Seven Men Part 2

Frank Harris had engaged me to kick up my heels in The Sat.u.r.day Review, Alfred Harmsworth was letting me do likewise in The Daily Mail. I was just what Soames wasn't. And he shamed my gloss. Had I known that he really and firmly believed in the greatness of what he as an artist had achieved, I might not have shunned him. No man who hasn't lost his vanity can be held to have altogether failed. Soames' dignity was an illusion of mine. One day in the first week of June, 1897, that illusion went. But on the evening of that day Soames went too.

I had been out most of the morning, and, as it was too late to reach home in time for luncheon, I sought 'the Vingtieme.' This little place--Restaurant du Vingtieme Siecle, to give it its full t.i.tle--had been discovered in '96 by the poets and prosaists, but had now been more or less abandoned in favour of some later find. I don't think it lived long enough to justify its name; but at that time there it still was, in Greek Street, a few doors from Soho Square, and almost opposite to that house where, in the first years of the century, a little girl, and with her a boy named De Quincey, made nightly encampment in darkness and hunger among dust and rats and old legal parchments. The Vingtieme was but a small whitewashed room, leading out into the street at one end and into a kitchen at the other. The proprietor and cook was a Frenchman, known to us as Monsieur Vingtieme; the waiters were his two daughters, Rose and Berthe; and the food, according to faith, was good. The tables were so narrow, and were set so close together, that there was s.p.a.ce for twelve of them, six jutting from either wall.

Only the two nearest to the door, as I went in, were occupied. On one side sat a tall, flashy, rather Mephistophelian man whom I had seen from time to time in the domino room and elsewhere. On the other side sat Soames. They made a queer contrast in that sunlit room--Soames sitting haggard in that hat and cape which nowhere at any season had I seen him doff, and this other, this keenly vital man, at sight of whom I more than ever wondered whether he were a diamond merchant, a conjurer, or the head of a private detective agency. I was sure Soames didn't want my company; but I asked, as it would have seemed brutal not to, whether I might join him, and took the chair opposite to his. He was smoking a cigarette, with an untasted salmi of something on his plate and a half-empty bottle of Sauterne before him; and he was quite silent. I said that the preparations for the Jubilee made London impossible. (I rather liked them, really.) I professed a wish to go right away till the whole thing was over. In vain did I attune myself to his gloom. He seemed not to hear me nor even to see me. I felt that his behaviour made me ridiculous in the eyes of the other man. The gangway between the two rows of tables at the Vingtieme was hardly more than two feet wide (Rose and Berthe, in their ministrations, had always to edge past each other, quarrelling in whispers as they did so), and any one at the table abreast of yours was practically at yours. I thought our neighbour was amused at my failure to interest Soames, and so, as I could not explain to him that my insistence was merely charitable, I became silent.

Without turning my head, I had him well within my range of vision. I hoped I looked less vulgar than he in contrast with Soames. I was sure he was not an Englishman, but what WAS his nationality? Though his jet-black hair was en brosse, I did not think he was French. To Berthe, who waited on him, he spoke French fluently, but with a hardly native idiom and accent. I gathered that this was his first visit to the Vingtieme; but Berthe was off-hand in her manner to him: he had not made a good impression. His eyes were handsome, but--like the Vingtieme's tables--too narrow and set too close together. His nose was predatory, and the points of his moustache, waxed up beyond his nostrils, gave a fixity to his smile. Decidedly, he was sinister. And my sense of discomfort in his presence was intensified by the scarlet waistcoat which tightly, and so unseasonably in June, sheathed his ample chest.

This waistcoat wasn't wrong merely because of the heat, either. It was somehow all wrong in itself. It wouldn't have done on Christmas morning.

It would have struck a jarring note at the first night of 'Hernani.'

I was trying to account for its wrongness when Soames suddenly and strangely broke silence. 'A hundred years hence!' he murmured, as in a trance.

'We shall not be here!' I briskly but fatuously added.

'We shall not be here. No,' he droned, 'but the Museum will still be just where it is. And the reading-room, just where it is. And people will be able to go and read there.' He inhaled sharply, and a spasm as of actual pain contorted his features.

