The Nervous Housewife Part 2

William James, nearly simultaneously with Lange, pointed out that emotion cannot be separated from its physical concomitants and maintain its ident.i.ty. That is, if we separate in our minds the weak, chilly feeling, the dry mouth, the racing heart, the sharp, harsh breathing, and the tension of the muscles getting ready for flight from the feeling of fear, nothing tangible is left. Similarly with sorrow or joy or anger. Take the latter emotion; imagine yourself angry,--immediately the jaw becomes set and the lips draw back in a semi-snarl, the fists clench and the muscles tighten, while the head and body are thrust forward in what is, as Darwin pointed out, the preparation for pouncing on the foe.

Even if you mimic anger without any especial reason, there steals over you a feeling not unlike anger.

In a famous paragraph James essentially states that instead of crying because we are sorry, it is fully as likely that we are sorry because we cry. So with every emotion; we are afraid because we run away, and happy because we dance and shout. In other words he reversed the order of things as the everyday person would see it; makes primary and of fundamental importance the physical response rather than the feeling itself.

This has been widely disagreed with, and is not at all an acceptable theory in its entirety. Yet modern physiology has shown that emotion is largely a physical matter, largely a thing of blood vessels, heartbeat, lungs, glands, and digestive organs. This physical foundation of emotion is a very important matter in our study of the housewife as of every other living person. For it is especially in the emotional disturbance that the origin of much of nervousness is to be found, and that on what may be called the physical basis of emotion.

What can emotion produce that is pathological, detrimental to well-being? We may start with the grossest, simplest manifestations. It may entirely upset digestion, as in the vomiting of disgust and excitement. Or, in lesser measure, it may completely destroy the appet.i.te, as occurs when a disturbing emotion arises at mealtime. This is probably brought about by the checking of the gastric secretions.

(Cannon's work; Pavlow's work.)

It may check the secretion of milk in the nursing mother, or it may change the quality of the milk so that it almost poisons the infant. It may cause the bladder and bowels to be evacuated, or it may prevent their evacuation.

It may so change the supply of blood in the body as to leave the head without sufficient quant.i.ty and thus bring about a fainting spell; _i.e._ may absolutely deprive the victim of consciousness. In lesser degree it causes the blush, a visible manifestation of emotion often very distressing.

It may completely abolish s.e.x power in the male, or it may bring about s.e.x manifestations which the victim would almost rather die than show.

It may completely deenergize so that neither interest, enthusiasm, or power remains. This is a familiar effect of sorrow but occurs in lesser degree with the form of fear called worry.

The fact is that emotion is an intense bodily response to a situation which when perceived is the state of feeling. This intense bodily response, involving the very minutest tissues of the body, may increase the available energy, may help the bodily functioning, may stimulate the "psychical" processes, but also it may deenergize to an extraordinary degree, it may interfere with every function, including thought and action. It may surely produce acute illness, and it may, though rarely, produce death.

Moreover, it is extraordinarily contagious. Every one knows how a hearty laugh spreads, and how quick the response to a smile. Indeed, emotion has probably for one of its main functions the producing of an effect on some one else, and all the world uses emotion for this purpose. Anger is used to produce fear, sorrow to evoke sympathy, fear is to bring about relenting, a smile and laughter, friendliness, except where one smiles or laughs _at_ some one, and then its design is to bring sorrow, anger, or pain. The leader maintains a hopeful, joyous demeanor so that his followers may also be joyous or hopeful and thus be energized to their best. Morale is the state of emotion of a group; it is raised when joyous, energizing emotions are set working in the group and is lowered when pessimistic deenergizing emotions become dominant. A city or a nation becomes energized with good news and success and deenergized when the battle seems lost.

The spread of emotion from person to person by sympathetic feeling or the reverse (as when we get depressed because our enemy is happy) is a social fact of incalculable importance. The problem of the nervous housewife is a problem of society because she gives her mood over to her family or else intensely dissatisfies its members so that the home ties are greatly weakened.

