Lafcadio Hearn Part 1

Lafcadio Hearn.

by Nina H. Kennard.

PREFACE

When Death has set his seal on an eminent man's career, there is a not unnatural curiosity to know something of his life, as revealed by himself, particularly in letters to intimate friends. "All biography ought, as much as possible, to be autobiography," says Stevenson, and of all autobiographical material, letters are the most satisfactory.

Generally written on the impulse of the moment, with no idea of subsequent publication, they come, as it were, like b.u.t.ter fresh from the churning with the impress of the mind of the writer stamped distinctly upon them. One letter of George Sand's written to Flaubert, or one of Goethe's to Frau von Stein, or his friend Stilling, is worth pages of embellished reminiscences.

The circ.u.mstances surrounding Lafcadio Hearn's life and work impart a particular interest and charm to his correspondence. He was, as he himself imagined, unfitted by personal defect from being looked upon with favour in general society. This idea, combined with innate sensitive shyness, caused him, especially towards the latter years of his life, to become more or less of a recluse, and induced him to seek an outlet in intellectual commune with literary comrades on paper. Hence the wonderful series of letters, edited by Miss Elizabeth Bisland (Mrs.

Wetmore), to Krehbiel, Ellwood Hendrik, and Chamberlain. Those to Professor Chamberlain, written during the most productive literary period of his life, from the vantage ground, as it were, of many years of intellectual work and experience, are particularly interesting, giving a unique and illuminating revelation of a cultured and pa.s.sionately enthusiastic nature.

During his stay at k.u.mamoto, when the bulk of the letters to Chamberlain were written, he initiated a correspondence with his half-sister, Mrs.

Atkinson, who had written to him from Ireland. His erratic nature, tamed and softened by the birth of his son, Kazuo, turned with yearning towards his kindred, forgotten for so many years, and these Atkinson letters, though not boasting the high intellectual level of those to Professor Chamberlain, show him, in their affectionate playfulness, and in the quaint memories recalled of his childhood, under a new and delightful aspect.

There has been a certain amount of friction with his American editress, owing to the fact of my having been given the right to use these letters. It is as well, therefore, to explain that owing to criticisms and remarks made about people and relatives, in Hearn's usual outspoken fas.h.i.+on, it would have been impossible, in their original form, to allow them to pa.s.s into the hands of any one but a person intimately connected with the Hearn family; but I can a.s.sure Mrs. Wetmore and Captain Mitch.e.l.l McDonald--those kind friends who have done so much for the sake of Hearn's children and widow--that Mrs. Koizumi, financially, suffers nothing from the fact of the letters not having crossed the Atlantic.

Besides being indebted to Mrs. Atkinson for having been allowed to make extracts from the letters written to her, my thanks are due to Miss Edith Hardy, her cousin, for the use of diaries and reminiscences; also to the Rev. Joseph Guinan, of Priests' House, Ferbane, for having put me in communication with the ecclesiastical authorities at Ushaw; also to Mr. Achilles Daunt, of Kilcascan Castle, County Cork, who was apparently Lafcadio's most intimate comrade at Ushaw, and was therefore able to give me much information concerning his college career.

I must also express my indebtedness to friends in j.a.pan, to Mr. W. B.

Mason, who was so obliging and helpful when Mrs. Atkinson, her daughter and I arrived as strangers at Yokohama; also to Mr. Robert Young, who gave me copies of all the leading articles written by Hearn during the period of his engagement as sub-editor to the _Kobe Chronicle and j.a.pan Mail_.

But still more are my thanks due to the various American publishers of Hearn's works for permission to make quotations from them; to Messrs.

Macmillan & Co., New York, for permission to quote from "Kotto" and "j.a.pan, an Attempt at Interpretation"; to Messrs. Little, Brown & Co., Boston, for permission to quote from "Exotica and Retrospectives," "In Ghostly j.a.pan," "Shadowings," and "A j.a.panese Miscellany"; to Messrs.

Gay & Hanc.o.c.k for permission to quote from "Kokoro"; to Messrs. Harper for permission to quote from "Two Years in the French West Indies"; and, above all, to Messrs. Houghton, Mifflin & Co. for permission to quote from "Glimpses of Unfamiliar j.a.pan," and Hearn's "Letters," for without quoting from his letters it would be an almost futile task to attempt to write a biography of Lafcadio Hearn.

What a pathos there is in the thought, that only since Lafcadio Hearn became "a handful of dust in a little earthen pot" hidden away in a Buddhist grave in j.a.pan, has real appreciation of his genius reached England. On the top of the hill at Nis.h.i.+ Okubo, isolated from the sound of English voices, cut off from the clasp of English hands, he was animated by an intense longing for appreciation and recognition in the Anglo-Saxon literary world. "At last," he writes to a friend, "you will be glad to hear that my books are receiving some little attention in England," and again, "Favourable criticism in England is worth a great deal more than favourable criticism elsewhere."

