Hortus Vitae Part 6

GOING AWAY

We stood on the steps of the old Scotch house as the carriage rolled her away. A last greeting from that delightful, unflagging voice; the misty flare of the lanterns round a corner; and then nothing but the darkness of the damp autumn night. There is to some foolish persons--myself especially--a strange and almost supernatural quality about the fact of departure, one's own or that of others, which constant repet.i.tion seems, if anything, merely to strengthen. I cannot become familiar with the fact that a moment, the time necessary for a carriage, as in this case, to turn a corner, or for those two steel muscles of the engine to play upon each other, can do so complete and wonderful a thing as to break the continuity of intercourse, to remove a living presence. The subst.i.tution of an image for a reality, the present broken off short and replaced by the past; enumerating this by no means gives the equivalent of that odd and unnatural word GONE. And the terror of death itself lies surely in its being the most sudden and utter act of _going away_.

I suppose there must be people who do not feel like this, as there are people also who do not feel, apparently, the mystery of change of place, of watching the familiar lines of hill or valley transform themselves, and the very sense of one's bearings, what was in front or to the other side, east or west, getting lost or hopelessly altered. Such people's lives must be (save for misfortune) funnily undramatic; and, trying to realize them, I understand why such enormous crowds require to go and see plays.

It is usually said that in such partings as these--partings with definite hope of meeting and with nothing humanly tragic about them, so that the last interchange of voice is expected to be a laugh or a joke--the sadder part is for those who stay. But I think this is mistaken. There is indeed a little sense of flatness--almost of something in one's chest--when the train is gone or the carriage rolled off; and one goes back into one's house or into the just-left room, throwing a glance all round as if to measure the emptiness. But the accustomed details--the book we left open, the order we had to give, the answer brought to the message, and breakfast and lunch and dinner and the postman, all the great eternities--gather round and close up the gap: close the gone one, and that piece of past, not merely _up_, but, alas! _out_.

It is the sense of this, secret even in the most fatuous breast, which makes things sadder for the goer. He knows from experience, and, if he have imagination, he feels, this process of closing him out, this rapid adaptation to doing without him. And meanwhile he, in his carriage or train, is being hurled into the void; for even the richest man and he of the most numerous clients, is turned adrift without possessions or friends, a mere poor nameless orphan, when on a solitary journey. There is, moreover, a sadder feeling than this in the heart of the more sentimental traveller, who has engaged the hospitality of friends. _He knows it is extended equally to others_; that this room, which he may have made peculiarly his own, filling it, perhaps, in proportion to the briefness of sojourn, with his own most personal experience; the landscape made his own through this window, the crucial conversation, receiving unexpected sympathies, held or (more potent still) thought over afterwards in that chair; he knows that this room will become, perhaps, O horror, within a few hours, another's!

The extraordinary hospitality of England, becoming, like all English things, rather too well done materially, rather systematic, and therefore heartless, inflicts, I have been told, some painful blows on sentimental aliens, particularly of Latin origin. There is a pang in finding on the hospitable door a label-holder with one's name in it: it saves losing one's way, but suggests that one is apt to lose it, is a stranger in the house; and it tells of other strangers, past and future, each with his name slipped in. Similarly the guest-book, imitated from nefarious foreign inns, so fearfully suggestive of human instability, with its close-packed signatures, and dates of arrival and departure.

And then the cruelty of housekeepers, and the ruthlessness of housemaids! Take heed, O Thestylis, dear Latin guardian of my hearth, take heed and imprint my urgent wishes in thy faithful heart: never, never, never, in my small southern home (not unlike, I sometimes fondly fancy, the Poet's _parva domus_), never let me surprise thee depositing thy freshly-whitened linen in heaps outside the door of the departing guest; and never, I conjure thee, offend his eye or nostril with mops, or _frotteur's_ rollers, or resinous scent of furniture-polish near his small chamber! For that chamber, kindly Handmaiden, is _his_. He is the Prophet it was made for; and the only Prophet conceivable as long as present. And when he takes departure, why, the void must follow, a long hiatus, darkness, and stacked-up furniture, and the scent of varnish within tight-closed shutters....