This spread of emotion was happily portrayed by a motion picture I recently saw. Old Grouchy Moneybags, wealthy beyond measure and afflicted with gout, is seated at his breakfast table. In the next room, seen with the all-seeing eye of the movie, the butler makes love to the very willing maid. In the kitchen the fat cook is feeding the ever hungry butcher's boy with gingerbread and cake, and on the back steps the household cat is purring gently in contentment. Happiness is the predominant note.

Then Old Moneybags savagely rings the bell. Enters the butler, obsequious and solicitous. "The coffee is bad, the toast is vile, everything is wrong. You are a _deleted deleted deleted deleted_ rascal." Exit the butler, outwardly humble, inwardly a raging flood of anger, and he meets the maid, who archly invites his attentions. She gets them, only they are in the form of an angry shove and an oath.

White with indignation, she stamps her foot and runs into the kitchen, bursting into tears. The cook, solicitous, receives a slap in the face, and as the maid bounces out, the cook, seeking a victim, grabs away the gingerbread from the butcher's boy. And that still hungry juvenile slams the door as he leaves and kicks the slumbering cat off the back doorstep.

Unfortunately the film did not show what the outraged cat did. Possibly it started a devastation that reached back into Moneybags' career; at any rate the unusual little picture (which later went on to the usual happy ending) showed how emotion spreads through the world, just as disease does. The infection that starts in the hovel finally strikes down the rich man's child, enthroned in the palace. The mood engendered by the humiliation of poverty or cruelty or any injustice finally shakes a king off his throne.

So when we trace the deenergizing emotions of the housewife, we are tracing factors that affect her husband, his work, and Society at large; we trace the things that mold her children, and thus we follow her mood, her emotion, into the future, into history.

CHAPTER III

TYPES OF HOUSEWIFE PREDISPOSED TO NERVOUSNESS

There are three main factors in the production of the nervousness of the housewife, and they weave and interweave in a very complex way to produce a variety of results. All the things of life, no matter how simple in appearance, are a complex combination of action and reaction.

Our housewife's symptoms are no exception, whether they are mainly pains, aches, and fatigue, or the deeply motivated doubt or feeling of unreality.

The nature of the housewife, the conditions of her life, and her relations to her husband are these three factors. All enter into each case, though in some only one may be emphasized as of importance. There are cases where the nature of the woman is mainly the essential cause, others where it is the conditions of her life, and still others where the husband stands out as the source of her symptoms.

We are now to consider the nature of the housewife as our first factor.

We may preamble this by saying that a woman essentially normal in one relations.h.i.+p in life may be abnormal in some other, may be the traditional square peg in the round hole. Moreover, we are to insist on the essential and increasing individuality of women, which is to a large extent a recent phenomenon. The cynical commonplace is "All women are alike"--and then follows the specific accusation--"in fickleness", "in extravagance", "in unreasonableness", in this trick or that. The chief effort of conservatism is to make them alike, to fit each one for the same life by the same training in habits, knowledge, abilities, and ideals.

Talk about Prussianism! The great Prussianism, with its ideal of uniformity, serviceability, and servility, has been the masculine ideal of woman's life. Man was to be diversified as life itself, was to taste all its experiences, but woman had her sphere, which belied all mathematics by being a narrow groove.

The nineteenth century changed all that,--or started the change which is going on with extraordinary rapidity in the twentieth. There are all kinds of women, at least potentially. It may be true that woman tends less to vary than man, that she follows a conservative middle-of-the-road biologically, while man spreads out, but no one can be sure of this until woman's early training to some extent resembles man's.

1. From the very start woman is trained to vanity. Every mother loves to doll up her girl baby, and the child is admired for her dress and appearance. Now it is an essential quality of the normal human being that he accepts as an ideal the quality most admired. To the young child, the girl, the young woman, the important thing is Looks, Looks, Looks! The first question asked about a woman is, "Is she pretty?" The pretty girls, the ones most courted, the ones surest on the whole to get married and to become housewives are usually spoiled by indulgence, petting, admiration, and this for a quality not at all related to strong character, and therefore vanity of a trivial kind results.

