The Nebuly Coat Part 28

If her dress was no longer threadbare, it was still of the neatest black, and if she had taken to wearing every day the moss-agate brooch which had formerly been reserved for Sundays, she was still the very same old sweet-tempered, spontaneous, Miss Joliffe as in time past.

Westray looked at her with something like affection.

"Sit down," he said, offering her a chair; "did you say you had brought the picture with you?" and he scanned her as if he expected to see it produced from her pocket.

"Yes," she said; "my maid is bringing it upstairs"--and there was just a suspicion of hesitation on the word "maid," that showed that she was still unaccustomed to the luxury of being waited on.

It was with great difficulty that she had been persuaded to accept such an allowance at Anastasia's hands, as would enable her to live on at Bellevue Lodge and keep a single servant; and if it brought her infinite relief to find that Lord Blandamer had paid all Martin's bills within a week of his engagement, such generosity filled her at the same time with a mult.i.tude of scruples. Lord Blandamer had wished her to live with them at Fording, but he was far too considerate and appreciative of the situation to insist on this proposal when he saw that such a change would be uncongenial to her. So she remained at Cullerne, and spent her time in receiving with dignity visits from the innumerable friends that she found she now possessed, and in the fullest enjoyment of church services, meetings, parish work, and other privileges.

"It is very good of you, Miss Joliffe," Westray said; "it is very kind of you to think of the picture. But," he went on, with a too vivid recollection of the painting, "I know how much you have always prized it, and I could not bear to take it away from Bellevue Lodge. You see, Mr Sharnall, who was part owner with me, is dead; I am only making you a present of half of it, so you must accept that from me as a little token of grat.i.tude for all the kindness you have shown me. You _have_ been very kind to me, you know," he said with a sigh, which was meant to recall Miss Joliffe's friendliness, and his own grief, in the affair of the proposal.

Miss Joliffe was quick to take the cue, and her voice was full of sympathy. "Dear Mr Westray, you know how glad I should have been if all could have happened as you wished. Yet we should try to recognise the ordering of Providence in these things, and bear sorrow with meekness. But about the picture, you must let me have my own way this once. There may come a time, and that before very long, when I shall be able to buy it back from you just as we arranged, and then I am sure you will let me have it. But for the present it must be with you, and if anything should happen to me I should wish you to keep it altogether."

Westray had meant to insist on her retaining the picture; he would not for a second time submit to be haunted with the gaudy flowers and the green caterpillar. But while she spoke, there fell upon him one of those gusty changes of purpose to which he was peculiarly liable. There came into his mind that strange insistence with which Sharnall had begged him at all hazards to retain possession of the picture. It seemed as if there might be some mysterious influence which had brought Miss Joliffe with it just now, and that he might be playing false to his trust with Sharnall if he sent it back again. So he did not remain obdurate, but said: "Well, if you really wish it, I will keep the picture for a time, and whenever you want it you can take it back again." While he was speaking there was a sound of stumbling on the stairs outside, and a bang as if something heavy had been let drop.

"It is that stupid girl again," Miss Joliffe said; "she is always tumbling about. I am sure she has broken more china in the six months she has been with me than was broken before in six years."

They went to the door, and as Westray opened it great red-faced and smiling Anne Janaway walked in, bearing the glorious picture of the flowers and caterpillar.

"What have you been doing now?" her mistress asked sharply.

"Very sorry, mum," said the maid, mingling some indignation with her apology, "this here gurt paint tripped I up. I'm sure I hope I haven't hurt un"--and she planted the picture on the floor against the table.

Miss Joliffe scanned the picture with an eye which was trained to detect the very flakiest chip on a saucer, the very faintest scratch upon a teapot.

"Dear me, dear me!" she said, "the beautiful frame is ruined; the bottom piece is broken almost clean off."

"Oh, come," Westray said in a pacifying tone, while he lifted the picture and laid it flat on the table, "things are not so bad as all that."