But, alas! alas! not all kind Thestylis's doing and refraining is able to dispel the natural sense of coming and going: one's bed re-made, one's self replaced, new boxes brought and unpacked, metaphorically as well as literally; fresh adjustments, new subjects of discourse, new sympathies: and the poor previous occupant meanwhile _rolling_, as the French put it. Rolling! how well the word expresses that sense of smooth and empty nowhere, with nothing to catch on or keep, which plays so large a part in all our earthly experience; as, for the rest, is natural, seeing that the earth is only a ball, at least the astronomers say so.

But let us turn from this painful side of _going away_; and insist rather on certain charming impressions sometimes connected with it. For there is something charming and almost romantic, when, as in the case I mentioned, the friend leaves friends late in the evening. There is the whole pleasant day intact, with leisurely afternoon stroll when all is packed and ready: watching the sunset up the estuary, picking some flowers in the garden; sometimes even seeing the first stars p.r.i.c.k themselves upon the sky, and mild sheet-lightnings, auguring good, play round the house, disclosing distant hills and villages. And the orderly dinner, seeming more swept and garnished for the antic.i.p.ation of bustle, the light on the cloth, the sheen on the silver, the grace and fragrance of fruit and flowers, and the gracious faces above it, remains a wide and steady luminous vision on the black background of midnight travel, of the train rus.h.i.+ng through nothingness. Most charming of all, when after the early evening on the balcony, the traveller leaves the south, to hurtle by night, conscious only of the last impression of supper with kind friends at Milan or the lakes, and the glimpse, in the station light, of heads covered with veils, and flowers in the hands, and southern evening dresses. These are the occasional gracious compensations for that bad thing called going away.

COMING BACK

Most people tell you that to return to places where one has been exceptionally happy is an unwise proceeding. But this, I venture to conceive, is what poor Alfred de Musset called "une insulte au bonheur."

It shows, at all events, a lack of appreciation of the particular nature, permanent, and, in a manner, radiating, of happy experiences. Of course, I am not speaking of the cases where the happy past has been severed from indifferent present and future by some dreadful calamity; poetry alone is consolatory and also aloof enough to deal decorously with such tragic things, and they are no concern of the essayist. There is, besides, a very individual and variable character about great misfortunes, no two natures being affected by them quite alike, so that discussion and generalization are not merely intrusive, but also mostly fruitless. Therefore the question is not whether people are wise or unwise in avoiding places where they have been happy, after events which have shattered their happiness. And the only loss I have to deal with is the loss--if it really is one, as we shall examine--of the actual circ.u.mstances which accompanied a happy experience; the loss of the _then_ as opposed to the _now_, and, in a measure of the irrecoverable time, years or months, and of the small luggage of expectations and illusions which has got inevitably mislaid or scattered in the interval.

And the question arises whether 'tis wiser, in a sense whether it is more delicately epicurean, to avoid the places which bring all that, together with the sense of the happy gone-by days, vividly home to one; or whether, as I contend, past happiness ought not to be used as an essential element in the happiness of the present.

I have had, lately, the experience of returning to a part of the world which I had not seen for many, many years, and where I had spent the drowsy long days of a long illness, and the dreamy sweet days of a longer convalescence. It made a day's journey, without any especial resting-place for the soles of my feet, and undertaken, I can scarcely tell why, with a little shyness and fear. I did not go to the house where I had lived, but to one in the neighbourhood, whither I had often been taken all those years ago; and I did not even take the precaution--or perhaps took the contrary one--of securing the presence of the owners. The ladies were out; gone to one of the little fis.h.i.+ng towns which are strung all around the Forth, and they would not be back till teatime. But the benevolent Scottish housemaid, noticing perhaps a shadow of disappointment, suggested my going in and waiting.

