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The Debit Account Part 8

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As she had spoken I had stepped back, without haste, a pace from her, taking her umbrella with me. I was stepping back another pace, when my back encountered the iron railings, stopping me. Until then her hand had not left my sleeve. Now perhaps three yards separated us, she standing in the rain, I with her gimcrack of an umbrella. There was a lamp not far away; the veil of falling rain held and diffused the light of it, so that I actually saw her with more evenness of detail than I should have done had she stood directly in the light, one side of her face illumined, and the other dark; and probably my own face was not entirely lost in the shadow of the umbrella. Our eyes had met again, exactly as they had met in the studio....

On her soft floppy hat and over the shoulders of her three-quarters grey coat I saw the rime of fine rain gather. It became a sort of soft moss of rain, that gave her figure a faintly discerned outline of light.

Though her wrists were damp and dark, and her skirts straight and heavy, I still did not think of pa.s.sing her the umbrella; it is wonderful how many small things escape you when you have just been asked whether you have put an end to a young man's life. The rain came on still more sharply. I saw it gleam on the backs of her kid gloves....

It never occurred to me to wonder how she knew. I suppose I ought to have wondered this, but I gave it no thought. Instead, I was wondering why I had never noticed before what her eyes were like--why, indeed, I had thought them to be quite different. Had you asked me that morning what Louie Causton's eyes were like I should first have rummaged in my memory for who Louie Causton was, then have dismissed them as ordinary and a sort of grey, and so have missed a wonder. Grey? Yes, they were grey, but that is not saying anything. And perhaps after all it was not the eyes that held me. Perhaps the eyes were no more than rounds of crystal between us, pure crystal, hiding nothing. Better still, perhaps they were of that substance which, placed across itself, allows no light to pa.s.s, but, turned parallel, ceases to intercept. Formerly I had seen those tourmaline rounds of Louie Causton's grey eyes as it were transversely placed, opaque, riddling, mocking, impenetrable; now, quicker than the flicker of a camera-shutter, they had changed, and, for me, would never again change back. I had seen down into her soul. Her physical form, three hours before, had not been more openly offered to my gazing than was that measureless deep interior she showed me now....

And that she too had plunged to the bottom of my own soul, her question was sufficient evidence.



And now, as that vision of her spirit, stark and piercing as Billy Izzard's of her body had been, must abide with me for ever, there was no special need for hurrying matters. Though I had known it not, it was for that last stripping look that I had whispered so breathlessly to her over the screen; and she, unlike me, had known why she had whispered back. So, the thing being now done, our time was our own. As slowly as I had retreated to the railings, I advanced from them again. Once more I held the umbrella over her.

"Come," I said. "You're getting wet."

Again, without a moment's hesitation, she pa.s.sed her hand under my arm, and we moved towards the Palace.

There are some supreme moments--they say the moment of violent death is one of them--in which all Life's obscurations are made instantaneously clear; but if my own supreme moment ought to have taken that form, I can only say that it did not. No sudden explanations of the hitherto inexplicable flashed through my mind. Afterwards, when a certain amount of imperfection had supervened between me and that perfect look, these explanations did present themselves, yes, in crowds, but not then. I did not ask why, knowing me for a murderer, she should still take my arm. I did not wonder how she regarded the matter from Merridew's point of view. I did not trouble myself about how she knew, nor, for the matter of that, whether she did know--for she had made no charge, had only put a question. I cared for nothing but that sweet yet terrible depth and stillness I had seen beyond the tourmalines of her eyes. Indeed, somewhere near the Palace, I suddenly found myself irresistibly longing to look into those eyes again. We were approaching another lamp. I stopped. Again I did not notice that I did so under a dripping plane-tree. I looked. They were still the same--flawless transmitters, accesses to the ether of her soul....

Again she put her question.

"You did kill that boy, didn't you?"

"Yes." (I could not have dared to lie to her.)

"Ah!"...

We walked on again.

And I know not what rest, akin to the longing of a weary spirit for death, I found in it all. Nor do I know whence came the special and unimaginable peace that filled me. For that peace was special. My marriage had been a different rapture; the dreams of the first days of my love had not been the same; and it was perhaps this that I had implored in vain that night when, stretching out among my swags and gargoyles, I had cried to Whatever lay beyond the marbled sky that, might I but be delivered from this body of an ancient death, my life should be a dedicated thing. And now, when I least expected it, I had it. Between me, a man who had committed murder, and her, the mother of a nameless child, something I knew not--something still and splendid and awful--had come into being. Do you wonder that, in the stillness and splendour and awe of it, my brain slumbered within me, so that though those grey abysses full of answers waited for me, not a question did I put?...

"Yes," I said. "You know I killed him."

And "Ah!" she said again.

