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Urban Sketches Part 3

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The Newfoundland dog above alluded to was part of a system of protection which my suburban home once required. Robberies were frequent in the neighborhood, and my only fowl fell a victim to the spoiler's art. One night I awoke, and found a man in my room. With singular delicacy and respect for the feelings of others, he had been careful not to awaken any of the sleepers, and retired upon my rising, without waiting for any suggestion. Touched by his delicacy, I forbore giving the alarm until after he had made good his retreat. I then wanted to go after a policeman, but my wife remonstrated, as this would leave the house exposed. Remembering the gentlemanly conduct of the burglar, I suggested the plan of following him and requesting him to give the alarm as he went in town. But this proposition was received with equal disfavor. The next day I procured a dog and a revolver. The former went off, but the latter wouldn't. I then got a new dog and chained him, and a duelling pistol, with a hair-trigger. The result was so far satisfactory that neither could be approached with safety, and for some time I left them out, indifferently, during the night. But the chain one day gave way, and the dog, evidently having no other attachment to the house, took the opportunity to leave. His place was soon filled by the Newfoundland, whose fidelity and sagacity I have just recorded.

s.p.a.ce is one of the desirable features of my suburban residence. I do not know the number of acres the grounds contain except from the inordinate quant.i.ty of hose required for irrigating. I perform daily, like some gentle shepherd, upon a quarter-inch pipe without any visible result, and have had serious thoughts of contracting with some disbanded fire company for their hose and equipments. It is quite a walk to the wood-house. Every day some new feature of the grounds is discovered.

My youngest boy was one day missing for several hours. His head--a peculiarly venerable and striking object--was at last discovered just above the gra.s.s at some distance from the house. On examination he was found comfortably seated in a disused drain, in company with a silver spoon and a dead rat. On being removed from this locality he howled dismally and refused to be comforted.

The view from my suburban residence is fine. Lone Mountain, with its white obelisks, is a suggestive if not cheering termination of the vista in one direction, while the old receiving vault of Yerba Buena Cemetery limits the view in another. Most of the funerals which take place pa.s.s my house. My children, with the charming imitativeness that belongs to youth, have caught the spirit of these pa.s.sing corteges, and reproduce in the back yard, with creditable skill, the salient features of the lugubrious procession. A doll, from whose features all traces of vitality and expression have been removed, represents the deceased.

Yet unfortunately I have been obliged to promise them more active partic.i.p.ation in this ceremony at some future time, and I fear that they look anxiously forward with the glowing impatience of youth to the speedy removal of some one of my circle of friends. I am told that the eldest, with the unsophisticated frankness that belongs to his age, made a personal request to that effect to one of my acquaintances. One singular result of the frequency of these funerals is the development of a critical and fastidious taste in such matters on the part of myself and family. If I may so express myself, without irreverence, we seldom turn out for anything less than six carriages. Any number over this is usually breathlessly announced by Bridget as, "Here's another, mum,--and a good long one."



With these slight drawbacks my suburban residence is charming. To the serious poet, and writer of elegiac verses, the aspect of Nature, viewed from my veranda, is suggestive. I myself have experienced moments when the "sad mechanic exercise" of verse would have been of infinite relief.

The following stanzas, by a young friend who has been stopping with me for the benefit of his health, addressed to a duck that frequented a small pond in the vicinity of my mansion, may be worthy of perusal. I think I have met the idea conveyed in the first verse in some of Hood's prose, but as my friend a.s.sures me that Hood was too conscientious to appropriate anything not his own, I conclude I am mistaken.

LINES TO A WATER-FOWL.

(Intra Muros.)

I.

Fowl, that sing'st in yonder pool, Where the summer winds blow cool, Are there hydropathic cures For the ills that man endures? Know'st thou Priessnitz? What? alack Hast no other word but "Quack?"

II.

Cleopatra's barge might pale To the splendors of thy tail, Or the stately caravel Of some "high-p.o.o.ped admiral." Never yet left such a wake E'en the navigator Drake!

III.

Dux thou art, and leader, too, Heeding not what's "falling due," Knowing not of debt or dun,--Thou dost heed no bill but one; And, though scarce conceivable, That's a bill Receivable, Made--that thou thy stars mightst thank--Payable at the next bank.