The little old castle, which had got a little blurred in my recollection, seemed suddenly remembered and familiar, even as had been the case with the country I had driven along from the station; the undulating turnip-fields and fields of pale stooked corn, the reaping-machines and the women tying up the bean-straw, the white line of the Forth, and the whole pale, delicate country under the low, tender, _intimate_ northern sky. Even the smell, sweet and pungent, of the withered potatoes, bringing the sense of knowing it all, turnings of roads and of the land, so well. And similarly inside the castle, where I lingered on the pretext of writing a note to those ladies. It was all unchanged; the escutcheons in relief on the ceiling, the view of cornfield and thin beech belts, and distant sea from the windows, the lavender and _pot-pourri_ in the bowls, and almost the t.i.tles of the books, seemed quietly, at the touch of reality, to open out in remembrance. I did not stay till the return of the ladies, but went back to the station, and waited on the bridge for my train, which was a good half-hour late. I looked down from that bridge on the kind and gentle country in the veiled suns.h.i.+ne. The hill to the back of the house where I had lived, in the distance, the red roofs of the fis.h.i.+ng villages, the little spire of the smallest of them barely projecting, as it always did, above the freshly reaped fields. And I felt, as I leaned against the parapet watching for my train's smoke coming towards me, not the loss, but rather the inestimable gain which a kindly past represents.

Years gone by? Nay, rather years which make endurable, which furnish and warm the present, giving it sweetness and significance. How very poor we must be in our early youth, with no possessions like these; and how rich in our later life, with many years distilled into the essence of a single to-day!

As I stood on the railway bridge thinking or feeling in this manner, I heard wheels, and saw a pony-cart, with an elderly lady, and a younger one driving her, coming towards me. It was the ladies who had been so kind to me all those years back, returning to the little castle. I turned my back, leaned on the parapet, and let them pa.s.s me, unnoticing.

I wanted to keep them also in that dim and dear kind past.

For we must be discreet as well as grateful-hearted if we would enjoy the Past's full gifts....

The Past's gifts; and to these I would add, or among them rather I would include, an item which I find a difficulty in naming properly, and which, of course, I hesitate a little to speak about. I mean the gifts, odd as it sounds, of Death. For Death, while in his main function the cruel taker-away, the violent or stealthy robber, has also a less important side to his character, and is a giver of gifts, if only we know how to receive them. And he is this even apart from his power (for which one might imagine that the Greeks gave him, in certain terra cottas and reliefs, so very gentle and beautiful an aspect) of bringing light and loving-kindness into poor human creatures' judgments, and teaching them to understand and pardon; apart also from that mystic relations.h.i.+p, felt by Dante and all the poets, which he bears to the genius of imaginative love. What I allude to is a more humble, but quite as gracious function, of leading those he takes away (with the infinitely tender gesture of the antique funereal Hermes), not into vacuity and the horrid blackness of oblivion, but into a place of safe and serene memory. In this capacity Death can be, even like his master, Time, a giver of gifts to us. For those _are_ gifts to us, those friends he gathers together under hazier, tenderer skies into our thoughts which have the autumn warmth and stillness of late-reaped fields. Nay, the gift is greater, for there are added certain half-strangers, towards whom we lose all shyness, and who turn to real friends when introduced by death and worked into our past; dear such-an-one, whom we scarcely knew, barely more than face and name _then_, but know and have the right to care for now. So that I think that we might extract and take with happy interpretation those two last lines of the old, old Goethe's heartbreaking dedication to the generations whom he had outlived:--

"Was ich besitze, seh' ich wie im Weiten, Und was verschwand, wird mir zu Wirklichkeiten."

For all which reasons let us never be afraid of going back to places where we have been exceptionally happy; not even in the cases where we recognize that such former happiness was due, in part, to some dispelled illusion. For if we can but learn to be glad of the Past and receive its gift with grat.i.tude, may not the remembrance of a dear illusion, brought home with the sight of the places which we filled with it, be merely another blessing; a possession which nothing can rob us of, and by which our spirit is the richer?