How overwhelmed he would have been to find his name now bracketed amongst the nineteenth century's best-known prose writers, to whom he looked up from the depths of his own imagined insignificance. Indeed, in that country where he longed for appreciation, the idea is gradually growing, that when many s.h.i.+ning lights in the literary world of to-day stand unread on topmost library shelves, Lafcadio Hearn will still be studied by the scientist, and valued by the cultured, because of the subtle comprehension and sympathy with which he has presented, in exquisite language, a subject of ever-increasing importance and interest--the soul of the people destined, in the future, to hold undisputed sway in the Far East.

_Southmead_, _Farnham Royal_, 1911.

LAFCADIO HEARN

CHAPTER I EARLY YEARS

"Buddhism finds in a dewdrop the symbol of that other microcosm which has been called the soul.... What more, indeed, is man, than just such a temporary orbing of viewless ultimates--imaging sky, and land, and life--filled with perpetual mysterious shudderings--and responding in some wise to every stir of the ghostly forces that environ him?... In each of a trillion of dewdrops there must be differences infinitesimal of atom-thrilling and of reflection, and in every one of the countless pearls of ghostly vapour, updrawn from the sea of birth and death, there are like infinitesimal peculiarities. Personality, individuality, the ghosts of a dream in a dream! Life infinite only there is; and all that appears to be is but the thrilling of it--sun, moon, and stars--earth, sky, and sea--and mind and man, and s.p.a.ce and time, all of them are shadows, the shadows come and go; the Shadow-maker shapes for ever."

On the fly-leaf of a small octavo Bible, given to Charles Hearn by his grandmother, the following entry may be read: "Patricio, Lafcadio, Tessima, Carlos Hearn. August 1850, at Santa Maura."

The characters are in cramped Romaic Greek, the paper is yellow, the ink faded with age. Whether the entry was made by Lafcadio's father or mother it is difficult to say; one fact is certain: it announces the appearance on this world's stage of one of the most picturesque and remarkable figures of the end of the last century.

Those who like to indulge in the fascinating task of tracing the origin of genius will find few instances offering more striking coincidences or curious ancestral inheritances than that afforded by Lafcadio Hearn.

On his father's side he came of the Anglo-Hibernian stock--mixture of Saxon and Celt--which has produced poets, orators, soldiers, signal lights in the political, literary, and military history of the United Kingdom for the last two centuries. We have no proof that Lafcadio's grandfather--as has been stated--came over with Lionel Sackville, Duke of Dorset, when he was appointed lord lieutenant of Ireland in 1731. The Rev. Daniel Hearn undoubtedly acted as private chaplain to His Grace, and about the same time--as recognition for services done, we conclude--became possessed of the property of Correagh in the County of Westmeath.

A Roman Catholic branch of the Hearn family is to be found in County Waterford--has been settled there for centuries. At Tramore, the seaside place near the city of Waterford, where Lafcadio spent several summers at the Molyneuxs' house with his great-aunt, Mrs. Brenane, the Rev.

Thomas Hearn is still remembered as a prominent figure in the Roman Catholic movement against Protestantism. He founded the present cathedral, also the Catholic College in Waterford, and introduced one of the first of the Conventual Orders into the South of Ireland. It is through these Waterford Hearns that Henry Molyneux claimed relations.h.i.+p with the County Westmeath portion of the family.

As to the English origin of the family, the Irish Hearns have an impression that it was a West Country (Somersets.h.i.+re) stock. Records certainly of several Daniel Hearns--it is the Christian name that furnishes the clue--occur in ecclesiastical doc.u.ments both in Wilts.h.i.+re and Somersets.h.i.+re.

In Burke's "Colonial Gentry" there is a pedigree given of a branch of Archdeacon Hearn's descendants, who migrated to Australia about fifty years ago. There it is stated that the Hearn stock was originally "cradled in Northumberland." Ford Castle in that county belonged to the Herons--p.r.o.nounced Hearn--to which belonged Sir Hugh de Heron, a well-known North Country baronet, mentioned in Sir Walter Scott's "Marmion." The crest, as with Lafcadio's Irish Protestant branch of Hearns, was a heron, with the motto, "The Heron Seeks the Heights."