You will not find it difficult to believe that when you have been asked the question I had been asked, you and your questioner are not on ordinary terms. Indeed--believe me--you are hardly flesh and blood at all. You become eyes and voices, and yet not exactly that either--you are parts of an immanent vision and speech. You will also see that to dare such a question is to dare to be questioned in your turn.

Therefore, less as wanting the information than as doing her the reciprocal honour of putting her on the same stark footing as myself, I again sought those marvellous eyes.

"You asked me," I said, "whether I was happy. I told you.... Are you?"

You have learned what she was; to what you already know I will add one or two things I picked up later. I wish to show you what elements she had to make happiness out of. She did fairly well out of her sittings.

Ordinarily she made as much as two pounds a week, and she made more still when she was engaged for an evening cla.s.s. To this were to be added the small sums she made by her crochet-work during her short rests. (Evie's teacloth had been made during the rests.) When she did not crochet, she made garments for her boy. She rose daily at seven, dressed her boy, breakfasted with him, and at nine o'clock brought him out with her. They walked a quarter of a mile together to her bus, where the child was met each day by a guardian, an old governess she trusted.

She kissed him, and blew him another kiss as the bus turned the corner.

He always waited with the old governess for this, but sometimes other buses intervened, so that she went without her last glimpse of him. Then she sought the studio where she happened to be engaged. There she posed, crocheted, posed again, lunched, and once more posed. She usually reached home again at eight o'clock, but when she secured evening sittings it was eleven before she got back. By that time her boy was in bed. She dressed him well, fed him well, told him tales, and bought him tops and toy soldiers. She paid the governess ten s.h.i.+llings a week.

Sundays were her heavenly days. If they were cold or wet, she spent them in playing with the tops and soldiers on the floor; if they were fine she took him out on to the commons of Clapham or Wandsworth, or to the Zoo, for which her employers gave her Sunday tickets. She had saved a few pounds, and was adding to this sum by s.h.i.+llings and half-crowns, against the day when she would have to send him to school and start him in the world. This was her life.

And when I asked her if she was happy, she said, in a voice little above a whisper, "Yes--now."

Then, with another deep, clear look, she added, "I think I have all the best of Life."

It did not occur to me just then to wonder what she meant by that "now."

I was pondering her last words. All at once, on a sudden impulse (though I was pretty sure beforehand what her answer would be), I said:

"He left you?"

Her answer was supremely tranquil and unaffected.

"Yes--as far as he was ever there to leave. It meant nothing--a folly--merely stupid--it had no significance whatever. I've no grudge against him. He didn't really wrong me. It hardly mattered, ever--it doesn't matter--now----"

A question must have shown in my eyes even as I decided not to put it, for all at once she laughed a little.

"Oh, I'd tell you if you wished to know, but you'd be no wiser. It's a name you've never heard. But one thing I should like----" For one moment she hesitated.

"I ask you nothing."

"No; but I should like you to know one thing--oh, quite for my own sake!

If ever you _should_ hear a name--three names--four--you needn't believe them. I lied perfectly recklessly. It seemed to me--stupidly perhaps--that I owed him that. So I blackened myself. You see, they tried to find out--my friends----"

"You mean----?"

"Oh, one lover was enough," she answered, with another laugh, rich, low, and without bitterness. "And it doesn't matter--_now_."

It was then that I knew what she meant by that reiterated "now." The thing that beat suddenly in on me explained in a flash that curious att.i.tude of protection towards myself. That kiss blown from the top of the morning bus--the s.h.i.+llings she earned by sitting to morose and impatient artists--those heavenly Sundays--that desertion which also she ranked as a happiness--her self-slanders rather than betray her betrayer--all these things together had not, somehow, seemed to me to make up that "best part of Life" of which she spoke. Beyond even her beautiful devotion to her boy must lie some other deep sustaining dream.

Without such a dream, her life would not have been what patently it was--full....

But now it was all in the eyes she turned on me....

And I knew that the look that told me she loved _me_, had long loved me, and must now go on loving me to the end, put love between us high out of our reach for ever.

"You can't prevent it," she almost triumphed, s.h.i.+ning it all out on me.

"It's mine, whether you want me to have it or not. And of course it makes no difference to you----"

"None," I murmured mechanically....

"Then _haven't_ I all the best of Life?" she exulted, smiling up at me.

And before that strange tension that for so long had held us had quite left us, I had muttered, with a little choke, "G.o.d bless your little chap, anyway!"

It was all I could say. The other thing she had told me could make no difference to me.

Then came the swift change. It came as we reached the top of Grosvenor Place, turned, and descended again. It came as a torrent of rapid speech, sometimes both of us speaking at once, both stopping and waiting, and then both breaking out simultaneously as before. They were short, half sentences, taken and given back with bewildering quickness.

"And now you want to know----" she said.

"Yes----?"

"--how I knew?"

"How did you?"

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The Debit Account Part 8 summary

You're reading The Debit Account. This manga has been translated by Updating. Author(s): Oliver Onions. Already has 546 views.

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