The Velvet Glove Part 1

The Velvet Glove.

by Henry Seton Merriman.

CHAPTER I

IN THE CITY OF THE WINDS

The Ebro, as all the world knows--or will pretend to know, being an ignorant and vain world--runs through the city of Saragossa. It is a river, moreover, which should be accorded the sympathy of this generation, for it is at once rapid and shallow.

On one side it is bordered by the wall of the city. The left bank is low and sandy, liable to flood; a haunt of lizards in the summer, of frogs in winter-time. The lower bank is bordered by poplar trees, and here and there plots of land have been recovered from the riverbed for tillage and the growth of that harsh red wine which seems to harden and thicken the men of Aragon.

One night, when a half moon hung over the domes of the Cathedral of the Pillar, a man made his way through the undergrowth by the riverside and stumbled across the s.h.i.+ngle towards the open shed which marks the landing-place of the only ferry across the Ebro that Saragossa possesses.

The ferry-boat was moored to the landing-stage. It is a high-prowed, high-sterned vessel, built on Viking lines, from a picture the observant must conclude, by a landsman carpenter. It swings across the river on a wire rope, with a running tackle, by the force of the stream and the aid of a large rudder.

The man looked cautiously into the vine-clad shed. It was empty. He crept towards the boat and found no one there. Then he examined the chain that moored it. There was no padlock. In Spain to this day they bar the window heavily and leave the door open. To the cunning mind is given in this custom the whole history of a great nation.

He stood upright and looked across the river. He was a tall man with a clean cut face and a hard mouth. He gave a sharp sigh as he looked at Saragossa outlined against the sky. His att.i.tude and his sigh seemed to denote along journey accomplished at last, an object attained perhaps or within reach, which is almost the same thing, but not quite. For most men are happier in striving than in possession. And no one has yet decided whether it is better to be among the lean or the fat.

Don Francisco de Mogente sat down on the bench provided for those that await the ferry, and, tilting back his hat, looked up at the sky. The northwest wind was blowing--the Solano--as it only blows in Aragon. The bridge below the ferry has, by the way, a high wall on the upper side of it to break this wind, without which no cart could cross the river at certain times of the year. It came roaring down the Ebro, bending the tall poplars on the lower bank, driving before it a cloud of dust on the Saragossa side. It lashed the waters of the river to a gleaming white beneath the moon. And all the while the clouds stood hard and sharp of outline in the sky. They hardly seemed to move towards the moon. They scarcely changed their shape from hour to hour. This was not a wind of heaven, but a current rus.h.i.+ng down from the Pyrenees to replace the hot air rising from the plains of Aragon.

Nevertheless, the clouds were moving towards the moon, and must soon hide it. Don Francisco de Mogente observed this, and sat patiently beneath the trailing vines, noting their slow approach. He was a white-haired man, and his face was burnt a deep brown. It was an odd face, and the expression of the eyes was not the usual expression of an old man's eyes.

They had the agricultural calm, which is rarely seen in drawing-rooms.

For those who deal with nature rarely feel calm in a drawing-room. They want to get out of it, and their eyes a.s.sume a hunted look. This seemed to be a man who had known both drawing-room and nature; who must have turned quietly and deliberately to nature as the better part. The wrinkles on his face were not those of the social smile, which so disfigure the faces of women when the smile is no longer wanted. They were the wrinkles of suns.h.i.+ne.

"I will wait," he said placidly to himself in English, with, however, a strong American accent. "I have waited fifteen years--and she doesn't know I am coming."

He sat looking across the river with quiet eyes. The city lay before him, with the spire of its unmatched cathedral, the domes of its second cathedral, and its many towers outlined against the sky just as he had seen them fifteen years before--just as others had seen them a hundred years earlier.

The great rounded cloud was nearer to the moon now. Now it touched it.

And quite suddenly the domes disappeared. Don Francisco de Mogente rose and went towards the boat. He did not trouble to walk gently or to loosen the chains noiselessly. The wind was roaring so loudly that a listener twenty yards away could have heard nothing. He cast off and then hastened to the stern of the boat. The way in which he handled the helm showed that he knew the tricks of the old ferryman by wind and calm, by high and low river. He had probably learnt them with the photographic accuracy only to be attained when the mind is young.

