The Writer on the Hill Part 22

'I'll probably come up in September, after the rains,' he said. 'If I live that long... I'm just living from day to day.'

'So am I,' I told him. 'It's the best way to live.'

A couple of days pa.s.sed before Kailash came to see me. I was beginning to wonder if he'd come again. Apparently the teacher had at first proved elusive; but the deed was done, and Kailash pa.s.sed with the marks he needed. Ironically, his uncle was so impressed that he is now urging the boy to remain with him and complete the Intermediate exam.

'I must write a story about your uncle,' I remark.

'Don't give him a story', says Kailash. 'A short note will do.'

Now that Prem is preoccupied with his wife, and the house is at the mercy of uninvited visitors, I stay out most of the time, and these days Kailash is my only companion. Yesterday we took Camel's Back Road, past the cemetery. He chatters away, and I can listen if I want to, or think of other things if I don't want to listen; apparently it makes no difference to him. He is a cheerful soul, with an infectious laugh. He walks with a slight swagger, or roll. He says he doesn't mind staying here now that he has me for a friend; that he can put up with two sour uncles as long as he knows I'm around. I suspect he's quite capable of pulling a fast one on his uncle; but all the same, I find myself liking him.

Moody. And when I'm moody I'm bad.

Prem says: 'It is easier to please G.o.d than it is to please you.'

'But G.o.d is easily pleased,' I respond. 'G.o.d makes absolutely no demands on us. We just imagine them.'

The eyes.

Prem's eyes have great gentleness in them.

His wife's eyes are round and mischievous and suggestive...

Suggestive enough to invite the attention of a mischievous or malignant spirit.

At about two in the morning I am awakened by Prem's shouts, m.u.f.fled by rain. Shouting back that I am on my way, for it is obviously an emergency, I leap out of bed, grab an umbrella, dash outside and then down the stairs to his room. His wife is sobbing in bed. Whatever had possessed her has now gone away, and the crying is due more to Prem's ministrations-he exorcizes the ghost by thumping her on the head-than to the 'possession' itself. But there is no doubt that she is subject to hallucinatory or subconscious actions. It is not simply a hysterical fit. She walks in her sleep, moves restlessly from door to window, holds conversations with an invisible presence, and resists all efforts to bring her back to reality. When she comes out of the trance, she is quite normal.

This sort of thing is apparently quite common in the hills, where people believe it to be a ghost taking temporary possession of a human mind. It's happened to Prem's wife before, and it also happens to her brother, so it seems to run in families. It never happens to Prem, who deeply resents the interruption to his sleep.

I calm the girl and then make them bring their bedding upstairs. I give her a sleeping tablet and she is soon fast asleep.

During a lull in the rain, I hear a most hideous sound coming from the forest-a maniacal shrieking, followed by a mournful hooting. But Prem and his wife sleep through it all. The rain starts again, and the shrieking stops. Perhaps it's a hyena. Perhaps something else.

A morning of bright suns.h.i.+ne, and the whistling thrush welcomes it with a burst of song. Where do the birds shelter when it rains? How does that frail b.u.t.terfly survive the battering of strong winds and heavy raindrops? How do the snakes manage in their flooded holes?

I saw a bright green snake sunning itself on some rocks; no doubt waiting for its hole to dry out.

In my vagrant days, ten to fifteen years ago (long before the hippies made vagrancy a commonplace), I was a great frequenter of tea shops, those dingy little shacks with a table and three chairs, a grimy tea kettle, and a cracked gramophone. Tea shops haven't changed much, and once again I find myself lingering in them, sometimes in company with Kailash, who, although he doesn't eat much, drinks a lot of tea.

One can sit all day in a tea shop and watch the world go by. Amazing the number of people who actually do this! And not all of them unemployed. The tea shop near the clock tower is ideal for this purpose. It is a busy part of the bazaar but the tea shop, though small, is gloomy within, and one can loll about unseen, observing everyone who pa.s.ses by a few feet away in the sunlit (or rain-spattered) street. The tea itself is indifferent, the buns are stale, the boiled eggs have been peppered too liberally. Kailash is unusually quiet; there is no one else in the shop. People who would stop me in the road pa.s.s by without glancing into the murky interior. This is the ideal place; not as n.o.ble as my window opening into the trees, but familiar, reminiscent of days gone by in Dehra, when cares sat lightly upon me simply because I did not care at all. And now perhaps I have begun to care too much.

