tolly and Edith came into town and stopped at my gate in such a condition that I was positively alarmed about them.

"Five baskets of peas!" gasped Tolly, as he fell forward limp over his wheel.

"My thumb! my thumb!" moaned Edith, with the afflicted member in her mouth.

"But, say, Betty," Tolly revived enough to say, "we are not going to tell Sue and Billy and Julia and Pink. They are going out to-morrow to call. Let 'em go--it's coming to 'em."

"Oh no, I won't say a word," I agreed, with the intensest joy. "Come over to-morrow, Edith, and let's finish _My Lady's Fan_. I'm dying to know what happened to her at the court ball. Good night!"

"No, you come over to my house; I'll be in bed," Edith wailed from the middle of the road as Tolly turned and made his machine buzz for home.

Then for five days--glorious, warm, growing, blooming days--I stayed in town in a state of relapse from gardening of which the sorenesses in the calves of my legs and my thumbs were the strongest symptoms, and listened to my martyred friends' accounts of what Sam was doing to Peter. I also had a bulletin from Peter every day by the rural-delivery route. That is, they were in Peter's handwriting, but they read more like government crop reports than a poet's letters to the girl to whom he considered himself engaged. I sent them on to Judge Vandyne, and I got a glorious written chuckle in return for them.

Then, one morning when I had about got over the bashfulness about the hollyhocks, and had decided to deny them absolutely and stick to it, for a time at least, I happened to pick up Grandmother Nelson's book. It was full time--maybe past time--for thinning out my sugar-beets and resetting my cosmos. I fled out to the wilderness in greater speed than I had left it, and fairly threw myself prostrate at the feet of my neglected garden. Peter helped me, a sun-blistered, brier-scratched, ragged Peter, whose face had lost none of its beautiful, lofty, aloof expression, but which was rendered almost ordinary by a long scratch across the top of its nose. The scratch was inflicted, he told me, when he held one of the thoroughbred Plymouth Rock biddies to be greased by Sam for lice under her wings.

"Yes, but what about the play, Peter dear?" I asked, after we had weeded and dug and watered and pulled up for an hour or two and had then seated ourselves at the end of one of the long rows to rest.

"The play--oh, Betty, it is--" And his old look of rapture shot across his face. Then Sam yelled to him, and me, too.

"Come on and help tie up onions," he called. "You Byrd!"

We went and we tied up--a whole white smelly mountain of them; but I didn't care, for Sam showed me his day-book, and in just one week his balance had shot up like the beautiful pink pie-plant in my garden. A great big entry was from my beets that he had thinned and sold without waiting for me.

"I'll give you a check when they are all sold, Betty," he said, in a business-like way, and something in me made me glory in him and my beets. "And isn't old Pete hitting the agricultural pace in fine style?"

he asked, as we walked out into my garden between the rows of my blush peonies which had been grateful for the bone meal, and had bloomed, though everybody who had given me the clumps had warned me that they wouldn't flower until the second season.

"But isn't he going to write, too, Sam?" I asked, a trifle uneasily.

"Now, you know, Sam, if somebody had kept Keats alive as a perfectly good lawyer or bank clerk--or farmer--he wouldn't have been half as much to the world as he is as a sadly dead poet. Now, would he?"

"Well, Pete will know all about the vegetable kingdom before he makes entry into the heavenly one, and we'll see what he reports when the time comes. Just come over and look at the wheat in my north field." Sam answered my anxiety so easily that I let it slip from my shoulders as I went with him to sit on a rail fence on the edge of a gray-green ocean of future food and be perfectly happy. "It'll fill dinner-pails and give babies mother's milk," said Sam, as he sat beside me and smoldered out over his crop. "The Commissioner of Agriculture was out here five times last week, and a complete report on the whole place goes in to the Food Commission in Was.h.i.+ngton. Pretty good for a less-than-two-year-old farmer, eh, Bettykin?" And Sam tipped the rail enough to make me sure I was falling before he caught me.

I didn't answer--I just clung, but Sam understood and roughed my hair into my misty eyes and lifted me off the fence.