The boat swung out into the river with an odd jerking movement, which the steersman soon corrected. And a man who had been watching on the bridge half a mile farther down the river hurried into the town. A second watcher at an open window in the tall house next to the Posada de los Reyes on the Paseo del Ebro closed his field-gla.s.ses with a thoughtful smile.

It seemed that Don Francisco de Mogente had purposely avoided crossing the bridge, where to this day the night watchman, with lantern and spear, peeps cautiously to and fro--a startlingly mediaeval figure. It seemed also that the traveler was expected, though he had performed the last stage of his journey on foot after nightfall.

It is characteristic of this country that Saragossa should be guarded during the day by the toll-takers at every gate, by sentries, and by the new police, while at night the streets are given over to the care of a handful of night watchmen, who call monotonously to each other all through the hours, and may be avoided by the simplest-minded of malefactors.

Don Francisco de Mogente brought the ferry-boat gently alongside the landing-stage beneath the high wall of the Quay, and made his way through the underground pa.s.sage and up the dirty steps that lead into one of the narrow streets of the old town.

The moon had broken through the clouds again and shone down upon the barred windows. The traveler stood still and looked about him. Nothing had changed since he had last stood there. Nothing had changed just here for five hundred years or so; for he could not see the domes of the Cathedral of the Pillar, comparatively modern, only a century old.

Don Francisco de Mogente had come from the West; had known the newness of the new generation. And he stood for a moment as if in a dream, breathing in the tainted air of narrow, undrained streets; listening to the cry of the watchman slowly dying as the man walked away from him on sandaled, noiseless feet; gazing up at the barred windows, heavily shadowed. There was an old world stillness in the air, and suddenly the bells of fifty churches tolled the hour. It was one o'clock in the morning. The traveler had traveled backwards, it would seem, into the middle ages. As he heard the church bells he gave an angry upward jerk of the head, as if the sound confirmed a thought that was already in his mind. The bells seemed to be all around him; the towers of the churches seemed to dominate the sleeping city on every side. There was a distinct smell of incense in the air of these narrow streets, where the winds of the outer world rarely found access.

The traveler knew his way, and hurried down a narrow turning to the left, with the Cathedral of the Pillar between him and the river. He had made a de tour in order to avoid the bridge and the Paseo del Ebro, a broad road on the river bank. In these narrow streets he met no one. On the Paseo there are several old inns, notably the Posada de los Reyes, used by muleteers and other gentlemen of the road, who arise and start at any hour of the twenty-four and in summer travel as much by night as by day.

At the corner, where the bridge abuts on the Paseo, there is always a watchman at night, while by day there is a guard. It is the busiest and dustiest corner in the city.

Francisco de Mogente crossed a wide street, and again sought a dark alley. He pa.s.sed by the corner of the Cathedral of the Pillar, and went towards the other and infinitely grander Cathedral of the Seo. Beyond this, by the riverside, is the palace of the archbishop. Farther on is another palace, standing likewise on the Paseo del Ebro, backing likewise on to a labyrinth of narrow streets. It is called the Palacio Sarrion, and belongs to the father and son of that name.

It seemed that Francisco de Mogente was going to the Palacio Sarrion; for he pa.s.sed the great door of the archbishop's dwelling, and was already looking towards the house of the Sarrions, when a slight sound made him turn on his heels with the rapidity of one whose life had been pa.s.sed amid dangers--and more especially those that come from behind.

There were three men coming from behind now, running after him on sandaled feet, and before he could do so much as raise his arm the moon broke out from behind a cloud and showed a gleam of steel. Don Francisco de Mogente was down on the ground in an instant, and the three men fell upon him like dogs on a rat. One knife went right through him, and grated with a harsh squeak on the cobble-stones beneath.

A moment later the traveler was lying there alone, half in the shadow, his dusty feet showing whitely in the moonlight. The three shadows had vanished as softly as they came.

Almost instantly from, strangely enough, the direction in which they had gone the burly form of a preaching friar came out into the light. He was walking hurriedly, and would seem to be returning from some mission of mercy, or some pious bedside to one of the many houses of religion located within a stone's throw of the Cathedral of the Seo in one of the narrow streets of this quarter of the city. The holy man almost fell over the prostrate form of Don Francisco de Mogente.

"Ah! ah!" he exclaimed in an even and quiet voice. "A calamity."

"No," answered the wounded man with a cynicism which even the near sight of death seemed powerless to effect. "A crime."

"You are badly hurt, my son."

"Yes; you had better not try to lift me, though you are a strong man."