ON A VULGAR LITTLE BOY

The subject of this article is at present leaning against a tree directly opposite to my window. He wears his cap with the wrong side before, apparently for no other object than that which seems the most obvious,--of showing more than the average quant.i.ty of very dirty face.

His clothes, which are worn with a certain b.u.t.tonless ease and freedom, display, in the different quality of their fruit-stains, a pleasing indication of the progress of the seasons. The nose of this vulgar little boy turns up at the end. I have noticed this in several other vulgar little boys, although it is by no means improbable that youthful vulgarity may be present without this facial peculiarity. Indeed, I am inclined to the belief that it is rather the result of early inquisitiveness--of furtive pressures against window-panes, and of looking over fences, or of the habit of biting large apples hastily--than an indication of scorn or juvenile superciliousness. The vulgar little boy is more remarkable for his obtrusive familiarity. It is my experience of his predisposition to this quality which has induced me to write this article.

My acquaintance with him began in a moment of weakness. I have an unfortunate predilection to cultivate originality in people, even when accompanied by objectionable character. But, as I lack the firmness and skilfulness which usually accompany this taste in others, and enable them to drop acquaintances when troublesome, I have surrounded myself with divers unprofitable friends, among whom I count the vulgar little boy. The manner in which he first attracted my attention was purely accidental. He was playing in the street, and the driver of a pa.s.sing vehicle cut at him, sportively, with his whip. The vulgar little boy rose to his feet and hurled after his tormentor a single sentence of invective. I refrain from repeating it, for I feel that I could not do justice to it here. If I remember rightly, it conveyed, in a very few words, a reflection on the legitimacy of the driver's birth; it hinted a suspicion of his father's integrity, and impugned the fair fame of his mother; it suggested incompetency in his present position, personal uncleanliness, and evinced a sceptical doubt of his future salvation. As his youthful lips closed over the last syllable, the eyes of the vulgar little boy met mine. Something in my look emboldened him to wink. I did not repel the action nor the complicity it implied. From that moment I fell into the power of the vulgar little boy, and he has never left me since.

He haunts me in the streets and by-ways. He accosts me, when in the company of friends, with repulsive freedom. He lingers about the gate of my dwelling to waylay me as I issue forth to business. Distance he overcomes by main strength of lungs, and he hails me from the next street. He met me at the theatre the other evening, and demanded my check with the air of a young foot-pad. I foolishly gave it to him, but re-entering some time after, and comfortably seating myself in the parquet, I was electrified by hearing my name called from the gallery with the addition of a playful adjective. It was the vulgar little boy.

During the performance he projected spirally-twisted playbills in my direction, and indulged in a running commentary on the supernumeraries as they entered.

To-day has evidently been a dull one with him. I observe he whistles the popular airs of the period with less shrillness and intensity.

Providence, however, looks not unkindly on him, and delivers into his hands as it were two nice little boys who have at this moment innocently strayed into our street. They are pink and white children, and are dressed alike, and exhibit a certain air of neatness and refinement which is alone sufficient to awaken the antagonism of the vulgar little boy. A sigh of satisfaction breaks from his breast. What does he do? Any other boy would content himself with simply knocking the hats off their respective heads, and so vent his superfluous vitality in a single act, besides precipitating the flight of the enemy. But there are aesthetic considerations not to be overlooked; insult is to be added to the injury inflicted, and in the struggles of the victim some justification is to be sought for extreme measures. The two nice little boys perceive their danger and draw closer to each other. The vulgar little boy begins by irony. He affects to be overpowered by the magnificence of their costume. He addresses me (across the street and through the closed window), and requests information if there haply be a circus in the vicinity. He makes affectionate inquiries after the health of their parents. He expresses a fear of maternal anxiety in regard to their welfare. He offers to conduct them home. One nice little boy feebly retorts; but alas! his correct p.r.o.nunciation; his grammatical exact.i.tude, and his moderate epithets only provoke a scream of derision from the vulgar little boy, who now rapidly changes his tactics.