He saw that the piece which formed the bottom of the frame was indeed detached at both corners and ready to fall away, but he pushed it back into position with his hand till it stuck in its place, and left little damage apparent to a casual observer.

"See," he said, "it looks nearly all right. A little glue will quite repair the mischief to-morrow I am sure I wonder how your servant managed to get it up here at all--it is such a weight and size."

As a matter of fact, Miss Joliffe herself had helped Ann to carry the picture as far as the Grands Mulets of the last landing. The final ascent she thought could be accomplished in safety by the girl alone, while it would have been derogatory to her new position of an independent lady to appear before Westray carrying the picture herself.

"Do not vex yourself," Westray begged; "look, there is a nail in the wall here under the ceiling which will do capitally for hanging it till I can find a better place; the old cord is just the right length." He climbed on a chair and adjusted the picture, standing back as if to admire it, till Miss Joliffe's complacency was fairly restored.

Westray was busied that night long after Miss Joliffe had left him, and the hands of the loud-ticking clock on the mantelpiece showed that midnight was near before he had finished his work. Then he sat a little while before the dying fire, thinking much of Mr Sharnall, whom the picture had recalled to his mind, until the blackening embers warned him that it was time to go to bed. He was rising from his chair, when he heard behind him a noise as of something falling, and looking round, saw that the bottom of the picture-frame, which he had temporarily pushed into position, had broken away again of its own weight, and was fallen on the floor. The frame was handsomely wrought with a peculiar interlacing fillet, as he had noticed many times before. It was curious that so poor a picture should have obtained a rich setting, and sometimes he thought that Sophia Flannery must have bought the frame at a sale, and had afterwards daubed the flower-piece to fill it.

The room had grown suddenly cold with the chill which dogs the heels of a dying fire on an early winter's night. An icy breath blew in under the door, and made something flutter that lay on the floor close to the broken frame. Westray stooped to pick it up, and found that he had in his hand a piece of folded paper.

He felt a curious reluctance in handling it. Those fantastic scruples to which he was so often a prey a.s.sailed him. He asked himself had he any right to examine this piece of paper? It might be a letter; he did not know whence it had come, nor whose it was, and he certainly did not wish to be guilty of opening someone else's letter. He even went so far as to put it solemnly on the table, like a skipper on whose deck the phantom whale-boat of the _Flying Dutchman_ has deposited a packet of mails. After a few minutes, however, he appreciated the absurdity of the situation, and with an effort unfolded the mysterious missive.

It was a long narrow piece of paper, yellowed with years, and lined with the creases of a generation; and had on it both printed and written characters. He recognised it instantly for a certificate of marriage-- those "marriage lines" on which so often hang both the law and the prophets. There it was with all the little pigeon-holes duly filled in, and set forth how that on "March 15, 1800, at the Church of Saint Medard Within, one Horatio Sebastian Fynes, bachelor, aged twenty-one, son of Horatio Sebastian Fynes, gentleman, was married to one Sophia Flannery, spinster, aged twenty-one, daughter of James Flannery, merchant," with witnesses duly attesting. And underneath an ill-formed straggling hand had added a superscription in ink that was now brown and wasted: "Martin born January 2, 1801, at ten minutes past twelve, night." He laid it on the table and folded it out flat, and knew that he had under his eyes that certificate of the first marriage (of the only true marriage) of Martin's mother, which Martin had longed all his life to see, and had not seen; that patent of legitimacy which Martin thought he had within his grasp when death overtook him, that clue which Sharnall thought that he had within his grasp when death overtook him also.