"I will go for help," said the monk.

"Lay help," suggested the wounded man curtly. But the friar was already out of earshot.

In an astonis.h.i.+ngly short s.p.a.ce of time the friar returned, accompanied by two men, who had the air of indoor servants and the quiet movements of street-bred, roof-ridden humanity.

Mindful of his cloth, the friar stood aside, unostentatiously and firmly refusing to take the lead even in a mission of mercy. He stood with humbly-folded hands and a meek face while the two men lifted Don Francisco de Mogente on to a long narrow blanket, the cloak of Navarre and Aragon, which one of them had brought with him.

They bore him slowly away, and the friar lingered behind. The moon shone down brightly into the narrow street and showed a great patch of blood amid the cobblestones. In Saragossa, as in many Spanish cities, certain old men are employed by the munic.i.p.al authorities to sweep the dust of the streets into little heaps. These heaps remain at the side of the streets until the dogs and the children and the four winds disperse the dust again. It is a survival of the middle ages, interesting enough in its bearing upon the evolution of the modern munic.i.p.al authority and the transmission of intellectual gifts.

The friar looked round him, and had not far to look. There was a dust heap close by. He plunged his large brown hands into it, and with a few quick movements covered all traces of the calamity of which he had so nearly been a witness.

Then, with a quick, meek look either way, he followed the two men, who had just disappeared round a corner. The street, which, by the way, is called the Calle San Gregorio, was, of course, deserted; the tall houses on either side were closely shuttered. Many of the balconies bore a branch of palm across the iron railings, the outward sign of priesthood.

For the cathedral clergy live here. And, doubtless, the holy men within had been asleep many hours.

Across the end of the Calle San Gregorio, and commanding that narrow street, stood the Palacio Sarrion--an empty house the greater part of the year--a vast building, of which the windows increased in size as they mounted skywards. There were wrought-iron balconies, of which the window embrasures were so deep that the shutters folded sideways into the wall instead of swinging back as in houses of which the walls were of normal thickness.

The friar was probably accustomed to seeing the Palacio Sarrion rigidly shut up. He never, in his quick, humble scrutiny of his surroundings glanced up at it. And, therefore, he never saw a man sitting quietly behind the curiously wrought railings, smoking a cigarette--a man who had witnessed the whole incident from beginning to end. Who had, indeed, seen more than the friar or the two quiet men-servants. For he had seen a stick--probably a sword-stick, such as nearly every Spanish gentleman carries in his own country--fly from the hand of Don Francisco de Mogente at the moment when he was attacked, and fall into the gutter on the darker side of the street, where it lay unheeded. Where, indeed, it still remained when the friar with his swinging gait had turned the corner of the Calle San Gregorio.

CHAPTER II

EVASIO MON There are some people whose presence in a room seems to establish a mental centre of gravity round which other minds hover uneasily, conscious of the dead weight of that attraction.

"I have known Evasio all my life," the Count de Sarrion once said to his son. "I have stood at the edge of that pit and looked in. I do not know to this day whether there is gold at the bottom or mud. I have never quarreled with him, and, therefore, we have never made it up."

Which, perhaps, was as good a description of Evasio Mon as any man had given. He had never quarreled with any one. He was, in consequence, a lonely man. For the majority of human beings are gregarious. They meet together in order to quarrel. The majority of women prefer to sit and squabble round one table to seeking another room. They call it the domestic circle, and spend their time in straining at the family tie in order to prove its strength.

It was Evasio Mon who, standing at the open window of his apartment in the tall house next door to the Posada de los Reyes on the Paseo del Ebro, had observed with the help of a field-gla.s.s, that a traveler was crossing the river by the ferry-boat after midnight. He noted the unusual proceeding with a tolerant shrug. It will be remembered that he closed his gla.s.ses with a smile--not a smile of amus.e.m.e.nt or of contempt--not even a deep smile such as people wear in books. It was merely a smile, and could not be construed into anything else by any physiognomist. The wrinkles that made it were deeply marked, which suggested that Evasio Mon had learnt to smile when he was quite young. He had, perhaps, been taught.

And, after all, a man may as well show a smile to the world as a worried look, or a mean look, or one of the countless casts of countenance that are moulded by conceit and vanity. A smile is frequently misconstrued by the simple-hearted into the outward sign of inward kindness. Many think that it conciliates children and little dogs. But that which the many think is usually wrong.