Mrs. Koizumi, Hearn's widow, tells us that her husband p.r.o.nounced his name "Her'un," "and selected 'Sageha No Tsuru'--heron with wings down--for the design which he made to accompany his name and number at the Literary College, Tokyo University." There can be no doubt that the place-names and families, bearing the Hearn name in various countries, are of different, often entirely distinct origin. Nevertheless, the various modifications of the word--namely, Erne, Horne, Hearn, Hern, Herne, Hearon, Hirn, etc., are derived from one root. In the Teutonic languages it is _irren_, to wander, stray, err or become outlaw. _Hirn_, the brain or organ of the wandering spirit or ghost, the Latin _errare_ and Frankish _errant_, with the Celtic _err_ names are related, though the derivation comes from ancient, Indo-Germanic languages. In the West Country in England the name Hearn is well-known as a gipsy one, and in the "Provincilia Dictionary" for Northumberland, amongst other worthies of note, a certain "Francis Heron" or "Hearn," King of the "Faws" or gipsies, is referred to.

I give all these notes because they bear out the tradition, stoutly maintained by some members of the family, that gipsy blood runs in their veins. An aunt of Lafcadio's tells a story of having once met a band of gipsies in a country lane in Ireland; one of them, an old woman, offered to tell Miss Hearn's fortune. After examining her hand, she raised her head, looked at her meaningly, and tapping her palm with her finger said, "You are one of us, the proof is here." Needless to say that Lafcadio valued a possible gipsy ancestor more than all the archdeacons and lieutenant-colonels that figured in his pedigree, and was wont to show with much pride the mark on his thumb supposed to be the infallible sign of Romany descent.

Some foreign exotic strain is undoubtedly very apparent in many members of the Hearn family. Lafcadio's marked physiognomy, dark complexion, and black hair could not have been an exclusive inheritance from his mother's side, for it can be traced in Charles Hearn's children by his second wife, and again in their children. This exotic element--quite distinct from the j.a.panese type--is so strong as to have impressed itself on Hearn's eldest son by his j.a.panese wife, creating a most remarkable likeness between him and his cousin, Mrs. Atkinson's son. The near-sighted eyes, the marked eyebrows, the dark brown hair, the soft voice and gentle manner, are characteristics owned by both Carleton Atkinson and Kazuo Koizumi. History says that the original birthplace of the gipsies was India. Even in Egypt, the country claimed by the gipsies themselves as the place where their race originated, the native gipsy is not Egyptian in appearance, but Hindoo. Curious to think that Lafcadio Hearn, the interpreter of Buddhism and oriental legend to the West, may, on his father's side, have been descended from Avatars, whose souls were looked upon as G.o.ds, centuries ago, in India.

On his mother's side the skein of Lafcadio's lineage is still more full of knots and entanglements than on his father's. It is impossible to state with any amount of accuracy to what nationality Mrs. Charles Hearn belonged. It has been generally taken for granted that she was Greek; Lafcadio used to say so himself. Some of the Hearns, on the other hand, maintain that she was Maltese, which is quite probable. Owing to the agricultural richness of the Ionian Islands, Italians, Greeks, Levantine Jews, and Maltese had all taken up their abode in the Sept-Insula at various times and seasons. Lafcadio's third name, Tessima, was his mother's maiden-name, and is one that figures continually in Maltese census- and rent-rolls. When Mrs. Hearn separated from her husband to return to her own family she went to Malta, not to the Ionian Islands.

The fact, as Lafcadio states, that he could only stammer half Italian, half Romaic, when he first arrived in Dublin, rather points to a Maltese origin. What wild Arabic blood may he not, therefore, have inherited on his mother's side? For, as is well-known, in times gone by Arab tribes, migrating from the deserts of Asia and Africa, overran the sh.o.r.es of the Mediterranean and settled in Malta, intermarrying with the original Venetian Maltese.

"We are all compounds of innumerable lives, each a sum in an infinite addition--the dead are not dead, they live in all of us, and move us, stirring faintly in every heart beat." Certainly Lafcadio was an exemplification of his own theory. During the course of his strange life all the characteristics of his manifold outcome manifested themselves--the nomadic instincts of the Romany and Arab, the revolutionary spirit of the Celt, the luxuriant imagination of the oriental, with that unquenchable spark of industry and energy inherited from his Anglo-Saxon forbears.

From the time they settled in Ireland the Hearns served their country for the most part in church and army. Lafcadio's grandfather was colonel of the 43rd Regiment, which he commanded at the battle of Vittoria in the Peninsular War. He married Elizabeth Holmes, member of a family distinguished in Irish legal and literary circles. To her children she bequeathed musical and artistic gifts of no mean order. From his father Lafcadio inherited a remarkable apt.i.tude for drawing, and, as is easy to see from his letters to Krehbiel, an ardent love of music.