Daddy got me two copies of that Agricultural Commissioner's report, and I sent one to Judge Vandyne and pasted the other in the front of Grandmother Nelson's book. Little did I know that simple action of pride in Sam would bring such results to Samuel Foster Crittenden and to Tennessee, and even to perhaps the third and fourth generation, or maybe--

Daddy says that when a man owns a bottom field, a hillside, and a creek in the Harpeth Valley all he has to do is to go out and swing his hoe around his head a few times and he'll have a living before he is ready to harvest it. I don't know about that, and I do know that since I came home in early April Sam has worked like two men, and maybe more. But his harvests certainly amazed even the oldest inhabitants, who had sat around at the cross-roads grocery and spat tobacco-juice at the idea of his farming by government books, with no experience. They came to sit on the rail fences around his fields and to spit out of the other side of their mouths before the end of July, and I never went out to marvel, myself, that I didn't step on that Commissioner of Agriculture, who couldn't seem to keep away more than a few hours at a time.

As things grew and bloomed and burst and flowered and seeded, Sam went calmly on his way of work with the crops from dawn to dark, and Peter did likewise. I never saw anything like his friendly pride in every successful test of Sam's work. And his own fat was getting packed on him at a rate that beat the record-breaking red pig down in the long, clean pens that Sam maintained in the condition of a sanitary detention hospital. Also Peter never mentioned the play, I never mentioned it, and Sam appeared to have completely forgotten it.

I didn't quite like for Sam to forget Peter's play like that, and I liked it less when I heard Julia say that she thought it was so fortunate that Sam had cured Peter of being a poet, so he could go into his father's office to learn to take care of his great fortune. Peter likes Julia so much that I think she ought to have appreciated the great thing in him more than she did. When the copy of the _Review_, with Peter's poem on the Ultimate, came, he read the whole poem to her while she embroidered an initial in the corner of a handkerchief for him. The next day she told me that she couldn't understand a word about it, and that it made Pink mad because she wouldn't tell him what to say to Peter about it. Pink has grown fond of Peter, but he wouldn't try to read the poem after the third stanza. But Peter went on back to help with the rye crop, knowing nothing of all that.

Of course, I had all the confidence that there is in the world in Sam, but I, about the first week in July, again began to feel responsible to the world for Peter's play; and I might have made the awful blunder of remonstrating with Peter or Sam or both of them if I hadn't got into so much trouble with Edith and Tolly.

Now, Clyde Tolbot is a very business-like young man, and he ought to be respected and considered for it, but that is just what Edith doesn't seem to understand how to do. She wants to go on with her head level with the moon, and Tolly wants to get married in November, and I think he is perfectly right. He hasn't any family, and he says Edith's "highstrikes," as he calls her moods and tenses, and the food at the Hayesboro Inn, are making him thin and pale, and hurting the prospects of The Electric Light Co.

"She acts as if she thought I was a cinnamon bear if I put my paw on her fair hand. And she seems to think it is scandal because I wanted to buy that old mahogany sideboard that the Vertreeses had to sell when they inherited old Mrs. Anderson and her furniture from his mother," he groaned, as he sat on my side porch with his head in his hands.

"Tolly," I said, with firm conviction in my voice and manner, "you must do something heroic to shock Edith down to earth again, or into opening her eyes as those kittens daddy gave Byrd did on their ninth day. The evening of Edith's eighth day has about struck."

"It most certainly has, and about eleven-thirty at that," answered Tolly, sitting up as if about to rush forth and do what I suggested, though neither he nor I knew what it was. "But what is your idea of a heroic deed that will pluck the child Edith?" he asked, just as if I were one of the clerks out at the power-house and he was conducting a business detail.

"Well, let me see, Tolly," I said, slowly, while I ran over in my mind all the lover heroics I had ever heard of from runaway horses to the use of a hated blond rival. "You couldn't get hurt slightly out at the power-house, could you?"

"And ruin my boast that I have the most perfectly organized force and machinery in the state? Not if I know myself," answered Tolly, with business indignation and an utter lack of lover's enthusiasm at the prospect of getting his lady-love by a ruse.

"Well, I don't know what you are going to do," I said, limply, as I saw that none of the things that had ever been acted before were within Tolly's reach.