BestLightNovel.com

The Writer on the Hill Part 9

The Writer on the Hill - BestLightNovel.com

You’re reading novel The Writer on the Hill Part 9 online at BestLightNovel.com. Please use the follow button to get notification about the latest chapter next time when you visit BestLightNovel.com. Use F11 button to read novel in full-screen(PC only). Drop by anytime you want to read free – fast – latest novel. It’s great if you could leave a comment, share your opinion about the new chapters, new novel with others on the internet. We’ll do our best to bring you the finest, latest novel everyday. Enjoy

'At least I won't be like Uncle Bill,' I said. 'Fancy poisoning people! If I kill anyone, it will be in a fair fight. I suppose they'll hang Uncle?'

'Oh, I hope not!'

Grandmother was silent. Uncle Bill was her stepson but she did have a soft spot for him. Aunt Mabel, his sister, thought he was wonderful. I had always considered him to be a bit soft but had to admit that he was generous. I tried to imagine him dangling at the end of a hangman's rope but somehow he didn't fit the picture.

As things turned out, he didn't hang. White people in India seldom got the death sentence, although the hangman was pretty busy disposing of dacoits and political terrorists. Uncle Bill was given a life sentence and settled down to a sedentary job in the prison library at Naini, near Allahabad. His gifts as a male nurse went unappreciated. They did not trust him in the hospital.

He was released after seven or eight years, shortly after the country became an independent republic. He came out of gaol to find that the British were leaving, either for England or the remaining colonies. Grandmother was dead. Aunt Mabel and her husband had settled in South Africa. Uncle Bill realized that there was little future for him in India and followed his sister out to Johannesburg. I was in my last year at boarding school. After my father's death my mother had married an Indian and now my future lay in India.

I did not see Uncle Bill after his release from prison and no one dreamt that he would ever turn up again in India.

In fact fifteen years were to pa.s.s before he came back, and by then I was in my early thirties, the author of a book that had become something of a best-seller. The previous fifteen years had been a struggle-the sort of struggle that every young freelance writer experiences-but at last the hard work was paying off and the royalties were beginning to come in.

I was living in a small cottage on the outskirts of the hill station of Fosterganj, working on another book, when I received an unexpected visitor.

He was a thin, stooped, grey-haired man in his late fifties with a straggling moustache and discoloured teeth. He looked feeble and harmless but for his eyes which were a pale cold blue. There was something slightly familiar about him.

'Don't you remember me?' he asked. 'Not that I really expect you to, after all these years...'

'Wait a minute. Did you teach me at school?'

'No-but you're getting warm.' He put his suitcase down and I glimpsed his name on the airlines label. I looked up in astonishment. 'You're not-you couldn't be...'

'Your Uncle Bill,' he said with a grin and extended his hand. 'None other!' And he sauntered into the house.

I must admit that I had mixed feelings about his arrival. While I had never felt any dislike for him, I hadn't exactly approved of what he had done. Poisoning, I felt, was a particularly reprehensible way of getting rid of inconvenient people. Not that I could think of any commendable ways of getting rid of them! Still, it had happened a long time ago, he'd been punished, and presumably he was a reformed character.

'And what have you been doing all these years?' he asked me, easing himself into the only comfortable chair in the room.

'Oh, just writing,' I said.

'Yes, I heard about your last book. It's quite a success, isn't it?'

'It's doing quite well. Have you read it?'

'I don't do much reading.'

'And what have you been doing all these years, Uncle Bill?'

'Oh, knocking about here and there. Worked for a soft drink company for some time. And then with a drug firm. My knowledge of chemicals was useful.'

'Weren't you with Aunt Mabel in South Africa?'

'I saw quite a lot of her until she died a couple of years ago. Didn't you know?'

'No. I've been out of touch with relatives.' I hoped he'd take that as a hint. 'And what about her husband?'

'Died too, not long after. Not many of us left, my boy. That's why, when I saw something about you in the papers, I thought-why not go and see my only nephew again?'

'You're welcome to stay a few days,' I said quickly. 'Then I have to go to Bombay.' (This was a lie but I did not relish the prospect of looking after Uncle Bill for the rest of his days.) 'Oh, I won't be staying long,' he said. 'I've got a bit of money put by in Johannesburg. It's just that-so far as I know-you're my only living relative and I thought it would be nice to see you again.'

Feeling relieved, I set about trying to make Uncle Bill as comfortable as possible. I gave him my bedroom and turned the window seat into a bed for myself. I was a hopeless cook but, using all my ingenuity, I scrambled some eggs for supper. He waved aside my apologies. He'd always been a frugal eater, he said. Eight years in gaol had given him a cast-iron stomach.