LOSING ONE'S TRAIN

The clocks up at the villa must have been all wrong, or else my watch did not go with them, or else I had not looked often enough at it while rambling about the town on my way to the station. Certain it is that when I got there, at the gallop of my cab-horse, the express was gone.

There is something hatefully inexorable about expresses: it is useless to run after them, even in Italy. The next train took an hour and a quarter instead of forty minutes to cover the nineteen miles between Pistoia and Florence. Moreover, that next train was not till eight in the evening, and it was now half-past five.

I felt all it was proper to feel on the occasion, and said, if anything, rather more. Missing a train is a terrible business, even if you miss nothing else in consequence; and the inner disarray, the blow and wrench to thoughts and feelings, is most often far worse than any mere upsetting of arrangements. A chasm suddenly gapes between present and future, and the river of life flows backwards, if but for a second. It is most fit and natural to lose one's temper; but the throwing out of so much moral ballast does not help one to overtake that train. I mention this, lest I should pa.s.s for heartless; and now proceed to say that, after a few minutes given to wrath and lamentation, I called the cab back and went in search of a certain very ancient church, containing a very ancient pulpit, which I had never succeeded in seeing before.

Exactly as on previous occasions, when I got to the farm where the key of that church was kept, the key had gone to town in the pocket of the peasant. He would be back, no doubt, at nightfall. But I had not very much expected the church to be open, so I felt perfectly indifferent at not seeing the pulpit--nay, if anything, a little relieved, as one does sometimes when friends prove _not at home_.

I walked up a long steep track to the little battered, black, fast-locked church, which stands all alone under some oak trees. The track was through thin hillside woods. Such divine woods! young oak and acacia, and an undergrowth of gra.s.s and ferns, of full-blown roses thrown across the gra.s.s; and here and there, dark in that pale young green, a cypress. The freshness of evening came all of a sudden, and with it a scent of every kind of leaf and herb and fern, and the sweetness of the ripening corn all round. And when I got to the ridge, slippery with dry cut gra.s.s, what should I see in front of me, over the olive-yards and the wooded slopes, but the walls and towers of Serravalle, which have beckoned to my fancy almost ever since my childhood. I sat there a long while in the June sunset and very nearly missed the second train, which it had seemed intolerable to wait for.

This is an allegory, and I commend its application to the wise and gentle reader. There are more of such symbolical trains lost than real ones, even by the most travelled mortals, Odysseus or a bag-man. And such losing of trains is not inevitably a blessing. I have often written about life with optimistic heartlessness, because life, on the whole, has been uncommonly kind to me, and because one is nearer the truth when cheerful than when depressed. But this is the place for a brief interlude of pessimism. For it is all very well to make the best of losing trains when we have time, cabs, and a fine view at hand; and when in losing the train we lose nothing else, except our temper. But surely 'tis no ingrat.i.tude towards life's great mercies and blessings to discriminate them from life's buffets and bruisings. And methinks that the teaching of courage or resignation might fitly begin by the recognition of the many cases where only courage or resignation avails, because they are thoroughly bad. There is something stupid and underbred at times in the att.i.tude of saints and stoics--at least in their books.

When Rachel weepeth for her children, we have no business to come round hawking our consolation; we should stand aside, unless we can cradle her to sleep in our arms. And if we refuse to weep, 'tis not because there is not matter enough for weeping, but because we require our strength and serenity to carry her through her trouble. Pain, dear cheerful friends, is pain; and grief, grief; and if our own complete human efficiency requires the acquaintance thereof, 'tis because the knowledge of their violence and of their wiles is needed for our own protection and the helping of other folk. Evil comes from the G.o.ds, no doubt; but so do all things; and to extract good from it--the great Prometheus-feat of man--is not to evil's credit, but to the credit of good. The contrary doctrine is a poison to the spirit, though a poison of medicinal use in moments of anguish, a bromide or an opiate.