I gave Bijju a cake. He licked all the icing off it, only then did he eat the rest.

It was a dark windy corner in Landour bazaar, but I always found the old man there, hunched up over the charcoal fire on which he roasted his peanuts. He'd been there for as long as I could remember, and he could be seen at almost any hour of the day or night. Summer or winter, he stayed close to his fire.

He was probably quite tall, but we never saw him standing up. One judged his height from his long, loose limbs. He was very thin, and the high cheekbones added to the tautness of his tightly stretched skin.

His peanuts were always fresh, crisp and hot. They were popular with the small boys who had a few paise to spend on their way to and from school, and with the patrons of the cinemas, many of whom made straight for the windy corner during intervals or when the show was over. On cold winter evenings, or misty monsoon days, there was always a demand for the old man's peanuts.

No one knew his name. No one had ever thought of asking him for it. One just took him for granted. He was as fixed a landmark as the clock tower or the old cherry tree that grew crookedly from the hillside. The tree was always being lopped; the clock often stopped. The peanut vendor seemed less perishable than the tree, more dependable than the clock.

He had no family, but in a way all the world was his family, because he was in continuous contact with people. And yet he was a remote sort of being; always polite, even to children, but never familiar. There is a distinction to be made between aloneness and loneliness. The peanut vendor was seldom alone; but he must have been lonely.

Summer nights he rolled himself up in a thin blanket and slept on the ground, beside the dying embers of his fire. During the winter, he waited until the last show was over, before retiring to the rickshaw-coolies' shed where there was some protection from the biting wind.

Did he enjoy being alive? I wonder now. He was not a joyful person; but then, neither was he miserable. I should think he was a genuine stoic, one of those who do not attach overmuch importance to themselves, who are emotionally uninvolved, content with their limitations, their dark corners. I wanted to get to know the old man better, to sound him out on the immense questions involved in roasting peanuts all his life; but it's too late now. The last time I visited the bazaar the dark corner was deserted; the old man had vanished; the coolies had carried him down to the cremation ground.

'He died in his sleep,' said the tea-shop owner. 'He was very old.'

Very old. Sufficient reason to die.

But that corner is very empty, very dark, and whenever I pa.s.s it I am haunted by visions of the old peanut vendor, troubled by the questions I failed to ask; and I wonder if he was really as indifferent to life as he appeared to be.

Prem brought his wife some of her favourite mangoes. This afternoon he took her into my room so that she could listen to the radio. They both fell asleep at opposite ends of the bed; are still asleep as I write this in the next room, at my window. If I curled up a little, I could fall asleep here on the window seat. Nothing would induce me to disturb those innocents; they look far too blissful in their slumbers.

Kailash and I are caught in a storm and it's by far the worst storm of the year. To make matters worse, there is absolutely no shelter for a mile along the main road from the town. It was fierce, las.h.i.+ng rain, quite cold, whipping along on the wind from all angles. The road was soon a torrent of muddy water, as earth and stones came rus.h.i.+ng down the hillsides. Our one umbrella was useless and was very nearly blown away. The cardboard carton in which we were carrying vegetables was soon reduced to pulp. We broke into a run, although we could hardly see our way. There were blinding flashes of lightning-is an umbrella a good or a bad conductor of electricity? Kailash sees humour in these situations and was in peals of laughter all the way home, even when we slid into a ditch.

He takes my hand and holds it between his hands. He is happy. He has got his self-confidence back, and can now deal with his uncles and Sanskrit teachers.

In the morning I work on a story. There is a dove cooing in the garden. Now it is very quiet, the only sound is the distant tapping of a woodp.e.c.k.e.r. The trees are m.u.f.fled in ferns and creepers. It is mid-monsoon.