He did not get in my way but left me to my writing and my lonely walks. He seemed content to sit in the spring suns.h.i.+ne and smoke his pipe.

It was during our third evening together that he said, 'Oh, I almost forgot. There's a bottle of sherry in my suitcase. I brought it especially for you.'

'That was very thoughtful of you, Uncle Bill. How did you know I was fond of sherry?'

'Just my intuition. You do like it, don't you?'

'There's nothing like a good sherry.'

He went to his bedroom and came back with an unopened bottle of South African sherry.

'Now you just relax near the fire,' he said agreeably. 'I'll open the bottle and fetch gla.s.ses.'

He went to the kitchen while I remained near the electric fire, flipping through some journals. It seemed to me that Uncle Bill was taking rather a long time. Intuition must be a family trait because it came to me quite suddenly-the thought that Uncle Bill might be intending to poison me.

After all, I thought, here he is after nearly fifteen years, apparently for purely sentimental reasons. But I had just published a best-seller. And I was his nearest relative. If I was to die Uncle Bill could lay claim to my estate and probably live comfortably on my royalties for the next five or six years!

What had really happened to Aunt Mabel and her husband, I wondered. And where did Uncle Bill get the money for an air ticket to India?

Before I could ask myself any more questions, he reappeared with the gla.s.ses on a tray. He set the tray on a small table that stood between us. The gla.s.ses had been filled. The sherry sparkled.

I stared at the gla.s.s nearest me, trying to make out if the liquid in it was cloudier than that in the other gla.s.s. But there appeared to be no difference.

I decided I would not take any chances. It was a round tray, made of smooth Kashmiri walnut wood. I turned it round with my index finger, so that the gla.s.ses changed places.

'Why did you do that?' asked Uncle Bill.

'It's a custom in these parts. You turn the tray with the sun, a complete revolution. It brings good luck.'

Uncle Bill looked thoughtful for a few moments, then said, 'Well, let's have some more luck,' and turned the tray around again.

'Now you've spoilt it,' I said. 'You're not supposed to keep revolving it! That's bad luck. I'll have to turn it about again to cancel out the bad luck.'

The tray swung round once more and Uncle Bill had the gla.s.s that was meant for me.

'Cheers!' I said and drank from my gla.s.s.

It was good sherry.

Uncle Bill hesitated. Then he shrugged, said 'Cheers' and drained his gla.s.s quickly.

But he did not offer to fill the gla.s.ses again.

Early next morning he was taken violently ill. I heard him retching in his room and I got up and went to see if there was anything I could do. He was groaning, his head hanging over the side of the bed. I brought him a basin and a jug of water.

'Would you like me to fetch a doctor?' I asked.

He shook his head. 'No, I'll be all right. It must be something I ate.'

'It's probably the water. It's not too good at this time of the year. Many people come down with gastric trouble during their first few days in Fosterganj.'

'Ah, that must be it,' he said and doubled up as a fresh spasm of pain and nausea swept over him.

He was better by evening-whatever had gone into the gla.s.s must have been by way of the preliminary dose and a day later he was well enough to pack his suitcase and announce his departure. The climate of Fosterganj did not agree with him, he told me.

Just before he left, I said: 'Tell me, Uncle, why did you drink it?'

'Drink what? The water?'

'No, the gla.s.s of sherry into which you'd slipped one of your famous powders.'

He gaped at me, then gave a nervous whinnying laugh. 'You will have your little joke, won't you?'

'No, I mean it,' I said. 'Why did you drink the stuff? It was meant for me, of course.'

He looked down at his shoes, then gave a little shrug and turned away.

'In the circ.u.mstances,' he said, 'it seemed the only decent thing to do.'

I'll say this for Uncle Bill: he was always the perfect gentleman.

The Last Time I Saw Delhi.

I'D HAD THIS old and faded negative with me for a number of years and had never bothered to make a print from it. It was a picture of my maternal grandparents. I remembered my grandmother quite well, because a large part of my childhood had been spent in her house in Dehra after she had been widowed; but although everyone said she was fond of me, I remembered her as a stern, somewhat aloof person, of whom I was a little afraid.

I hadn't kept many family pictures and this negative was yellow and spotted with damp.

Then last week, when I was visiting my mother in hospital in Delhi, while she awaited her operation, we got talking about my grandparents, and I remembered the negative and decided I'd make a print for my mother.

When I got the photograph and saw my grandmother's face for the first time in twenty-five years, I was immediately struck by my resemblance to her. I have, like her, lived a rather spartan life, happy with my one room, just as she was content to live in a room of her own while the rest of the family took over the house! And like her, I have lived tidily. But I did not know the physical resemblance was so close-the fair hair, the heavy build, the wide forehead. She looks more like me than my mother!