I am speaking, therefore, only of such contingencies as will bear comparison, without silly stoicism, to the missing of a train. Much of the good such disappointments may contain is of the nature of education, and most of it a matter of mere novelty. Without suspecting it, we are all suffering from lack of new departures; and life would no doubt be better if we tried a few more things, and gave the hidden, neglected possibilities a greater chance. Change as such is often fruitful of improvement, exposing to renovating air and rains the hard, exhausted soil of our souls, turning up new layers and helping on life's chemistry. The thwarting of our cherished plans is beneficial, because our plans are often mere routine, born not of wisdom, but of inertness.

In our endless treadmill of activity, in our ceaseless rumination, we are, as a fact, neither acting nor thinking; and life, secretly at a standstill, ceases to produce any good. There was no reason for taking that express and getting back two or three hours sooner to my house: no one required me, nothing needed doing. Yet, unless I had lost that train I should not have dreamed of taking that walk, of making that little journey of discovery, in a delightful unknown place.

There is another source of good hidden in disappointment. For it is disappointment rather than age (age getting the credit for what it merely witnesses) which teaches us to work into life's scheme certain facts, frequently difficult of acceptance; trying to make them, as all reality should be, causes of strength rather than of weakness. Painful facts? Or rather, perhaps, only painful contradictions to certain pleasant delusions, founded on nothing save their pleasantness, and taken for granted--who knows how long?--without proof and without questioning. Facts concerning not merely success, love, personal contact, but also one's own powers and possibilities for good, what the world is able to receive at one's hands, as much as of what the world can give to one.

But the knowledge which disappointment gives, to those wis.h.i.+ng to learn from it, has a higher usefulness than practical application. It const.i.tutes a view of life, a certain contemplative att.i.tude which, in its active resignation, in its domination of reality by intelligent acquiescence, gives continuity, peace, and dignity. And here my allegory finds its completion. For what compensated me after my lost train and all my worry and vexation of spirit? Nothing to put in my pocket or swell my luggage, not even a kingdom, such as made up for the loss of poor Saul's a.s.ses; but an impression of sunset freshness and sweetness among ripening corn and delicate leaves, and a view, unexpected, solemn, and charming, with those long-forgotten distant walls and towers which I shall never reach, and which have beckoned to me from my childhood.

Such is the allegory, or morality, of the Lost Train.

THE HANGING GARDENS

VALEDICTORY

I am not alluding to those of Semiramis. Though, now I come to think of it, this is the moment for protesting against one of those unnecessary deceptions from which the candid mind of children is allowed to suffer.

For the verb _to hang_ invariably implies that the hanging object (or, according to our jurisprudence, person) is supported by a rope, nail, or other device, from above, while remaining unsupported from below. And it was in such relations to the forces of gravitation that my infancy conceived those gardens of the Babylonish Queen. So that I quite remember my bitter disappointment (the first germ, doubtless, of a general scepticism about G.o.ds and Men) when a cut in an indiscreet _Handbook of Antiquities_ displayed these flowery places as resting flatly on a housetop, and no more hanging, in any intelligible sense, than I hung myself.

Having lodged this complaint, I will, however, admit that this misleading adjective comes as a boon in the discourse I am now meditating. Since, returning to my old theme of the _Garden of Life_, I find that the misapplication of that word _Hanging_, and its original literal suggestion, lends added significance to this allegoric dictum: Of all the _Gardens of Life_ the best worth cultivating are often the Hanging Ones. Yes! Hanging between the town pavement, a hundred feet below, and the open sky, with gales ready to sweep down every flower-pot into smithereens, the kind or wicked sky, immediately above. Moreover, as regards legal claim to soil, leasehold, freehold, or copyhold, why, simply none, the earth having been carried up to that precarious place in arduous basketfuls.