Kailash, his hair falling in an untidy mop across his forehead, drags me out of the house and over the wet green gra.s.s on the hillside. I protest that I do not like leeches, so we make for the high rocks. He laughs, talks, chuckles, and when he grins his large front teeth make him look like a 1940s' Mickey Rooney. When he looks sullen (this happens when he talks about his uncle), he looks Brando-ish. He has the gift of being able to convey his effervescence to me. Am I, at thirty-eight, too old to be gambolling about on the hill slopes like a young colt? (Am I, sobering thought, going to be a character of enforced youthfulness like the man on the boat in Death in Venice? Well, better that than the Gissing hero of New Grub Street who's old at forty.) If I am fit enough to gambol, then I must gambol. If I can still climb a tree, then I must climb trees, instead of just watching them from my window. I was in such high spirits yesterday that I kept playing the clown, and I haven't done this in years. To walk in the rain was fun, and to get wet was fun, and to fall down was fun, and to get hurt was fun.

'Will it last?' asks Kailash.

'This feeling of love between us?'

'This won't last. Not in this way. But if something like it lasts, we should be happy.'

Prem is happy, laughing, giggling all the time. Sometimes it is a little annoying for me, because he is obviously unaware of what is happening around him-such as the fact that part of the roof blew away in the storm-but I am a good Taoist, I say nothing, I wait for the right moment! Besides, it's a crime to interfere with anyone's happiness.

Prem notices the roof is missing and scolds his wife for seeing too many pictures. 'She's seen ten pictures in two months. More than she'd seen in her whole life, before coming here.' She pulls a face. Says Prem: 'My grandfather will be here any day to take her home.'

'Then she can see pictures with your grandfather,' I venture. 'While we repair the roof.'

'I wouldn't go anywhere with that old man,' she says.

'Don't speak like that of my grandfather. Do you want a beating? Look at Binya'-we all look at Binya, who is perched very prettily on the wall-'she hasn't seen more than two pictures in her life!'

'I'll take her to the pictures,' I offer.

Binya gives me a radiant smile. She'd love to go to the pictures, but her mother won't allow it.

Prem relents and takes his wife to the pictures.

Binya's mother has a bad attack of hiccups. Serves her right, for stealing my walnuts and not letting me take Binya to the pictures.

In the evening I find Prem teaching his wife the alphabet, using the kitchen door as a blackboard. It is covered with chalk marks. Love is teaching your wife to read and write!

These entries were made in 1973, twenty years ago.

The following year I did not keep a journal, but these are some of the things that happened: Sir E had a stroke and, like a stranded whale, finally heaved his last breath. According to his wishes, he was cremated on his farm near Dehra.

To Prem and Chandra was born a son, Rakesh, who immediately stole my heart-and gave me many a sleepless night, for as a baby he cried l.u.s.tily.

Kailash went into the army and disappeared from my life, as well as from his uncle's.

Bijju and Binya were to remain a part of the hillside for several years.

*This story was called 'The Blue Umbrella'.

*Not Nelson's song originally, but he sang it better than anyone else.

*This was before the advent of audiotapes.

*When The Room on the Roof was published (1956).

Voting at Barlowganj.

I AM STANDING under the deodars, waiting for a taxi. Devilal, one of the candidates in the civic election, is offering free rides to all his supporters, to ensure that they get to the polls in time. I have a.s.sured him that I prefer walking but he does not believe me; he fears that I will settle down with a bottle of beer rather than walk the two miles to the Barlowganj polling station to cast my vote. He has gone to the expense of engaging a taxi for the day just to make certain of lingerers like me. He a.s.sures me that he is not using unfair means-most of the other candidates are doing the same thing.

It is a cloudy day, promising rain, so I decide I will wait for the taxi. It has been plying since 6 a.m., and now it is ten o'clock. It will continue plying up and down the hill till 4 p.m. and by that time it will have cost Devilal over a hundred rupees.

Here it comes. The driver-like most of our taxi drivers, a Sikh-sees me standing at the gate, screeches to a sudden stop, and opens the door. I am about to get in when I notice that the windscreen carries a sticker displaying the Congress symbol of the cow and calf. Devilal is an Independent, and has adopted a c.o.c.k bird as his symbol.

'Is this Devilal's taxi?' I ask.

'No, it's the Congress taxi,' says the driver.