On March 15, 1800, Sophia Flannery was married by special licence to Horatio Sebastian Fynes, gentleman, and on January 2, 1801, at ten minutes past twelve, night, Martin was born. Horatio Sebastian--the names were familiar enough to Westray. Who was this Horatio Sebastian Fynes, son of Horatio Sebastian Fynes, gentleman? It was only a formal question that he asked himself, for he knew the answer very well. This doc.u.ment that he had before him might be no legal proof, but not all the lawyers in Christendom could change his conviction, his intuition, that the "gentleman" Sophia Flannery had married was none other than the octogenarian Lord Blandamer deceased three years ago. There was to his eyes an air of authenticity about that yellowed strip of paper that nothing could upset, and the date of Martin's birth given in the straggling hand at the bottom coincided exactly with his own information. He sat down again in the cold with his elbows on the table and his head between his hands while he took in some of the corollaries of the position. If the old Lord Blandamer had married Sophia Flannery on March 15, 1800, then his second marriage was no marriage at all, for Sophia was living long after that, and there had been no divorce. But if his second marriage was no marriage, then his son, Lord Blandamer, who was drowned in Cullerne Bay, had been illegitimate, and his grandson, Lord Blandamer, who now sat on the throne of Fording, was illegitimate too. And Martin's dream had been true. Selfish, thriftless, idle Martin, whom the boys called "Old Nebuly," had not been mad after all, but had been Lord Blandamer.

It all hung on this strip of paper, this bolt fallen from the blue, this message that had come from no one knew where. Whence _had_ it come?

Could Miss Joliffe have dropped it? No, that was impossible; she would certainly have told him if she had any information of this kind, for she knew that he had been trying for months to unravel the tangle of Martin's papers. It must have been hidden behind the picture, and have fallen out when the bottom piece of the frame fell.

He went to the picture. There was the vase of flaunting, ill-drawn flowers, there was the green caterpillar wriggling on the table-top, but at the bottom was something that he had never seen before. A long narrow margin of another painting was now visible where the frame was broken away; it seemed as if the flower-piece had been painted over some other subject, as if Sophia Flannery had not even been at the pains to take the canvas out, and had only carried her daub up to the edge of the frame. There was no question that the flowers masked some better painting, some portrait, no doubt, for enough was shown at the bottom to enable him to make out a strip of a brown velvet coat, and even one mother-of-pearl b.u.t.ton of a brown velvet waistcoat. He stared at the flowers, he held a candle close to them in the hope of being able to trace some outline, to discover something of what lay behind. But the colour had been laid on with no sparing hand, the veil was impenetrable.

Even the green caterpillar seemed to mock him, for as he looked at it closely, he saw that Sophia in her wantonness had put some minute touches of colour, which gave its head two eyes and a grinning mouth.

He sat down again at the table where the certificate still lay open before him. That entry of Martin's birth must be in the handwriting of Sophia Flannery, of faithless, irresponsible Sophia Flannery, flaunting as her own flowers, mocking as the face of her own caterpillar.

There was a dead silence over all, the utter blank silence that falls upon a country town in the early morning hours. Only the loud-ticking clock on the mantelpiece kept telling of time's pa.s.sage till the carillon of Saint Sepulchre's woke the silence with New Sabbath. It was three o'clock, and the room was deadly cold, but that chill was nothing to the chill that was rising to his own heart. He knew it all now, he said to himself--he knew the secret of Anastasia's marriage, and of Sharnall's death, and of Martin's death.

CHAPTER TWENTY ONE.

The foreman of the masons at work in the under-pinning of the south-east pier came to see Westray at nine o'clock the next morning. He was anxious that the architect should go down to the church at once, for the workmen, on reaching the tower shortly after daybreak, found traces of a fresh movement which had taken place during the night. But Westray was from home, having left Cullerne for London by the first train.

About ten of the same forenoon, the architect was in the shop of a small picture-dealer in Westminster. The canvas of the flowers and caterpillar picture lay on the counter, for the man had just taken it out of the frame.

"No," said the dealer, "there is no paper or any kind of lining in the frame--just a simple wood backing, you see. It is unusual to back at all, but it _is_ done now and again"--and he tapped the loose frame all round. "It is an expensive frame, well made, and with good gilding. I shouldn't be surprised if the painting underneath this daub turned out to be quite respectable; they would never put a frame like this on anything that wasn't pretty good."

"Do you think you can clean off the top part without damaging the painting underneath?"

"Oh dear, yes," the man said; "I've had many harder jobs. You leave it with me for a couple of days, and we'll see what we can make of it."