One of the wisest of women (I say it with pride, for she is my G.o.dchild) put this skyey allegory of mine into plain words, which I often repeat to myself, and never without profit. The circ.u.mstances and character of her husband had involved her in wanderings from her very wedding-day; and each of her six children had been born in a different place, and each in a more unlikely one. "It must have been very difficult to settle down at last like this," I said, looking in admiration from the dainty white walls and white carpets to the delicately laid table, with the flowers upon it and around it--I mean the garland of pink little faces and pink little pinafores. "I wonder you could do it after so long."

"But I have always been what you call _settled_," she answered, and added very simply--"As soon as I took in that we should always be eternally uprooting, I made up my mind that the only way was to live as if we should never move at all. You see, everything would have gone to bits if I had let myself realise the contrary, and I think I should have gone crazy into the bargain."

There has been a good deal of _going to bits_ and of craziness of sorts owing to the centuries and the universe not always having been as wise as this lady. And--with all deference to higher illuminations--I am tempted to ask myself whether all creeds, which have insisted on life's fleetingness and vanity, have not played considerable havoc with the fruitfulness, let alone the pleasantness, of existence. Certainly the holy persons who awaited the end of the world in caves, and on platforms fastened to columns, had not well-furbished knives and forks, nor carefully folded linen, nor, as a rule, nicely behaved nice little boys and girls, waiting with eager patience for a second helping of pudding.

There is a distressing sneer at soap ("scented soap" it is always called), even in the great Tolstoi's writings, ever since he has allowed himself to be hag-ridden by the thought of death. And one speculates whether the care true saints have bestowed upon their souls, if not their bodies, the swept and garnished character of the best monasticism, has not been due to the fact that all this tidiness was in preparation for an eternity of beat.i.tude?

Fortunately for the world, the case of my dear G.o.ddaughter is an extreme one; and although our existence is quite as full of uprootings as hers, they come in such a stealthy or such a tragic manner as to beget no expectation of recurrence. Moreover, the very essence of life is to make us believe in itself; we fas.h.i.+on the future out of our feelings of the present, and go on living as if we should live for ever, simply because, by the nature of things, we have no experience of ceasing to live. Life is for ever murmuring to us the secret of its unendingness; and it is to our honour, and for our happiness, that we, poor flashes of a second, identify ourselves with the great unceasing, steady light which we and millions of myriads besides go to make up.

Are we much surer of being alive to-morrow than of being dead in fifty years? "Is there any moment which can certify to its successor?" That is the answer to La Fontaine's octogenarian, planting his trees, despite the gibes of the little beardless boys whom, as is inevitable in such cases, he survived.

Defendez-vous au sage De se donner des soins pour le plaisir d'autrui?

Cela meme est un fruit qui je goute aujourd'hui; J'en puis jouir demain, et quelques jours encore.

And all I would add is that, although it was very nice of the old man to enjoy his planting because of the unborn generations who would eat the fruits, he might have been less nice and quite as pleased if, as is probable, he liked gardening for its own sake.

But people seem--on account of that horrid philosophical and moralising twist--to cast about for an excuse whenever they are doing what is, after all, neither wicked nor silly--to wit, making the best of such days and such powers as a merciful Providence or an indifferent trio of Fates has allowed them. But I should like to turn the tables on these persons, and suggest that all this worrying about whether life is or is not worth living, and hunting for answers for and against, may itself be an excuse, unconscious like all the most mischievous excuses, and hide not finer demands and highbred discontents, but rather a certain feebleness, lack of grip and adaptation, and an indolent acquiescence in what my G.o.dchild stoutly refused, a greater or lesser going to bits.

This much is certain, that we all of us have to make a stand against such demoralisation whenever our plans are upset, or we are impatient to do something else, or we are feeling worried and ill. We most of us have to struggle against leaving our portmanteau gaping on a sofa or throwing our boot-trees into corners when we are in a place only for a few hours; and struggle against allowing the flowers on the table to wither, and the fire to go out, when we are setting out on a journey next day, or a dear one is about to say goodbye. "See to that fire being kept up, and bring fresh roses," said a certain friend of mine on a similar occasion.