In the photograph she is seated on her favourite chair, at the top of the veranda steps, and Grandfather stands behind her in the shadows thrown by a large mango tree which is not in the picture. I can tell it was a mango tree because of the pattern the leaves make on the wall. Grandfather was a slim, trim man, with a drooping moustache that was fas.h.i.+onable in the 1920s. By all accounts he had a mischievous sense of humour, although he looks unwell in the picture. He appears to have been quite swarthy. No wonder he was so successful in dressing up 'native' style and pa.s.sing himself off as a street vendor. My mother tells me he even took my grandmother in on one occasion, and sold her a basketful of bad oranges. His character was in strong contrast to my grandmother's rather forbidding personality and Victorian sense of propriety; but they made a good match.

So here's the picture, and I am taking it to show my mother who lies in the Lady Hardinge Hospital, awaiting the removal of her left breast.

It is early August and the day is hot and sultry. It rained during the night, but now the sun is out and the sweat oozes through my s.h.i.+rt as I sit in the back of a stuffy little taxi taking me through the suburbs of Greater New Delhi.

On either side of the road are the houses of well-to-do Punjabis who came to Delhi as refugees in 1947 and now make up more than half the capital's population. Industrious, flashy, go-ahead people. Thirty years ago, fields extended on either side of this road as far as the eye could see. The Ridge, an outcrop of the Aravallis, was scrub jungle, in which the blackbuck roamed. Feroz Shah's fourteenth-century hunting lodge stood here in splendid isolation. It is still here, hidden by petrol pumps and lost in the sounds of buses, cars, trucks and scooter rickshaws. The peac.o.c.k has fled the forest, the blackbuck is extinct. Only the jackal remains. When, a thousand years from now, the last human has left this contaminated planet for some other star, the jackal and the crow will remain, to survive for years on all the refuse we leave behind.

It is difficult to find the right entrance to the hospital, because for about a mile along the Panchkuian Road the pavement has been obliterated by tea shops, furniture shops, and piles of acc.u.mulated junk. A public hydrant stands near the gate, and dirty water runs across the road.

I find my mother in a small ward. It is a cool, dark room, and a ceiling fan whirrs pleasantly overhead. A nurse, a dark, pretty girl from the South, is attending to my mother. She says, 'In a minute,' and proceeds to make an entry on a chart.

My mother gives me a wan smile and beckons me to come nearer. Her cheeks are slightly flushed, due possibly to fever, otherwise she looks her normal self. I find it hard to believe that the operation she will have tomorrow will only give her, at the most, another year's lease on life.

I sit at the foot of her bed. This is my third visit since I flew back from Jersey, using up all my savings in the process; and I will leave after the operation, not to fly away again, but to return to the hills which have always called me back.

'How do you feel?' I ask.

'All right. They say they will operate in the morning. They've stopped my smoking.'

'Can you drink? Your rum, I mean?'

'No. Not until a few days after the operation.'

She has a fair amount of grey in her hair, natural enough at fifty-four. Otherwise she hasn't changed much; the same small chin and mouth, lively brown eyes. Her father's face, not her mother's.

The nurse has left us. I produce the photograph and hand it to my mother.

'The negative was lying with me all these years. I had it printed yesterday.'

'I can't see without my gla.s.ses.'

The gla.s.ses are lying on the locker near her bed. I hand them to her. She puts them on and studies the photograph.

'Your grandmother was always very fond of you.'

'It was hard to tell. She wasn't a soft woman.'

'It was her money that got you to Jersey, when you finished school. It wasn't much, just enough for the ticket.'

'I didn't know that.'

'The only person who ever left you anything. I'm afraid I've nothing to leave you, either.'

'You know very well that I've never cared a d.a.m.n about money. My father taught me to write. That was inheritance enough.'

'And what did I teach you?'

'I'm not sure... Perhaps you taught me how to enjoy myself now and then.'

She looked pleased at this. 'Yes, I've enjoyed myself between troubles. But your father didn't know how to enjoy himself. That's why we quarrelled so much. And finally separated.'

'He was much older than you.'

'You've always blamed me for leaving him, haven't you?'

'I was very small at the time. You left us suddenly. My father had to look after me, and it wasn't easy for him. He was very sick. Naturally I blamed you.'

Please click Like and leave more comments to support and keep us alive.

RECENTLY UPDATED MANGA

The Writer on the Hill Part 9 summary

You're reading The Writer on the Hill. This manga has been translated by Updating. Author(s): Ruskin Bond. Already has 692 views.

It's great if you read and follow any novel on our website. We promise you that we'll bring you the latest, hottest novel everyday and FREE.

BestLightNovel.com is a most smartest website for reading manga online, it can automatic resize images to fit your pc screen, even on your mobile. Experience now by using your smartphone and access to BestLightNovel.com