Elizabeth Holmes's second son, Richard Holmes Hearn, insisted while quite a boy on setting forth to study art in the studios in Paris. He never made money or a great name, but some of his pictures, inspired by the genius of Corot and Millet, are very suggestive and beautiful. He was quite as unconventional in his mode of thought, and quite as erratic and unbusinesslike as his famous nephew--"Veritable blunderers," as Lafcadio says, "in the ways of the world."

Writing from j.a.pan to his half-sister, Mrs. Atkinson, about some photographs she had sent him of her children, he says: "They seem to represent new types; that makes no difference in one sense and a good deal of difference in another. I think, though I am not sure, as I have never known you or the other half-sister, that we Hearns all lacked something. The something is very much lacking in me, and in my brother.

I mean 'force' ... I think we of father's blood are all a little soft of soul ... very sweet in a woman, not so good in a man. What you call the 'strange mixture of weakness and firmness' is essentially me; my firmness takes the shape of an unconquerable resistance in particular directions--guided by feeling mostly, and not always in the directions most suited to my interests. There must have been very strong characteristics in father's inheritance to have made so strong a resemblance in his children by two different mothers--and I want so much to find out if the resemblance is also psychological."

Charles Bush Hearn, Lafcadio's father, elected to enter the army, as his father and grandfather had done before him. According to Hart's "Army List" he joined the 45th Nottinghams.h.i.+re Regiment of Foot as a.s.sistant surgeon on April 15th, 1842. In the year 1846 he was sent on the Medical Staff to Corfu. The revolutionary spirit which swept over Europe in 1849 infected the Ionian Islands as well as the mainland of Greece. At Cephalonia they nominated a regent of their own nationality, and strenuous efforts were made to shake off the yoke of the English government. At the request of Viscount Seaton, the then governor, additional troops were sent from England to restore order. When they arrived, they, and the other regiments stationed at Corfu, were quartered on the inhabitants of the various islands.

Oriental ideas on the subject of women still existed in this half-Eastern region. Ladies hardly ever appeared at any of the entertainments. If a dinner was given none but men were present. Many stories were told of the expedients resorted to by English officers in their endeavours to inst.i.tute a closer intercourse with the female portion of the population. Now that troops were quartered in their homes this state of things was speedily changed. Young ladies were induced to join their guests in riding, boating, and walking expeditions. Picnics were inst.i.tuted at which people got lost in the woods, and did not return until the small hours of the morning, pleasure boats went ash.o.r.e, necessitating the rescue of lovely ladies from the danger of the deep; the so-called "pleasure boats" being presumably some of the numerous ferry boats that plied to and fro between the islands.

But in telling the love story of Charles Hearn and Rosa Tessima, there is really no need to conjure up imaginary s.h.i.+pwrecks, or lost pathways.

Good-looking, clever, a smart officer, handling sword or guitar with equal dexterity, singing an Irish or Italian love song with a melodious tenor voice, Charles Hearn was gifted with all the qualifications for the captivation of a young girl's fancy, and by all accounts he had never allowed these qualifications to deteriorate for want of use.

Only the other day, I was looking over some old papers in an Irish country house with a friend. Amongst them we came across a poem by Charles Bush Hearn, written from Correagh, the Hearns' place in County Westmeath, to a lady who at that time was very beautiful and an heiress.

A lock of hair was enclosed:--

"Dearest and nearest to my heart, Thou art fairer than the silver moon, And I trust to see thee soon."

There are quite half-a-dozen verses of the same quality ending up with the following:--

"Adieu, sweet maid! my heart still bleeds with love And evermore will beat for thee!!"

"Alas, I am no poet!" Lafcadio exclaims, half a century later. The power of song was apparently not a gift his father had to bequeath.

Before going to Corfu the young officer had fallen in love with a countrywoman of his own; means, however, were lacking on both sides, and she was persuaded by relations to accept a richer suitor. While still smarting under the pangs of disappointed love, lonely, heartsore, Rosa Tessima crossed his path, and the fate of both was sealed. Where they met we know not. The Tessimas were inhabitants of the Island of Cerigo, but communication between the islands was frequent.

As to the stories, which subsequently drifted to relations in Ireland, of the girl's brothers having attacked and stabbed Charles Hearn in consequence of the injury done to their sister's reputation, it is more than likely they are entirely legendary. The Ionian male had no exalted opinion of women, and was not likely to resort to revenge for imaginary wrongs. There may have been some difficulty with regard to her dowry, as in those days the sons inherited the land and were obliged, when a daughter left her paternal home, to bestow upon her the settlement she was ent.i.tled to; this was sometimes accompanied by a considerable amount of friction.