I wondered what train of thought poor Soames had been following. He did not enlighten me when he said, after a long pause, 'You think I haven't minded.'

'Minded what, Soames?'

'Neglect. Failure.'

'FAILURE?' I said heartily. 'Failure?' I repeated vaguely.

'Neglect--yes, perhaps; but that's quite another matter. Of course you haven't been--appreciated. But what then? Any artist who--who gives--'

What I wanted to say was, 'Any artist who gives truly new and great things to the world has always to wait long for recognition'; but the flattery would not out: in the face of his misery, a misery so genuine and so unmasked, my lips would not say the words.

And then--he said them for me. I flushed. 'That's what you were going to say, isn't it?' he asked.

'How did you know?'

'It's what you said to me three years ago, when "Fungoids" was published.' I flushed the more. I need not have done so at all, for 'It's the only important thing I ever heard you say,' he continued.

'And I've never forgotten it. It's a true thing. It's a horrible truth.

But--d'you remember what I answered? I said "I don't care a sou for recognition." And you believed me. You've gone on believing I'm above that sort of thing. You're shallow. What should YOU know of the feelings of a man like me? You imagine that a great artist's faith in himself and in the verdict of posterity is enough to keep him happy.... You've never guessed at the bitterness and loneliness, the'--his voice broke; but presently he resumed, speaking with a force that I had never known in him. 'Posterity! What use is it to ME? A dead man doesn't know that people are visiting his grave--visiting his birthplace--putting up tablets to him--unveiling statues of him. A dead man can't read the books that are written about him. A hundred years hence! Think of it!

If I could come back to life then--just for a few hours--and go to the reading-room, and READ! Or better still: if I could be projected, now, at this moment, into that future, into that reading-room, just for this one afternoon! I'd sell myself body and soul to the devil, for that! Think of the pages and pages in the catalogue: "SOAMES, ENOCH" endlessly--endless editions, commentaries, prolegomena, biographies'--but here he was interrupted by a sudden loud creak of the chair at the next table. Our neighbour had half risen from his place. He was leaning towards us, apologetically intrusive.

'Excuse--permit me,' he said softly. 'I have been unable not to hear.

Might I take a liberty? In this little restaurant-sans-facon'--he spread wide his hands--'might I, as the phrase is, "cut in"?'

I could but signify our acquiescence. Berthe had appeared at the kitchen door, thinking the stranger wanted his bill. He waved her away with his cigar, and in another moment had seated himself beside me, commanding a full view of Soames.

'Though not an Englishman,' he explained, 'I know my London well, Mr.

Soames. Your name and fame--Mr. Beerbohm's too--very known to me. Your point is: who am _I_?' He glanced quickly over his shoulder, and in a lowered voice said 'I am the Devil.'

I couldn't help it: I laughed. I tried not to, I knew there was nothing to laugh at, my rudeness shamed me, but--I laughed with increasing volume. The Devil's quiet dignity, the surprise and disgust of his raised eyebrows, did but the more dissolve me. I rocked to and fro, I lay back aching. I behaved deplorably.

'I am a gentleman, and,' he said with intense emphasis, 'I thought I was in the company of GENTLEMEN.'

'Don't!' I gasped faintly. 'Oh, don't!'

'Curious, nicht wahr?' I heard him say to Soames. 'There is a type of person to whom the very mention of my name is--oh-so-awfully-funny! In your theatres the dullest comedian needs only to say "The Devil!" and right away they give him "the loud laugh that speaks the vacant mind."

Is it not so?'

I had now just breath enough to offer my apologies. He accepted them, but coldly, and re-addressed himself to Soames.

'I am a man of business,' he said, 'and always I would put things through "right now," as they say in the States. You are a poet. Les affaires--you detest them. So be it. But with me you will deal, eh? What you have said just now gives me furiously to hope.'

Soames had not moved, except to light a fresh cigarette. He sat crouched forward, with his elbows squared on the table, and his head just above the level of his hands, staring up at the Devil. 'Go on,' he nodded. I had no remnant of laughter in me now.

'It will be the more pleasant, our little deal,' the Devil went on, 'because you are--I mistake not?--a Diabolist.'

'A Catholic Diabolist,' said Soames.