'I'm sorry,' I say. 'I don't know the Congress candidate.'

'That's all right,' he says agreeably; he isn't a local man and has no interest in the outcome of the election. 'Devilal's taxi will be along any minute now.'

He moves off, looking for the Congress voters on whose behalf he has been engaged. I am glad that the candidates have had to adopt different symbols; it has saved me the embarra.s.sment of turning up in a Congress taxi, only to vote for an Independent. But the real reason for using symbols is to help illiterate voters know whom they are voting for when it comes to putting their papers in the ballot box. All through the hill station's mini-election campaign, posters have been displaying candidates' symbols-a car, a radio, a c.o.c.k bird, a tiger, a lamp-and the narrow, winding roads resound to the cries of children who are paid to shout, 'Vote for the Radio!' or 'Vote for the c.o.c.k!'

Presently my taxi arrives. It is already full, having picked up others on the way, and I have to squeeze in at the back with a stout lalain and her bony husband, the local ration-shop owner. Sitting up front, near the driver, is Vinod, a poor, ragged, quite happy-go-lucky youth, who contrives to turn up wherever I happen to be, and frequently involves himself in my activities. He gives me a namaste and a wide grin.

'What are you doing here?' I ask him.

'Same as you, Bond sahib. Voting. Maybe Devilal will give me a job if he wins.'

'But you already have a job. I thought you were the games-boy at the school.'

'That was last month, Bond sahib.'

'They kicked you out?'

'They asked me to leave.'

The taxi gathers speed as it moves smoothly down the winding hill road. The driver is in a hurry; the more trips he makes, the more money he collects. We swerve round sharp corners, and every time the lalain's chubby hands, covered with heavy bangles and rings, clutch at me for support. She and her husband are voting for Devilal because they belong to the same caste; Vinod is voting for him in the hope of getting a job; I am voting for him because I like the man. I find him simple, courteous and ready to listen to complaints about drains, street lighting and wrongly a.s.sessed taxes. He even tries to do something about these things. He is a tall, cadaverous man, with paan-stained teeth; no Nixon, Heath or Indira Gandhi; but he knows that Barlowganj folk care little for appearances.

Barlowganj is a small ward (one of four in the hill station of Mussoorie); it has about 1,000 voters. An election campaign has, therefore, to be conducted on a person-to-person basis. There is no point in haranguing a crowd at a street corner; it would be a very small crowd. The only way to canva.s.s support is to visit each voter's house and plead one's cause personally. This means making a lot of promises with a perfectly straight face.

The bazaar and village of Barlowganj crouch in a vale on the way down the mountain to Dehra. The houses on either side of the road are nearly all English-looking, most of them built before the turn of the century. The bazaar is Indian, charming and quite prosperous: tailors sit cross-legged before their sewing machines, turning out blazers and tight trousers for the well-to-do students who attend the many public schools that still thrive here; halwais-potbellied sweet vendors-spend all day sitting on their haunches in front of giant frying pans; and coolies carry huge loads of timber or cement or grain up the steep hill paths.

Who was Barlow, and how did the village get his name? A search through old guides and gazetteers has given me no clue. Perhaps he was a revenue superintendent or a surveyor, who came striding up from the plains in the 1830s to build a hunting lodge in this pleasantly wooded vale. That was how most hill stations began. The police station, the little Church of the Resurrection, and the ruined brewery were among the earliest buildings in Barlowganj.

The brewery is a mound of rubble, but the road that came into existence to serve the needs of the old Crown Brewery is the one that now serves our taxi. Buckle and Co.'s 'Bullock Train' was the chief means of transport in the old days. Mr Bohle, one of the pioneers of brewing in India, started the 'Old Brewery' at Mussoorie in 1830. Two years later he got into trouble with the authorities for supplying beer to soldiers without permission; he had to move elsewhere.