Staggering under the weight of his vituperation, they fall easy victims to what he would call his "dexter mawley." A wail of lamentation goes up from our street. But as the subject of this article seems to require a more vigorous handling than I had purposed to give it, I find it necessary to abandon my present dignified position, seize my hat, open the front door, and try a stronger method.

WAITING FOR THE s.h.i.+P.

A FORT POINT IDYL.

About an hour's ride from the Plaza there is a high bluff with the ocean breaking uninterruptedly along its rocky beach. There are several cottages on the sands, which look as if they had recently been cast up by a heavy sea. The cultivated patch behind each tenement is fenced in by bamboos, broken spars, and driftwood. With its few green cabbages and turnip-tops, each garden looks something like an aquarium with the water turned off. In fact you would not be surprised to meet a merman digging among the potatoes, or a mermaid milking a sea cow hard by.

Near this place formerly arose a great semaphoric telegraph with its gaunt arms tossed up against the horizon. It has been replaced by an observatory, connected with an electric nerve to the heart of the great commercial city. From this point the incoming s.h.i.+ps are signalled, and again checked off at the City Exchange. And while we are here looking for the expected steamer, let me tell you a story.

Not long ago, a simple, hard-working mechanic had ama.s.sed sufficient by diligent labor in the mines to send home for his wife and two children.

He arrived in San Francisco a month before the time the s.h.i.+p was due, for he was a western man, and had made the overland journey and knew little of s.h.i.+ps or seas or gales. He procured work in the city, but as the time approached he would go to the s.h.i.+pping office regularly every day. The month pa.s.sed, but the s.h.i.+p came not; then a month and a week, two weeks, three weeks, two months, and then a year.

The rough, patient face, with soft lines overlying its hard features, which had become a daily apparition at the s.h.i.+pping agent's, then disappeared. It turned up one afternoon at the observatory as the setting sun relieved the operator from his duties. There was something so childlike and simple in the few questions asked by this stranger, touching his business, that the operator spent some time to explain.

When the mystery of signals and telegraphs was unfolded, the stranger had one more question to ask. "How long might a vessel be absent before they would give up expecting her?" The operator couldn't tell; it would depend on circ.u.mstances. Would it be a year? Yes, it might be a year, and vessels had been given up for lost after two years and had come home. The stranger put his rough hand on the operator's, and thanked him for his "troubil," and went away.

Still the s.h.i.+p came not. Stately clippers swept into the Gate, and merchantmen went by with colors flying, and the welcoming gun of the steamer often reverberated among the hills. Then the patient face, with the old resigned expression, but a brighter, wistful look in the eye, was regularly met on the crowded decks of the steamer as she disembarked her living freight. He may have had a dimly defined hope that the missing ones might yet come this way, as only another road over that strange unknown expanse. But he talked with s.h.i.+p captains and sailors, and even this last hope seemed to fail. When the careworn face and bright eyes were presented again at the observatory, the operator, busily engaged, could not spare time to answer foolish interrogatories, so he went away. But as night fell, he was seen sitting on the rocks with his face turned seaward, and was seated there all that night.

When he became hopelessly insane, for that was what the physicians said made his eyes so bright and wistful, he was cared for by a fellow-craftsman who had known his troubles. He was allowed to indulge his fancy of going out to watch for the s.h.i.+p, in which she "and the children" were, at night when no one else was watching. He had made up his mind that the s.h.i.+p would come in at night. This, and the idea that he would relieve the operator, who would be tired with watching all day, seemed to please him. So he went out and relieved the operator every night!

For two years the s.h.i.+ps came and went. He was there to see the outward-bound clipper, and greet her on her return. He was known only by a few who frequented the place. When he was missed at last from his accustomed spot, a day or two elapsed before any alarm was felt. One Sunday, a party of pleasure-seekers clambering over the rocks were attracted by the barking of a dog that had run on before them. When they came up they found a plainly dressed man lying there dead. There were a few papers in his pocket,--chiefly slips cut from different journals of old marine memoranda,--and his face was turned towards the distant sea.

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Urban Sketches Part 3 summary

You're reading Urban Sketches. This manga has been translated by Updating. Author(s): Bret Harte. Already has 1212 views.

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