A Complete Guide to Heraldry Part 11

Ermine spots upon a bend are represented the way of the bend.

Occasionally two bends will be found, as in the arms of Lever: Argent, two bends sable, the upper one engrailed (_vide_ Lyon Register--escutcheon of pretence on the arms of Goldie-Scot of Craigmore, 1868); or as in the arms of James Ford, of Montrose, 1804: Gules, two bends vaire argent and sable, on a chief or, a greyhound courant sable between two towers gules. A different form appears in the arms of Zorke or Yorke (see Papworth), which are blazoned: Azure, a bend argent, impaling argent, a bend azure. A solitary instance of _three_ bends (which, however, effectually proves that a bend cannot {113} occupy the third part of the field) occurs in the arms of Penrose, matriculated in Lyon Register in 1795 as a quartering of c.u.mming-Gordon of Altyre. These arms of Penrose are: Argent, three bends sable, each charged with as many roses of the field.

A charge half the width of a bend is a bendlet (Fig. 80), and one half the width of a bendlet is a cottise (Fig. 81), but a cottise cannot exist alone, inasmuch as it has of itself neither direction nor position, but is only found accompanying one of the ordinaries. The arms of Harley are an example of a bend cottised.

Bendlets will very seldom be found either in addition to a bend, or charged, but the arms of Vaile show both these peculiarities.

[Ill.u.s.tration: FIG. 80.--Bendlets.]

A bend will usually be found between two charges. Occasionally it will be found between four, but more frequently between six. In none of these cases is it necessary to specify the position of the subsidiary charges. It is presumed that the bend separates them into even numbers, but their exact position (beyond this) upon the s.h.i.+eld is left to the judgment of the artist, and their disposition is governed by the s.p.a.ce left available by the shape of the s.h.i.+eld. A further presumption is permitted in the case of a bend between _three_ objects, which are presumed to be two in chief and one in base. But even in the case of three the position will be usually found to be specifically stated, as would be the case with any other uneven number.

[Ill.u.s.tration: FIG. 81.--Bend cottised.]

Charges on a bend are placed in the direction of the bend. In such cases it is not necessary to specify that the charges are bendwise. When a charge or charges occupy the position which a bend would, they are said to be placed "in bend." This is not the same thing as a charge placed "bendwise" (or bendways). In this case the charge itself is slanted into the angle at which the bend crosses the s.h.i.+eld, but the position of the charge upon the s.h.i.+eld is not governed thereby.

When a bend and chief occur together in the same arms, the chief will usually surmount the bend, the latter issuing from the angle between the base of the chief and the side of the s.h.i.+eld. An instance to the contrary, however, will be found in the arms of Fitz-Herbert of Swynnerton, in which the bend is continued over the chief. This instance, however (as doubtless all others of the kind), is due to the {114} use of the bend in early times as a mark of difference. The coat of arms, therefore, had an earlier and separate existence without the bend, which has been superimposed as a difference upon a previously existing coat. The use of the bend as a difference will be again referred to when considering more fully the marks and methods of indicating cadency.

[Ill.u.s.tration: FIG. 82.--Bend sinister.]

A curious instance of the use of the sun's rays in bend will be found in the arms of Warde-Aldam.[8]

The bend sinister (Fig. 82), is very frequently stated to be the mark of illegitimacy. It certainly has been so used upon some occasions, but these occasions are very few and far between, the charge more frequently made use of being the bendlet or its derivative the baton (Fig. 83). These will be treated more fully in the chapter on the marks of illegitimacy. The bend sinister, which is a band running from the sinister chief corner through the centre of the escutcheon to the dexter base, need not necessarily indicate b.a.s.t.a.r.dy. Naturally the popular idea which has originated and become stereotyped concerning it renders its appearance extremely rare, but in at least two cases it occurs without, as far as I am aware, carrying any such meaning. At any rate, in neither case are the coats "b.a.s.t.a.r.dised"

versions of older arms. These cases are the arms of s.h.i.+ffner: "Azure, a bend sinister, in chief two estoiles, in like bend or; in base the end and stock of an anchor gold, issuing from waves of the sea proper;" and Burne-Jones: "Azure, on a bend sinister argent, between seven mullets, four in chief and three in base or, three pairs of wings addorsed purpure."

[Ill.u.s.tration: FIG. 83.--Baton sinister.]

No coat with the chief charge a single bendlet occurs in Papworth. A single case, however, is to be found in the Lyon Register in the duly matriculated arms of Porterfield of that Ilk: "Or, a bendlet between a stag's head erased in chief and a hunting-horn in base sable, garnished gules." Single bendlets, however, both dexter and sinister, occur as ancient difference marks, and are then sometimes known as ribands. So described, it occurs in blazon of the arms of Abernethy: "Or, a lion rampant gules, debruised of a ribbon sable," quartered by Lindsay, Earl of Crawford and Balcarres; but here again the bendlet is a mark {115} of cadency. In the _Gelre Armorial_, in this particular coat the ribbon is made "engrailed," which is most unusual, and which does not appear to be the accepted form. In many of the Scottish matriculations of this Abernethy coat in which this riband occurs it is termed a "cost," doubtless another form of the word cottise.