"Couldn't it be done quicker than that?" Westray said. "I'm in rather a hurry. It is difficult for me to get up to London, and I should rather like to be by, when you begin to clean it."

"Don't make yourself anxious," the other said; "you can leave it in my hands with perfect confidence. We're quite used to this business."

Westray still looked unsatisfied. The dealer gave a glance round the shop. "Well," he said, "things don't seem very busy this morning; if you're in such a hurry, I don't mind just trying a little bit of it now.

We'll put it on the table in the back-room. I can see if anyone comes into the shop."

"Begin where the face ought to be," Westray said; "let us see whose portrait it is."

"No, no," said the dealer; "we won't risk the face yet. Let us try something that doesn't matter much. We shall see how this stuff peels off; that'll give us a guide for the more important part. Here, I'll start with the table-top and caterpillar. There's something queer about that caterpillar, beside the face some joker's fitted it up with. I'm rather shy about the caterpillar. Looks to me as if it was a bit of the real picture left showing through, though I don't very well see how a caterpillar would fit in with a portrait." The dealer pa.s.sed the nail of his forefinger lightly over the surface of the picture. "It seems as if 'twas sunk. You can feel the edges of this heavy daubing rough all round it."

It was as he pointed out; the green caterpillar certainly appeared to form some part of the underlying picture. The man took out a bottle, and with a brush laid some solution on the painting. "You must wait for it to dry. It will blister and frizzle up the surface, then we can rub off the top gently with a cloth, and you'll see what you will see."

"The fellow who painted this table-top didn't spare his colours," said the dealer half an hour later, "and that's all the better for us. See, it comes off like a skin"--and he worked away tenderly with a soft flannel. "Well, I'm jiggered," he went on, "if here isn't another caterpillar higher up! No, it ain't a caterpillar; but if it ain't a caterpillar, what is it?"

There was indeed another wavy green line, but Westray knew what it was directly he saw it. "Be careful," he said; "they aren't caterpillars at all, but just part of a coat of arms--a kind of bars in an heraldic s.h.i.+eld, you know. There will be another shorter green line lower down."

It was as he said, and in a minute more there shone out the silver field and the three sea-green bars of the nebuly coat, and below it the motto _Aut Fynes aut finis_, just as it shone in the top light of the Blandamer window. It was the middle bar that Sophia had turned into a caterpillar, and in pure wantonness left showing through, when for her own purposes she had painted out the rest of the picture. Westray's excitement was getting the better of him--he could not keep still; he stood first on one leg and then on another, and drummed on the table with his fingers.

The dealer put his hand on the architect's arm. "For G.o.d's sake keep quiet!" he said; "don't excite yourself. You needn't think you have found a gold mine. It ain't a ten thousand-guinea Vand.y.k.e. We can't see enough yet to say what it is, but I'll bet my life you never get a twenty-pound note for it."

But for all Westray's impatience, the afternoon was well advanced before the head of the portrait was approached. There had been so few interruptions, that the dealer felt called upon to extenuate the absence of custom by explaining more than once that it was a very dull season.

He was evidently interested in his task, for he worked with a will till the light began to fail. "Never mind," he said; "I will get a lamp; now we have got so far we may as well go a bit further."

It was a full-face picture, as they saw a few minutes afterwards.

Westray held the lamp, and felt a strange thrill go through him, as he began to make out the youthful and unwrinkled brow. Surely he knew that high forehead--it was Anastasia's, and there was Anastasia's dark wavy hair above it. "Why, it's a woman after all," the dealer said. "No, it isn't; of course, how could it be with a brown velvet coat and waistcoat? It's a young man with curly hair."

Westray said nothing; he was too much excited, too much interested to say a word, for two eyes were peering at him through the mist. Then the mist lifted under the dealer's cloth, and the eyes gleamed with a startling brightness. They were light-grey eyes, clear and piercing, that transfixed him and read the very thoughts that he was thinking.

Anastasia had vanished. It was Lord Blandamer that looked at him out of the picture.