2. Moreover, woman is trained to emotionality. It may be that she is by nature more emotional than man, but again this can only be known when she has been trained to repress emotional response as a man is trained.

If a boy cries or shows fear, he is scolded, and training of one kind or another is inst.i.tuted to bring about moral and mental hardihood. But if a girl cries, she is consoled by some means and taught that tears are potent weapons, a fact she uses with extraordinary effect later on, especially in dealing with men. If she shows fear, she is protected, sheltered, and given a sort of indulged inferiority.

3. The romantic ideal is constantly held before her in the private counsel of her mother, in the books she reads, in the plays she witnesses, in all the allurements of art. She is to await the lover, the hero; he will take her off with him to dwell in love and happiness forever. All stories, or most of them, end before the heroine develops the neurosis of the housewife. In fact, literature is the worst possible preparation for married life, excepting perhaps the _courts.h.i.+p_. This latter emphasizes a distorted chivalry that makes of woman a petty thing on a pedestal, out of touch with reality; it is an exciting entrance into what in the majority of cases is a rather monotonous existence.

All these things--vanity, emotionality, romanticism, courts.h.i.+p--are poor training for the home. They hinder even the strongest woman, they are fetters for the more delicate.

In taking up the special types predisposed to the nervousness of the housewife it is to be emphasized that conditions may bring about the neurosis in the normal housewife. Nevertheless, there are groups of women who, because of their make-up or const.i.tution, acquire the neurosis much more easily and much more intensely than do the normal women. They are the types most commonly seen in the hospital clinic or in the private consulting room of the neurologist.

First comes the hyperaesthetic type. One of the chief marks of advancing civilization is an increasing refinement of taste and desire. The fundamental human needs are food, shelter, clothes, s.e.x relations, and companions.h.i.+p. These the savage has as well as his civilized brother, and he finds them not only necessary but agreeable. What we call progress improves the food and the shelter, modifies the clothes, elaborates the s.e.x relations and the code governing companions.h.i.+p. With each step forward the cruder methods become more actively disagreeable, and only the refined methods prove agreeable. In other words, desire keeps pace with improvement, so that although great advances materially have been made, there has been little advance, if any, in contentment.

This is because as we progress in refinement little things come to be important, manner becomes more essential than matter, and we get to the hyperaesthetic stage.

Thus the dinner becomes less important than the manner of serving it. In the "highest circles" it is the _savoir faire_, the niceties of conduct, that count more than character. Words become the means of playing with thought rather than the means of expressing it, and thought itself scorns the elemental and fundamental and busies itself with the vagaries of existence.

From another angle, to the hyperaesthetic more and more things have become disagreeable. To the man of simple tastes and simple feelings, only the calamities are disagreeable; to the hyperaesthetic every breeze has a sting, and life is full of pin p.r.i.c.ks. "The slings and arrows of outrageous fortune" are multiplied in number, and furthermore the reaction to them is intensified. In the "Arabian Nights" the princess boasts that a rose petal bruises her skin, while her compet.i.tor in delicacy is made ill by a fiber of cotton in her silken garments. So with the hyperaesthetic; an unintentional overlooking is reacted to as a deadly insult; the thwarting of any desire robs life of its savor; sounds become noises; a bit of litter, dirt; a little reality, intolerable crudity.

A woman with this temperament is a poor candidate for matrimony unless there goes with it a capacity for adjustment, unusual in this type. Most men have their habitual crudities, their daily lapses, and every home is the theater of a constant struggle with the disagreeable. Intensely pleased by the utmost refinements, these are too uncommon to make up for the shortcomings. The hyperaesthetic woman is constantly the prey of the most deenergizing of emotions,--disgust. "It makes me sick" is not an exaggerated expression of her feeling. And her afflicted household size up the situation with the brief a.n.a.lysis, "Everything makes her nervous." Every one in her household falls under the tyranny of her disposition, mingling their concern with exasperation, their pity with a silent almost subconscious contempt.