But the great days of the brewery business really began in 1876, when everyone suddenly acclaimed a much-improved brew. The source was traced to Vat 42 in Whymper's Crown Brewery (the one whose ruins we are now pa.s.sing), and the beer was retasted and retested until the diminis.h.i.+ng level of the barrel revealed the perfectly brewed remains of a soldier who had been reported missing some months previously. He had evidently fallen into the vat and been drowned and, unknown to himself, had given the Barlowganj beer trade a real fillip. Apocryphal though this story may sound, I have it on the authority of the owner of the now defunct Mafasalite Press who, in a short account of Mussoorie, wrote that 'meat was thereafter recognized as the missing component and was scrupulously added till more modern, and less cannibalistic, means were discovered to satiate the froth-blower'.

Recently, confirmation came from an old India hand now living in London. He wrote to me reminiscing of early days in the hill station and had this to say: Uncle Georgie Forster was working for the Crown Brewery when a coolie fell in. Coolies were employed to remove sc.u.m etc. from the vats. They walked along planks suspended over the vats. Poor devil must have slipped and fallen in. Uncle often told us about the incident and there was no doubt that the beer tasted very good.

What with soldiers and coolies falling into the vats with seeming regularity, one wonders whether there may have been more to these accidents than met the eye. I have a nagging suspicion that Whymper and Buckle may have been the Burke and Hare of Mussoorie's beer industry.

But no beer is made in Mussoorie today, and Devilal probably regrets the pa.s.sing of the breweries as much as I do. Only the walls of the breweries remain, and these are several feet thick. The roofs and girders must have been removed for use in other buildings. Moss and sorrel grow in the old walls, and wildcats live in dark corners protected from rain and wind.

We have taken the sharpest curves and steepest gradients, and now our taxi moves smoothly along a fairly level road which might pa.s.s for a country lane in England were it not for the clumps of bamboo on either side.

A mist has come up the valley to settle over Barlowganj, and out of the mist looms an imposing mansion, Sikander Hall, which is still owned and occupied by the Skinners, descendants of Colonel James Skinner who raised a body of Irregular Horse for the Marathas. This was absorbed by the East India Company's forces in 1803. The cavalry regiment is still known as Skinner's Horse, but of course it is a tank regiment now. Skinner's troops called him 'Sikander' (a corruption of both Skinner and Alexander), and that is the name his property bears. The Skinners who live here now have, quite sensibly, gone in for keeping pigs and poultry.

The next house belongs to the Raja of K but he is unable to maintain it on his diminis.h.i.+ng privy purse, and it has been rented out as an ashram for members of a saffron-robed sect who would rather meditate in the hills than in the plains. There was a time when it was only the sahibs and rajas who could afford to spend the entire 'season' in Mussoorie. The new rich are the industrialists and maharis.h.i.+s. The coolies and rickshaw pullers are no better off than when I was a boy in Mussoorie. They still carry or pull the same heavy loads, for the same pittance, and seldom attain the age of forty. Only their clientele has changed.

One more gate, and here is Colonel Powell in his khaki bush s.h.i.+rt and trousers, a uniform that never varies with the seasons. He is an old s.h.i.+kari; once wrote a book called The Call of the Tiger. He is too old for hunting now, but likes to yarn with me when we meet on the road. His wife has gone home to England, but he does not want to leave India.

'It's the mountains,' he was telling me the other day. 'Once the mountains are in your blood, there is no escape. You have to come back again and again. I don't think I'd like to die anywhere else.'

Today there is no time to stop and chat. The taxi driver, with a vigorous blowing of his horn, takes the car round the last bend, and then through the village and narrow bazaar of Barlowganj, stopping about a hundred yards from the polling stations.

There is a festive air about Barlowganj today, I have never seen so many people in the bazaar. Bunting, in the form of rival posters and leaflets, is strung across the street. The tea shops are doing a roaring trade. There is much last-minute canva.s.sing, and I have to run the gamut of various candidates and their agents. For the first time I learn the names of some of the candidates. In all, seven men are competing for this seat.

A schoolboy, smartly dressed and speaking English, is the first to accost me. He says: 'Don't vote for Devilal, sir. He's a big crook. Vote for Jatinder! See, sir, that's his symbol-the bow and arrow.'

'I shall certainly think about the bow and arrow,' I tell him politely.

Another agent, a man, approaches, and says, 'I hope you are going to vote for the Congress candidate.'

'I don't know anything about him,' I say.