When a bend or bendlets (or, in fact, any other charge) are raised above their natural position in the s.h.i.+eld they are termed "enhanced" (Fig. 84).

An instance of this occurs in the well-known coat of Byron, viz.: "Argent, three bendlets enhanced gules," and in the arms of Manchester, which were based upon this coat.

[Ill.u.s.tration: FIG. 84.--Bendlets enhanced.]

[Ill.u.s.tration: FIG. 85.--Pale.]

[Ill.u.s.tration: FIG. 86.--Pale engrailed.]

When the field is composed of an even number of equal pieces divided by lines following the angle of a bend the field is blazoned "bendy" of so many (Fig. 58). In most cases it will be composed of six or eight pieces, but as there is no diminutive of "bendy," the number must always be stated.

THE PALE

The pale is a broad perpendicular band pa.s.sing from the top of the escutcheon to the bottom (Fig. 85). Like all the other ordinaries, it is stated to contain the third part of the area of the field, and it is the only one which is at all frequently drawn in that proportion. But even with the pale, the most frequent occasion upon which this proportion is definitely given, this exaggerated width will be presently explained. The artistic lat.i.tude, however, permits the pale to be drawn of this proportion if this be convenient to the charges upon it.

Like the other ordinaries, the pale will be found varied by the different lines of part.i.tion (Figs. 86-94).

The single circ.u.mstance in which the pale is regularly drawn to contain a full third of the field by measurement is when the coat is "per fess and a pale counterchanged." This, it will be noticed, divides the s.h.i.+eld into six equal portions (Fig. 95). The ease with which, by {116} the employment of these conditions, a new coat can be based upon an old one which shall leave three original charges in the same position, and upon a field of the original tincture, and yet shall produce an entirely different and distinct coat of arms, has led to this particular form being constantly repeated in modern grants.

[Ill.u.s.tration: FIG. 87.--Pale invecked.]

[Ill.u.s.tration: FIG. 88.--Pale embattled.]

[Ill.u.s.tration: FIG. 89.--Pale raguly.]

[Ill.u.s.tration: FIG. 90.--Pale dovetailed.]

[Ill.u.s.tration: FIG. 91.--Pale indented.]

[Ill.u.s.tration: FIG. 92.--Pale wavy.]

[Ill.u.s.tration: FIG. 93.--Pale nebuly.]

[Ill.u.s.tration: FIG. 94.--Pale rayonne.]

[Ill.u.s.tration: FIG. 95.--Pale per fesse counter changed.]

The diminutive of the pale is the pallet (Fig. 96), and the pale cottised is sometimes termed "endorsed."

Except when it is used as a mark of difference or distinction (then usually wavy), the pallet is not found singly; but two pallets, or three, are not exceptional. Charged upon other ordinaries, particularly on the chief and the chevron, pallets are of constant occurrence. {117}

When the field is striped vertically it is said to be "paly" of so many (Fig. 57).

[Ill.u.s.tration: FIG. 96.--Pallets.]

[Ill.u.s.tration: FIG. 97.--The arms of Amaury de Montfort, Earl of Gloucester; died before 1214. (From his seal.)]

[Ill.u.s.tration: FIG. 98.--Arms of Simon de Montfort, Earl of Leicester; died 1265. (From MS. Cott., Nero, D. 1.)]

[Ill.u.s.tration: FIG. 99.--Fess.]

[Ill.u.s.tration: FIG. 100.--Fess engrailed.]

[Ill.u.s.tration: FIG. 101.--Fess invecked.]

The arms shown in Fig. 97 are interesting inasmuch as they are doubtless an early form of the coat per pale indented argent and gules, which is generally described as a banner borne for the honour of Hinckley, by the Simons de Montfort, Earls of Leicester, father and son. In a Roll _temp._ Henry III., to Simon the younger is ascribed "Le Banner party endentee dargent & de goules," although the arms of both father and son are known to have been as Fig. 98: "Gules, a lion rampant queue-fourchee argent." More probably the indented coat gives the original Montfort arms.

THE FESS

The fess is a broad horizontal band crossing the escutcheon in the centre (Fig. 99). It is seldom drawn to contain a full third of the area of the s.h.i.+eld. It is subject to the lines of part.i.tion (Figs. 100-109). {118}

A curious variety of the fess dancette is borne by the Shrops.h.i.+re family Plowden of Plowden. They bear: Azure, a fess dancette, the upper points terminating in fleurs-de-lis (Fig. 110). A fess couped (Fig. 111) is found in the arms of Lee.

[Ill.u.s.tration: FIG. 102.--Fess embattled.]

[Ill.u.s.tration: FIG. 103.--Fess embattled counter-embattled.]

[Ill.u.s.tration: FIG. 104.--Fess raguly.]

[Ill.u.s.tration: FIG. 105.--Fess dovetailed.]