Next comes the over-conscientious type. Whatever conscience is, whether implanted by G.o.d, or the social code sanctified by training, teaching, and a social nature, there can be no question that, as the Court of Appeals, it does harm as well as good.

There are people whose lack of conscience is back of all manner of crimes, from murder down to careless, slack work; whose cruelty, l.u.s.t, and selfishness operate unhampered by restraint. On the other hand there are others whose hypertrophied conscience works in one of two directions. If they are zealots, convinced of the righteousness of their own decisions and conclusions, their conscience spurs them on to reforming the world. Since they are more often wrong than right, they become, as it were, a sort of misdirected Providence, raising havoc with the happiness and comfort of others. Whether the conscienceless or those overburdened with this type of conscience have done more harm in the world is perhaps an open question, which I leave to the historians for settlement.

The other type of the overconscientious does definite harm to themselves. This type I have called the "Seekers of Perfection" and it is their affliction that they are miserable with anything less. They are particularly hard on themselves, differing in this wise from the by hyperaesthetic. Constantly they examine and reexamine what they have done. "Is it the best I can do?" "Should I rest now; have I the right to rest?"

Into every moment of enjoyment they obtrude conscience, or rather conscience obtrudes itself. They become wedded to a purpose, and then that purpose becomes a tyrant allowing no escape, even for a brief pleasure, from its chains. Nothing is right that wastes any time; nothing is good but the best. The sense of humor is conspicuously lacking in this type, for one of the main functions of humor is to season effort and straining purpose with proportion.

Should one of these unfortunates be a housewife, then she is continually "picking up", continually pursuing that household Will-o'-the-Wisp, "finis.h.i.+ng the work." For it is the nature of housework that it is never finished, no matter how much is done. This overconscientious person, unless she is made of steel springs and resilient rubber, breathlessly chasing this phantom all day and into the night, gives way under the strain, even though she have a dozen servants to help. For to this type each helper is not at all an aid. At once up goes the standard of what is to be done, and each servant becomes an added care, an added responsibility.

"I'd love to go out with you," wails this housewife, "but there's something I must finish to-day." The word _must_, self-imposed, becomes the mania of her life, to the open rebellion of her household. The word drives her to the real neglect of her husband, who becomes irritated at her constant and to him needless activity, coupled with her complaints.

"Why don't you rest if you are tired," is his stock remonstrance; "the house looks all right to me."

But it is futile. She becomes irritated, perhaps cries and says, "Just like a man. It's clean to you if there are no cobwebs on the walls."

Whereupon the debate closes, but the woman is the more deenergized and the man exasperated at the unreasonableness of women in general and his wife in particular.

It is probably true that woman has more conscience, in so far as detail is concerned, than man. She is more of a lover of order and neatness, more wedded to decorum. Man loves comfort and his interest is more specialized and a.n.a.lytical, and as a rule he hates fussiness.

This hatred of fussiness makes him long for the masculine clubroom, gives him the kind of uneasiness that sends him off on a fis.h.i.+ng trip or hunting expedition. Further, and this is of great social importance, many a broken home, many an unexplainable triangle of the Wife, the Husband, and the Other Woman owes its existence, not to the charms of the other woman, but to the overconscientious wife.

The third type predisposed to the neurosis of the housewife is the overemotional woman.

We have already considered the effect of certain types of emotion on health and endurance and may formulate it as follows: Emotion may act as a great bodily disturbance, affecting every organ and every function of the body. What we call nervousness is largely made up of abnormal emotional response, of persistent emotion, of the blocking of energy by emotion.

Now people differ from the very start of life in their response to situations. One baby, if he does not get what he wants, turns his attention to something else, and another will cry for hours or until he gets it. One will manifest anger and strike at being blocked or impeded in his desires, and the other will implore and plead in a baby way for his wish.