The Devil accepted the reservation genially. 'You wish,' he resumed, 'to visit now--this afternoon as-ever-is--the reading-room of the British Museum, yes? but of a hundred years hence, yes? Parfaitement. Time--an illusion. Past and future--they are as ever-present as the present, or at any rate only what you call "just-round-the-corner." I switch you on to any date. I project you--pouf! You wish to be in the reading-room just as it will be on the afternoon of June 3, 1997? You wish to find yourself standing in that room, just past the swing-doors, this very minute, yes? and to stay there till closing time? Am I right?'

Soames nodded.

The Devil looked at his watch. 'Ten past two,' he said. 'Closing time in summer same then as now: seven o'clock. That will give you almost five hours. At seven o'clock--pouf!--you find yourself again here, sitting at this table. I am dining to-night dans le monde--dans le higlif. That concludes my present visit to your great city. I come and fetch you here, Mr. Soames, on my way home.'

'Home?' I echoed.

'Be it never so humble!' said the Devil lightly.

'All right,' said Soames.

'Soames!' I entreated. But my friend moved not a muscle.

The Devil had made as though to stretch forth his hand across the table and touch Soames' forearm; but he paused in his gesture.

'A hundred years hence, as now,' he smiled, 'no smoking allowed in the reading-room. You would better therefore----'

Soames removed the cigarette from his mouth and dropped it into his gla.s.s of Sauterne.

'Soames!' again I cried. 'Can't you'--but the Devil had now stretched forth his hand across the table. He brought it slowly down on--the tablecloth. Soames' chair was empty. His cigarette floated sodden in his wine-gla.s.s. There was no other trace of him.

For a few moments the Devil let his hand rest where it lay, gazing at me out of the corners of his eyes, vulgarly triumphant.

A shudder shook me. With an effort I controlled myself and rose from my chair. 'Very clever,' I said condescendingly. 'But--"The Time Machine"

is a delightful book, don't you think? So entirely original!'

'You are pleased to sneer,' said the Devil, who had also risen, 'but it is one thing to write about an impossible machine; it is a quite other thing to be a Supernatural Power.' All the same, I had scored.

Berthe had come forth at the sound of our rising. I explained to her that Mr. Soames had been called away, and that both he and I would be dining here. It was not until I was out in the open air that I began to feel giddy. I have but the haziest recollection of what I did, where I wandered, in the glaring suns.h.i.+ne of that endless afternoon. I remember the sound of carpenters' hammers all along Piccadilly, and the bare chaotic look of the half-erected 'stands.' Was it in the Green Park, or in Kensington Gardens, or WHERE was it that I sat on a chair beneath a tree, trying to read an evening paper? There was a phrase in the leading article that went on repeating itself in my f.a.gged mind--'Little is hidden from this august Lady full of the garnered wisdom of sixty years of Sovereignty.' I remember wildly conceiving a letter (to reach Windsor by express messenger told to await answer):

'MADAM,--Well knowing that your Majesty is full of the garnered wisdom of sixty years of Sovereignty, I venture to ask your advice in the following delicate matter. Mr. Enoch Soames, whose poems you may or may not know,'....

Was there NO way of helping him--saving him? A bargain was a bargain, and I was the last man to aid or abet any one in wriggling out of a reasonable obligation. I wouldn't have lifted a little finger to save Faust. But poor Soames!--doomed to pay without respite an eternal price for nothing but a fruitless search and a bitter disillusioning....

Odd and uncanny it seemed to me that he, Soames, in the flesh, in the waterproof cape, was at this moment living in the last decade of the next century, poring over books not yet written, and seeing and seen by men not yet born. Uncannier and odder still, that to-night and evermore he would be in h.e.l.l. a.s.suredly, truth was stranger than fiction.

Endless that afternoon was. Almost I wished I had gone with Soames--not indeed to stay in the reading-room, but to sally forth for a brisk sight-seeing walk around a new London. I wandered restlessly out of the Park I had sat in. Vainly I tried to imagine myself an ardent tourist from the eighteenth century. Intolerable was the strain of the slow-pa.s.sing and empty minutes. Long before seven o'clock I was back at the Vingtieme.